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Results for Above the Date Window

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Above the Date Window: Steve McQueen's Monaco and What Sotheby's Catalogues Really Tell You

How a sliver of dial real estate above the date window decodes provenance on every screen-worn Heuer Monaco that has passed through Sotheby's and Phillips.
Longines Introduces the Ultra-Chron Carbon, a Contemporary Update of a Classic Worn & Wound
Longines Introduces Jan 1, 2025

Longines Introduces the Ultra-Chron Carbon, a Contemporary Update of a Classic

With the New Year upon us, I think it’s time to look at what we want our resolutions to be. For me? Well, I think it’s about time I learned German (Mom, if you’re reading this, I’m sorry for making you pay for those lessons for all those years!). Or maybe I’ll lose that pesky ten pounds. Or maybe run a marathon – but who has the time? And for Longines? Well, I can’t say for sure, but I’d think innovating one of their classic watches is probably high on their list of resolutions – and they already accomplished that within the first week of 2025. You see, the latest release of the much-beloved Ultra-Chron series just got an upgrade: the Ultra-Chron Carbon. As a first for the brand, the use of carbon will both add an extra layer of protection for the wearer, while giving a bit of style to the already stylish Ultra-Chron model. First launched in 1968, the Ultra-Chron has long been a favorite for the Swiss maison. Due in part to the well-proportioned cushion case shape as well as for its novelty as being the first diver’s watch to feature a high-frequency movement. It is with this in mind that it’s no surprise, then, to see Longines use the Ultra-Chron as the template for further innovation – and the addition of carbon is one way to succeed here. In terms of design, the black carbon case is especially unique for its manufacturing process. Look closely at the photos and you’ll notice a mosaic of carbon fiber and epoxy resin moulded together – making e...

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Our 2024 Watches of the Year Worn & Wound
H. Moser x Studio Underd0g “Passion Dec 31, 2024

Our 2024 Watches of the Year

It’s the last day of the year, and once again we’re closing out December with our “Watch of the Year” post. We asked Worn & Wound staff and contributors to pick their favorite 2024 release, and their selections, as always, reveal the huge scope of the watch world.  Happy New Year to everyone who has joined us in these pages all year – we can’t wait to see what 2025 has in store. And of course, be sure to drop your own favorite watch from 2024 in the comments below. Zach Kazan: H. Moser x Studio Underd0g “Passion Fruit” Collaboration  I’ve spent a lot of time over the last few weeks looking back through articles I’ve written and the camera roll on my iPhone anticipating what I might write for my own “Watch of the Year” submission. I also have the luxury of seeing what my colleagues and our contributors have picked for themselves, so I’m truly awash in end of year watch stuff, as I imagine most watch media types are right about now. One thing has become abundantly clear as I’ve scrolled, read, and thought about the last twelve months in watches: it’s been a really great year.  A narrative emerged early on, even before Watches & Wonders, that 2024 would be “slow” or “conservative” in terms of new releases. To a point, that proved to be correct. While there were certainly some very good watches released by the likes of Tudor, Rolex, IWC, and other big brands this year, they weren’t gamechangers or the watch equivalent of a pop song th...

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Maen Rounds out the Manhattan Collection with a New Larger Case Option Worn & Wound
Maen Dec 31, 2024

Maen Rounds out the Manhattan Collection with a New Larger Case Option

Maen Watches, based in Stockholm, Sweden, has been crafting unique timepieces since 2017. With over eight different collections, they have developed a cohesive design language that is instantly recognizable as a Maen watch. Maen entered the integrated bracelet sports watch market about two years ago, although perhaps a tad late. Conversely, they appeared to embrace the resurgence of square(ish) watches early, offering a design that I personally prefer over a more recent controversial cubical release. Although I don’t have any hands-on experience with their watches yet, I have closely followed their development from the beginning and am pretty impressed with their attention to detail and the use of polished facets. This is particularly noteworthy considering their price point. Following the success of their Manhattan 37 Automatic and the Manhattan 39 Ultra-Thin Manual Wind, Maen will launch a new line, the Manhattan 40, with a larger case and automatic caliber.  Two standard models will be available: one in midnight blue and another in copper/salmon. Both will feature vertically elongated Côtes de Genève dials. Additionally, a special-edition model will feature a dial made of green jade stone. Jade is a valued gemstone with a craft history of about 7,000 years, renowned for its toughness and beauty. In China, it rivaled gold and diamonds. The Mayans, Aztecs, and Māori also cherished jade. Ancient Egyptians linked it to love and balance. Today, jade symbolizes goodness...

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Fratello Favorites: The Best Watches Of 2024 - RJ’s Picks From Daniel Roth, Piaget, Omega, And More Fratello
Piaget Omega Dec 27, 2024

Fratello Favorites: The Best Watches Of 2024 - RJ’s Picks From Daniel Roth, Piaget, Omega, And More

According to some, 2024 was a slow year for new watches. I beg to differ! It might have been slow in sales but not in new models to choose from. I haven’t been writing as much for the magazine as I did in the past or as I would like to, but I have been […] Visit Fratello Favorites: The Best Watches Of 2024 - RJ’s Picks From Daniel Roth, Piaget, Omega, And More to read the full article.

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My Year in Watches: On the Road in a Year of Firsts Worn & Wound
Christopher Ward Dec 26, 2024

My Year in Watches: On the Road in a Year of Firsts

In December of last year, I wrote my first ever watch review: The Twelve from Christopher Ward. I remember sitting at a diner with a friend in Estes Park with the watch on my wrist. I was nervous. Nervous I’d drop it, or scratch it – maybe even lose it. I was nervous I’d have nothing to say. Nervous that even if I did have something to say (and I often do), maybe people wanted to hear it from someone else. Figuring out how to write wasn’t difficult as I’d written a handful of lengthy historical essays over the years but this style of writing was different. The answers I was seeking weren’t found in an archive. I was good at dealing with relative objectivity. Instead, writing about watches was rooted in subjectivity – and that was tough to navigate. I had to become comfortable with having an opinion. And possibly an opinion that some would disagree with. I had to figure out in this new style of writing what I felt about a topic and couldn’t rely on only what the facts and figures say. I had to ask myself, what do I say? The ease with which I was able to express my thoughts about watches came with a little bit of practice. Throughout the course of this year, I even got into the field with a couple of the watches I was writing about, which made me expand my comfort zone in more ways than one. In April, I drove the western portion of Route 66 with a bronze Oris Divers Sixty-Five Cotton Candy. I found some of my narrative voice while exploring the travelogue sty...

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My Year in Watches: It Was All About the Indies Worn & Wound
Brew ing Dec 25, 2024

My Year in Watches: It Was All About the Indies

My year in watches began in a fog of Covid that led to the purchase of a James Lamb Origin Series, an acquisition that set the tone for the rest of the year in both how my own watch collection would continue to take shape, and in how I approached my role at Worn & Wound. The theme of this year, for me, has really been brewing for the last several, but 2024 was when I really began to hone in on the importance of independent watch brands across the entire spectrum of the watch landscape, and independence in our hobby and in watch media.  When I purchased the James Lamb, I made no official declarations or formal decisions about shutting out big brand purchases for the remainder of the year, but in my head the idea had been taking shape for some time. Conversations with colleagues and other watch enthusiasts had led me to the conclusion that while big luxury brands are certainly capable of making very high quality watches that are desirable and objectively “good,” they had come to feel a bit stale, almost sterile, in comparison to watches like the James Lamb, which seemed born out of a burst of creativity. It was also impossible not to notice the traditional microbrand scene growing by leaps and bounds, with many brands offering bits of real craft and flourishes of genuine watchmaking inspiration at a truly approachable price point. Why, I wondered, would anyone pay even more than I paid for my Origin Series for a watch made from the Swiss equivalent of a cookie cutter? ...

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