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Over land and ice to understand the Overseas.

As Shinola masterfully puts it, “When it comes to excellence, there is no finish line. Only the next lap.” Now on their sixth lap, the Canfield Speedway Lap 06 chronograph is a testament to the growing sophistication of the Detroit-based brand. In this newest iteration of the Canfield model, Shinola remains inspired with racing heritage and the vintage colorways that define that era of automotive sportsmanship. The dial of the Lap 06 is an understated Pea Gravel Green with accents of blue, yellow, and orange on the surrounding tachymeter. These details are enhanced by the two subdials at the 3 and 9 o’clock marks, which are reminiscent of the two-tone wheel design of some of our favorite vintage cars.  The case itself is 44mm in stainless steel and complemented by a heavy coin edge and colorful anodized aluminum collars on the pushbuttons. The strap of the Lap 06 is modeled after perforated driving gloves in a bourbon-colored leather.  This is an automatic chronograph that runs on a Sellita Caliber SW510.BH.A movement, offering just over 60 hours of power. The Canfield Speedway is a culmination of small details and craftsmanship that have come to represent the Detroit brand as they head into their second decade. The Canfield Speedway Lap 06 is now available with a price tag of $2,995. Images from this post: The post Shinola Debuts the Latest Version of their Canfield Speedway Chronograph appeared first on Worn & Wound.

Within sight of the Chicago skyline, I stepped off the gunwale of the 47-foot Seaquest II into Lake Michigan and deflated my buoyancy wing. We’d left the dock in Hammond, Indiana under a moody sky and spitting rain, but after an hour’s cruise, the clouds parted and the lake’s surface flattened out. The sun cast filtered shafts of “God light” onto the skyscrapers in the distance, the last view I saw before descending 50 feet into the blue-green depths. I followed the yellow mooring line down to where it was tied in to an auger on the lake bed. And then, there it was: a ship’s anchor, standing proud of the mud. It was coated with algae and quogga mussels but was unmistakable, looking like the archetypal sailor’s tattoo, with a five-foot shank and one fluke pointing to the surface it hadn’t seen in over a century. An intact anchor on a shipwreck is a thrill for any diver and if I wasn’t already chilled from the 59-degree water I’d have gotten goosebumps. To mark the moment, I looked down at my left wrist. The Benrus Ultra-Deep diving watch nestled under the cuff of my thick glove read 9:14. The Great Lakes, a chain of five huge inland seas that hold over 20% of the world’s freshwater, have provided a connected passage for cargo and passenger vessels since the early 19th century. Ships have carried coal, iron ore, lumber and grain between the American states and Canadian provinces that border the lakes, as well as beyond to Europe through the St. Lawrence...

Plus, a Bulgari Serpenti fit for daily wear, and a quietly classic Spring Drive from Grand Seiko.

SevenFriday returns to its roots with splashes of colour with three new references as the PS3 Chromatic series in blue, green and orange.

Switzerland's no-bullshit, fan-favourite microbrand returns with a sporty new edition of their NB24 chronograph.The post CODE41 NB24 Stratom appeared first on Time+Tide Watches.

It looks identical to its predecessor, but the new cycling features as well as "double-tap" might've put me over the edge.

Twenty-twenty-three marks the 50th anniversary of the passing of the Hong Kong-American martial artist, actor, and cultural icon who tragically died at the age of 32. In honour of Bruce Lee’s legacy, Seiko has launched the Seiko 5 Sports Bruce Lee Limited Edition SPRK39, an affordable sports watch typical of Seiko but with an unusual all-black livery featuring subtle gold accents. Based on its entry-level sports watch, the edition’s launch also coincides with the 55th anniversary of the original Seiko 5 Sports. Retaining the same case and design as the regular production model, this limited edition incorporates Asian themes in its design as a homage to the iconic actor, including a dragon on the dial in a reference to Bruce Lee’s name. Initial thoughts It is perhaps long overdue that Seiko creates a timepiece to commemorate Bruce Lee, who was photographed on several occasions wearing a Seiko 5. The use of traditional Chinese elements are not groundbreaking, and might have even been kitschy, but fortunately an all-black look prevents this from resembling a gaudy souvenir. While this watch does evoke a certain nostalgia, it doesn’t quite have the vintage styling of the Seiko 5 model that Lee himself wore. I would have preferred an edition based the design on that or even other vintage models from the period. That would, however, probably result in a pricier watch that is a vintage remake. Priced at US$495, the Bruce Lee edition is US$135 more expensive than the stand...

The Wyler Vetta Beaux Arts collection’s design language is firmly rooted in its Italian origins.  Love it or hate it, one glance will confirm you’re in the presence of something decidedly different.

Cartier's elegantly curved Tank Cintrée gets a luxurious 950 platinum makeover to celebrate the 100th anniversary of the watch in this most precious of metals.The post Cartier Les Rééditions Tank Cintrée Platinum appeared first on Time+Tide Watches.

There’s a narrative that has emerged around the Ulysse Nardin Freak over the years that its an extremely niche product, and something of a difficult watch to fully wrap your arms around. It’s strange, yes, even avant-garde, but as I’ve spent more time considering the Freak, I’ve come around to the other side of this story. I wonder, how can anyone not love the Freak? Even if it’s not to your specific taste, the Freak is an original, and one of a handful of truly important designs that would set the stage for a generation of interesting, independent watchmaking that we’re still living through today. The Freak might not be for everyone, but everyone should be able to agree that there’s something special about it.  The latest Freak, the Freak [X OPS] is part of the still relatively new Freak X lineup, a collection that aims to make the watch more approachable. Blake went hands-on with a Freak X here, and both the review and video (complete with commentary from a watchmaker) are worth a look if you’re new to the Freak universe. But the gist of the Freak X is relatively easy to understand: it’s smaller than a traditional Freak, and it has a crown. Historically, the Freak was marketed as a watch with “No Dial, No Hands, No Crown.” A curious rallying cry for sure, and a tough thing to picture. But when you see it, it all (kind of) makes sense. For me, the addition of a crown doesn’t feel like too much of a transgression. The visual impression of the Freak...

Can a fan-favorite "Kind of Blue" be upstaged by a new, subtle release from a bold brand?

I stopped using Facebook around 2010. As my first and only social media account, it met my needs for years. I used it to learn about upcoming events, to stay up to date on what shenanigans my friends were getting into, but mostly to communicate. Afterall, it was the dark days prior to unlimited texting. A text was 10 cents. Facebook was free. But then unlimited texting became standard. And, as friends went to different colleges and fell out of touch, suddenly only our mom’s friends were commenting on our photos. It was a sign that Facebook’s usefulness had run its course for us. I, like many others, stepped away.  Some went to Twitter, which had been growing in popularity for a couple years. Others went to Instagram, the hot new photo sharing app that our parents weren’t on yet. I stayed out of it. For an entire decade, I happily sat on the sidelines as social media trends came and went, oblivious to it all. When I discovered horology, my watch world consisted of only two outlets. First, a welcoming group of local enthusiasts that met monthly and maintained a lively group chat. And YouTube, a platform where I could anonymously absorb information to my heart’s content. Marc from Long Island Watch taught me how to size a bracelet and use a bezel, and Marshall at Wristwatch Revival was nice enough to let me watch him service vintage watches. I loved my little self-imposed bubble. Between my anonymity on Youtube and the snobbery-free environment of local meet-ups, my ...

A watch I didn't even know about shows why I keep coming back to Cartier.

The 20 semi-finalists of the Louis Vuitton Watch Prize for Independent Creatives have been announced. An initiative started by the French luxury giant, the prize aims to reward the best independent watchmaking by supporting the winner through a grant and mentorship.  The semi-finalists represent the full range of talent from across the industry and world, with established names such as Strehler and Sarpaneva alongside relative newcomers such as Yosuke Sekiguchi. There is also a range of abilities in this list, from those who are making almost a complete watch under one roof, to those who conceive and then bring together craftspeople to execute. It is reassuring to see such a wide variety in styles and approaches being represented here. Selecting just five to move on to the finals will certainly not be an easy task for the panel of judges. The 20 semi-finalists are:  Tischkalender Sympathique – Andreas Strehler Tourbillon Grand Sport – Auffret Paris Project One – Barrelhand Ultralight 11G – Behrens Tourbillon Classique, Souscription Édition – Deprez Horloger Homage to Harrison One – Felipe Pikullik Part Time – Itay Noy L’Abeille Mécanique – John-Mikaël Flaux Arkhea – Khemea KS 05 Titanium Blue Aventurine – Kross Studio Persée Nuit – Maison Alcée Roots – Narbel & Co Black Hole Tourbillon – Ondřej Berkus Fundamentum – Oscillon RP1 – Régulateur à détente – Pagès Chronographe Rattrapante – Petermann Bédat 119C – Sarauer Horolog...

It’s no surprise that after the successful launch of the Time Eater, the viral collaboration between Louis Erard and Konstantin Chaykin that launched in April, that the two would attempt a follow up. In fact, not only is it not a surprise, it was expected by anyone who paid close attention to the marketing materials we saw earlier this year, which teased another release to come. Well, like the horror movie franchises that this collaboration sometimes evokes, the sequel has come quickly. The Time Eater II: From Dusk to Dawn, is a pair of watches that use the same basic design as the original Time Eater, but in a darker (literally and figuratively) execution. I don’t know if a “Halloween watch” is actually a thing, but given the aesthetic of the new Time Eater and the season we find ourselves in, it makes a strong case.  Like the first drop, this release sees two different versions of the watch in two different case sizes, released alongside one another. Instead of the silvery white dials of the first pair, here we have black (for the 39mm watch) and anthracite (on the larger 42mm version). Both have bright red minute hands that match the major aesthetic shift on these new Time Eaters: a truly gross bloodshot eye hour register. It’s paired with the same sawtooth seconds register at 6:00, and when everything is put together it certainly gives off a spookier vibe, making the original watches with hints of purple and green seem downright playful by comparison.  The ...

As the wave of vintage-inspired watches stretches into its second decade, it’s easy to forget who was at the forefront. Among them was Oris and its Divers Sixty-Five, a collection that has grown to encompass myriad configurations. Customers are spoiled for choice with steel, bronze, and two tone watches in various sizes and with dials ranging from demure to outright fun. Up until 2019 (not counting the Brashear limited edition a year earlier), the Divers Sixty-Five had always been just that: a diver. The Oris Divers Sixty-Five Chronograph has always been quietly competent, but today Oris updates the model. Spoiler: there’s a lot to like. First and foremost, Oris has massaged the case to 40mm, a more palatable size for the mainstream with finer proportions. Thickness is down from 17mm(!) to a more manageable 15.4mm. Gone also are the overtly vintage accents on the bezel edge and throughout the dial. You won’t find any fauxtina lume or gilt text here. Instead, what we have is a truly monochromatic dial and bezel layout. One gets the impression that this is a more serious, if somewhat austere, watch with its foot firmly planted in the modern era. What hasn’t changed is what’s inside: behind the sapphire exhibition caseback beats Oris’ caliber 771 (Sellita 510 base) providing 48-hours of power with automatic and manual winding. You have central chronograph seconds, continuously running seconds at nine o-clock, and a thirty minute counter at three. Water resistance...

Citizen has released a new mechanical watch in their modestly priced range - the Series 8 with a GMT function. Here is our comprehensive review.

It's got classic styling in a more classic case size.

Italian dive watch brand VeriWatch presents a new take on their Octopus 1973, with an internal pulsometer scaleThe post VeriWatch Octopus 1973 appeared first on Time+Tide Watches.

With a towering height of 1.62 m and hefty weight of 40 kg, the one-of-a-kind Space-Time Blade created for Only Watch 2023 undeniably embodies the quintessential Urwerk style in both form and concept. The Space-Time Blade is the only sci-fi, retro-electronic clock in an auction dominated by mechanical wristwatches, proving that Urwerk always does things its own way. Even then the Space-Time Blade is hardly a clock in the conventional sense. It eschews minute and hour hands, and even the outline of a conventional standing clock. Instead it illustrates Urwerk founders Felix Baumgartner and Martin Frei’s fascination with the captivating and vintage technology of Nixie tubes. It will be sold by Christie’s during Only Watch, the charitable auction held every other year to raise funds for research into a cure for Duchenne Muscular Dystrophy. Initial thoughts It’s easy to see this in the corner of a Brutalist home, alongside other examples of interpretive modern art, but that is not what makes this piece interesting from a construction or technical standpoint. Instead it is the Nixie tubes and their display, along with the multiple timekeeping functions that provided reason for pause. The many and varied ways in which this piece can measure and display time speak to the heart of Urwerk’s philosophy. Known for polarising pieces that push the line between timekeeper and sculpture, Urwerk has created its most abstract timepiece to date with its singular take on the standing ...

Ask any watchmaker about the Rolex 31 family of calibers and the story will be the same: it has stood the test of time. Ashton Tracy hasn’t met a single watchmaker who doesn’t love working on these workhorse Rolex movements. They are easy to service, keep great time, and stand up to abuse. Put simply: they work. So how does it stand up to big brother, Find out right here!

Join Constant in Part Two with Jim, better known as Kodoholic on Instagram, as we delve even deeper into his remarkable collection. In this installment, we explore his ‘Sleeper’ watches, those hidden gems often overshadowed by the fame and hype of other series within well-known brands. Jim’s collection is a testament to his diverse and […]

We highlight some must-see watches from Vacheron Constantin's Australia-bound exhibition of rare and historically significant references.The post Our favourite pieces from Vacheron Constantin’s must-see Less’Ential exhibition appeared first on Time+Tide Watches.

Audemars Piguet could find themselves boxed into a corner of design with the "Jumbo" but instead, they keep finding ways to do something new with an icon.

Seiko has been bringing the heat (quite literally) with sophisticated and labor-intensive dials to its mid-level lines like Presage. Last week we saw a slew of releases celebrating the 110th anniversary of the Laurel, Seiko’s first watch. The headliner was the Presage SPB401 and its enamel dial. Today we see enamel and lacquer make their way to the Presage collection in the form of three new references. The changes don’t stop there, though; there’s more to these watches than new dials. In a break from the current porcelain dials in the Craftsmanship Series, the new SPB403 features a white enamel dial courtesy of Mitsuru Yokasawa and Co. The dial layout on these references has been simplified with thin stick hour markers (as opposed to thin roman numerals). This results in a more versatile watch and allows the color and material to take center stage. In a nice touch, the chapter ring is further subdivided into sixths, corresponding to the movement’s 3Hz beat rate. Of the three, the SPB403 is the most classic-looking and comes on a five link bracelet with Seiko’s super-hard coating. The SPB405 (black dial) and SPB407 (green dial) incorporate the ancient art of lacquering into the Seiko Presage Craftsmanship Series. Made from the sap of the Urushi tree (Rhus verniciflua, found primarily in China and Japan), Japanese lacquer is notoriously expensive and highly prized. Master Usshu Tamura and his team at Seiko have developed a method that, unlike enamel, allows the la...