779 articles · 29 videos found · page 18 of 27
AP's 2019 round watch family. Octagonal midcase, round bezel, double-curved sapphire.
41 mm × 10.7 mm, lug 21 mm, Cal. 4302
41 mm × 12.6 mm, lug 21 mm, Cal. 4401
41 mm × 12.1 mm, lug 21 mm, Cal. 5134
Monochrome
For many people, 1969 is the year of the Apollo 11 Moon landing, Woodstock and the final live performance of The Beatles on a London rooftop. However, for watch enthusiasts, 1969 is the year Zenith unveiled the El Primero, the world’s first automatic, integrated chronograph calibre – and a high-frequency one to boot. Among the […]
SJX Watches
One of the highlights in Christie’s upcoming Geneva auctions taking place on May 11, 2026, is the Audemars Piguet “Coussin Tortue” single-button chronograph wristwatch, serial number 41’849. It is an exceedingly rare watch, being one of a batch of three examples that were the first ever chronograph wristwatches made by Audemars Piguet (AP). Moreover, the watch has been in the same family since new, and is consigned by a descendent of the original owner who bought the watch in 1943. Also notably is the fact that this watch has been comprehensively – but sympathetically and artfully – restored by AP. This “cushion turtle” wristwatch has a platinum case and two-tone, solid gold dial, while the movement is a LeCoultre, just like the others in the batch of three watches. The first of the three was in white gold, following by two in platinum, including this example. Interestingly, this watch was delivered to retailer Veuve Louis Goering in La Chaux-de-Fonds in 1937, but only sold six years later. The tepid demand for such watches perhaps explains why, according to Christie’s, AP made a total of six single-button chronograph wristwatch movements, but the remaining three were only cased and sold over a decade after this one. Restored perfectly Besides being extremely rare and also unexpectedly beautiful, this watch stands out for having been enjoyed “extensive” restoration at Audemars Piguet. Ordinarily restoration would be frowned upon, but the watch was pre...
Worn & Wound
For the first time ever, walk away from a Windup Watch Fair with a new timepiece you built yourself. Join the Worn & Wound team with our friends from DIY Watch Club on Saturday May 2nd and Sunday, May 3, 2026 from 11 AM to 1 PM for a private watchmaking class led by DIY […]
Worn & Wound
When I think of Heuer, or TAG, or TAG Heuer, for that matter, I think of chronographs. You probably do too. Carreras, Monacos, Autavias, Monzas, Veronas, Montreals, etc… All iconic models, their pursuit of the stop-watch-in-a-wrist-watch goes far beyond just that of aesthetics. Famously, in 1969, they were among the first three brands to introduce an automatic chronograph with the Caliber 11. Then, in the 2010s, they pushed chronograph innovation to its limits with high-concept, high-frequency calibers like the Mikrograph, Mikrotimer, and Mikrogirder. In the last few years, TAG has focused more on the commercial side, honing in on a contemporary design language with the glass box Carreras, as well as a workhorse caliber of their own, the 80-hour, column-wheel, automatic TH20. 2026, however, marks a return to more innovative, if high-end times. Earlier this year, they introduced the six-figure Carrera Split-Seconds Chronograph, a 36,000bph rattrapante made in collaboration with Vaucher, under the category of “avant-garde horlogerie.” A curious development that was perhaps undermined by having such a daunting price, it did serve as an amuse-bouche to their big Watches & Wonders novelty: the Monaco Evergraph, which includes at least one first in watchmaking. There is a lot to unpack with the Evergraph, but the movement is a good place to start. Inside is a new caliber called the TH80-00. An integrated chronometer-certified automatic chronograph with 47-jewels, it featur...
Monochrome
For about a decade, the classic blue dial TAG Heuer Monaco Calibre 11, also known as the “Steve McQueen” edition, has been one of the most recognisable chronographs. The square case, the vivid blue dial, the left-hand crown and the bi-compax layout are burned into our collective memory. Yet, while the Monaco series was used […]
Deployant
We are now at Ressence, and we are viewing the Type 11, the first movement made by Ressence. RW01 is the first movement which is COSC compliant with an integrated movement with the ROCS, and usable across all Ressence watches. This has 60 hours power reserve from the double barrel. The movement is manufactured byRead More
SJX Watches
Independent watchmaker Ressence unveils the Type 11, powered by a proprietary movement for the first time. The trailblazer of oil-filled mechanical modules, Ressence has so far relied on third-party base movements to power its eccentric creations. The Belgium-based watchmaker has finally taken the next step and developed its own calibre, dubbed the Ressence-Werk RW-01. Initial thoughts Ressence watches are instantly recognisable for their inventive and minimalist way of telling the time, using the patented Ressence Orbital Convex System (ROCS) to put a new spin on the classic time display. Using a clever arrangement of planetary gears powered by a base movement, Ressence has achieved an original functional design that remains unique to this day. In terms of design, Ressence has an unmistakable, contemporary look, not unlike that of Apple. As a result, partnerships like those with industrial designer Marc Newson feel natural. The concept behind Ressence’s signature time display is the use of clear silicone-based oil which fills the hermetically sealed ROCS module to the crystal. The fluid medium cancels out total internal reflection, leading to the illusion that the turning disks sit right under the crystal itself. In this respect, Ressence dials can at times look like an OLED screen in a smartwatch. The Type 11 continues the signature streamlined minimalism of past Ressence models, but adopts a less complicated display. There are hours, minutes and seconds, arrange...
SJX Watches
Greubel Forsey’s entry-level sports watch has been in production for five years and is now at an end. The brand is saying goodbye with a pair of final editions, the Balancier Convexe S² in ceramic. The first version is entirely in white ceramic, and the second is black ceramic with the bezel and case back in 18k red gold. Each limited to 11 pieces, the two editions share the same movement, but decorated differently to match the case. It’s manual wind, time-only calibre that is anything but simple; the movement is equipped with the brand’s trademark inclined balance wheel as well as titanium bridges and plates. Initial thoughts A bestseller for Greubel Forsey when sports watches were all the rage, the Convexe line (and related sports models) is gradually being reduced. The Balancier Convexe S² is one of the few sports models that Greubel Forsey has launched since the change in management resulted in the pivot towards more classical watches, exemplified by last year’s Nano Foudroyante. It might be also one of the last: Greubel Forsey notes besides the end of the model’s production, “[this year] also marks the beginning of a gradual transition toward an almost entirely new collection”. While this change in direction has been welcomed by many enthusiasts who appreciate Greubel Forsey returning to its root, the Convexe watches do have their charm. The Balancier Convexe S² illustrates this – the case is large but ergonomic and wearable, and the sporty constru...
Monochrome
The modern Omega Speedmaster Moonwatch Professional, the direct descendant of the watch that accompanied Apollo 11 crew members to the Moon, doesn’t need much introduction anymore. It is, undeniably, one of the most iconic and storied timepieces in existence. But there is more than one Moonwatch. Besides the classic steel version with a closed back […]
SJX Watches
Konstantin Chaykin’s signature Wristmon has taken an unexpected twist with the Venus. Inspired by The Birth of Venus, Botticelli’s famous Renaissance painting, the wristwatch is modelled on the goddess Venus emerging from the sea, nude with flowing hair. Like the Wristmons, Venus tells the time with rotating discs, except the discs no longer represent the eyes. Appropriately, the Venus prototype will be sold in at auction on December 11, with all proceeds going to LILT Milano Monza Brianza, an Italian charity dedicated to preventing breast cancer. Initial thoughts The Wristmon is now a familiar concept, maybe too familiar. Venus is a clever twist on the idea; it’s essentially identical in terms of function, yet entirely different in look and theme. The Venus is also relatively subtle, despite the highly exposed central theme. At the same time, the Venus fits into a historical category of watches. In some ways it’s a variant of the tradition erotic watch, which existed in pocket watches and also modern wristwatches. The case of the Venus is also a bit more graceful than the average Wristmon. It has flowing lines and more importantly, only one crown, instead of the two for most Wristmon models. In short, I like the Venus. It is a smart new direction for the Russian watchmaker’s signature concept. Goddess on the dial Like the Wristmons, Venus indicates the time regulator-style. Hours and minutes are each indicated on rotating discs, while the “face” forms the ...
Time+Tide
From Morse code Murphs to McQueen's Monaco, these are some of the best watches for movie nerds to look into.The post Cinephile, film buff, or otherwise movie obsessed? Here are some of the best watches in cinema appeared first on Time+Tide Watches.
Time+Tide
This impressive piece is Chopard's most complex watch design yet, the fruit of over 11,000 hours of research and development.The post Chopard’s new L.U.C Grand Strike is the most complex horological creation the Maison has ever made appeared first on Time+Tide Watches.
Time+Tide
It might be 11 years old at this point, but this rounded square chronograph continues to be distinctive in a crowded market. The post Why the Glashütte Original Seventies Chronograph Panorama Date continues to stand out from the crowd appeared first on Time+Tide Watches.
Worn & Wound
Time travel doesn’t exist. I mean, maybe they did crack that code deep in an underground bunker on the east end of Long Island between the 1950s and 1980s during what’s known as the Montauk Project. Our civilian watch enthusiast selves will never know the truth. Admittedly, I’ve been rewatching The X-Files a little bit too much lately and recently camped out in the Camp Hero parking lot to do some fishing. Fortunately (I have ZERO desire to mess with that) the closest we can get to time travel is courtesy of watch brands like Vario. They’re making some seriously cool, vintage-inspired pieces that hit on nostalgic elements of classic watches while providing all the convenience of modern construction, movements, and water resistance. Really, you’re getting the best of both worlds – vintage looks paired with modern construction. Today, we’re looking at the Futurist. A new watch from the Singapore-based brand that features a 39mm case, old-school faceted crystal, and a unique crown position that really got me thinking about why the default position is somewhere around 3 o’clock. Let’s take a closer look at this green-dialed stunner. Case The first thing I noticed about the Futurist is the lack of traditional crown placement. No, there’s no crown at 3 or even 4 o’clock. It’s positioned at the top of the case, nestled between the lugs at 12 o’clock. The wide, flat crown has textured edges that make it easy to manipulate. Simply pull it out, set the ti...
SJX Watches
Phillips’s upcoming sale in Geneva has the most attention-grabbing roster of the Geneva auctions, including the return of a record-setting Patek Philippe ref. 1518 in steel. Yet it was the J. Player & Son No. 11’901 that most affected me. Dubbed the “hyper” complication by Phillips, the watch belongs to a rarified group of swan-song supercomplications that memorialise the final days of English fine watchmaking. Despite being over a century old, the watch easily holds its own against the fine watchmaking of today, both in decoration and mechanics. By the turn of the century, the traditional watchmaking centers of England and France were besieged by vertically integrated American super-factories from the West, and cheap but skilful Swiss labour from the East, both of which benefited greatly from mechanisation. During the waning years of English fine watchmaking, the most prestigious firms responded by attempting to move even further upmarket with highly complicated watches, and the firms remained confident in the appeal of their products. “If they are more expensive, as they must necessarily be, they last the purchaser a lifetime,” said a representative of Nicole, Nielsen & Co., the company that built this watch, said of English watches in 1912, “The better classes, indeed, have always bought, and will always buy, English-made watches, and will not buy any others”. Swiss prelude This watch started life in Switzerland as ebauche number 7’321, according to Fr...
Fratello
Omega not only introduced the Speedmaster Apollo 11 50th Anniversary editions in 2019 but also brought back the legendary caliber 321. On July 21st of that year, precisely 50 years after the Speedmaster became the Moonwatch, the brand introduced that movement in a platinum Moonwatch, the Speedmaster Calibre 321 Platinum ref. 311.93.42.30.99.001. Omega Speedmaster Calibre […] Visit The Platinum 321 Is The Pinnacle Of Speedmaster Moonwatches to read the full article.
Hodinkee
From super edgy to super smooth, these two new limited editions cover a lot of ground for an 11-year-old model that's become an icon.
Quill & Pad
Naissance d’une Montre 3 by Ferdinand Berthoud is a series of 11 completely hand crafted watches powered by a unique combination of a split bimetallic temperature-compensated Guillaume-type balance wheel and a constant-force fusee-and-chain transmission system.
Fratello
Anyone who has followed Praesidus over the past few years knows the brand has always focused on paying tribute to watches with military heritage. From revivals of the rugged A-11 to limited models tied to real veterans’ stories, the watches have been rooted in the world of utility and service. But now, the brand is […] Visit Praesidus Finds Refinement With The Victory Collection to read the full article.
Monochrome
It’s mind-boggling to think that Bulgari’s legion of Octo Finissimo watches has conquered the landscape of ultra-thin watches with ten world records in just 11 years. Equally impressive is the Octo Finissimo’s potent cocktail of horological virtuosity and contemporary Italian style. While the Octo Finissimo Skeleton 8 Days did not break any ultra-thin records, it […]
Worn & Wound
Earlier this month, Windup Watch Fair returned to Chicago, marking the 10th anniversary of the Windup series with a three-day celebration that packed Venue West with energy, excitement, and a thriving community of watch lovers. From July 11–13, the West Loop space pulsed with the sounds of winding crowns, rotating bezels, and passionate conversation. As always, the event was free and open to the public, drawing everyone from longtime collectors and industry insiders to curious newcomers discovering mechanical timekeeping for the first time. Over 70 brands filled the space, and this year’s Fair felt more expansive and dynamic than ever. Among the standout moments were the lead sponsor installations, which showcased the diverse spirit of the Fair. Atelier Wen’s “Perception” model, featuring hand-engraved guilloché dials and a homegrown micro-rotor movement, was a fan favorite, embodying the blend of artistry and innovation that Windup thrives on. Just across the room, Citizen celebrated 40 years of its legendary Aqualand with a special anniversary edition that tied directly into a live recording of The Worn & Wound Podcast that explored Citizen’s dive legacy and the corresponding Windup in a Lake dive expedition in Lake Michigan. Casio’s presence this year centered on the MTGB4000, a tech-forward G-SHOCK that balanced extreme durability with sleek presentation. Christopher Ward’s C60 Trident Reef, meanwhile, drew curious glances and engaged discussions with ...
Fratello
On July 21st, 1969, the Apollo 11 crew turned the Omega Speedmaster Professional chronograph into the Moonwatch. It may have actually been one of the first nicknames that a wristwatch ever received. As a watch enthusiast, you’ve probably heard the story of the Moonwatch a thousand times already. However, in case you’re new to watches (or […] Visit From The Archives: How The Omega Speedmaster Became The Moonwatch to read the full article.
Worn & Wound
The Windup Watch Fair is heading back to the Windy City for what promises to be our biggest and boldest Chicago event yet-and this time, we’re celebrating a major milestone: 10 years of Windup. From July 11–13, Windup returns to Venue West for three full days of hands-on watch experiences, exclusive launches, engaging panels, and some unexpected surprises. This year’s show features over 40 exhibiting brands, including exciting first-time participants like Tudor, DOXA, Celeste, and Watch Craft. There will also be raffles, giveaways, a Scotch tasting bar, and much more. The event is completely free and open to the public, so whether you’re a seasoned collector, a curious newcomer, or somewhere in between, there’s a place for you at Windup. Windup Watch Fair Chicago Friday, July 11 – Sunday, July 13, 2024 Venue West 221 N Paulina St Chicago, IL 60612 Free and open to the public. Thanks to Our Lead Sponsors We’re thrilled to welcome back our Lead Sponsors, each bringing something exciting to the table-some quite literally. Atelier Wen returns with the Perception, a stunning example of East-meets-West horology. The watch’s intricate guilloché dial, crafted by hand in China, is a modern feat of mechanical art. Casio is showing off their G-SHOCK MTGB4000, a robust, high-tech statement piece loaded with both analog soul and digital brains. Even more exciting? We have it on good authority that Casio will be launching something completely new on day one of the ...
Worn & Wound
Get ready, Windup Watch Fair fans-we’re headed back to Chicago! Continuing the 10th anniversary tour of Windup, Worn & Wound is thrilled to announce that the Windup Watch Fair Chicago 2025 will take place Friday, July 11th – Sunday, July 13th at Venue West. We’ll be bringing together watch enthusiasts, collectors, and some of the most exciting brands in the industry for a weekend packed with timepieces, community, and hands-on discovery. Windup Watch Fair Chicago Friday, July 11 – Sunday, July 13, 2024 Venue West 221 N Paulina St Chicago, IL 60612 Free and open to the public. For the fourth year in a row, we’re returning to the heart of the West Loop with a strong lineup and fresh programming. Whether you’re a seasoned watch lover or just starting your watch journey, Windup Chicago offers something for everyone. As always, Windup is free and open to the public so bring your friends and family. All are welcome. This year, we’re proud to welcome Atelier Wen, Casio, Christopher Ward, Citizen, and Oris as our Lead Sponsors of the show. These five brands represent the incredible diversity of modern watchmaking-from iconic heritage designs to rugged tool watches, from innovative materials to independent vision. In addition to the bustling show floor, Windup Chicago 2025 will feature exclusive panels, live podcast recordings, and behind-the-scenes conversations with some of the most interesting voices in the watch world. These sessions offer a chance to dive dee...
Time+Tide
VC's exclusive 'The Quest' travelling exhibition makes its way Down Under, running from 11-13 June 2025 at Machine Hall, Sydney.The post A special 270th anniversary Vacheron Constantin exhibition has arrived in Sydney – for three nights only! appeared first on Time+Tide Watches.
Fratello
“Failure is not an option,” said actor Ed Harris in the 1995 movie Apollo 13 as he directed the successful efforts by the Mission Control team to save the crew. Harris played the role of Gene Kranz, the actual Chief Flight Director during that mission and many more, including Apollo 11, the first lunar-landing mission. […] Visit Introducing: The Seiko 5 SRPL91 And SRPL93 - Re-Editions Of The “Gene Kranz” 6119-8460 Sports Diver to read the full article.
SJX Watches
Sotheby’s upcoming Geneva auction that takes place on May 11 is a relatively compact affair. But the 124 lots includes notable highlights, with the top lot of the sale being the especially unique Rolex Daytona “Zenith” ref. 16516 in platinum with a pink mother-of-pearl dial. This watch is one of just four Daytonas combining the El Primero movement and platinum case – the only platinum specimens in the 16500-series Daytona – all of which were made at the behest of former Rolex chief executive Patrick Heiniger in 1999. Famous for being powered by the cal. 4030 derived from the Zenith El Primero, the 16500-series was the first-ever self-winding Daytona. The model was never commercially available in platinum; the four examples in platinum are truly unique. Moreover, each of the four are one-of-a-kind, each fitted with a different dial in exotic materials. Sotheby’s sold the prior three examples, starting with black mother-of-pearl in 2018, lapis lazuli in 2020, and turquoise in 2021. While those three featured applied Arabic numbers, this example has diamond hour markers. Initial thoughts The unique nature of this Daytona is unquestionable. Amongst automatic Daytonas this ranks amongst the rarest and most valuable. Two of its platinum siblings sold for over US$3 million each, making them the priciest modern-day Daytonas. Of the four platinum Daytonas, however, this example is the most paradoxical. It’s the most unusual in having diamond indices, but also the most...
SJX Watches
This spring, one of the most important horological creations of the late twentieth century returns to public view. As part of The Geneva Watch Auction: XXI taking place on May 10 and 11, Phillips will offer the Breguet Sympathique No. 1, the first of twenty exceptional clocks commissioned by Breguet in the early 1990s. The primary creator of this landmark clock was none other than Francois-Paul Journe, then a young watchmaker. Completed in 1991 for the Art of Breguet auction, No. 1 is not just the prototype of the modern Sympathique series, it is its most ambitious. The example, paired with a tourbillon wristwatch, is equipped with a constant-force remontoir and moonphase display. In retrospect, it reads as a mechanical manifesto, foreshadowing Journe’s later independent work. More than a highlight of its upcoming sale, No. 1 represents a rare continuation of one of watchmaking’s great inventions, a direct link to Abraham-Louis Breguet himself. Detail of Sympathique no. 1 Of Breguet’s many breakthroughs, from the tourbillon to the pare-chute, none captured the marriage of mechanical brilliance and poetic vision quite like the Pendule Sympathique. Designed to wind, set, and regulate a paired watch automatically, it embodied a new kind of horological harmony: a master timekeeper caring for its portable counterpart. The calendar on Sympathique no. 1 By the late 20th century, these clocks had become near-mythical. Only a handful were ever built, most housed in royal coll...
Monochrome
Following the acclaimed Carpe Diem and Opera Automata, the third chapter from La Fabrique du Temps Louis Vuitton series brings the Bushido code to life – mechanically and artistically – through a hypnotic automaton performance. With the Tambour Bushido Automata, Louis Vuitton ventures into the world of ancient Japan, remembering the discipline, honour, and artistry […]
SJX Watches
“Bleu Nuit, Nuage 50” was the colour code for the original Royal Oak “Jumbo” ref. 5402 ST of 1972, and now Audemars Piguet has translated the dark blue shade into its latest ceramic. Making its debut in three Royal Oak models, including the Royal Oak Double Balance Wheel Openworked, the “Bleu Nuit, Nuage 50” ceramic is restrained and a departure from the bright, almost electric blue of the brand’s earlier blue ceramic. Initial thoughts Ceramic is a material that lends itself well to the Royal Oak design; the brushed and polished surfaces that are the trademark Royal Oak surface finishing look good with the hardness and glossiness of ceramic. The earlier bright blue ceramic used by AP was too bright in my opinion. The new dark blue hue, on the other hand, feels just nice. The downside of an all-ceramic Royal Oak is the price. The Royal Oak Offshore Chronograph with a matching ceramic bracelet costs almost US$90,000, double the price of the steel equivalent and almost as much as the gold model. According to AP, the cost is primarily due to the difficult in finishing the ceramic – every element of the case and bracelet is brushed or polished by hand – which is true, but it’s still expensive. The most affordable model with the new ceramic only has its bezel and pushers in ceramic ” Night blue” According to AP, “Bleu Nuit, Nuage 50” (which translates as “night blue, cloud 50”) was the code for the dark blue, almost grey, in the catalogue of Stern...
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