5,147 articles · 3,749 videos found · page 147 of 297
Time+Tide
Clone watches, clone Andrews, and lots of Mexican treats: we celebrated Studio Underd0g's cheekiest new timepieces in style.The post We launched the new Studio Underd0g Av0cado and Guacam0le with a side of nachos and clones appeared first on Time+Tide Watches.
Hodinkee
A look back at Citizen's class-leading work with titanium and the launch of the brand's latest innovation - Duratect Amber Yellow.
Fratello
Every other week, we’re bombarded with an onslaught of new watches. And though we’re not too upset about it in principle, the incessant pace at which the majority of watch brands pump out new products has recently had us asking, “Are watch brands doing too much?” Today, on Fratello Talks, Nacho, Thomas, and Gerard join […] Visit Fratello Talks: Are Watch Brands Doing Too Much? to read the full article.
Monochrome
Wempe, the family-owned retail giant founded in 1878 in Hamburg, has become one of the biggest names in luxury watch sales. Now in the hands of a fourth-generation Wempe, the retailer has 29 showrooms worldwide and produces special editions with leading German watchmakers. Designed together with Wempe, the latest 100-piece limited edition, which celebrates Wempe’s […]
Worn & Wound
Brew’s recent history has been marked by two distinct types of watch releases. There are watches that incorporate bold design choices in established platforms, like Metric Star from last year, or our own Metric Chrono Regulator Lumint limited edition. These releases take a distinct point of view on something that is familiar to Brew fans and watch enthusiasts more generally, and keep moving the ball forward on the brand’s aesthetic. Then there are more substantial releases that feel like the brand is reaching for greater heights, toying with an incrementally higher end product. The titanium Metric Chronograph, for instance, seemed like clear upping of the ante in terms of what the Brew catalog might look like across price points, materials, and so on, as did the first mechanical Metric when it was released almost two years ago. If you’ve spent any time at all talking to Brew founder Jonathan Ferrer, you know that he has no shortage of ideas for the brand, so there’s a prevailing sense that a watch that completely changes how we think about Brew could come at any time. The new Metric Manual Wind might be the best example of that to date. It makes sense, in a lot of ways, that a watch like this would come now. This year marks Brew’s tenth anniversary, and the last decade (especially the last five years or so) have seen the brand grow at a clip rarely seen in the microbrand space. The Metric has proven to be a particularly durable platform for design innovations a...
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Hodinkee
Celebrating a milestone with a new dial design, a new movement, and a friendly new price point for the brand's first manually-wound watch.
Worn & Wound
The Apple Watch is not a very good watch. I’d even go so far as to say that it represents everything I don’t like in a watch. It’s disposable, generic to the point of ugly, and demands a level of focus and engagement I find downright offensive. To borrow a phrase from the inimitable Peter Griffin, “It insists upon itself.” And yet, the Apple Watch has become an invaluable, irreplaceable part of my life. This spring marks a decade since the Apple Watch first went on sale. I bought mine shortly after launch, in anticipation of my freshman year of college, at a point when I was still trying to sort out what interests and identity I would carry with me into that new phase (turns out, tech-head, sort of no; watch geek, undoubtedly yes). The Apple Watch, along with a beat-up Victorinox and a vintage Hamilton, made up my total stable of wrist-borne options my first year in Granville, Ohio. You’d think with that few watches available to me, the Apple Watch would have gotten a lot of wrist time, and it did, at least for the first few months. Still, by the end of my freshman year, I was basically done with the Apple Watch. It was clear even then that the premise had some promise, but I felt like I’d gotten all I could out of the nascent device. The first Apple Watch was, if I’m being honest (and I think Tim Cook would agree with me), kind of useless - more a proof of concept or statement of intent than a finished product. It did very little, and what it did do was ...
Worn & Wound
It’s no secret that watch design over the past few years has been heavily inspired by timepieces of yesteryear. Many brands today are looking to integrate 20th-century principles into more modern and technologically advanced packages, typically in an effort to keep alive the vintage aesthetics collectors know and love. On the heels of their recent relaunch, Dennison has just announced their first watch collaboration ever, pairing up with horological icon John Reardon and his website Collectability to produce a new model for the brand’s contemporary catalog. Last year, Dennison, a brand established in 1874, was revived with the help of its new A.L.D. Collection. This assortment of watches was designed by acclaimed watch designer Emmanuel Gueit, known for designing the new Rolex 1908, the Harry Winston Z1, and Audemars Piguet Royal Oak Offshore. Dennison offers these vintage-inspired timepieces for $490 for sunray dials and $690 for stone dials. Their rather affordable prices helped the A.L.D. Collection catch the attention of many collectors, including John Reardon’s. For those unfamiliar with his experience, Reardon has been a notable figure in horology for years. He began his career at Sotheby’s in 1997, later joining Henri Stern Watch Agency, then spending five years as the International Head of Watches at Christie’s Watches. In 2019, he left Christie’s to launch the Collectability website, aiming to educate collectors on all things Patek Philippe, in add...
Fratello
Welcome to the latest episode of Fratello On Air! This week, we imagine certain current brands as independent watchmakers. The topic was a lot of fun to discuss and came as a suggestion from two of our listeners. Enjoy the show! This podcast player is blocked because you did not accept marketing cookies. Change cookie […] Visit Fratello On Air: Imagining Current Brands As Independent Watchmakers to read the full article.
Worn & Wound
If you had told me a few years ago that we’d still be seeing integrated bracelet watch designs in 2025, I probably would not have believed you. But what felt like many a passing fad that would take a year or two to cycle through has not only stuck around, but has become a bit of a necessity for brands seeking to expand their customer base. As such, at Watches & Wonders 2025 integrated bracelets were still prevalent, even getting a spotlight thanks to the Rolex Land Dweller. Well, I’m not here to cover that well-trodden territory again. Rather, I wanted to look at two integrated launches that have gone a little under the radar, both of which lean towards the quirky side of things: the Meistersinger Kaenos and the Chronoswiss Pulse One. The Meistersinger Kaenos Meistersinger is a curious brand. They are at once an oddball, focusing almost exclusively on single-handed watches, which is a very strange thing to do, and yet somewhat conservative, with designs that lean towards the traditional. Admittedly, as is evidenced by the recently released Breguet Classique Souscription, single-handed watches are rooted in 18th century design, but I digress. Well, the Kaenos mixes things up for the brand, introducing a far sportier and more aggressive style into their line. Measuring 40mm in diameter and 11.2mm in height, at a glance, the design of the Kaenos’ case and bracelet is pretty typical of integrated bracelet designs. A sort of barrel-shaped case with a circular dial opening...
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SJX Watches
Twenty-twenty-four marked Greubel Forsey’s 20th anniversary, an occasion celebrated with their first chronograph, the Nano Foudroyante EWT. The brand’s tenth “Fundamental Innovation” since its founding back in 2004, the Nano Foudroyante EWT is a flyback chronograph with a flying tourbillon and an independent micro-scale lightning seconds, or foudroyante. The watch marked many firsts for the brand. Aside from being Greubel Forsey’s first chronograph, it is also the brand’s first flying tourbillon – noteworthy given its longtime focus on the tourbillon. Despite its extensive history with innovative tourbillon constructions, Greubel Forsey (GF) has never before created one with a flying architecture. Initial thoughts GF is often regarded as among the best in terms of innovative watchmaking and artisanal chronometry. Although the brand’s styling can arguably be too much at times, its core signature of high-end horology is unmistakable and defined by exemplary finishing and exceptional engineering in equal measure. The Nano Foudroyante EWT is interesting in many respects. The combination of complications is unusual, even for GF, and feels like more of a conceptual platform to present the “nano” sized lightning seconds (that runs independently of the chronograph). That said, execution is typical of GF in being high quality all around. It is a perfect example of the brand’s approach to watchmaking, both decoration- and engineering-wise. Similarly, the ae...
Teddy Baldassarre
Before I get into my owner's review of the Seiko Baby Alpinist, I want to talk about field watches as a category. What makes a field watch? Is an explorers' watch the same as a field watch? Is a mountaineering watch? I wouldn’t necessarily call this, or rather these, age-old questions. Instead they illustrate an intellectual conundrum I’ve personally faced, being a fan of a certain format of watches. Many who know me will also be sure to know I have a certain proclivity toward Rolex watches. I once wrote some of a definite treatise on the Rolex Explorer Ref. 14270 - the now neo-vintage version of the watch that was born right at the start of the 1990s and which has since served as the template for all Explorers to come. Its 36mm size, legible dial, and overall no-nonsense field-watch format have made it one of the best watch designs of all time. But it’s also not really a field watch, is it? It was born as a marketing exercise in the wake of Sir Edmund Hilary’s summiting of Everest alongside Tenzig Norgay. It’s an explorers watch, one with alpine roots. The Seiko Baby Alpinist SPB155 Speaking of alpine, we cannot mention the word without invoking one of the most well-known attainable icons of the 1990s and 2000s: The Seiko Alpinist. But let’s go back even further, to the late 1950s and early ‘60s, when Seiko launched the small, 35mm Laurel Alpinist – a design that was revived by the brand in 2021. Fast-forward to 1995, when Seiko released a familiar forma...
Worn & Wound
If Hollywood stars and trend forecasters are correct about the state of the watch world, it’s that bigger isn’t better anymore. Many brands are finding their sizing guidelines are in a state of flux the past few years, with many enthusiasts opting for classical sizing and subverting notions of gendered expectations. A push for inclusion within the collector community seems to have also correlated with the expansion of hallmark models into different sizing categories. The move serves to bring in new consumers and allows for a greater range of choice amongst all enthusiasts. The PRX has been Tissot’s tour de force in recent years. The reissue of an original 1970s design by the brand in 2021 sparked a bit of a revolution with enthusiasts – many of whom flocked to the watch for the competitive pricing and quality. The integrated steel bracelet and tonneau-style case shape evokes a groovy callback to the designs of the seventies when quartz movements were truly high-end and sports watches were king. It makes sense, given the popularity of the Tissot PRX since its initial reissue, why it’s now offered in 59 different variations on the brand’s website today. As many of us know, there can be popular mainstream watches whose constant re-(and re and re-)releases begin to hit a nerve with the collector community after a while. Fortunately, it seems the PRX is one that hasn’t overstayed its welcome – and for good reason. This new 25mm reference expands the market in ...
Monochrome
In recent years, Citizen has gained incredible visibility with its ultra-accessible take on the 1980s watch with (sort of) an integrated bracelet, the Tsuyosa. With its cool design, fun colours, multiple sizes, and fair price, it brought back the brand on the cool wall (Top Gear viewers will understand the reference…) Building on the success […]
Teddy Baldassarre
There’s not much left to say about the Tissot PRX Powermatic 80 that hasn’t already been said. It’s a watch that feels like it’s always been there, even though it was only released by Tissot in 2021, at exactly the right moment in history. With integrated-bracelet designs on the upswing, Tissot brought one to market that was fun, well designed, and well priced. It also happened to be based on an original ‘70s Seastar design from the brand. It was an instant hit, and the brand was quick to capitalize on its initial success by fleshing out a full collection, including different sizes, materials, and even movement options, culminating in the PRX Powermatic 80. The PRX Powermatic 80 was introduced in both 35mm and 40mm variations, and quickly saw a variety of dial, case, and strap options that brought a diverse personality to the collection as a whole. In 2025, it feels like a fully mature staple of Tissot’s offerings, and the integrated-bracelet trend is showing no real signs of slowing down (more thoughts on that later), which should grant the watch a bright future. That said, I (and many others) will be curious to see how the PRX ends up evolving, and whether or not it will have real staying power for generations to come. Either way, for what it is right now, it’s a tough watch to beat when it comes to value and personality. It's that combination that is the real draw of the PRX, and today, in 2025, it’s only strengthened. The PRX Powermatic 80 remains w...
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SJX Watches
Patek Philippe’s Complicated Desk Clock Ref. 27000M-001 is the biggest release of Watches & Wonders 2025, with a footprint of 164.6 by 125 mm, and rising to 76.73 mm at its apex. Priced at an even CHF1 million before taxes, the clock is powered by a key-wound, 31-day movement – incorporating a one-second remontoir d’egalite – housed in a wedge-shaped sterling silver cabinet, decorated with green flinqué enamel. Initial thoughts While we’ve seen desk and table clocks from others in the space, none have been as incredibly high-effort as this. Patek Philippe claims the 912-part shaped caliber took seven years of development, including nine patent applications. That’s quite the investment in a product with limited mainstream appeal, and I find it reassuring that Patek Philippe is still willing to make those investments. The enamel work is enchanting and has precedent in early 20th-century silver travel clocks retailed by Cartier, among others. I could take or leave the baroque styling, but the dial and hidden “dashboard” look fantastic. I hope Patek Philippe will offer this movement in other styles down the road. If you’ve never experienced a key-winding watch or clock, it’s quite satisfying; I wouldn’t call it fun, but it’s not something you’re likely to get sick of. It’s an experience you can’t get with Patek Philippe’s other current production clocks, which use an electric motor to wind the movement without need of human intervention. The b...
Worn & Wound
James Cox (c.1723-1800) was a British jeweler, goldsmith and entrepreneur and the proprietor of Cox’s Museum. Cox produced lavishly ornamented automata for trade with the Far East, first with India and then with China, where the reception of his ‘toys’ or ‘sing-songs’, as the Chinese are believed to have called them, was at first a huge success. Cox was an extraordinary gentleman living in 18th century London. This was a time of great opulence with the wealthiest showing their status through objects they commissioned and owned. Cox was a clockmaker, jeweler, and entrepreneur known for creating elaborate and decorative timepieces, automata, and mechanical curiosities. He gained fame for his luxury goods, which were highly sought after by the elite. Cox’s work blended mechanical innovation with exquisite craftsmanship, producing items that were not just functional but also ornamental and artistic. Cox’s career as a jeweler began as early as 1751, and his automata were designed by leading artists including Johann Zoffany and Joseph Nollekens. In the 1760s, John Joseph Merlin became his apprentice. Though he declared himself a goldsmith, he employed several jewelers and manufacturers who would have done much of the work. Jewel cabinet with watch signed James Cox, c.1765-70. Image courtesy of the Met Museum This cabinet is an excellent example of an exquisite item made by Cox and bearing his signature. On its doors are enameled personifications of Winter and S...
Teddy Baldassarre
Omega became the official watch of the world’s most famous cinematic superspy, James Bond, in 1995, with star Pierce Brosnan sporting a Seamaster Professional watch in the first of his four films as Agent 007. Today - 30 years, nine movies, and two lead actors later - the Omega Seamaster retains its strong association with Bond’s signature style along with his penchant for exotic adventure. Here is a chronological rundown, movie by movie, of every Omega Seamaster model that James Bond has worn in his silver screen exploits during the last three decades. Goldeneye, 1995 (Pierce Brosnan): Seamaster Professional 300M Ref. 2541.80 When Irish actor Pierce Brosnan came aboard for Goldeneye, the first new Bond film in six years, Oscar-winning costume designer Lindy Hemming came with him. It was Hemming, according to Omega, who suggested that an Omega Seamaster would be the perfect watch for Bond, despite the character’s established affinity for Rolex, which came from Ian Fleming’s original novels. “I was convinced that Commander Bond, a naval man, a diver, and a discreet gentleman of the world, would wear this watch,” Hemming said in an interview. At the time, the watch she chose was one with a quartz movement, the Seamaster Professional 300M Ref. 2451.80. In the movie, the 300-meter water resistant diver with blue dial is equipped with a built-in laser beam in the bezel, which Bond uses for a desperate escape from an exploding train car, and a remote detonator...
Time+Tide
Bell & Ross celebrates its most recognisable model's 20th anniversaryThe post Bell & Ross unveil the BR-03 Skeleton, celebrating 20 years of the squared-off aviation instrument appeared first on Time+Tide Watches.
Fratello
Welcome to another episode of Fratello On Air. This week, we cover the latest news on watches and other subjects. We discuss the 250th Anniversary of Breguet and several other high-end brands. This podcast player is blocked because you did not accept marketing cookies. Change cookie settings It was a relatively quiet week on the […] Visit Fratello On Air: The Latest News Including Breguet And Rolex to read the full article.
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Monochrome
Nivada Grenchen goes back almost a century to 1926 and was known for many watches, including its early automatics in 1930 and Antarctic model in the 1950s that was used during a South Pole expedition with the US Navy. The original F77 from 1977 had an octagonal bezel and integrated design that was trending thanks […]
SJX Watches
Hermès recently revisited a whimsical complication first introduced some 14 years ago, the Arceau Le Temps Suspendu. Still retaining the quirky “suspended time” complication, the new Arceau Le Temps Suspendu gains a multi-layer, open-worked dial that reveals the interesting mechanics behind the mechanism. And it’s been scaled down slightly to 42 mm thanks to a movement upgrade. Initial thoughts I liked the original Le Temps Suspendu, both in terms of form and function. The complication isn’t practical, but it is unique and appropriate for the elegant, whimsical house style of Hermès. The original was a large watch, and the modestly downsized new version is an improvement. The thinner case is possible thanks to a Vaucher base movement, which is a step up over the ETA 2892 in the original. More notably, the open-worked dial adds substantially to the visual appeal. Besides giving the dial more depth, it reveals the surprisingly complex mechanism devised by Agenhor for Hermès. Though the complication is simple on its face, the mechanics required to pull it off are significant, and now they are on show. And most surprising of all, the new Arceau Le Temps Suspendu costs less than the original from 2011, with the rose gold variants priced a little under US$40,000. This is despite the upgraded base movement and more elaborate dial. It runs counter to prevailing practice in high-end watchmaking, and reflects the generally reasonably pricing of Hermès watches. Suspendin...
Worn & Wound
We have officially reached that point in the integrated bracelet sports watch trend where the late entrants are getting their second generation, “improved” models to market. Case in point, Nivada-Grenchen and their F77. The F77 launched in March of 2023, a time period that most would agree saw the hype around this genre of watch begin to cool in a significant way. That doesn’t take anything away from the F77 as a watch, of course. I’m rather fond of the size and geometry of this one, and it’s a genuine part of Nivada’s heritage. But in terms of its timing, it did debut at “peak” integrated bracelet sports watch mania. And so here we are, two years later, and Nivada has launched a Mark II version of the F77. We’re now at a point, I think, where integrated bracelet sports watches are just part of the landscape, and a required offering for any brand wishing to cast even a somewhat wide net. It makes sense, then, that Nivada would work to improve theirs. From the looks of it, they’ve made some fairly substantial changes to the case that could have a real impact on how the F77 wears, and it certainly has an impact on the overall aesthetic of the watch. The case measures 12.2mm thick, which is not appreciably different from the previous version, but the lugs have been completely redesigned. The first F77 had lugs that were quite flat and, for an integrated bracelet sports watch, fairly long. The new F77 Mark II has lugs that are much more dramatically curve...
SJX Watches
The opening salvo in Breguet’s 250th anniversary has just been revealed: the Classique Souscription 2025BH. Although typically Breguet in style, the watch is a novel combination of elements, at least by the conventions of Breguet, a traditionally staid brand. Presented in a case of the new design made of a gold alloy of a new formula, it’s a wristwatch inspired by the one-handed souscription pocket watches of the 18th and 19th centuries. The fired enamel dial replicates that of the pocket watch, while inside is the VS00, a calibre that is descended from the movement of the La Tradition. Initial thoughts As storied a brand as it is, Breguet certainly has a lot to live up to for its 250th anniversary. I expect more to come from Breguet in the coming months, but the Classique Souscription is a strong start, though a little pricey. It’s essentially an elaborately executed time-only watch, precisely the sort of watch that is popular now when made by independent watchmakers, but big brands face more scepticism with such timepieces. The VS00 Though it might seem typical Breguet on its face, the Classique Souscription is an unusual proposition; it’s inspired by various elements from across Breguet’s history, some several centuries apart. The dial and movement are inspired by a 19th century pocket watch, while the case comes much later. But everything works well and the whole manages to look like a Breguet. Traditionalists might mourn the departure from familiar elements ...
Worn & Wound
The next stop in our ongoing celebration of 10 years of Windup, the Windup Watch Fair San Francisco, is now right around the corner and if you’re like us, you’ve only got one thing on your mind: what watches am I going to see? Whether you are planning to stop at specific brands on your tour of the Fort Mason venue, or your plan is to wander through the nearly 90 different watch and EDC brands, today we’re highlighting a selection of standout projects from our Lead Sponsors. As always, Windup is free and open to the public, thanks in large part to these brands who continue to support the enthusiast community. You can see all of these brands and more at the 2025 Windup Watch Fair in San Francisco: Fort Mason – Gateway Pavilion, 2 Marina Blvd, San Francisco Friday, May 2: 12PM – 6PM Saturday, May 3: 12PM – 6PM Sunday, May 4: 12PM – 5PM Free and open to the public You can see every sponsor on the Windup Watch Fair website. While you’re on the site, be sure to sign up for Windup updates to make sure you continue to get the latest info in advance of and throughout the Windup weekend. Here’s that sneak peek at the watches of our 2025 Lead Sponsors in San Francisco! anOrdain anOrdain is proud to celebrate the crafts of watchmaking and fired arts by introducing the Model 2 Porcelain. The Model 2 offers a true porcelain dial that was developed in-house after years of research aided by master potters in Stoke-on-Trent, England. Each dial is lovingly handcrafted by p...
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