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Quill & Pad
Watches and Wonders 2022 marked the introduction of the new Monaco Heuer 02 Gulf Edition, which is all about the detail of color. It harks back to an episode in the chronograph’s 1970s history when American oil company Gulf and Heuer were both major sponsors of Formula 1 teams. And the good news is that it isn't a limited edition.
Worn & Wound
Hublot and tattoo artist Maxime Plescia-Buchi are back again for another entry in the Sang Bleu collection, a series of watches named for Plescia-Buchi’s tattoo studios located in Los Angeles, Zurich, and London. The Sang Bleu watches always incorporate complex geometry and the watch design equivalent of the intricate line work that is core to Plesia-Buchi’s design language. These design elements translate remarkably well to a watch, if you’re at all inclined toward the abstract, at least. Up until now, the Big Bang has been Plesia-Buchi’s preferred canvas, but that changes here with a selection of watches using the barrel shaped Spirit of Big Bang as a starting point. As with previous Sang Bleu watches, the new editions seen here are marked by a series of facets throughout the case that create a compelling, sculpted look. The overlapping geometric shapes have a grid-like consistency and at some angles appear to take on the appearance of armor. Hublot has given Plescia-Buchi a great deal of freedom to work outside the normal constraints of the Spirit of Big Bang case shape. While that case is the clear inspiration for these watches and certainly falls under its larger umbrella, the lines of the case have been reworked to a certain extent, and the impression it gives from the front is quite a bit different in these Sang Bleu watches. The dial is sapphire and provides a view to the skeletonized chronograph movement underneath it. Time is read by rotating disc “...
Worn & Wound
The Collective has announced their latest Portfolio series watch done in collaboration with Czapek, and it’s just in time to capture some major summer vibes. The watch, which is called the P.04 Lanikai, takes inspiration from Hawaii’s unique beaches with a conceptual dial that captures their vibrant colors and textures. It’s a dial you can almost hear and feel, taking full advantage of the given real estate by forgoing even hour markers to maximize the feeling of connection with the source of inspiration. The concept is built within Czapek’s Antarctique 40.5mm steel case with integrated bracelet, and as fun as the dial is, it’s all business around back. The watch is officially the Antarctique P.04 Lanikai for Collective, and the brand claims that three years of design, development and prototyping went into bringing it to life. Much of that revolves around the novel enamel dial which evokes those soft wave patterns of a sandy beach. The dial work was done by the artisans at Donzé Cadrans, who had to develop a process to create the unique scene in enamel. Their work begins with a concave blank, which creates the sense of depth to the dial even in its finished form. Next, the texture is stamped from a hand-engraved mold before the enamel itself is layered and fired. Enamel is notoriously tricky to get right, and the uneven depth at play here didn’t exactly help the situation, but there’s no arguing with the end result. All of that work is apparent at a glance...
Worn & Wound
Fratello announced their latest limited edition last week, a collaboration with Straum, a Norwegian brand on the rise who made some noise a few years ago with the Opphav, a stainless steel integrated bracelet sports watch made for an affordable price with a dynamic textured dial. The new collaborative watch with Fratello is notable in that it appears to be a true collaboration, with Straum making rather significant changes to their design at Fratello’s request. This is somewhat rare in the world of collaborative watches, and in this case has resulted in a rather compelling edition with a fiery red dial and some key refinements made from the brand’s earlier watch. The Fratello x Straum Jan Mayen Limited Edition is named for a Norwegian island that the brand has tapped for inspiration when it comes to the striking red dial. Fratello describes it as “lava red” fumé, appropriate given Jan Mayen is home to the Beerenberg volcano. Ridges emanating from the dial’s center replicate flowing lava, and the effect is achieved via a stamping process followed by several steps of painting and surface finishing treatments. The dial text is minimal, just the brand’s logo and wordmark at 12:00, allowing the unique texture to truly take a starring role. There are several small details beyond the new dial design that differentiate the new LE from Straum’s earlier Opphav. First, the case size has been slightly reduced, from just shy of 41mm to 39mm. At the same time, the bezel...
Worn & Wound
Norqain is celebrating their fifth anniversary this week with the release of five all new watches in the Independence collection. Five years is an interesting marker to consider. It’s both an impressive accomplishment for any new brand to stick around for that long – we can all point to small, upstart brands that have come and gone in much less time. But it’s also a vanishingly short period in the grand scheme of watchmaking, where the most durable brands have had literal centuries to build their identities. All the more impressive for Norqain then, as they’ve carved out an aesthetic that is immediately recognizable, and have made a ton of progress in developing a culture around their watches that focuses on a new generation of collectors. All of the new anniversary pieces seem to be born out of those ideas, and continue to iterate on what is now a well established design language. The new watches breakdown as follows: we have two new Independence Skeleton references in 42mm cases, one DLC coated, the other with blue accents; two Independence 40mm pieces, one with a brown gradient dial, the other with a green gradient dial; and a new reference aimed at the female market, an Independence 40mm with a mint mother-of-pearl dial and diamond accents. The Independence Skeleton watches are follow ups to earlier skeleton releases dating back over the last two years. The DLC coated version has red gold plated hands and applied hour markers, while the non-coated version f...
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Worn & Wound
Tudor’s recent road is a case study on how to properly revive, or reintroduce a brand to the world. Just in the last 10ish years, we’ve watched them go from a vintage fascination but a contemporary obscurity to one of the leading modern Swiss watch brands. A brand that went from unavailable in the US, to globally reinvigorating and dominating the $3-5k price point. And now, in 2023, they’ve marked another milestone, the opening of their new assembling and testing facility in Le Locle. A massive structure, it houses in a split building with entrances on either side, Tudor and the movement manufacturer they created, Kenissi. Standing on 330, 30-meter tall concrete pillars to reach sturdy bedrock below, the building is 150-meters long, 30-meters high, and consists of 8,050 cubic meters of concrete and 960 tons of metal framing. State of the art in many ways, the project took five years from start to finish, including three for construction, with some transitions and new operations finishing in April of 2023. Airey, with large, automatically tinting glass windows and an intentionally industrial interior veneer, the structure spoke to mid-century architecture, if completed and outfitted with the newest technologies one can expect in a watch-making facility. In many ways, the building suits the products that Tudor currently makes, watches with vintage aesthetic cues, but firmly up-to-date construction. Watches that despite certainly qualifying as luxury timepieces, avoid t...
Worn & Wound
When you enter Palexpo, the enormous convention center that is home to Watches & Wonders, you have an immediate decision to make: right or left? A glance to the left and you see the Tudor, Rolex, and Patek Philippe booths. These brands, in a lot of ways, anchor the entire show, and dominate much of the conversation for the duration of the fair. If you look to your right, you’ll be greeted by something entirely different. This year, it was a giant Ingenieur, spread across the top of the IWC booth at the end of the hall, and it was hard not to get the message that this watch, and this watch alone, was the brand’s sole focus for Watches & Wonders this year. Building your Watches & Wonders presence around a single watch was a trend that came into sharp focus at this year’s event. The IWC booth at Watches & Wonders, viewed from the opposite end of the hall. Whether brands took a literal one watch approach (like Ulysee Nardin, who only showed the new Freak ONE this year) or put the lion’s share of their backing behind one release but dropped a few additional under the radar pieces (like IWC), it’s a strategy that makes for a stark contrast with what feels like a more traditional practice of overwhelming everyone in the meeting with tray, after tray, after tray of new watches to try on, photograph, write about, and otherwise consider. The single watch strategy communicates a sense of confidence, that a brand has hit on something so good that they don’t need to muddy...
Worn & Wound
The Sinn U50 is one of those watches that watch enthusiasts collectively knew would be a huge hit when it launched in 2020. Though essentially a shrunken-down U1 (with half the water resistance), it was Sinn doing what they do best. Humbly making incredibly rugged, high-spec, modern tool-watches, and making it seem easy. Thin at 11.3mm, well-sized at 41mm x 47mm for a modern, but not oversized fit, and built to withstand 500 bar of pressure, it demonstrated that good engineering prevails over scale. The only problem has been a lack of new versions since launch. There was a blackout LE with a dark MOP dial, which was cool, if not for everyone (Sinn’s head of marketing, Sabine Kleiter wears this watch, and it always looks striking). And then the U50 Pro, which was a date-free remix, with the crown up at 10. Another great-looking version, it was sadly limited to 150 pieces and to the North American market. Both are great, but neither a true addition to the line. And then, in 2023, we got what we wanted. Well, sort of. Rather than building on the U50, Sinn launched a sibling watch called the T50. At a glance, they seemed a lot alike, but there are quite a few differences as well making them a slightly different beast. If I were to liken it to something, it would be the higher-priced sport trim of the same base model car. They have the same dimensions and general design, particularly regarding the case, but are made out of hardened titanium, gold bronze (a patent-pending allo...
Worn & Wound
If you’ve been interested in Farer’s Lander GMT (which they tell us is their most popular watch…ever) but felt it was just a bit too big, you’ll want to check out the brand’s latest release. The new 36mm GMT collection takes the Lander aesthetic and shrinks it, making for some of the most compact automatic GMTs on the market. It was only a few months ago that the Lorca GMT had us wondering why there weren’t more smaller GMT equipped watches on the market, and now we have a sudden influx. It’s a good time to be a GMT fan, and now there are a selection of colorful options from across the pond. The premise here is fairly simple. These new watches share the same basic design as the Lander, with a trio of distinct colorways. Unlike most Farer releases, which frequently have dramatic differences in hand-sets, hour markers, and dial textures within a single collection, these three watches are all very much “Landers” with the same numeral and hand design. The three colors include the much admired sea green, seen in what Farer is calling the Lander IV, or the Lander Classic, This watch has the same sunburst blue/green color that caught the attention of many watch enthusiasts in Farer’s early days, and set a tone for what to expect in terms of creative color combinations. The sea green dial is offset with a bright red GMT hand and an orange seconds hand, along with a white outer minute track. The next color in the new collection is Sea Coast, with a dial th...
Time+Tide
Today we enter the world of the Hublot Big Bang, yes that’s right, Hublot one of the most polarising watch brands on the market. They were made famous by the likes of Jay-Z whose lyrics: ”I’m still the man to watch, Hublot on my left hand or not” and his Hublot-centric collection outline his continued … ContinuedThe post Big Watches, Small Wrists Part 6: Hublot big love appeared first on Time+Tide Watches.
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Worn & Wound
eBay Finds is back! This bi-monthly installment will feature a selection of watches currently listed on eBay that have caught the eye of editor Christoph McNeil (@vintagediver). If you come across any hidden gems on the ‘Bay drop us a note at info@wornandwound.com for potential inclusion! Vintage Omega Seamaster Jumbo Going to start this week off with a bang with this stellar vintage Omega Seamaster! This circa late 1950’s reference 2975-1 SC is simply gorgeous and not one you see too often. Seller calls it ‘jumbo’ in the title but it’s just under 35mm wide, which is a classic Seamaster size. The unpolished steel case has tapered lugs rather than the ‘fat lugs’ style, but honestly I love this case/lug style. The caseback is fantastic with the oversized and deeply engraved Hippocampus logo, which is really uncommon. The original dial has a nice, fairly even patina, and killer applied steel arrow markers. The steel dauphine hands have some oxidation on them, but overall the whole watch is a beauty. Correct crown with deep grooves. The caliber 500 automatic movement is clean and seller states it runs well. If you’re pining for a vintage Seamaster, check this one out! View auction here. Vintage Baylor Dive Chronograph Next up we have a nice vintage Baylor chronograph diver. I have no idea why the seller has the workd ‘Heuer’ in the title other than clickbait. The steel skindiver style case measures 37.5mm wide and looks unpolished but does exhibit light w...
Time+Tide
Grand Seiko Tentagraph SLGC001 marks the first-ever fully mechanical chronograph from GS Tentagraph stands for TEN beats per second, Three days, Automatic chronoGRAPH New 9SC5 calibre built upon Grand Seiko’s 9SA5 calibre At last year’s Watches & Wonders, the Grand Seiko “Kodo” SLGT003 Constant Force Tourbillon was irrefutably among the top, if not the top, … ContinuedThe post The Grand Seiko Tentagraph SLGC001 – the first fully mechanical chronograph movement from GS appeared first on Time+Tide Watches.
Worn & Wound
And now, readers, we’ve come to that portion of our Watches & Wonders coverage that I know at least two of you have been anxiously anticipating, Yes, it’s now an annual tradition I guess, where I will wax rhapsodically about a mind bending Hublot novelty fit for a modern version of an 18th century French king. I can’t really think of a better way to describe the Big Bang Integrated Tourbillon Full Blue Sapphire than to contextualize it with something commonly understood to be shorthand for over-the-top indulgence, but that’s what this watch is all about, in the best possible way. It’s a huge swing, which is exactly what I like to see from brands at Watches & Wonders. If I’m going to fly across an ocean and deal with travel delays at every step, I’d like to see things that I can only see in a presentation in the back of one of those enormous booths. Last year I wrote about the Big Bang Tourbillon Automatic Purple Sapphire and characterized it as one of the best watches of last year’s Watches & Wonders because it succeeded at being compelling from a watchmaking perspective while also being completely outlandish in a way that Hublot is uniquely great at. It marked a point in my own appreciation for the brand where they rose above the level of a mere curiosity and reached a point where, in my opinion, they are deserving of the respect given to any other serious innovator in contemporary watchmaking. This year they’re back with a sequel of sorts to last ye...
Worn & Wound
Well folks, it’s been a hectic Watches & Wonders. So hectic, in fact, that we missed the last few days of recaps. But the show has ended (public days start tomorrow, but we head back to the States early in the AM) and we’ve all taken a deep breath and thought about this back half of the week. This isn’t a final summation of our thoughts on the show, but our immediate reactions as it winds down in real time. Thanks for following along with us as we’ve reported from Geneva – we can’t wait to tell you more about what we saw. Zach Kazan The back half of Watches & Wonders has been essentially nonstop for all of us. We took a divide and conquer approach, splitting up to cover the most ground, and as a result will have tons of great watches to tell you about over the coming weeks. For me, the final day of Watches & Wonders was possibly the best single day of the show. Highlight number one: Hublot. This was perhaps my most anticipated meeting, because it unexpectedly turned out to be my favorite meeting of last year. The vibe when the Hublot novelties is presented is so markedly different from every other presentation, it’s hard not to notice. It’s lowkey and genuinely a lot of fun, and the watches, for me, have a Wow Factor that few brands can match. The most noteworthy piece is one I’ll be writing more about soon, the Big Bang Tourbillon Automatic in blue sapphire, with a sapphire bracelet. It’s a technical marvel on a number of levels, and is one of those ...
Worn & Wound
The lineup from Jaeger-LeCoultre at this year’s Watches & Wonders is remarkably focused. When I received the embargoed press releases a few weeks ago, I’ll admit to a slight twinge of disappointment at the apparent lack of variety. It would be a Reverso year for the watchmaker’s watchmaker, and vague hopes that I always have for a recommitment to high spec but elegant sports watches were once again dashed. My disappointment (it’s an overstatement to even call it that) was short lived, as I began to dig into those very same press releases and began to realize that we were likely to see some beautiful stuff from JLC. The Reverso is such a great watch, it’s tough to be anything but charmed by them at the end of the day. The most interesting of the new Reversos that I saw is also the most clever, and is a fun, practical, and beautiful use of the iconic hinged case and the capacity for the watch to feature two dial displays. The new Tribute Chronograph is part of a large package of new references in the “Tribute” category, all paying tribute to the original Reverso in their perfect proportions. For the chrono, we get two references, one in gold and the other in steel, each with a dial that tells the current time and a secondary dial that displays elapsed time via a rather ingenious chronograph display. Think about almost every chronograph you’ve ever seen, and you begin to realize that a circular case and dial are practically core to the complication itsel...
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Worn & Wound
Change is hard, as they say. Particularly when the thing that requires it, wasn’t exactly broken in the first place. Rolex has found themselves in a near impossible situation of updating the near universally lauded 1165XX generation of the Daytona. A watch that’s recently found itself in a position it never really asked to be in, serving as the barometer of the second hand watch market and subsequently the subject of ire to many lamenting availability issues writ large at boutiques the world over. The watch itself, though? When considered at its initial MSRP upon introduction in 2016, which was $12,400 (or even its MSRP last year, which was $13,500), is pretty awesome. Not without fault, certainly, but a mighty fine chronograph to be sure and a total sweetheart on the wrist. But of course, the Daytona was a rare bird to score at retail pricing, and judging it at aftermarket prices was a far murkier proposition. Still, there’s no doubting that this watch tapped into something deep, serving as the veritable poster child of the meteoric rise of the hype watch, and for good reason: it’s a great all around watch sitting on a load of heritage that includes some of the coolest figures of the past 50 years helping to inadvertently build the watch’s lore to unhealthy levels in today’s climate. While things have mercifully cooled off over the past 12 months, this is still largely the context in which Rolex is tasked with creating a new generation of Daytona, which they...
Worn & Wound
I think it’s safe to say that we’re past the initial shock and awe moments from the first couple of days of Watches & Wonders. As we all digest the barrage of releases, the next day or so is my favorite because now we really get to sift through each and every novelty to discover the watches that may have been overshadowed by the preliminary excitement. To look past the first glass case surrounded by all the fancy lights and signage to find the brand’s deep cuts from this year’s showing. Oris came out of the Watches & Wonders gates in a playful way by featuring their ProPilot x Kermit Edition, but a more serious, utilitarian ProPilot that has legitimate expedition-watch chops has also garnered some of our attention. Compared to its ProPilot predecessor, it’s significantly lighter and capable of pushing to greater heights – it’s the new ProPilot Altimeter. The Oris ProPilot Altimeter confidently stands as the only wristwatch at Watches & Wonders, and the world, to utilize an integrated mechanical altimeter. By way of some ingenious engineering and a series of numerals and markers located within the segmented dial cut-outs, as well as a metric scale (either feet or meters depending on the reference you opt for) on the rehaut, an accurate reading of your current altitude can be read. The crown at 4 o’clock signed with an “ALT SET” wordmark manages the entire altimeter system. Unscrewing the crown activates the altimeter by allowing air to enter the case. On...
Quill & Pad
Let us be honest; there are already quite a few high-end, time only watches in stainless steel with an integrated bracelet design to choose from. So what possesses a brand to enter this market with yet another model? I have no idea, but Martin Green is glad Zenith took this bold move last year with the Defy Skyline.
Worn & Wound
Czapek is following up their new Dark Titanium Antarctique (which we introduced to you right here) with something a bit different in the form of the Révélation. This variant offers an openworked dial to enjoy the new purpose-built SXH7 movement within. Doing open dials is something of an artform, and Czapek has proven quite adept at maximizing the space given. To do so here, they had to alter the core of their SXH5 movement to such a degree that it became something else entirely in the process. The payoff was clearly worth it, offering a beautiful view into the unique design language of Czapek’s movement ethos. The Antarctique Révélation expands on the rapidly maturing collection, and sets a new tone in the process. This case and bracelet have proven they can easily adapt to a variety of dial configurations, from the very simple, managing the focal point; to the relatively wild, thus relinquishing it. This watch is clearly an example of the latter, with one of those dials that just keeps on giving, with small details and hidden away areas to discover. Perhaps the most interesting part of this watch is the commitment to the movement in an effort to get the openworked details right. It began, according to Czapek, with a request from a fan of the brand. CEO Xavier de Roquemaurel explains: “People were in love with the remarkable design of our SXH5 movement, and we therefore asked ourselves how we could somehow make it visible on the dial” and …”soon a far more...
Worn & Wound
It’s the year of the Pilot for Zenith. After shoring up their Chronomaster collection and injecting new life into the Defy over the last few years, Zenith has returned to the Pilot collection and given it a complete revamp. The Pilot is a historic line for Zenith, having trademarked the word “Pilote” all the way back in 1888 (and “Pilot” in 1904). In the early days of the company, the brand focused largely on the manufacture of flight instruments and watches for pilots. They of course weren’t the only brand to cut their manufacturing teeth on the burgeoning need for these types of devices, but were (and still are) the only brand to trademark the word “Pilot,” which allows them the opportunity to use it on the dial in a way other brand’s can’t. The new collection is a stab at bringing something very old in Zenith’s history and making it new in a very explicit way. In other words, these aren’t vintage inspired pilot’s watches, but something far more contemporary. There are two new watches making their debut this week, each in two different materials, for a total of four new Pilots flying their way into boutiques soon enough. The Pilot Automatic is a three hander running on the El Primero 3620, the same chrono-less EP movement found in the Defy Skyline collection. We get a date at 6:00, right below a horizontal line that is meant to recall indicators on a pilot’s instrument panel to refer them back to the horizon line. The Arabic numerals are large...
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SJX Watches
Due to its enviable position as the leading Swiss watch brand by revenue, Rolex tends to dominate headlines for even the smallest changes to its collections. So it’s even bigger news when the brand launches an entirely new collection, the Perpetual 1908, as it has on the opening day of this year’s Watches & Wonders. Named for the year that Hans Wilsdorf registered the Rolex trademark in Switzerland, the Perpetual 1908 is a slim, time-only watch with a display back that signals a renewed focus on the dress watch category for the giant of Geneva. Initial thoughts The Perpetual 1908 is a worthy replacement for the outgoing Cellini collection, which to me always felt like the forgotten child of the Rolex portfolio. Forced to use movements from their sportier siblings, the Cellini watches were never able to achieve the right proportions to be taken seriously as dress watches. The Perpetual 1908 debuts in four references in yellow and white gold, with the option of white or black satin finish dials; the black dials look especially good. The designs are atypical for Rolex, featuring a sub-seconds dial at 6 o’clock, and a new handset. “Superlative Chronometer” drapes over the sub-seconds dial, calling to mind the Rolex Veriflat of the 1950s. Speaking of the Veriflat, the 1908 case measures just 9.5 mm thick thanks to the new cal. 7140. This is a big improvement over the Cellini watches, which were over 12 mm thick. The 1908’s dress watch credentials are bolstered fur...
Time+Tide
Tudor have overhauled their fixed-bezel Black Bay watches in steel. The new collection features modern in-house movements and the T-fit clasp. All watches are available in blue, anthracite, or champagne, with or without diamond markers. Following last year’s Watches & Wonders blast of two-tone releases, it’s now time that the Tudor Black Bay fixed-bezel models … ContinuedThe post New dials, movements and clasps for the Tudor Black Bay 31/36/39/41 collection appeared first on Time+Tide Watches.
Hodinkee
The definitive answer to the question we receive more than any other: "So, what watch should I buy?"
Worn & Wound
Throughout the week, the Worn & Wound team on the ground in Geneva will be bringing you updates on our general impressions of the show as it happens. At the end of the day, you can expect our candid thoughts on the watches we saw, the tenor of the crowd, observations of what people are discussing and really excited about, and, of course, a rundown of all the sandwiches consumed in the press lounge. Without any further delay, here’s our Day 1 recap. Zach Kazan Day 1 of Watches & Wonders began with a choice: which watch to wear? I brought three: my IWC 3706, the Louis Erard I picked up recently, and the Grand Seiko SBGA469. I decided on the Grand Seiko, partly because I had a meeting with them later in the day, and partly because it feels like the dressiest watch I brought with me, and that’s kind of the vibe on the first day of Watches & Wonders. My first impression of Watches & Wonders last year (my first show) was that of total insanity. It seemed electric, and my memory is that the hall was full of people right from the start. I honestly can’t remember what time we actually arrived on day 1 last year, but this year we were among the first at Palexpo, and the mood was quite a bit more subdued. My first meeting was at 10:00, and until that time we mostly got our bearings as a team, went over the plan we had previously established, and watched the hall fill up (gradually) as we waited for that first appointment. Maybe it’s the fact that this is no longer a brand n...
Quill & Pad
Throughout 2022, there has been an economic shift globally. Thankfully, we have moved forward from the pandemic, however, we are now entering a period of higher interest rates in response to inflation. With this, consumer patterns will change and the watch industry will be affected. So Raman Kalra thought it might be interesting to look at historical watch trends and give his predictions on what shifts we will see on our wrists over the next 5-10 years.
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