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Above the Date Window: Steve McQueen's Monaco and What Sotheby's Catalogues Really Tell You

How a sliver of dial real estate above the date window decodes provenance on every screen-worn Heuer Monaco that has passed through Sotheby's and Phillips.
In-Depth: Andersen Genève Montre à Tact for Only Watch 2019 SJX Watches
Audemars Piguet Oct 11, 2019

In-Depth: Andersen Genève Montre à Tact for Only Watch 2019

Only Watch founder Luc Pettavino is a very persuasive man. Every two years, he manages to convince small watchmakers to risk neglecting paying customers, and instead to spend a lot of time and effort to exercise their creativity in building a one-off timepiece – and then give the resulting watch to the Only Watch charity auction. Most watchmakers regard it as an honour to be asked for a contribution, after all, the list of participants include boldface establishment names like Patek Philippe and Audemars Piguet. While Luc also receives many offers from brands, he wants to curate an interesting mix of watches for each Only Watch auction, capped at a maximum of 50 watches or so each time – he alone decides what’s in and what’s out. A few brands have been dedicated supporters of the charity since the very beginning, and they are usually invited to return year after year. In the inaugural Only Watch auction in 2005, lot 1 was the unique Eros “Navigation Pleasure” wristwatch. It was the work of Andersen Genève, the brand founded by Svend Andersen, a 77-year old veteran independent watchmaker best known for co-founding the Académie Horlogère des Créateurs Indépendants (AHCI). When Luc visited Svend at Baselworld earlier this year to solicit a contribution for Only Watch 2019, he received a swift “yes”. With the watch required to be finished for a world tour starting just three months after Baselworld, quick decisions were necessary a...

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Hands-On: Bell & Ross BR 05 Skeleton SJX Watches
Bell & Ross BR 05 Skeleton Demand Oct 10, 2019

Hands-On: Bell & Ross BR 05 Skeleton

Demand for the luxury sports watches that were born in the 1970s – all with integrated bracelets and designed by Gerald Genta – is now red hot. That has fuelled the development of such watches from every corner the industry, from Chopard to Urban Jurgensen to Bell & Ross (B&R;). While many of these watches have sparked criticism for their derivative design, B&R;’s entry into the genre comes with a distinct price advantage. The BR 05 is probably the most reasonably priced watch in this design category, starting at under US$5000. No doubt it owes a great debt to Genta’s designs, but it would be futile to compare it with the alternatives given the price gulf. But the standard BR 05 is a pretty conventional watch – well done for the price but not something that jumps out at you. The BR 05 Skeleton, on the other hand, is striking, with a look and feel that is distinct – priced at about 20% more than the base model. Well dressed Like all watches in its category, the BR 05 is largely all about the case and bracelet. The BR 05 Skeleton is identical to the base model on the outside, with a rounded-square case and a bezel with visible screws at its corners. While it is appears to be a mishmash of Genta’s classics, it bears a strong enough resemblance to the brand’s signature BR 01 and BR 03 cases – which were inspired by aircraft instrument panels – that it can pass as a rather natural evolution. But in contrast to the BR 01 and BR 03, the BR 05 ha...

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Business News: Rolex to Replace New York Headquarters with 25-Storey Building SJX Watches
Audemars Piguet museum according Oct 9, 2019

Business News: Rolex to Replace New York Headquarters with 25-Storey Building

A year after the opening of the Rolex Building in Dallas, designed by Japanese architect Kengo Kuma, London-based David Chipperfield Architects just announced it won an international design contest for the new Rolex skyscraper in New York City, beating out big names like Foster+Partners and Bjarke Ingels Group (which designed the new Audemars Piguet museum), according to industry publication Architects’ Journal. “Our team is committed to creating an exemplary building befitting the heritage and culture of the Rolex brand, as well as its prominent 5th Avenue location,” says Mr Chipperfield, speaking in the press announcement. Modernist and fronted entirely in glass, much like the rest of its work, the Chipperfield design will replace the watchmaker’s existing building located at 665 5th Avenue, on the corner with 53rd Street. Originally built for Danish silversmith Georg Jensen in 1924, the 12-storey building was revamped with a glass and aluminium facade when Rolex acquired it in 1977 for its American headquarters. The current Rolex Building, home to the company since the 1970s. Image – Google Maps A rendering of the new Rolex Building. Image – David Chipperfield Architects According to industry lore, the then chief executive of Rolex, Andre Heiniger, decided to buy the 5th Avenue building during a visit to the United States, closing the deal before getting the approval of the company’s board. Heiniger also led Rolex to acquire several dozen lo...

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Cartier Opens ‘Crystallisation Of Time’ Exhibition in Tokyo SJX Watches
Cartier Opens ‘Crystallisation Oct 8, 2019

Cartier Opens ‘Crystallisation Of Time’ Exhibition in Tokyo

In the tradition of its extravagant exhibitions, Cartier has recently opened Cartier, Crystallisation Of Time in Tokyo’s National Art Centre. Made up of some 300 items, ranging from jewels to clocks to objet d’art, the exhibition is the third Cartier exhibition in Japan since the 1990s (and the 34th globally). Notably, half the exhibits are on loan from private collections, with the rest being from the Cartier Collection, the jeweller’s own trove of over 3000 items spanning 1860 to the modern day. More unusually, this is the first exhibition that includes contemporary Cartier creations from the 1970s and later, in contrast to past events that only included historical objects. The exhibition explores the jeweller’s rich history by juxtaposing vintage jewels, timepieces and objects against their modern equivalents or relations. So a lavish portico mystery clock made of gold, rock crystal and onyx from 1923 sits beside a 2016 mysterious tourbillon pocket watch hanging in its rock crystal and jade stand. Large ‘Portique’ mystery clock (left); and mysterious tourbillon pocket watch with stand Desk clock, circa 1929, made of ebonite, mother-of-pearl, and coral (left); and magnetic clock from 2016, in white gold, lapis lazuli, and mother-of-pearl It’s organised into three themes, detailing the jeweller’s work in materials, design, and cultural inspiration. The two scarab motif jewels, for instance, are six decades apart, but share the same Ancient Egyptian theme...

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Armin Strom Minute Repeater Resonance: Synchronized Oscillations Driving Sonorous Vibrations (Plus Video – It Sounds Fantastic!) Quill & Pad
Armin Strom Minute Repeater Resonance Synchronized Oct 6, 2019

Armin Strom Minute Repeater Resonance: Synchronized Oscillations Driving Sonorous Vibrations (Plus Video – It Sounds Fantastic!)

The Armin Strom Minute Repeater Resonance marks the first time in history that the resonance phenomenon has been combined with a chiming watch (a full minute repeater!). Thanks to the clever development of the resonance mechanism several years ago, the doors to this incredibly complex and technical creation opened for the Swiss brand. And the result is like angels singing!

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Patek Philippe Reference 5160: An Overlooked Mechanical Delicacy – Reprise Quill & Pad
Patek Philippe Reference 5160 Oct 5, 2019

Patek Philippe Reference 5160: An Overlooked Mechanical Delicacy – Reprise

When most people think of Patek Philippe, they think of the evergreen models that roll off the lips of enthusiasts all over the world: Nautilus, Gondolo, Calatrava, and perhaps even that delectable worldtimer that appeared in 2013’s new Patek Philippe offerings as Reference 5130. But one of the many elements that I personally adore about Patek Philippe is its love of the handcrafted arts and the perpetuation of them in highly aesthetic ways.

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Obituary: Gilbert Albert, Jeweller and Watch Designer SJX Watches
Patek Philippe Oct 3, 2019

Obituary: Gilbert Albert, Jeweller and Watch Designer

Designer of some of the most striking wristwatches of the 1960s, jeweller Gilbert Albert (1930-2019), passed away in his hometown of Geneva on October 1 , 2019. He was 90. Son of a newspaper deliveryman, Albert trained as a jeweller at Geneva’s l’Ecole des Arts Industriels and was only in his mid 20s when he joined Patek Philippe in 1955 as a designer. In his seven years at the watchmaker, which was then led by Henri Stern, himself a trained jeweller, Albert was responsible for some of the most radical watch cases of the era. These strikingly asymmetrical timepieces, like the Asymétrie wristwatches and Ricochet pocket watches, are still incredible designs six decades on. Gilbert Albert. Photo – lenouvelliste.ch He then set up his own workshop in 1962, where he became known for the use of unusual materials like coral and meteorite, all installed in quirky, unique jewellery desirable enough that frequent fakes eventually emerged. Albert also designed watches and jewellery for other watchmakers, most notably Omega, where he created several collections, including the Maille d’Or and Arabesque d’Or, all characterised by a distinctive, almost organic style. With his success, Albert built a small but highly regarded jewellery business. He opened his first store in his hometown in 1973, sited on rue de la Corraterie, a street just outside the walls of Geneva’s Old Town. Ten years later that was followed by a boutique in Zurich. Albert’s boutique in Gen...

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Up Close: Audemars Piguet Royal Oak Perpetual Calendar Openworked in Black Ceramic SJX Watches
Audemars Piguet Royal Oak Perpetual Calendar Oct 1, 2019

Up Close: Audemars Piguet Royal Oak Perpetual Calendar Openworked in Black Ceramic

The last time Audemars Piguet had a skeletonised Royal Oak perpetual calendar in the catalogue, it was 2015. The skeleton perpetual is familiar enough that it doesn’t seem to have been missing for that long, but it’s been a half-decade. In the mean time, Audemars Piguet (AP) unveiled the next generation of Royal Oak Perpetual Calendar, with the case widened to 41mm, and then introduced it in black ceramic, and only just, in white ceramic. And it took some time to develop the thinnest automatic perpetual calendar ever. But now the Royal Oak Perpetual Calendar Openworked is back, in proper, fine form. Putting a skeleton movement inside the bestselling Royal Oak in black ceramic is obvious, and could have been done in the easiest way possible. But AP went one better; it developed a new calibre, the 5135, that is not merely open-worked, but also redesigned for maximum aesthetic effect. “This is the first time in many years that AP has introduced an openworked perpetual calendar wristwatch,” says Michael Friedman, the head of complications at AP, “The effort here was to create an experience of contrast and play of light.” I’d say AP succeeded. The watch pictured is a travelling prototype, so pardon the cleanliness of the movement Ceramic and the Royal Oak But first, a small, modestly technical digression on the material and the watch. The case and bracelet are made of black ceramic, specifically zirconium oxide stabilised with yttrium oxide – essential for...

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Interview: Patek Philippe Museum Curator Dr Peter Friess on Restoration SJX Watches
Patek Philippe Museum Curator Dr Peter Oct 1, 2019

Interview: Patek Philippe Museum Curator Dr Peter Friess on Restoration

The epic Patek Philippe Watch Art Grand Exhibition Singapore 2019 was massive not just in scale and numbers, but also in the Patek Philippe executives who travelled halfway across the world from Geneva to Singapore just for the event. All of the company’s top management is the town for the event, including president Thierry Stern, chief executive Claude Peny, and commercial director Jerome Pernici. But perhaps the most interesting personality for a hardcore watch geek is Dr Peter Friess, curator of the Patek Philippe Museum in Geneva. A studied man who’s spent his life in museums and cultural institutions, Dr Friess is an art historian by training but also a true horologist. He’s the sort of guy who gets deeply excited over the “new old stock” 369-year old Cremsdorff pocket watch the museum recently acquired, and is familiar with the catgut used in 16th century chain and fusee mechanisms. Dr Peter Friess at the Singapore exhibition, with a portrait of Antoine Norbert de Patek behind him The first ever Patek Philippe wristwatch; importantly, it was not conceived as a bangle with a pendant watch movement bolted on, instead it is a timepiece for the wrist Unsurprisingly, the German native is also a professional watch- and clockmaker. Dr Friess joined the Patek Philippe Musuem as Director and Curator exactly seven years ago. Before that, he was President of the Tech Museum of Innovation in California, as well as a curator at the Smithsonian where he put tog...

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