Results for Audemars Piguet

Audemars Piguet Brings Le Brassus to Singapore

Next month the National Museum of Singapore’s Gallery Theatre will play host to Audemars Piguet’s Perspectives On Time exhibition. The pop-up event will explore 150 years of Audemars Piguet through four curated spaces, each focused on a different aspect of the brand’s history. Especially curated for Singapore, the exhibition is set to bring together both contemporary and archival pieces, including a range of historic Audemars Piguet wrist and pocket watches from the brand’s museum, many of which will be on display in the country for the first time ever. Four distinct spaces will be organised to highlight different aspects of Audemars Piguet’s technical prowess, including astronomical complications, open-worked movements, and chiming complications. Naturally, the exhibit opens with a look at the brand’s history from founding to present day, traced through a range of rare archival pieces and historic milestones. Open from 10:30am-6:00pm each day in 30-minute sessions, admission to the exhibition is free, though limited slots will be available so early registration is encouraged. The brand has thoughtfully set up a dedicated booking portal to simplify the registration process. Walk-ins will also be accommodated subject to availability. Perspectives On Time will be hosted from September 10-13 at The Gallery Theatre at the National Museum of Singapore, 93 Stamford Rd, Singapore 178897. Register online at audemarspiguet.com.  

Hands On: Richard Mille RM 64-01 Tourbillon Colnago

Launched just a few weeks ago, the RM 64-01 Tourbillon Colnago is modelled on the Colnago C68, the same road bike used by Tadej Pogacar, the current Tour de France champion who has long worn a Richard Mille while racing. Though new, the RM 64-01 is still quintessential Richard Mille in form, substance, and price. The watch is large, lightweight, and exceptionally, satisfyingly ergonomic. As is tradition, the RM64-01 movement is the work of Audemars Piguet Le Locle, formerly known as Renaud Papi. The case material is made by longtime partner NTPT, a Swiss carbon composites specialist. And in the great tradition of Richard Mille, the RM 64-01 is very expensive. Tadej Pogacar with the RM 64-01. Image – Richard Mille Initial thoughts The RM 64-01 is the typical large format tonneau-shaped case shared with most current Richard Mille models. At about 43 mm wide, almost 50 mm long, and over 14 mm tall, the case is big, but sits perfectly on the wrist thanks to its curvature and lightness. And while thick, integrated rubber straps normally detract from wearability, the strap adds to the ergonomics of the RM 64-01. The watch is almost entirely in bright white, with accents of bright blue and rose gold — it makes a statement, even from a distance, as most Richard Mille watches do. But zoom in past the over-the-top aesthetics and the movement reveals fine detailing. The blue and white bridges are all titanium, but painted by hand to mimic the Colnago C68 bike frame. The tradition...

Bangalore Watch Company Introduces the Forty-Seven, their First Pocket Watch

I’m not quite sure that it would be correct to say that pocket watches are “having a moment,” but I’ve certainly thought and written about pocket watches more in 2026 than in any year I can remember. Mostly that’s due to an approximately two week stretch earlier this year when the entire watch community was focused like a laser beam on the Royal Pop. I’m not exactly sure what happened since (has anyone actually seen a Royal Pop in the wild?) but that Swatch x Audemars Piguet collab remains one of the biggest stories of the year, even if they flew a little too close to the sun. There was also this Timex desk clock, which is basically a pocket watch with an integrated stand, and of course this new Horological Machine from MB&F;, which is not a pocket watch at all, but exists in that “watch as desk object” world and kind of begs the user to take the strap off the case for mounting purposes, leaving you with what amounts to a pocket watch without the chain or lanyard.  OK, that last one might be a stretch. But nevertheless, when a press release from Bangalore Watch Company came through to let me know that the India based brand had created a midcentury style pocket watch, I started to think about the possibility that we might be in the midst of a trend. I don’t actually think we are – pocket watches perhaps are a little over the line on the anachronistic spectrum to catch on with enough people to make this a thing in 2026, but it’s a nice looking clock reg...

Audemars Piguet Royal Oak Offshore Chronograph: Why The Beast Still Matters

Introducing - The Audemars Piguet Royal Oak Selfwinding Flying Tourbillon in “Bleu Nuit, Nuage” Ceramic

Audemars Piguet has long embraced new materials and continues to expand its ceramics expertise, revealing a striking new version of the Royal Oak Selfwinding Flying Tourbillon. While the base of this 41mm model itself is familiar, the news is its material: the entire watch, case, bezel, crown and integrated bracelet are executed in “Bleu Nuit, […]

Talking Watches: With Michael Friedman - Former Head Of Complications At Audemars Piguet And Founder Of Pattern Recognition

There are a handful of people in the watch industry whose fingerprints are on nearly every era of watchmaking and enthusiasm, and Michael Friedman is one of them. He's been the kid in the archives of the National Watch and Clock Museum, the specialist at Christie's fielding calls from Eric Clapton, the American who moved to Switzerland to become Audemars Piguet's Head of Complications, and, as of this year, the founder of his own independent watch company. Somewhere in between, he became the answer to a trivia question about a Kendrick Lamar lyric. Friedman will tell you none of that was the plan. Instead, it's the result of a decades-long fascination with why humans decided time was worth decorating in the first place, and he's spent every job since trying to answer that question from a different angle. That fascination started at Clark University in the 1990s, not in a watchmaking program but in a psychology class, where a professor named Bernie Kaplan got Friedman thinking about pattern recognition. From there he wandered into time theory: how different cultures measured it, ordered it, gave it meaning. The throughline he kept coming back to was that objects built to track time, like water clocks, obelisks, and wristwatches, have always been embellished, regardless of what they were worth. That idea, that timekeeping and decoration are inseparable, has quietly run underneath everything Friedman has done since, from advising Clapton on vintage Patek Philippe and Rolex at...

Bring a Loupe: A Wittnauer 235T, A Cleto Munari "Sotsy," A Blancpain Technisub, And An Eberhard Contograf

You hanging in there, Baller? It feels like it's been a hard bit, or at least it is with the folks I check in with. I hope that, despite whatever's frustrating you and causing grief—from stubbed toes to wildfires and their attendant smoke to your team not making enough moves at the trade deadline—you're getting by. And congrats, obviously, to all the Sixers fans. Strays Photo courtesy of Huntington Company. Perhaps, like me, you were unaware that in 1967 Bulova made an Accutron Astronaut in 18k gold, and if that sounds like fun, Goodwill's got one that's on an 18k JP Champion bracelet to boot. The good folks at Huntington Company have a bit of a left of the dial watch this week, this Sarcar triple date with moonphase, and a fun game to play is to imagine what it'd be priced at with a different name on the dial. If you're bored by watches that are too quiet, or you're interested in truly unhinged complications, here's a Boegli which features a music box that plays a bit of Mozart's "The Magic Flute." For those who missed their shot on the Louis Erard x Kudoke Regulator from a few years ago, here's a very very nice blue one, and if you'd prefer a different blue watch, this Rolex Oysterquartz Datejust is almost certainly not from 2005, as the listing says (it's got a tritium dial, for one, plus the reference 17000 ceased production in 2001), but it certainly looks in great shape. Finally, here's a phenomenally pretty gold Audemars Piguet Day Date Moonphase (almost certain...

Hands-On: the Raymond Weil A.R.T. Collection

Raymond Weil celebrates its 50th anniversary this year, Weil founding his eponymous brand in 1976. And the brand’s first integrated-bracelet watch is a nod to the seventies era of experimentation: where, in the face of impending quartz dominance, watchmakers produced bold designs like they had nothing to lose. This was the era of the Patek Philippe Nautilus and Audemars Piguet Royal Oak, both launching the concept of the luxury sports watch—in essence, a classier and far pricier interpretation of the Go Anywhere, Do Anything ethos that once took its inspiration from military and field watches. Only this time, going anywhere is to Monaco or St. Moritz, and doing anything is jumping off the back of a yacht into the waters of Bali.  Fifty years later, the integrated bracelet watch has never been more popular. Perhaps it’s the trickle-down effect from the cachet of those two OGs, which have taken off so much that people are willing to snap up an anniversary Nautilus desk clock, or storm your nearest Swatch store for a plastic Royal Oak. Or it’s the promise of a certain inherent and integrated toughness, eschewing the notion that we won’t ever reach 1,000-ft deep-water depths and still make it back to the boardroom. In fact, skip the beach-to-boardroom mentality. This category is all upscale by comparison, and the A.R.T. series — which, according to Raymond Weil, stands for “art, refinement, and timekeeping,” with the latter perhaps seeming redundant — captur...

Hands-on - The Dominique Renaud Pulse 60 and the Fascination of a One-Hertz Regulating Organ

Dominique Renaud hardly needs an introduction. Co-founder of Renaud & Papi, later to become Audemars Piguet Renaud & Papi (APRP), he helped shape modern haute horlogerie by developing complications for Audemars Piguet, Richard Mille, A. Lange & Söhne and many others. His workshop also became a breeding ground for independent watchmaking, with Robert Greubel, Stephen […]

Explained: Grande Sonnerie Click Wheels

A visual staple of grande sonnerie watches is a pair of large, highly finished and intriguing-looking click wheels. Continuing our exploration of various horological energy systems — including winding efficiency and the fusee and chain — we examine the linkage of ratchets, clicks and wide-toothed gears that comprise the winding works of some of the industry’s best chiming watches. A Patek Philippe grande sonnerie movement from 1915. One crown for two barrels The grande sonnerie is rightfully considered the pinnacle of chiming complications. With the ability to automatically sound the hours and quarters, a grande sonnerie requires heaps of power to keep it going over the course of a day. As a result, most grande sonnerie movements rely on a second mainspring barrel that is isolated from the timekeeping going train. The requirement for independent barrels stems from the different rates at which the barrels unwind. The striking works require a faster-turning barrel that’s only active for short periods, while the going train feeds from a slow and steady barrel. Audemars Piguet Grande Sonnerie pocket watch crafted by Philippe Dufour. As the barrels discharge unevenly, it makes sense that they cannot be wound in sync. Winding both mainsprings in sync would typically over-strain one of them since their winding states are rarely the same at any given time. Although the two barrels themselves are separated, they often share the same winding train. Now a signature of Vallée...

In-Depth: The Patek Philippe Victorin Piguet Split-Second Wristwatch

In our first addendum to our Reference Points video and story on Patek Philippe split-second wristwatches, we looked at Patek Philippe split-second pocket watches and the brand's relationship with its supplier, Victorin Piguet. Switzerland has (and continues to have) the most robust supplier marketplace for everything from complex movements to dials and cases. In the warmer months of the late 19th and early 20th Centuries, it was easy enough to just send someone on a short journey to the Vallée de Joux with a letter requesting a movement or other parts and receive one a short time later. These établisseurs all had their own specialties, but few were as important as Victorin Piguet. I'd argue it was far more unusual for Victorin Piguet not to be involved in a watch (such as their absence from the La Grosse Pièce project for Audemars Piguet) than to see their name on supplier lists. So what was their impact on wristwatches? In our video, we focused solely on serially produced models (and even then, there were a few we couldn't get our hands on), all of which started after Patek shifted its production more in-house. One thing we didn't discuss, however, was the history of the brand's first split-seconds wristwatches, which used a Victorin Piguet ébauche. It's no understatement that these watches are among the most important in Patek Philippe's history and among the most coveted for vintage-focused Patek collectors. One-off, bespoke pieces, these watches don't exactly fit...

The Ruhla UFO: A Memento of Mod and The Cold War

The Gebhard Duve-designed Audemars Piguet Disco Volante 5093 took the horological world by storm in the mid-1950s, and there’s no denying that it remains an exemplar of well-executed watch design today. With the combination of the ongoing Space Race and Mid-century futuristic design movement came an influx of wildly shaped and uniquely proportioned wristwatches throughout the middle portion of the 20th century. One of the most popular designs was the UFO, with brands like Omega, Timex, Zenith, Gruen, and Ruhla employing this case architecture in their 1950s, 60s, and even 70s catalogs. While I’ve had the chance to own a Timex UFO model and handle an Omega Dynamic, it’s the Ruhla you see pictured above that really caught my eye. Why? Let’s dig in. Brief History of Ruhla and The UFO Model Ruhla’s watch production, initially named “Gebrüder Thiel GmbH,” began in 1892 with its “Fearless” pocket watch, becoming the first mass-produced timepiece put to market. Fast forward decades later to 1952, and the company is renamed “Uhren und Maschinenfabrik Ruhla,” or Ruhla for short, and continues production of watches and movements for both the domestic East German and international markets. Ruhla quickly found great success throughout this era, with their plant becoming one of, if not the, world’s largest watchmaking factory. By 1963, the Ruhla logo seen on my UFO example was applied to all the company’s domestic models and was used until the brand’s closu...

Introducing: The Swatch Mission To The Moon 1969 Moonswatch

What We Know It's kind of funny saying this, but it's been a bit of time since we've seen a new Moonswatch. Given the news cycle around this year's Swatch x Audemars Piguet launch, it makes a lot of sense that Swatch has held more Moonswatch releases in its back pocket, ready for when the time is right to get people talking again about its most popular high/low collab. Today's new Mission To The Moon 1969 Moonswatch is the most limited of the Moonswatches, with only 1,969 pieces made in total. It's certainly a special execution, with an homage to Apollo 11's Moon landing in—you guessed it—1969. But unlike an actual Omega Speedmaster Moonwatch, where the story is a huge part of the appeal to the collector, I have a feeling that this Moonswatch's appeal lies in its use of Omega's 18K Moonshine Gold. It's certainly not the first time Swatch has used Omega's gold alloy in Moonswatches, but this one has a lot of that gold. With the dial, hands, pushers, and crown all in Moonshine Gold, there are eleven grams total in each of these watches. Interestingly, Swatch is saying that the gold used for this edition is melted down from spare Omega parts from that era, which then ties the connection with Omega much closer together. This edition pairs a matte black Bioceramic case with all those bits of gold and black accents to complete the look. The Moonshine Gold dial is given a vertically brushed finish. No lume to be found on these hands, as the gold beveled applied indices are fi...

Swatch Asks the Importance Questions: Introducing the What If…Jelly? Collection

This was supposed to be the summer of the Royal Pop. Still the biggest cultural moment for watches of the year, the Royal Pop launch did not exactly go as anyone anticipated, and it created perhaps the wrong kind of crossover moment for all involved. I’ve come to think that the product itself, a colorful pocket watch sharing a silhouette with the Royal Oak, is a lot of fun and a genuinely good and smart idea, but the rollout was so epically poor it will take a long time for the sour taste in all of our mouths to be washed away.  I’m not quite sure what the current availability of Royal Pops actually is in the various Swatch boutiques that are designated to sell them. I’ve seen exactly one in the wild, at Windup Chicago over the weekend, worn on the wrist of an attendee on an aftermarket strap of some kind. It’s safe to say, though, that it has not yet caught on as a Labubu-like sensation the way that Audemars Piguet and Swatch likely hoped that it would.  So, like Swatch themselves, I’m forced to ask “What if…?” What if the Royal Pop had been earmarked for a summer 2027 release instead, and that this year’s big launch was actually the one that came across the transom last week? The new “What If…Jelly?” is one of my favorite types of Swatch releases: those that remind us that what the brand does best are not the intra-group collabs like the MoonSwatch or big hype pieces like the Royal Pop, but the colorful, purely original designs that could only b...

The Best Royal pop straps for the Swatch x Audemars Piguet Royal Oak: helvetus, delugs, wristbuddys, strapops

Swatch's plastic Royal Oak needs an actual strap the moment you get it home. Four makers doing colour-matched integrated-lug Royal Pop straps in leather, rubber, canvas and everything else.

Business News: Breaking N3W5 - Former AP CEO Bennahmias Announces First New Watch Brand

Former Audemars Piguet Chief Executive François-Henri Bennahmias unveiled details of a new watch brand called N3W5 that will launch in late 2027 and draw on some significant names from the Swiss industry for the design, production, and craftsmanship.  Called 'N3W5' - an acronym for 'North, East, West, South' and pronounced 'NEWS,' the new marque will launch at Dubai Watch Week next year, the Honourable Merchants Group, the Bennahmias-led luxury brand constellation, said in a statement. Watch prices for the first models will start at about CHF 20,000, and production will commence at 'several thousand pieces' in the first year. A second collection will debut in 2028, according to the company's plans. François-Henri Bennahmias at an event in Crissier, Switzerland, introducing The Honourable Merchants Group. The news of N3W5 comes as pressure and speculation have mounted as to what Bennahmias, who led AP for more than a decade and oversaw a period of spectacular sales growth to more than CHF 2.3 billion for the family-owned brand, would do next in the watch world. At a flashy event near Lausanne last year, Bennahmias unveiled his vision for THMG, a new, multi-brand luxury brand group backed by private investors that promised a new philosophy of work, innovation, products, and sustainability in the luxury space. The charismatic executive said the new group would not be driven solely by profit and that at THMG, "we want to change the world of business. It is a mission," Be...

Industry News - François-Henri Bennahmias and the Honourable Merchants Group announces the launch of watchmaking brand, N3W5

François-Henri Bennahmias, the charismatic former Audemars Piguet CEO who grew the manufacture’s annual sales from CHF 500 million to CHF 2 billion announces his first watch project. Following his departure from the brand, Bennahmias unveiled The Honorable Merchant, a venture conceived as a platform for carefully curated luxury products and collaborations, spanning multiple product categories, […]

Introducing: Split Watches Comes To The U.S. With Its New GMT (Live Pics)

What We Know If you haven't heard of the brand Split before, you're likely not alone. The brand has not previously been distributed in the U.S., but it came to my attention when their chronograph, called "In The Skies," launched with a fully luminous case made from a proprietary ceramic-and-polymer fusion called Ceramod+. At $2,053, it was an interesting and fun novelty, and cheaper than the IWC Ceralume Perpetual Calendar (though a vastly different proposition, to be fair). Now that material, sans lumen, is coming to the United States with a new, relatively affordable GMT. But the watches are only a small part of the story for Split. The brand was co-founded by Edward Margulies, the third generation of a prominent family of UK-based Swiss watch distributors. His father, Marcus Margulies, might be known to some as the collector behind one of the most impressive collections of Audemars Piguet watches in history, which formed the basis for much of the AP museum. Edward moved to Switzerland at the age of 19 to train to follow in his footsteps.  While the press release talks about how he spent his life putting on a smile to hide a frown caused by burying trauma for years, his interview in the New York Times reveals something deeper. The reality is that, after decades of struggling with his mental health and taking traditional paths of therapy and antidepressants, his physical health had deteriorated, and he was prescribed fentanyl. "Next thing I know," he said to the New York...

Is it the Year of the Clock? Timex Introduces the Waterbury America 250 Table Clock

I don’t really have a ton of evidence to support this, but I have a vague sense that clocks are maybe about to have a moment. There seem to be some signs. There’s the Audemars Piguet x Swatch collaboration, which, for all the ink spilled about the disaster of a rollout, has the potential (still!) to be a big pop culture moment this year, and I have a feeling many future owners of the Royal Pop will use it as a desk clock in some fashion. There was the recent launch of a new Horological Machine from MB&F; which is, basically, a big robot clock. Earlier this year, a real highlight of the Louis Vuitton slate was a clock made in partnership with L’Epée (also a collaborator on the MB&F;). It just seems like an unusual amount of clock activity, coupled with a similarly unusual amount of interest in said clocks.  That leads me to one of the more unexpected and interesting things I’ve seen from Timex in a bit, the new Waterbury America 250 Table Clock. Part of a series of releases commemorating the 250th anniversary of the signing of the Declaration of Independence, the clock draws on classic pocket watch design language and is a pretty attractive hunk of stainless steel that I think would look good on many a desk, whether it belongs to a watch lover or not.  The clock case is a mix of brushed and polished steel, with star accents along the caseband and a guilloche engraving with a gold tone emblem on the retractable lid. A button on the side of the case releases the lid ...

The Swatch Collaboration Effect - Here’s What Happened (This Time)

The Audemars Piguet × Swatch Royal Pop watch resulted in long queues at Swatch boutiques worldwide. We witnessed the chaos and mayhem at several of them on May 16th. Police had to enforce order, stores had to close, mall owners were angry, and managers of nearby shops were pissed because they couldn’t open or had […] Visit The Swatch Collaboration Effect — Here’s What Happened (This Time) to read the full article.

Audemars Piguet Serves Royal Oak Offshores With Royal Pop-Style Sprinkles

One thing is for sure: the members of the Audemars Piguet design team don’t suffer from chromophobia, the intense, irrational fear of or aversion to colors. You will find plenty of proof of that in the current lineup. The three Royal Oak Offshores with Royal Pop-style sprinkles that AP serves are an addition to the […] Visit Audemars Piguet Serves Royal Oak Offshores With Royal Pop-Style Sprinkles to read the full article.

Tudor and Audemars Piguet formally kick off summer, Time+Tide joined Oris at Yankee Stadium

Don’t say I didn’t warn you! Only a month ago in this very column, we had just about got over the new release season, but I alerted you all to the fact that we were far from done. Technically, we’re halfway through 2026 now, and it feels like every week there’s been at least one … Continued

Just Because - The Well-Timed Release of the Ochs und Junior Pendant Watches

Timing, as they say, is everything. Hot on the heels of Audemars Piguet and Swatch’s Royal Pop pocket watch, the most hyped release of the century, teased with cryptic ads, countdowns and endless speculation, Ochs und Junior arrives with a timely proposal of a pendant/pocket watch. Not everybody has the nerve to follow a headline-grabbing […]

Introducing: Audemars Piguet Announces New Royal Oak Offshore Chronographs In Both 42mm and 37mm

What We Know Big, bold, and unapologetically brash, the Royal Oak Offshore has never been the watch for everyone. But with three fresh colorways for 42mm chronographs in steel and titanium, and a triumvirate of brand-new 37mm models in titanium and pink gold, the vaunted watchmaker from Le Brassus is giving us a few more reasons to consider its dedicated diver.  There are three new 42mm models in three new color combinations, all featuring luminescent white 'bathtub' style hands, Arabic numeral hour markers in 18 carat gold, a flyback chronograph with hour, minute, and second counters, and a tachymeter scale rehaut inner bezel and date window at 3 o'clock. First up, the only new titanium model at this size, it features a dark grey méga tapisserie dial with dark grey and silver-toned counters with yellow and turquoise accents. The Arabic numeral hour markers are turquoise while the yellow chronograph hand matches the counter hands at 9 and 12 o'clock with a white seconds hand at 6 o'clock. Sections of the tachymeter scale are printed in yellow and white, while the AP logo in white sits just left of the date window. The silver hour and minute chronograph counters are accented in turquoise and grey. The case is 15.3mm thick and features a sapphire open caseback, a black-rubber and titanium screw-down crown with contrasting yellow and black rubber push pieces, and boasts water resistance of 100 meters.  The new titanium Offshore chronograph comes on an interchangeable dark ...

Introducing - Audemars Piguet Brings Summer Colours to the Royal Oak Offshore Chronograph

More than three decades after its debut in 1993, the Offshore remains arguably the version of the iconic Royal Oak best suited to an active summer lifestyle. Nicknamed “The Beast” when it was launched, the Royal Oak Offshore challenged the conventions of luxury watchmaking with its oversized proportions, visible rubber elements and bold, muscular design… […]