325 articles · 26 videos found · page 11 of 12
Monochrome
There’s an endless amount of mechanical wristwatches on the market today from a seemingly endless amount of brands (large and small), but almost all watches fall into a specific style (assuming it’s not from MB&F; or Urwerk). However, many take on multiple roles and blur those lines – an Audemars Piguet Royal Oak is a […]
Worn & Wound
When we create a post on the Worn & Wound blog, we check a little box on the sidebar of our backend system to categorize the watch we’re writing about. The options are things like “Diver,” and “Chronograph” and “Dress,” which is about what you’d expect, and these well understood categories are appropriate for most of the watches we write about. But my absolute favorite thing is when a news release (or an actual watch!) comes across my desk that can only fit into one category, at the very bottom of the list: Unique. More than any other brand (besides perhaps MB&F; and Urwerk), Ressence really has a lock on the Unique category here at Worn & Wound. One of many reasons we continue to be drawn to them year after year. Their latest, the Type 9 IKE, is unique even within the Ressence catalog. Built on the (relatively) approachable Type 9 platform, which features an easy to wear 39mm case and a simplified version of the already incredibly stripped down Ressence Orbital Convex System (ROCS), the new limited edition is a collaboration with Japanese artist Terumasa Ikeda. It’s also a twist on a trend we’ve been seeing play out in the watch industry over the last few years, but you probably wouldn’t think at first glance that this is actually a very intricately crafted mother of pearl dial. Ikeda’s work has a style that can be described as mixing very old craft techniques with a futuristic, almost sci-fi inspired design code. The Type 9 IKE’s dial looks...
Time+Tide
Niton and AP revive historical jumping hour watches, Sarpaneva and Urwerk go intergalactic, and Louis Vuitton teams up with De Bethune.The post New releases from Sarpaneva, Niton, Vacheron Constantin and more appeared first on Time+Tide Watches.
Monochrome
A Certified Pre-Owned (CPO) programme can be an excellent source of long-sought-after vintage watches that are inspected and verified by the manufacturer. We’ve seen it from mainstream brands like Rolex, but even independent brands such as Urwerk offer CPO programmes. The idea is to offer past models to collectors looking to add that one special piece to their collection. […]
Monochrome
Satellite hour displays are exciting because, apart from the lyrical mood, for most brands, except Urwerk, which made it a signature feature, they are a departure from the ordinary. They stand out from the core collections, reflecting the design, engineering effort and each brand’s specific interpretation of the wandering hours indication. In 2018, when H. […]
SJX Watches
One of the standout releases from Dubai Watch Week was the UR-Freak, a collaboration between Ulysse Nardin (UN) and Urwerk that embodies some of the most enduring motifs of each brand. More UN than Uwerk, the UR-Freak nonetheless incorporate’s the latter’s satellite wandering hours display, adapted to the Freak’s slow-moving flying tourbillon. A limited run of just 100 individually numbered pieces, the UR-Freak confers some of Urwerk’s disruptive cache to UN, a legacy brand celebrating its 180th anniversary next year. The wandering hours tourbillon To understand why the UR-Freak is such a compelling collaboration, one must understand what UN and Urwerk bring to the table, respectively. The UN Freak turns 25 in 2026, marking a quarter-century of the quirky tourbillon that introduced silicon to watchmaking. That innovation alone would have secured the Freak’s place in watchmaking history, but it was arguably more memorable for its unusual design that put much of the movement (including the escapement) on a rotating platform on the dial. The Freak One is an example of the typical Freak architecture. Ulysse Nardin refers to this architecture as a flying carousel, perhaps to differentiate the standard models from those with a nested tourbillon. Nomenclature aside, it’s technically a tourbillon by nature of its operation, which powers the escapement through a fixed-ring gear (which can be seen around the edge of the dial). In all previous Freak models to date, the mo...
Deployant
We next focus on the UN Urwerk collab. The UR-FREAK is a curious collaboration, and the first from Ulysse Nardin and Urwerk.
SJX Watches
Autumn has always been a special time in New York, and that’s especially true now that the city plays host to the nation’s flagship watch fair. Held each October in the heart of Midtown, WatchTime New York has become one of the most high profile public watch fairs in the United States, bringing together independent watchmakers, major brands, and collectors under the imposing dome of Gotham Hall. Now in its tenth year, the 2025 edition was the largest yet, and served as the backdrop for the public unveiling of a few notable watches (and one strap). The Greubel Forsey Hand Made 2. Initial thoughts This was my third year attending WatchTime, and the experience is remarkably consistent from year-to-year. That said, this year’s event was clearly the biggest yet, with 44 brands and more than 2,700 visitors. Despite this turnout, it’s still a fraction the size of an event like Watches & Wonders, which gives it a more intimate feel that reminds me of SalonQP, which was an annual watch fair in London put on by now-defunct QP magazine. In other words, it’s big enough to attract big names and small enough to allow the general public to meet watchmakers that they might not otherwise have access to; Kari Voutilainen, Stepan Sarpaneva, Martin Frei of Urwerk, Albert Edelmann of Zeitwinkel, and Roland Murphy of RGM were present throughout the fair to engage with collectors. A big turnout Not only did WatchTime attendance set a record, the nearby Windup Watch Fair, a free event f...
Worn & Wound
Before there was MB&F;, before there was Richard Mille or Greubel Forsey or De Bethune, there was Vianney Halter. Alongside brands like Urwerk, Vianney Halter helped to reimagine what watches could look and feel like coming into the 21st century. Writing in 2025, it’s hard to think of a time when the weird and wonderful wasn’t a core part of watch collecting, and Vianney Halter deserves no small amount of praise for his role in bridging the gap between a more traditional interpretation of independent watchmaking and the wide-open world of watch design we now get to enjoy. Still, nearly three decades on from the release of his first watch in 1998 (the inimitable Antiqua Perpetual Calendar), Vianney Halter is still working, and his latest release, the Old Soul - designed and executed in collaboration with William Massena and Massena LAB - is a sterling reminder that the old master isn’t out of tricks just yet. Like Halter’s last collaboration, the Louis Erard x Vianney Halter Regulator, which was released around Thanksgiving last year, the Old Soul leans into Halter’s Steampunk sensibilities, but blends the unique aesthetic with Massena’s signature eye towards historic watch design. The resulting piece is something both classically beautiful and wholly contemporary. Cased in a sedate and handsome 42mm, 12mm thick steel case, the Old School by Vianney Halter and Massena LAB is powered by the Minerva calibre 17’22, a vintage pocket watch movement first introdu...
Teddy Baldassarre
How does a vintage-watch lover end up loving the green-dialed Omega Seamaster Diver 300M? Before I answer that, let's get a little philosophical. The deeper you get into this watch hobby, the more you start to understand what a “you watch" is. You build a collection, no matter how big or small, that either jibes with your style, your wrist size, or your general vibe. For example, I tend to gravitate towards old things or things tied to some sort of meaningful historical context. I also tend to like things that everyone else doesn’t. This tracks almost identically with my music taste (a lot of Beatles, Beach Boys, and Velvet Underground mixed with an intense love for ‘90s and 2000s indie rock). This is why the two-tone Rolex Datejust holds a special place in my heart, along with vintage Submariners, classic gold dress watches, and basically anything in the 36mm size arena. Finding a niche like this, however, does not mean that you don’t daydream of cosplaying as someone else — someone who could effortlessly pull off a 46mm diver, or an IWC Big Pilot, or even an Urwerk. It’s like those moments when a Gracie Abrams song appears in your music shuffle and you hesitate to change the song but you’re also afraid to maybe admit, “This is actually good?” Now, the Omega Seamaster Diver 300M has been around since 1993 (or, if you want a full history of the Seamaster, you can read it here), and the contemporary iteration was initially released in 2018. This update mad...
SJX Watches
Phillips’ upcoming Hong Kong auction is a three-day affair that starts with enamelled Chinese market masterpieces of the 18th and 19th century, followed by a two-day main sale that includes several notable examples of independent watchmaking. Some, including watches from Greubel Forsey and Urwerk, might be value propositions and comparably accessible entries into the brands, while others will be six figures but arguably worth it – like the Piaget Gouvernor Grande Sonnerie that was produced by a young Francois-Paul Journe in the mid 1990s. We round up those and a few more indie highlights from The Hong Kong Watch Auction: XX that takes place from May 23-25, 2025. The full catalogue is available on Phillips.com. The Piaget Gouvernour Grande Sonnerie with a movement made by François-Paul Journe in 1997 Lot 893 – Krayon Anywhere in pink gold & Lot 965 – Krayon Anywhere in white gold The sale includes not one, but two examples of the Krayon Anywhere. Conceived by engineer Rémi Maillat, the Anywhere indicates sunrise and sunset times anywhere in world, thanks to a set of cams and levers that can be adjusted for a particular locale. The chapter ring on the periphery of the dial is composed of overlapping discs that move with the seasons, indicating sunrise and sunset as well as the seasonal length of the day. A sub-dial at six indicates the calendar, which is linked to the sunrise and sunset indicator. Hand finished to a high level by specialists in the Vallée de Joux...
WatchAdvice
In this revisited article we originally published early in 2024, we take a look at the (then) new Raymond Weil Millesime with Mario going hands on with the Challenge Watch Award Winning piece from 2023’s GPHG. Originally published April 22nd, 2024 What We Love: Every design element feels exceptionally thought-out Appears larger than on paper, but wears comfortably and true to size A spec & design monster for the price point What We Don’t: Some design elements feel slightly unnecessary Lack of a date can bug some people Would have liked a more finished movement Overall Rating: 8.75/10 Value for Money: 8/10 Wearability: 9/10 Design: 9/10 Build Quality: 9/10 After the Piaget Polo Date Review, Chamath opened the floor to me, asking what other watches I wanted to review. Unlike last time, I didn’t jump straight into the annals of priceless and inaccessible haute horlogerie. With my newfound experience in reviewing timepieces, it felt right not to give him a heart attack this time. So, instead of asking for an MB&F; or an Urwerk, I gleefully drafted a shortlist of five timepieces to review. There wasn’t a real theme, rhyme or reason with the pieces I requested. I chose pieces not based on brand, price or reputation, but on what intrigued me the most horologically. It was hard to restrict myself to five, (There are so many I love!) but my feeble mind would have exploded before I managed to compile everything I wanted to see. Enter Geneva brand Raymond Weil – a relat...
Teddy Baldassarre
About 15 years ago I came across a brand out of the Netherlands called d.m.h. which was, in reality, a single person by the name of Fred Dingemans, working out of a shed in his backyard. His creations were raw and slightly impractical, but they were also a pure expression of creativity, and unwaveringly original. These watches were captivating at a glance, showcasing a similar level of creative fidelity to what we were seeing from the likes of Urwerk and MB&F; at the time. This is a quality sorely taken for granted these days, with most of the newcomers wisely choosing to play it safe with practical, conventionally attractive creations that can go anywhere, and do anything. I have a well-documented love of practical tool watches that can go anywhere and do anything, but I often lament the homogeneous nature of watch design that this trend has brought us to. Truly novel expressions are a rare sight these days, but there has been exactly one to cross my radar over the past year that has brought a similar feeling to seeing a d.m.h. watch all those years ago, and that is the kollokium projekt 01. My first glimpse of kollokium came when I spotted one on the wrist of one of the co-founders while attending the Dubai Watch Week events of 2023. This individual, uncoincidentally, is also responsible for the avant-garde creations coming out of Louis Errard these days. His name is Manuel Emch, and he is one of three men (the others being Barth Nussbaumer, and Amr Sindi) behind koll...
SJX Watches
Novel ways of telling the time or exhibiting the movement have long been the focus of the avant-garde horologists. Independent watchmakers like Ressence or Urwerk have built their brands on doing away with conventional hands. Such idiosyncratic approaches to watchmaking challenge the traditions of horology, making for a more interesting horological landscape. Even before Urwerk introduced the pioneering three-dimensional cubic hour display in 2005, there was the Ulysse Nardin Freak. Launched in 2001, the Freak literally changed the face of watchmaking by transposing the movement into the dial. Two decades after its launch, the Freak is still regarded as a landmark for its audacity, from both aesthetic and technical perspective. [This story covers the origins of the Freak, from its conception to realisation, as well as its distinguishing characteristics, namely the inventive movement construction and unique escapement. Part II deals with the evolution of the unique, high-performance escapement, while Part III details the history of silicium, the proprietary Ulysse Nardin silicium hairspring, and the patented Grinder rotor.] The origins The beginning of the Freak lay in 1997, when Carole Forestier-Kasapi, then a young and talented movement designer who only recently graduated from technical college, won the Prix de la Fondation Abraham-Louis Breguet, a contest conceived to mark A.-L. Breguet’s 250th birthday that sought to recognise watchmaking ingenuity. Now the head of m...
SJX Watches
Having looked back on the year that has just been, it’s now time to look ahead to see what 2024 may bring. To conclude the year we turned to notable industry figures to see what they think will unfold over the next 12 months. Looking to gain insights from the breadth of the industry, we posed the question to influential personalities in key segments, from independent watchmaking to luxury brands to movement specialists. Each of these individuals brings a unique perspective on the outlook for 2024. Jean Arnault Director of Watches, Louis Vuitton “Twenty twenty-four might be one of these foundational years that the industry will talk about for the decades to come. Interest rates and the global economic outlook have successfully cooled the frenzy around watches for most brands, and this will continue into 2024. Whether we see a scaled correction or a ‘soft landing’ will depend on Rolex’s management of the situation. Being such a dominant player among retailers, it will be the deciding factor for 2024.” Rexhep Rexhepi Founder, Akrivia “The last recent years of speculation in watchmaking astonished and sometimes frightened me. One of the biggest challenges will be to get back to normal times. I predict that the industry will refocus on enthusiasts and connoisseurs once again, since competition will definitely be fiercer.” Jean Arnault (left), and Rexhep Rexhepi. Image – GPHG and SJX Felix Baumgartner Co-founder, Urwerk “When [Martin Frei and I] started Urwer...
SJX Watches
Dubai Watch Week (DWW) is the last major international event of the year’s horological calendar. Organised by Middle East retailer Ahmed Seddiqi & Sons, DWW takes place from November 16-20 at its traditional venue of the Dubai International Financial Centre (DIFC). The event promises to be bigger and better than before, with exhibitors spanning the spectrum of watchmaking, from Rolex to Rexhep Rexhepi. From its origins as an event focused on niche and independent brands, DWW has grown to involve major marques. The exhibitors this year include Rolex and Audemars Piguet, while independent watchmakers continue to have a major presence. F.P. Journe, MB&F;, Urwerk, and Rexhepi Rexhepi are amongst the indies taking part. DWW founder Hind Seddiqi Many of the industry’s notable personalities will be Dubai Watch Week, with speakers including Frederic Grangie, head of Chanel’s watch and jewellery division; Francois-Henry Bennahmias, the outgoing chief executive of Audemars Piguet; and Jean Arnault, director of watches at Louis Vuitton. And independent watchmaking will have an equal share of the limelight, with Felix Baumgartner of Urwerk, as well as Maximilian Büsser and Stephen McDonnell of MB&F; amongst the speakers. The event includes classes intended to give the public a taste of the watchmaking crafts. These include a gem setting workshop by Audemars Piguet and a miniature painting class by Louis Vuitton. DWW takes place from November 16-20, 2023 at DIFC. Entry is free but...
SJX Watches
Maybe unsurprising given the state of the industry – watchmakers enjoyed record sales in 2022 – value buys were few at Watches & Wonders (W&W;) this year. Amongst the independent watchmakers, just two stood out for being value buys, the Kudoke 3 and Urwerk UR-102 “Reloaded” – both of which I covered in my highlights amongst the indies. Not quite an independent watchmaker but niche nonetheless, Louis Erard stands out for the Excellence Marqueterie. Probably the best value amongst its many limited editions, the Excellence Marqueterie brings the art of wood marquetry to a previously unheard of price segment. Although it costs only about US$4,000, the Excellence Marqueterie features a dial decorated with tiny pieces of exotic wood that have been sawn and applied by hand to form an M.C. Escher-like pattern. The Excellence Marqueterie. Image – Louis Erard Like most other niche brands, Louis Erard exhibited outside the halls of W&W;, where all of the establishment brands were located. Amongst the big names, only Tudor offered substantial value with its new models, although that is not news in itself since value is a fundamental characteristic of the brand. (Though it is arguable that Rolex offers strong value in all its models regardless of price, but certainly not as much as Tudor.) Two watches stood out amongst Tudor’s 2023 line-up. One is the Black Bay 54, a watch clearly conceived by aficionados with an eye for detail. Just 37 mm in diameter, it resembles a vinta...
Worn & Wound
Earlier this year, we saw the debut of a new ‘in-house’ caliber from Atelier de Chronométrie called the M284 within a beautiful watch called the AdC22 which we introduced to you right here. Today we’re getting a glimpse at the next chapter for this movement in the form of the AdC33, a limited edition collaboration with The Lavish Attic, a Hong Kong based collective that curates exclusive high craft products and experiences, serving as area distributors for Urwerk and H. Moser. Here, the outfit is collaborating with Atelier de Chronométrie on an exclusive watch that offers buyers a few interesting choices, including white “Grand Feu” enamel dials with ancient Chinese characters, and an alloy called Gray Gold. Precious metal cases have expanded beyond the likes of just yellow and rose gold, with stuff like tantalum, black platinum, and proprietary mixes like Omega’s Moonshine offering a wide selection of pricey yet tantalizing choices when it comes to cases. Let’s add gray gold to that list, a gold alloy with high palladium content that apparently lands somewhere between white gold and platinum in appearance. In the case of the AdC33 seen here, it takes on the stepped 37mm case in beautiful fashion, and it’s offered alongside more traditional yellow and rose options. Not to be outdone by the case, the dial brings plenty of intrigue as well thanks to its finish as well as the markings at the 3, 9, and 12 o’clock positions. The white grand feu dial is ins...
![[VIDEO] The Freak Gets an Edit, The Curious Ulysse Nardin Freak X Reviewed](https://wornandwound.com/library/uploads/2023/01/Ulysse-Nardin_freak_022.jpg)
Worn & Wound
Ulysse Nardin is a peculiar brand. They have long been at the forefront of horological innovation, from marine chronometers in the 19th century, to creating stuff like DIAMonSIL in the 21st. However, they lack a singular, cohesive aesthetic that’s coalesced in broader culture in the same way watches like the Speedmaster, Submariner, or Royal Oak have. Except for a watch called the Freak, that is. A concept first released upon the world in 2001, the Freak was as impressive technologically as it was shocking to behold. With a movement that pivoted on itself to display the time, it was (and remains) daring, innovative, and downright novel. But, it never quite enjoyed a ‘hip status’ in the same way other exotic watches from the likes of MB&F; or Urwerk have since. This is likely due to a few reasons, but with the release of the Freak X in 2019, Ulysse Nardin is a whole lot closer. The Freak is a watch that has always commanded attention, both technically and visually speaking. The concept placed the gear train atop the mainspring, within a carousel that itself served as the minute hand. There was no dial to speak of, but rather a rotating plate containing the hour hand underpinning the structure. Winding and setting was managed via the deeply scalloped, somewhat steampunk-ish bezel unit. The launch of the Freak also marked the very first appearance of silicon within a watch movement, something the brand has been a pioneer of developing. This is a dramatic watch to behold ...
SJX Watches
Utterly bizarre and thoroughly ingenious when it debuted in March 2001, the Freak remains avant-garde even two decades later. But unlike the highly modern creations from brands like De Bethune and Urwerk, the Freak arguably gets less credit than it deserves, simply because Ulysse Nardin isn’t a niche, independent watchmaker. But that takes nothing away from the concept, which has been made more avant-garde than ever. Launched earlier this year, the Freak S is now the flagship model in the Freak line-up. In a first for a Freak, it reimagines the trademark carousel display, which now carries twin inclined balance wheels linked by a differential. Initial thoughts The landmark creation of the modern-day Ulysse Nardin (UN) brand, Freak was and still is interesting because it turns conventional movement construction on its head. Most of the moving parts are mounted onto a carousel on the dial that doubles up as the minute hand, while under the dial sits a massive mainspring that occupies most of the case volume. No other watch combines unorthodox form and function like the Freak even though it was launched in 2001, well before most of today’s best known avant-garde timepieces. That was four years before Urwerk unveiled its satellite-cube hour display, for instance, ensuring the Freak’s place as a pioneering creation. The Freak S (left) and the original Freak from 2001 While the essence of the Freak has been mostly retained over the various iterations since its launch, ...
SJX Watches
Since it acquired Geneva complications specialist La Fabrique du Temps in 2012 Louis Vuitton has been steadily growing and refining its complicated watch offering. Last year it debuted the Carpe Diem minute repeater with automaton, the most complex watch LDFT has developed to date. But the signature completion of Louis Vuitton (LV) is still the patented three-dimensional jumping hours known as Spin Time. The complication relies on 12 cubes to indicate the hours, rotating one by one every hour. Since its introduction in 2009, the Spin Time has been iterated into a variety of formats, including a GMT, regatta countdown chronograph, and most recently a glow-in-the-dark extravaganza. But its most refined form is arguably the Spin Time Air launched in 2019 that has a dozen “floating” cubes arrayed around a movement suspended between the front and back crystals. Initial thoughts The Spin Time Air has all the elements of an interesting watch. Both transparent and striking, the “floating” display brings to mind historical mystery timepieces, with the tall Tambour case serving as the perfect frame for the suspended display. But it is the cubic hour display sets it apart. The hour display is truly unique, even when compared against the most exotic in independent watchmaking. It brings to mind Urwerk’s cubic display found in the UR-210, but that’s a three-dimensional reinterpretation of the wandering hours, whereas the Spin Time is actually an innovative take on the jum...
Time+Tide
Editor’s Note: In honour of Thor: Love and Thunder hitting theaters July 8th, we decided to revisit our favorite watches worn by The Avengers cast. Like their roles in the films, the spectrum of watches are diverse, ranging from top-tier brands like Patek Philippe and Rolex to smaller independents like Urwerk. Scroll down to discover their … ContinuedThe post What watches do The Avengers wear in real life? appeared first on Time+Tide Watches.
Revolution
The upcoming two-day auction by Ineichen Auctioneers (November 20-21) will see over 200 rare watches on the block, from brands including Vianney Halter, Audemars Piguet, A. Lange & Söhne, Patek Philippe, Vacheron Constantin, F.P. Journe and URWERK.
Quill & Pad
Ineichen Zurich announces special auctions of rare timepieces to be hosted simultaneously in Zurich and online November 20-21, 2021. On offer are a some very desirable watches from A. Lange & Söhne, Audemars Piguet, Patek Philippe, and Breguet as well as independents including F.P. Journe, De Bethune, Vianney Halter, Urwerk, Konstantin Chaykin, and Svend Andersen. Have a look at our picks here.
SJX Watches
The top lots amongst independent watchmakers at Only Watch 2021 are no doubt the F.P. Journe FFC Blue and Rexhep Rexhepi Chronomètre Contemporain II, but they will cost six or seven figures. But half of the participants at Only Watch are independent watchmakers, so there are a few more interesting examples of the genre, which might possibly be reasonably affordable. We round up five notable watches amongst the “indies”, ranging from the quirky and fascinating Urwerk that’s an upgraded example of the brand’s earliest watch to the stunningly engine-turned Andersen Genève Quotidiana. Urwerk UR-102 “Gaïa” Perhaps the avant-garde independent watchmaker, Urwerk is best known for revolutionising the presentation of time, having invented time displays using satellite cubes on a carousel and prisms in cylinders. But the brand’s creation for Only Watch 2021 looks nothing like its recent work, because it’s a quarter-century old, an artefact from the brand’s start-up days. The UR-102 “Gaïa” is a prototype of one of the brand’s earliest models – it is actually a vintage Urwerk – but dressed up smartly for the occasion, with a special case back decoration that signifies the brand’s success. The platinum case back is adorned with a sparkling, deep blue emblem that alludes to the Gaïa Prize, which Urwerk’s founders won in 2020 That said, being an Urwerk, the time display is far from rudimentary. While neither a cube nor a prism, it is still a wond...
SJX Watches
Founded just five years ago, Gorilla has already established a distinct house style, born of the its two founders’ eye for design. Notably, one of the founders, Octavio Garcia, was design chief at Audemars Piguet for over a decade. The latest from the brand is reassuringly familiar, channeling the style of its inaugural model, but a major step up in terms of form, function, and price – the Fastback Thunderbolt Chronograph. Equipped with a smartly skeletonised dial, it’s the brand’s first chronograph but retains with Gorilla’s recognisable case style. The case is multi-material: a ceramic bezel, followed by an anodised aluminium ring, and then a black-coated titanium case middle and back Initial thoughts Gorilla’s past offerings have been appealing for several reasons. Though evocative of some other well-known designs, its watches are original and handsome – a rare sight at the US$800 price range – and they are usually executed in unusual combinations of materials like titanium and ceramic. At the same time, the brand managed to make uncommon complication relatively affordable, namely the wandering hours display that’s most famously associated with Urwerk and Audemars Piguet in modern watchmaking. The latest offering is an extension of the brand’s strengths. Despite being its first chronograph, the Fastback Thunderbolt Chronograph is well put together, having a skeletonised front that’s intricate in detail and rich in colour that manages to pres...
SJX Watches
As the Geneva auctions are almost concluded – with the Patek Philippe ref. 2523 cloisonné world time having sold for US$7.83 million – it’s on to the Hong Kong sales that’ll take place in a few weeks. At Phillips’ Hong Kong auction, the top lot is, unsurprisingly, a complicated Patek Philippe. Specifically, a first-series ref. 2499 in yellow gold, which is not exceptionally uncommon in itself, but this example has a rare Wenger case and a valuable piece of paper – the original certificate from 1956. The sale also encompasses another ref. 2499 with its original certificate, a third series in yellow gold that’s more accessibly priced, along with an interesting selection of independent watchmaking. Notably, the line up includes a Harry Winston Opus 1 Tourbillon by F.P. Journe, along with an Opus V by Urwerk. The Phillips Hong Kong watch auction will happen on June 5 and 6, and the full catalogue is available online at Phillips.com. 2499 duo Most of the first-series ref. 2499s had cases made by Emile Vichet, a Geneva case maker that supplied the cases for the first two years of the model’s production, making about 10 cases in yellow gold and about four in pink. Patek Philippe then turned to Ed. Wenger, another Geneva case maker run by brothers Edouard and Andre, for the rest of the first-series, as well as all subsequent series until 1982 when Patek Philippe starting making its own cases. Only about 30 yellow gold cases were made by Wenger for the first-serie...
SJX Watches
Founded almost two decades ago, making one of the pioneers in contemporary watchmaking, Hautlence has long specialised in unusual, or even avant-garde, time display, like the chain-link hours in the Vortex. Boasting a three-dimensional spherical indicator, the new HL Sphere 02 is even more impressive, reimagining the familiar jumping hours complication as few have managed to do. A follow up to the original HL Sphere introduced last year, the HL Sphere 02 is essentially the same watch dressed more formally, replacing the muted blue-and-grey palette of the original version with a solid pink-gold dial. An animation of the transition from 10 to 11 o’clock Initial thoughts Though the HL Sphere 02 isn’t new, its spherical jumping hours remains novel and interesting. While conventional jumping hours operate on a single plane, relying on a flat disc that moves once an hour, the watch interprets the complication in a throughly different manner that is unique in watchmaking. In fact, the spherical jump hour is more impressive than Hautlence gets credit for. It is arguably on par with inventions like Urwerk’s satellite-cube time display, but because Hautlence isn’t as prominent as its peers – perhaps a consequence of changing management over the years – the brand’s complications don’t get as much recognition as they otherwise should. The HL Sphere 02 is almost identical to the original – the white gold, TV-shaped case and movement are the same – with the only ...
SJX Watches
Having debuted its first online watch auction earlier this year, Phillips returns with the second instalment, Intersect, once again offering a cross-category selection spanning watches, art, and jewellery. Made up of 110 lots – a third are watches – the auction is live from now until 6 pm (GMT+8) on September 14. While the line up naturally features the usual suspects like Rolex and Patek Philippe, it also includes watches from independent brands like H. Moser & Cie., Daniel Roth, and Urwerk, as well as a notably artisanal pair if Chopard L.U.C watches decorated with maki-e. Some highlights of the sales are included below, and the full catalogue is available here. [Full disclosure: Lots 97 and 98 were consigned by our founder SJX.] Lot 15 – Rolex Daytona ref. 116520 Having been overshadowing by its successor with a ceramic bezel (and other more recent sports models), the Daytona ref. 116520 is relatively good value in the world of Rolex sports watches. Interestingly, the ref. 116520 was the first Daytona to boast the in-house cal. 4130, and also the last to have a stainless steel bezel. The present watch is offered in well-preserved, “full set” condition, with an unusual extra – the Rolex Japan sticker on the case back once found only on Rolex watches sold in the country. It has an estimate of HK$94,000-190,000, or about US$12,100-24,400. Lot 30 – Urwerk UR-202 in white gold A pioneer in avant-garde watchmaking best known for its atypical displays of time, Ur...
SJX Watches
Twenty-twenty will remain as a most peculiar year for the world as well as for trade fairs. Having taken place August 26-29,Geneva Watch Days (GWD) might be the only physical show the watch industry will see this year, at least in Europe. How did it fare? Was it a success for the brands, media, and public? Here is an overview of the atmosphere. After the demise of Baselworld and the rescheduling of Watches & Wonders to Shanghai (will it really happen?), GWD was a ray of light in the dark times the watch community was experiencing. First mooted by Jean-Christophe Babin, chief executive of Bulgari, and a few other watch brands, GWD quickly grew as many brands hopped on the bandwagon, hoping to salvage what already looked like an annus horribilis. “Phygital” is the new normal More than 20 brands were showing during the four days of GWD, which was a series of exhibitions and events at venues across Geneva, rather than being concentrated in a large hall as the traditional fairs are. Most brands were part of GWD itself – Artya, Breitling, Bulgari, Bovet, De Bethune, Czapek, Ferdinand Berthoud, H.Moser & Cie., Gerald Genta, Girard-Perregaux, MB&F;, Maurice Lacroix, Louis Moinet, Ulysse Nardin, and Urwerk. But the official GWD exhibitors were accompanied by an array of independent brands more than happy to share a common audience. Carl F. Bucherer tagged along by presenting its novelties at the Bucherer store in Geneva, while Le Salon des Horlogers, a small, cosy store i...
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