3,508 articles · 33 videos found · page 15 of 119
Monochrome
Since its rebirth in 2015, Czapek & Cie has produced a focused but diverse family of collections: the elegant Quai des Bergues, the sporty-chic Antarctique, the recent Promenade, the exceptional Place Vendôme, and the refined Faubourg de Cracovie chronograph series. Introduced in 2018, the Faubourg de Cracovie was Czapek’s first chronograph, powered by the calibre […]
SJX Watches
The start of every new year is a time of reflection for many. For collectors and fans of Vacheron Constantin (VC), one might wonder how to follow 2025, which was a consequential year for the brand on several fronts. So it’s interesting that the brand’s first major announcement of 2026 is not a watch, but a competition. Announced in partnership with Phillips, VC is hosting the inaugural Concours d’Élégance Horlogère, featuring seven categories and a prize for each. Existing owners of VC wristwatches and pocket watches can register until April 30th, at which point the jury will begin the work of choosing seven winners that will be announced November 10, 2026. Seven categories The Concours d’Élégance format is usually associated with vintage automobiles, with events staged regularly around the world at venues like Villa d’Este, Hampton Court Palace, and Pebble Beach – unsurprisingly, many such events are sponsored by watch brands, most notably VC’s sister brand A. Lange & Söhne. Adapting the format to wristwatches, VC has opened the field to any of its watches produced between 1755 and 1999, divided into seven categories: chiming watches, chronographs, astronomical complications (including calendar watches), multiple complications, Chronomètre Royal, Métiers d’art, and design. The choice to give the Chronomètre Royal its own category is interesting, and might be a sign of things to come. Originally a high-precision, time-only pocket watch collection t...
Monochrome
As a watch enthusiast and a fan of classic motorsport (superficial, but still), the Union Glashütte Noramis Chronograph Limited Edition Sachsen Classic 2025 struck me immediately for the clear connection to the 1952 Grosser Werkmeister, the from-behind-the-Iron-Curtain, one-off East German-built racing roadster that inspired it. It´s amazing how Union Glashütte ties its themed design to […]
Fratello
You wouldn’t necessarily consider time-and-date watches when thinking of complicated haute horlogerie. Even with a power reserve indicator added in, it still doesn’t sound very impressive or complex, does it? Well, the A. Lange & Söhne Zeitwerk Date proves that sometimes the simplest things require the hardest solutions. I got the chance to spend some […] Visit Hands-On With The A. Lange & Söhne Zeitwerk Date In Pink Gold to read the full article.
Teddy Baldassarre
Seiko has a well known and understood design language that is expansive in nature. It’s a style that feels just as at home on a humble skin diver as it does in the context of a field watch or chronograph. It always feels comfortable, but never derivative. Like a perfectly well worn-in pair of jeans that you keep coming back to. The Speedtimer name is a perfect example of this originality since it was first used by the brand in 1969, and it largely remains so today. The modern Speedtimer SSC813 within the Prospex collection is not entirely reliant on that history, rather, it presents a contemporary vision of a Seiko chronograph at its most accessible. [toc-section heading="Seiko And Chronographs"] Seiko plays an important role in the history of the chronograph as we experience it today. The Japanese brand’s mechanical timers of the mid ‘60s showed off a modern vision for a highly focused design that would open the door for a new generation of watches. These designs did not use a host of subdials, but rather a single timing hand and a single pusher. This is a focus that would be retained until 1969, when Seiko introduced the reference 6139, one of three automatic chronographs to be revealed that year that would shape the genre for the coming decades. Unlike the other two, the Seiko used just a single subdial which would totalize up to 30 minutes. The 6139 would have a cultural impact just as big as its horological impact, appearing in films and, in the case of the so...
Worn & Wound
When I’m planning to leave the house for a full day – whether I’m headed to work or someplace else – I’m a chronic overpacker. To me, there’s peace of mind in knowing I have an extra charger, granola bar, or jacket with me, especially when returning home isn’t easy. Traveling to the office adds an additional layer of expectation when considering a bag, as I bring multiple laptops and a lunch with me most days. I’ve gone back and forth on whether I’m Team Messenger Bag or Team Backpack when it comes to my corporate 9 to 5. I like the significant storage options that a backpack offers and the stability and comfort it provides when walking long distances. Yet messenger bags fit my usual style in a better way, and I like that I can access the main compartments while on the go (not possible with a backpack). I was really intrigued by the Global Briefcase ($149) from Topo Designs as it meant I didn’t have to commit to one camp or the other. I was curious if the brand could do both modalities equally well. My needs in a work bag are very different from my needs in an outdoor bag. The Topo Designs Rover Trail Pack I reviewed in May held all of my gear in a stacked, vertical fashion. I didn’t need to access anything particularly urgently, which meant I loaded the bag from the top down. This sort of set-up isn’t ideal for my work needs though, when I prefer all of my items to have their own space. To test out this bag, I used both carry styles over a few ...
Worn & Wound
As I’m currently in the process of planning a 15-year anniversary, I can tell you one thing, Reader: it’s not easy finding a way to pack so much into only one measly day. I mean, does a single night out sharing a Caesar salad and a couple cocktails convey all the love, memories, and various milestones? Probably not. But it’s the thought that counts, right? But, then again, maybe I’m just doing it all wrong. Take, for example, the German watchmaker, Laco, who is celebrating a much more impressive anniversary this year: their 100th. Instead of doing a two-for-one special at a chain restaurant (which is always my back-up plan), they released a watch to celebrate the occasion: the Edition 100, which is, in a way, a culmination of an ongoing mission from the brand, which has released five limited-edition releases in the past, each celebrating a key chapter in Laco’s history. For the Edition 100 specifically, the brand used the 1950’s as the springboard for the design, taking inspiration from an archival model. While the cleaner lines, slim bezel, and two-tone colorway might all read as Art Deco-adjacent, Laco’s contemporary design language, such as adjusting proportions for a more modern appearance, has filtered through to make a watch worthy of bridging the gap between the watchmaker’s past and present. The 38mm stainless-steel case is coated in a gold-tone IP, which, in turn, softens the black center of the dial and complements the champagne outer ring simul...
Worn & Wound
As if winning the top prize at the GPHG were not enough, Breguet has capped off their big 250th anniversary year with the launch of what is surely their most horologically interesting and cutting edge release in years. The Expérimentale 1 is an ambitious foray into contemporary haute horlogerie from a brand that more than most is associated with classicism. It incorporates and merges multiple technologies and advancements into a remarkably cohesive idea that might even have those of us who have always bristled at the controversial Marine collection rethinking its potential. The showstopping feature of the new Expérimentale 1 is the tourbillon, the first ever to beat at 10 Hz. Bregust is quick to remind us that most tourbillons run at a rate of 2.5 Hz, so this represents a dramatic increase and in theory should provide a variety of chronometric benefits, including rate stability over the duration of the power reserve and a better baseline level of accuracy. But it’s not just a high frequency tourbillon. Breguet has also developed and introduced a new magnetic escapement that is designed to provide constant force to the balance. The logic here is fairly straightforward even if the mechanics themselves are, frankly, somewhat difficult wrap your arms around without real watchmaking experience (this, by the way, is essentially my constant of being as I observe similar watchmaking advancements – wide eyed and impressed but quite frequently confused by all the math and ph...
SJX Watches
A window into the early days of contemporary independent watchmaking, the upcoming Phillips Hong Kong auction offers an unexpectedly diverse line-up, including a single-owner collection of 1990s watches. The indie selection ranges from Daniel Roth in the late 1980s to Philippe Dufour’s influential finissage. And the historically-minded enthusiast will also notice the catalog includes work from an era when star independent watchmakers, such as Louis Cottier, counted brands as their clients. Lot 982 – Daniel Roth Ref. 2187 Tourbillon “Double Face” After helping establish Breguet as a Swiss watchmaker, Daniel Roth established his eponymous brand in 1988 with his inaugural model being the ref. C187/2187, a tourbillon wristwatch with two faces. The front indicates the time and showcases the tourbillon at six o’clock, while the reverse is home to the date and power reserve indicator. Despite the strikingly exotic look for the time – remember this was the late 1980s – the tourbillon actually employs the familiar Lemania tourbillon calibre, unsurprising given that Mr Roth helped with the construction of the calibre while he was at Breguet. While the bones are Lemania, the aesthetic is uniquely Daniel Roth. The grey dial has a pinstripe guilloche while the three-armed seconds hand indicates the time on a three-layer scale. Just last year, Louis Vuitton resurrected the Daniel Roth marque with a new generation of the iconic tourbillon powered by an all-new calibre deve...
Teddy Baldassarre
If you’re new to the watch-collecting hobby, you’ve undoubtedly seen or heard references to watches with fluted bezels, but what does that description actually mean? Are fluted bezels a feature of sports watches or dress watches, of watches for men or for ladies? Are they designed for practical use or purely as an aesthetic touch? As is common in the world of watches, the answers to all of these questions are not as simple as you might think. Before getting into the fluted type in particular, let’s get really basic and review what a watch’s bezel is and what it’s for. As we explore in more detail here, a bezel is the front part of a watch’s case (often but not always ring-shaped) that frames the dial and secures the crystal. Bezels can be made of the same material as the case middle and/or the caseback, but can also be made of a different material. They can also be thin or wide; stationary or built to rotate in either one direction or both; purely decorative (i.e., set with diamonds) or utilitarian in nature (i.e., inscribed with a scale for some type of calculation). Fluting is defined as “a groove or set of grooves forming a surface decoration,” so a fluted bezel is one that features this type of grooved or ribbed texture on its top surface. Initially, as with most every element of a watch, a fluted bezel design was designed with a practical purpose in mind: the grooved surface made it easier for a watchmaker to screw the bezel tightly into the case to...
Monochrome
Creativity, impeccable artisanship, and a good dose of poetic licence are hallmark traits of Hermès watches. With such a rich repertoire of luxury goods, design features often migrate from one product line to another, as seen in the beautiful, handcrafted dials inspired by the brand’s colourful silk scarves. The latest transversal exchange concerns the decidedly […]
SJX Watches
The Seiko Collection 1 is the first commercial release from the brand’s revived Power Design Project. The look revisits the Tissé, one of many popular Seiko designs from the 1980s. A delicate watch on a beaded bracelet, it was a big hit in Japan. Four decades later, its spirit returns in a compact, unisex format designed to be worn loosely like jewellery. Designed by Yuya Suganuma, the Collection 1 debuts as a 500-piece limited edition in each of three colours, blending typical Seiko build quality with a playful, accessory-first design. Initial thoughts For much of the Swiss watch industry, the 1980s was an era marked by the painful triumph of quartz technology. But on the other side of the world, quartz pioneer Seiko was thriving. The brand’s catalogues of the era reflects the optimism of the moment with an astonishing number of interesting designs, many of which have been reimagined over the years; we’ll likely see more of them in the future. The Tissé was one such model, introduced as a ladies watch in 1984. A tiny watch on a beaded steel bracelet, the Tissé was designed to be worn loosely, and became a big hit in the home market. The Tissé was eventually discontinued, but the concept was reimagined in 2022 as part of the brand’s re-launched Power Design Project, an internal design initiative with the theme of “rebirth”. The watch that would become the Collection 1 drew attention for questioning traditional norms for wristwatch ergonomics. It was designe...
Fratello
You should have been there. The Yew Tree Ball (Le Bal des Ifs) was a masquerade ball held in 1745 by King Louis XV of France after the wedding between his son - the Dauphin Louis - and Infanta Maria Teresa Rafaela of Spain. The ball took place in the gilded Hall of Mirrors (Galerie […] Visit Introducing: Montblanc Star Legacy Suspended Exo Tourbillon Château de Versailles to read the full article.
SJX Watches
A. Lange & Söhne is a serious minded brand that rarely does fancy in terms of dials, so even a simple cosmetic makeover is novel for the brand. That’s true for the Richard Lange Jumping Seconds with a pink gold dial that was just launched earlier this month, applying a striking new look to a technically compelling but arguably under-appreciated watch. Described officially as “pink gold” – it is actually solid gold – the dial is in a shade best known as “salmon”. This gives a vivid, fresh aesthetic to a watch that’s compact and surprisingly complex, combining a regulator-style display with a deadbeat seconds linked to a remontoir, as well as a hacking, zero-reset seconds. Initial thoughts The Richard Lange Jumping Seconds has always been an interesting watch in technical terms; the movement is unusual in function but typical Lange in terms of quality. Calibres like this are tangible illustrations of Lange’s prowess in both engineering and aesthetics when it comes to movements. Despite being relatively complex, the Jumping Seconds is unusually compact for a complicated Lange watch, giving it surprisingly wearable dimensions. This gives the watch tangible and intellectual appeal. But the original versions, both with silver dials, were a little boring. The subsequent version with a black dial was high contrast and more appealing. The latest version with a pink gold dial is the easiest to like. It’s an eye-catching livery that does justice to the mechanics ...
Worn & Wound
For as long as I’ve been writing about watches (and in fact much longer) Hamilton has been associated with the silver screen. They are incredibly proud of their long history of popularizing specific watches through their appearances in movies. It’s a tradition that goes back decades, to when Elvis wore a Hamilton Ventura in Blue Hawaii, and has continued through the years with ties to some of the most widely seen films of the recent past, including Oppenheimer, Dune Part II, and more. Lately, however, Hamilton has shifted their focus just slightly by fully embracing what many see as a category that is equal to film in terms of storytelling and visual impact: gaming. The new Hamilton Khaki Field Auto 38mm Call of Duty Special Edition is the brand’s third watch that is specifically tied to a videogame, and follows an ambitious project made to coincide with the latest release in the Death Stranding series. The new version of the Khaki Field seen here is, at least on the surface, a bit easier to digest than the avant-garde Boulton concept seen in Death Stranding. And that certainly makes a great deal of sense for Call of Duty, which is, as these things go, a far more grounded gaming experience. It is, notably, one of those games that has broken through to the popular culture even beyond serious gamers. It’s a title that just about everyone knows, even if they don’t know they know it, a notion that seems to bolster Hamilton’s decision to lean into the video game wor...
Worn & Wound
It’s all about case and dial materials these days in the design world it seems, and Bell & Ross have certainly not shied away from experimentation. The French brand expands their repertoire of big, brash, and blocky timepieces with the new BR-X3 line, conceived as an avant-garde interpretation of the classic BR-03 design, and a cousin of the popular BR-X5, featuring two new models: Titanium Black and Blue Steel. While the names of these new references are straightforward, their designs are everything but. Both feature the iconic rounded-square look that graces most Bell & Ross watches, with a round dial accentuated by a square case. Both cases measure 41mm in diameter, but likely wear bigger due to their shape and 13.30mm thickness. Three-plate dial construction, an openworked rubber strap, an anti-reflective sapphire crystal, and 100 meters of water resistance are also standard on both watches. As a final shared element, both references are powered by a Calibre BR-CAL.323 automatic mechanical movement, which promises a hefty power reserve of 70- hours. The differences between the two BR-X3 models are easily explained by their nomenclature, but worth diving into further nonetheless. Titanium watches are massively popular these days, and for good reason: they wear incredibly light on the wrist, regardless of size, and promise durability in spite of that weight. The Titanium Black BR-X3 follows that trend, featuring a micro-blasted grade 2 titanium case in an appropriate...
Worn & Wound
Late last month, ahead of Geneva Watch Days, Ming debuted the 57.04. It was a big moment for the brand, being not only a very cool release (who doesn’t love a destro monopusher chronograph), but also the first launch in a new generation of Ming watches, complete with a radically new design language. Still, just because the new is here doesn’t mean we’re quite done with the old, and as if to remind us of that, Ming is today announcing a new, slightly more familiar watch: the MING 37.05 Lunatic. This new watch is somewhat of a farewell from Ming. It’s the third iteration of the 37.05, and the brand promises that it will be the final version of the watch, which was first introduced back in November of 2021 and kicked off the 37-series of watches. Like the first two executions of the 37.05, the MING 37.05 Lunatic is a Moonphase and date watch housed in a stainless steel case. Like its predecessors, the watch measures 38mm across and 11.9mm thick - although 3mm of that height comes from the domed sapphire crystals found on both the front and back of the watch - and is powered by a Sellita for MING 288.M1, a hand-wound time, Moonphase, and date movement based on the Sellita SW288.1. While I haven’t had the good fortune to see the 37.05 Lunatic in person just yet, I have been lucky enough to encounter its older brothers, and - assuming no radical change unaccounted for by dimensions or specs - can attest that the 37.05 wears as one would expect from a Ming, part...
Monochrome
For three decades, the Cartier Prize for Watchmaking Talents of Tomorrow (or Prix des Talents Horlogers de Demain in French) has been a unique opportunity for aspiring young watchmakers, offering them both recognition and a platform to shape the future of the craft. Launched in 1995, the Prize embodies Cartier’s commitment to preserving centuries-old savoir-faire […]
SJX Watches
Having last exhibited in Geneva six years ago, Audemars Piguet (AP) will return next year as an exhibitor at Watches & Wonders 2026 (WWG). The brand had departed the predecessor of WWG, Salon International de la Haute Horlogerie (SIHH), in 2019 along with Richard Mille, opting instead to launch the latest products at its own events. AP’s return to the exhibition reflects the importance of WWG as the most important trade fair on the horological calendar. It also underlines the importance of exhibiting alongside respected peers. The central hall at WWG 2025 Alongside AP, another ten brands will be showing at the event, ranging from clockmaker L’Epée 1839 to Chinese watchmaker Behrens, as well as Credor (the sister brand of current exhibitor Grand Seiko), and Favre Leuba, a recently rebooted historical name. This brings the total exhibitor tally to 66, a number that includes giants like Rolex, Patek Philippe, Chanel, and Cartier. WWG will take place April 14-20, 2026, at Palexpo.
SJX Watches
There were few brands as hot as Panerai in the 2000s, and now the brand is revisiting its glory days with the Luminor Marina Militare 44 mm PAM05218. Visually, the PAM05218 a faithful remake of the Luminor ref. 5218-202/A of 1993, a “Pre-Vendome” model that became one of the most desirable watches of the 2000s. The watch retains the same design and many of the details, including the “non matching” hands, but has been upgraded with modern amenities, including a diamond-like carbon (DLC) coating for the case and a three-day movement. Initial thoughts Enthusiasts who were in the hobby in the 2000s will remember the frenzy around Panerai, which was probably the fastest growing brand during the period. Many models sold over retail, sometimes for multiples. The “vintage” models like the Luminor ref. 5218-202/A were even more valuable; it cost a healthy, mid-five figures at the time. In fact, the ref. 5218-202/A cost more than an F.P. Journe Resonance at the time. In retrospect, most of it was comical yet also seems familiar given the happenings in recent years. Times have changed, but the PAM05218 is essentially unchanged from the original – which is great for those who appreciate the functional, stark design of Panerai’s core models. I like those designs, and I like the PAM05218. If there’s one Panerai in the current catalogue I would buy, it is this one. At a distance, the PAM05218 is indistinguishable from the original, but up close it is clearly a new watc...
Fratello
It’s hard to believe that MB&F; has been in business for 20 years. Yet, here we are with the marque that was part of a new wave of independents changing the look of Haute Horlogerie. Futuristic and funky designs are a hallmark of MB&F;. Today’s latest pair of Legacy Machine 101 (LM101) Evo watches continues […] Visit Introducing: The MB&F; Legacy Machine 101 Evo to read the full article.
Worn & Wound
When does an Apple Watch go from being a watch to being something else? I’m sure, for some, the answer is something like, “As soon as you walk into an Apple Store,” but (as I’ve discussed before) the Apple Watch has, especially in its last few iterations, really come into its own. Thanks to additions like GPS and cell service, it’s even become a decent phone replacement for those days when you want to leave your phone at home. Personally, I love the freedom I feel walking out of the house for a hike or bike ride without my phone, secure in the knowledge that if someone really needs to get a hold of me, they can (that I could also theoretically call for help isn’t the worst thing either). But despite that wonderful feeling, I still don’t love wearing an Apple Watch, especially not when it so often comes at the expense of wearing one of the many other watches I’ve picked up over the years to fill that bottomless hole that exists somewhere deep inside every collector. That’s where the Miniphone Ultra comes into play. Designed by our close friend and Worn & Wound Contributing Editor, Ed Jelley, the Miniphone Ultra is a case that transforms the Apple Watch Ultra (or Ultra II) into a kind of phone replacement, freeing up your wrist space, but still giving you the flexibility to leave the phone at home. Admittedly, using one screen to limit your use of another would sound ridiculous to our great-great-grandfathers, but it’s an elegant solution to what is a ver...
Monochrome
Regarded as the most influential 20th-century watch designer and a key figure in the revival of mechanical watchmaking, Gérald Genta (1931-2011) is the name behind countless icons that still hold sway today. In 2023, Louis Vuitton’s La Fabrique du Temps (LFT) haute horlogerie division announced the return of Gérald Genta as a standalone brand. Overseen […]
Worn & Wound
Vianney Halter, the legendary independent watchmaker, has collaborated with Behrens, the Chinese indie that over the last few years has gradually upped the ante in terms of their watchmaking and their own ambitions in the international watch industry. The new watch, the Behrens Master Collection “KWH” Limited Edition, is sure to be one of the most talked about watches of Geneva Watch Days 2025, and should cement Behrens as a real player in the independent watch scene, while reintroducing Halter to a new generation of enthusiasts. Collaborations within the indie watch world are frequent, so it’s worth spending a moment to contextualize the importance of Vianney Halter working with Behrens on this watch in particular. Halter is considered by many to be on the proverbial Mt. Rushmore of indie watchmakers who set the stage for the modern avant-garde watchmaking moment that we’re in the midst of. His Antiqua, a truly radical design upon its release, is still one of the most influential watches of its era, or any other. That he’s chosen to not just lend his name to a Behrens release but actually create an all new caliber for it feels like the strongest possible endorsement, and a signal that he and the young Chinese brand share a certain watchmaking philosophy. The chief aesthetic inspiration behind the new piece is the square shape of antique electricity meters and the concept of “pixel nostalgia” (think video games like Snake and Tetris and you get the idea)....
Fratello
For Geneva Watch Days 2025, TAG Heuer has brought a surprising number of new models. One of the favorites is the subject of this article. The Carrera Astronomer is a new addition to the lineup and is available in three references. As we’ll soon see, one is destined for serial production, while two are limited […] Visit Introducing: The TAG Heuer Carrera Astronomer to read the full article.
SJX Watches
Often behind every watch brand’s marketing and image is an overarching influence that can be subtle or explicit. For Patek Philippe, that influence reveals a long arc of intention, carried across centuries, shaped by consistency, and reinforced through a remarkable alignment between product and message. From its early days in royal courts to modern-day exhibitions in New York and Shanghai, the company has approached communication as a reflection of its philosophy. Over nearly two centuries, Patek Philippe has maintained a consistent approach to communication – measured, stable, and aligned with the brand’s long-term perspective. The manner of Patek Philippe telling its own story is perhaps as interesting as its watches. We trace the way in which Patek Philippe has communicated over time, from introducing itself to the mind of the client, to adapting to a changing world, all while remaining aligned with its values. We also examine the brand’s choices in language and imagery, looking in particular to its early references to inheritance, which evolved into the familiar campaign that continued across decades. Launched in 2025, but perhaps enjoyed by many generations to come Foundations and Royal Recognition (1839–1877) When Patek Philippe was founded in 1839, the idea of advertising a luxury watch was almost nonexistent. Most manufacturers relied on trade reputation, medals at international exhibitions, and word-of-mouth among wealthy clientele. In contrast to today,...
WatchAdvice
As always, Rolex represents the highest possible standard of the watchmaking world – but does this new 1908 model uphold this illustrious reputation? Let’s find out! What We Love: A perfectly executed contemporary design Extremely well-built and highly wearable Surprising value proposition, even among similar pieces What We Don’t: Clasp feels unnecessarily long Scratch and smudge magnet Movement finishing – Too little, too late? Overall Rating: 9.5/10 Value for Money: 10/10 Wearability: 9/10 Design: 10/10 Build Quality: 9/10 When it comes to watches, there are plenty of uncomfortable truths one must face. They’re hardly life-or-death scenarios, sure — but within the world we navigate as enthusiasts, there are a few pills that are undeniably hard to swallow. Some are classics, like how quartz movements are just as relevant to the industry as mechanical ones, or the ever-lingering question of how much cultural impact wristwatches still hold. But there’s one truth in particular that keeps many a watch lover up at night, clutching their favourite timepiece and hiding under the covers. That truth, of course, is this: Rolex is the greatest watch brand of all time. Naturally, there are plenty of valid, subjective counters to that claim. I, for one, would argue that Casio belongs on the same playing field simply because of its cultural popularity and accessibility. But when you look at the data, the case for Rolex is practically airtight. According to Morgan Stan...
Worn & Wound
While minimalism may be as trendy as ever these days (one look at any modern car interior will tell you that) a lot of brands miss the mark when it comes to balancing that aesthetic with function, or the lack thereof. Not so with Unimatic’s all-new Prodiver line, which promises both a streamlined design language and robust mechanical functionality. But do the watches actually pull it off? Let’s take a deeper dive and find out. Perhaps the biggest factor in Unimatic’s favor here is the Italian brand’s penchant for design cohesiveness across their lineup. Even before taking the new Prodiver into consideration, Unimatic watches share aesthetic hallmarks, namely chunky, round indexes, sans serif typefaces, and symmetrical dial balance. Even models that deviate from this norm, like the UT1 and UT4, which feature hour numerals instead, carry a uniformly round and hardy profile, which gives each Unimatic watch friendly-yet-tough dimensions. This is all personal conjecture, of course, but rarely does a brand manage to maintain consistency in design across their entire lineup quite as well as Unimatic does. Back to the Prodiver, though; like most other watches by the brand, it also bears the signature round indexes, though it adds some legitimate dive watch pedigree, too. Each of the three new Modello Uno models sports a democratically-sized case, measuring at 40mm in diameter and 49mm lug to lug. The case thickness is a healthy 14.4mm with the domed sapphire crystal, and...
Worn & Wound
Anoma has quickly emerged as one of our favorite small independents making truly interesting, design forward watches. Few watches point more toward the enormous pendulum swing away from straightforward vintage inspired sports watches than the brand’s A1, introduced in the summer of last year. It’s more than just a watch with a uniquely shaped case – it’s a deliberate design exercise by brand founder Matteo Violet Vianello, and illustrates that rather than taking design inspiration from other watches, you can find shapes and textures to emulate in furniture, art, and the natural world. It’s also just an extremely well made object at a price point that feels fair for the originality of the design, and watch enthusiasts seem to agree. Vinaello says his waitlist is currently ten times longer than the number of watches available. Anoma’s latest is the A1 Optical, which takes the same, vaguely triangular case shape and adds an engraved dial inspired Optical Art. Also known as Op Art, this was an art movement that has its origins in the 1960s and can be characterized by the use of abstract geometric patterns formed to create optical illusions. Optical Art will often play with the viewer’s perception of depth and movement to create the kinds of objects and imagery that have us questioning our senses. The engraved dial on the new A1 is created with a sharp and very fine tool that is used to carve into the dial’s metal base. A total of fifty slightly offset trian...
Worn & Wound
“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. Hublot X KidSuper Rooftop Football Pitch Luxury Swiss watchmaker, Hublot, renowned for creative and bold innovation and its deep ties to the world of sport, culture and art, is proud to announce its official partnership with the new rooftop football pitch at KidSuper World in Williamsburg. This collaboration brings together two creative powerhouses united by a shared devotion to football, avant-garde design, and artistic expression. Founded by artist, designer, and former professional soccer player, Colm Dillane, KidSuper is a globally recognized creative collective that is redefining American fashion. At the heart of KidSuper’s identity is a love for soccer – not just as a sport, but as a unifying language, lifestyle, and global connector. The new football pitch that now sits atop KidSuper World represents this ethos in its purest form: a creative space where sport, design, and storytelling converge. To kick off the grand opening, Hublot and KidSuper have revealed a custom referee board for the pitch designed by Colm Dillane. This exciting start to the partnership promises new dynamic creative projects and engaging on-field activations that will capture the spirit...
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