3,374 articles · 37 videos found · page 19 of 114
Deployant
Sinn releases the very special 910 Anniversary split-seconds chronograph, an understated but generously well designed piece. As already established since the brand's earlier days, Sinn truly has an eye for quality without the woes of ‘over engineering’ things.
Deployant
The Editor's Top 5 watches: Czapek & Cie Quai des Bergues, Gronefeld 1941 Remontoire, Jacob & Co Twin Turbo, Patek Philippe 5390, Tudor Black Bay Bronze.
Deployant
A novelty from AHCI: the Speake-Marin Diamond Magister Dong Son Tourbillon. Click here to find out more!
Deployant
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Revolution
Watches are probably what doesn’t come to mind when you think about Spain, yet an very extraordinary watch brand calls it home. Pita Barcelona was founded by master-watchmaker Aniceto Jiménez Pita, who became a candidate member of AHCI in 2004 and was accepted as a full member in 2006. Pita’s style isn’t about overly complicated […]
Revolution
During the same week as the SIHH, the GenevaTimeExhibition, the show for the independents brands, was held in the centre of Geneva. Besides Hautlence, brands like Moser & Cie, Cabestan, Heritage and Speake-Marin were among the 34 exhibitors. The location was really cool and looked in fact, like an old former hydroelectric station. http://i9.photobucket.com/albums/a65/Pasha_1950/GTEbuilding.jpg http://i9.photobucket.com/albums/a65/Pasha_1950/InsideGTEbuiding.jpg […]
Worn & Wound
I occasionally have a hard time understanding why some brands are so popular. It’s not that they don’t deserve to do well, but I see brands that don’t seem to be doing anything much different from their peers, let alone special, yet are many times more hyped. Why does one Calatrava-esque watch with Breguet numerals outperform another? But with Ōtsuka Lōtec, I get it. In fact, I don’t just get it, I’ve fallen for it. Then again, Ōtsuka Lōtec isn’t like any other brand. Jiro Katayama, the brand’s founder and lead designer/watchmaker, works from a different playbook. Where other brands pursue finishing and neoclassical elegance, he seeks beauty in the raw and industrial. Inspired by analog machines, measuring instruments, gauges, and the industrial design of the pre-digital age, there is something rough and unintentional (though completely intentional) about his watches. Considering he taught himself watchmaking in a workshop nestled in Tokyo, there is a certain logic to this aesthetic. It’s not born in the farm-strewn hills of Jura, but rather in one of the densest cities in the world. Nor is his education from a lineage of tradition. You won’t find perlage or anglage; surfaces are typically raw, brushed metal, and rarely painted, with only the occasional red highlight. While potentially a love-it-or-leave-it aesthetic, it has resonated deeply with the watch community, touching on a pure joy of mechanics. But, there is more to it as well, as his watches...
Worn & Wound
Louis Erard has been making collaborative watches for years. In fact, you can pretty easily point to limited edition collaborations as a venture that has sustained the brand over the last several years, and made them newly relevant to a broad spectrum of enthusiasts and collectors. Their collaborations tend to follow a familiar, tried and true format. For the most part, they work with established, often higher end, independent watchmakers, and graft the design signatures of those watchmakers onto various Louis Erard platforms, most often their Regulator. The list of collaborators at this point is extensive, with names like Chaykin, Kudoke, and Vianney Halter contributing to Louis Erard’s ongoing project. Their latest, though, is a little different. The Solstice Collection, a line unveiled last month with Brilliant Earth, represents a new approach, and takes Louis Erard’s name off the dial entirely. Brilliant Earth is a jewelry brand founded in 2005 that has gained traction for their commitment to transparency in the sourcing of their precious metals and stones. Their public face is one focused on sustainability, and are known to use recycled precious metals as well as lab grown diamonds in their engagement rings and other jewelry. The Solstice Collection represents their first watch line. The Solstice Collection consists of two watches, Summer and Winter. They are built on Louis Erard’s La Petite Seconde platform, and feature 39mm stainless steel cases and run on...
Hodinkee
There are a handful of people in the watch industry whose fingerprints are on nearly every era of watchmaking and enthusiasm, and Michael Friedman is one of them. He's been the kid in the archives of the National Watch and Clock Museum, the specialist at Christie's fielding calls from Eric Clapton, the American who moved to Switzerland to become Audemars Piguet's Head of Complications, and, as of this year, the founder of his own independent watch company. Somewhere in between, he became the answer to a trivia question about a Kendrick Lamar lyric. Friedman will tell you none of that was the plan. Instead, it's the result of a decades-long fascination with why humans decided time was worth decorating in the first place, and he's spent every job since trying to answer that question from a different angle. That fascination started at Clark University in the 1990s, not in a watchmaking program but in a psychology class, where a professor named Bernie Kaplan got Friedman thinking about pattern recognition. From there he wandered into time theory: how different cultures measured it, ordered it, gave it meaning. The throughline he kept coming back to was that objects built to track time, like water clocks, obelisks, and wristwatches, have always been embellished, regardless of what they were worth. That idea, that timekeeping and decoration are inseparable, has quietly run underneath everything Friedman has done since, from advising Clapton on vintage Patek Philippe and Rolex at...
Hodinkee
Over the last ten years, Paris has emerged as a leading city worldwide in microbrand-style watchmaking—led by Serica and Baltic—but a lesser-known brand is making a case for entry into that conversation, and that brand is Laps. Founded in 2015 by Antonin Mercier, Laps built its name on graphic dials that were hand-assembled in limited editions using unconventional materials like wood, tobacco leaf, exotic skins, and archival prints. With its latest release, the brand steps away from the loud, design-forward quartz pieces that made its name and into something more restrained—an automatic watch built with subtle and balanced style. Paris is obviously known for its major fashion houses, institutions that have stood for centuries, but I come from a world of menswear, and especially over the last few years there's been a wave of smaller, standalone shops popping up alongside those institutions—Husbands, Rubirosa, De Bonne Facture, among others—and I'd argue the same divide is playing out in watches. Complementing the stalwarts are names like Baltic and Serica, and with their new Arche line, I think Laps can now enter that conversation too. Form and function always stay top of mind for me, and sometimes I struggle with watches that skew too far in one direction or the other. Perhaps like a pendulum, my own taste sways from one side to the other from time to time, but its natural resting point is the middle—which is exactly where the brand's latest release, the Arche,...
Hodinkee
You hanging in there, Baller? It feels like it's been a hard bit, or at least it is with the folks I check in with. I hope that, despite whatever's frustrating you and causing grief—from stubbed toes to wildfires and their attendant smoke to your team not making enough moves at the trade deadline—you're getting by. And congrats, obviously, to all the Sixers fans. Strays Photo courtesy of Huntington Company. Perhaps, like me, you were unaware that in 1967 Bulova made an Accutron Astronaut in 18k gold, and if that sounds like fun, Goodwill's got one that's on an 18k JP Champion bracelet to boot. The good folks at Huntington Company have a bit of a left of the dial watch this week, this Sarcar triple date with moonphase, and a fun game to play is to imagine what it'd be priced at with a different name on the dial. If you're bored by watches that are too quiet, or you're interested in truly unhinged complications, here's a Boegli which features a music box that plays a bit of Mozart's "The Magic Flute." For those who missed their shot on the Louis Erard x Kudoke Regulator from a few years ago, here's a very very nice blue one, and if you'd prefer a different blue watch, this Rolex Oysterquartz Datejust is almost certainly not from 2005, as the listing says (it's got a tritium dial, for one, plus the reference 17000 ceased production in 2001), but it certainly looks in great shape. Finally, here's a phenomenally pretty gold Audemars Piguet Day Date Moonphase (almost certain...
Worn & Wound
TAG Heuer has released a new three-way collaboration and a sequel of sorts in their new Carrera Chronograph made in partnership with Team Ikuzawa with a design assist from Bamford. Team Ikuzawa is a legendary Japanese motorsport team founded by driver Tetsu Ikuzawa and continues today under the stewardship of his daughter Mai Ikuzawa as an all encompassing motorsport, design, fashion, and luxury brand. And Bamford is, of course, Bamford, founded by George Bamford and well known for being a pioneer in high end luxury watch modding and now making watches under their own name, and frequently collaborating as a design partner for the likes of G-SHOCK, Zenith, and countless others. The new Carrera Chronograph x Team Ikuzawa release seen here follows a 2023 Carrera release with a similar look, but offered on the prior Carrera platform. Here, all parties involved benefit from the new Glassbox case design, which includes a 39mm case and a gorgeous vintage style “glassbox” crystal that accentuates and magnifies the dial’s perimeter and offers a ton of visual interest at odd angles. We’ve covered these watches pretty extensively and are big fans of the case proportions and the approach TAG Heuer is taking here. They seem to please both the mass market and the enthusiast crowd, which is a vanishingly rare trick for a large brand like TAG Heuer to pull off. For this release, TAG, Team Ikuzawa, and Bamford have leaned into the red and white colorway most associated with the...
Monochrome
Founded in Switzerland in 1918 by George Schaeren, Mido is currently positioned as an entry-to-mid-level Swatch Group brand, prized for offering exceptional value and robust build quality. Placing more emphasis on bolder design, Mido has sparked interest for its accomplished remakes of golden oldies like the Multifort TV Big Date and the Decompression Timer and […]
SJX Watches
Next month Citizen’s The Citizen collection brings a new look to its exceedingly accurate high-end quartz watches. Still accurate to five seconds a year, or better, with a perpetual calendar and scratch-resistant titanium case, this limited edition introduces an indigo-dyed washi paper dial, produced using traditional craft methods. Initial thoughts Citizen’s The Citizen collection, which celebrated 30 years of questionable naming just last year, remains somewhat obscure even amongst watch enthusiasts. That’s unfortunate, as it has nothing to do with the quality of the watches, which are excellent and often handsome. And while the line now includes mechanical watches, high-end quartz is where The Citizen really shines. No two examples are the same. Though frequently compared to Grand Seiko’s cal. 9F movement family, I would argue The Citizen’s A0 line of solar quartz movements are of a different breed, more comparable to Seiko’s cal. 3X Astron movements or even Casio’s high-end G-Shocks. These share solar charging, a perpetual calendar, and a power-save made that pauses the hands to save energy when the watch is not in use. However, The Citizen’s aesthetic differs widely from those of the Astron and G-Shock, favouring the sharply reserved style that has defined chronometry-focused Japanese watchmaking for decades. The other key difference is autonomy. Unlike Astrons and G-Shocks, which can vary by as much as 15 seconds per month without network synchronisat...
Fratello
Another Friday, another list! This week, we’ll return to our series of articles focusing on the best releases of every month. Summer is in full swing, and most of you are enjoying or about to enjoy a much-deserved break, as are many watch brands. But although it has been a quieter month, new watches have […] Visit The Top 5 Watches Released In July 2026 to read the full article.
Hodinkee
What We Know A funky new dial is probably the least surprising thing to come from Ming these days, but somehow, the new Ming 37.06 Royal Selangor still feels like a compelling play on the brand's two-hander 37-series design. This time around, Ming doubles down on its Malaysian roots for a collaboration with Malaysian pewter brand Royal Selangor. What we get is a dramatically hammered pewter dial, made by Royal Selangor in Kuala Lumpur, Malaysia. The grooves and scales of the hammering are quite exaggerated for the size of the dial, which offers an uninterrupted surface for the hammering without any printing or applied markers. With this expansive, highly textured dial, Ming's usage of the top sapphire crystal as an alternative place for dial markings is very useful, with the underside of the top sapphire crystal engraved and infilled with Super-LumiNova X1 for a luminescent track with hour markers and Ming's logo at the top that floats above the hammered pewter surface. It's complemented by the distinctive blued 37-series handset, also coated with a generous amount of Super-LumiNova. The luster of the dial is framed by the more demure look of a fully-brushed grade-2 titanium case, with a diameter of 38mm, a thickness of 11.05mm, and a compact lug-to-lug of 44.73mm. Engraved on the periphery of the exhibition caseback is Ming and Royal Selangor branding, and through the sapphire crystal, the automatic Sellita for MING SW300.M1 is seen in full view. Yes, on paper the movemen...
Fratello
First impressions matter, but they aren’t always the last word. In the watch world, some of the most enduring designs are also among the most divisive. A watch that initially seems too large, too unconventional, or simply not to your taste can slowly grow on you as your experience develops. In many cases, understanding a […] Visit Fratello Talks: The Watches That Won Us Over to read the full article.
SJX Watches
Twenty twenty-six has been a milestone year for Rolex, which is celebrating the 100th anniversary of its signature Oyster case with several commemorative models. While not as innovative as the enamel-dialled Daytona or as surprising as the revised Yacht-Master II, the Oyster Perpetual Day-Date 40 dresses the brand’s flagship time-only watch in a new proprietary gold alloy dubbed “Jubilee” gold and an aventurine stone dial. Initial thoughts Stone dials are everywhere, but as usual Rolex has found a way to stand out by using an unusual mineral. Most brands today source the same few varieties of stone — especially malachite and tiger’s eye — from the same few suppliers, resulting in stone-dialled watches that tend to resemble one another. But with its unusual aventurine dial and muted Jubilee gold case and bracelet, there’s no mistaking the Day-Date 40 for anything else. And this is also actually aventurine stone, rather than the more commonly used and less expensive aventurine glass. The exotic dial and proprietary alloy give the new Day-Date 40 a look that is both distinctive yet coherent with the rest of the collection. Many key Rolex models are perpetually out of stock, underscoring the brand’s commitment to value. While it might seem disingenuous to describe a US$65,700 time-only watch as a good value, the Day-Date 40 in Jubilee gold makes a case for itself. In a perfect world with on-demand availability, this would be a strong value proposition. The A. L...
Hodinkee
This week on The Business of Watches, we take stock at the halfway point of the year for watch auctions. Remi Guillemin, Christie's head of watches for the Americas, Europe and Middle East, gives us his take on what's driving the interest of the top watch collectors these days. It's a pivotal time, with the watch auction market setting record sales results at most of the top auction houses despite global economic challenges and geopolitical tensions and conflicts. Remi Guillemin at the rostrum in Geneva.Photo courtesy Christie's The last time the market was this hot was in the post-COVID era of 2021 and 2022. Guillemin believes this time is different, and he tells us why references from F.P. Journe and Cartier, and (surprise!) pocket watches, are driving the market these days and how that's a fundamental shift from the hype watch driven boom post-pandemic. He also shows us some of the watches in his personal collection and reveals the grail he's still chasing. There's plenty of watch business and strategy to discuss, and we hope you enjoy the conversation. Be sure to leave any thoughts or questions in the comments section, and we'll do our best to respond. Want to subscribe so you never miss an episode? This show is being published to the original Hodinkee Podcasts feed, so you can subscribe wherever you find your podcasts, including Apple Podcasts, Spotify, or TuneIn. Show Notes 0:36 Remi Guillemin (Christie's website - scroll for bio) 1:00 Auctions: The Five Result...
Monochrome
2026 marks the 100th anniversary of the Oyster Perpetual, the game-changing waterproof watch that altered the course of Rolex’s history. Put to the test by British swimmer Mercedes Gleitze as she swam across the English Channel with a gold Oyster on her wrist in 1927, the hermetic Oyster case was further upgraded with a self-winding […]
SJX Watches
Having made its name with auto-racing central chronographs, Singer Reimagined recently debuted its first-ever GMT, the DualTrack. Retaining the aesthetic established by Singer’s chronographs, the DualTrack is a straightforward “caller” dual-time watch with a local time display and independent 24-hour ring. On the back, however, the DualTrack reveals its party trick: a manual wind movement with four visible barrels that combine for six days of power reserve. Developed by an unnamed specialist (that is probably Chronode), the ST5001 has four mainsprings spread out across the movement with the balance hoisted above them, making for an unusual construction and layout. Initial thoughts I like Singer’s original proposition of racing-inspired central chronographs, which are true to the brand’s origins as an offshoot of the cult Porsche 911 mod specialist, Singer Vehicle Design. The Track 1 chronograph was a good debut concept backed by an innovative movement. The DualTrack is similar, but simpler, more affordable, and also more practical. The DualTrack still has the retro-inspired, cushion-shaped case that’s approximately the same as that on the chronograph, making it a little chunky, but the size feels appropriate for a sports watch. It also feels good on the wrist; in contrast, the smaller Caballero with the same base movement feels too small. But instead of a central chronograph, the DualTrack has a pair of useful features: a second time zone and a long power reser...
WristBuzz
You slow down outside the door. You check your outfit. You wonder if you belong. Why does it still feel like this in 2026, and what could the industry actually do about it? A serious question, delivered with love.
WristBuzz
Three weeks of research, forum deep-dives, caliber compare tabs, and a wrist fantasy. Then the parcel arrives, the honeymoon lasts three days, and you are refreshing product pages again. Bring this one to the office drinks.
SJX Watches
Parmigiani Fleurier (PF) continues its exploration of “mysterious complications” with the Tonda PF Chronographe Mystérieux, a fully functional and surprisingly legible chronograph that is indistinguishable from a normal three-hand watch — until it isn’t. Pressing the conveniently placed chronograph monopusher summons a chronograph on demand, fully equipped with central minutes and hour totalisers, which disappears just as easily. Despite being one of the most ambitious chronographs on the market, it is priced relatively accessibly, at least in steel. Initial thoughts At first glance, the Chronographe Mystérieux is nearly indistinguishable from a normal three-hand watch, unless you spot the pair of rose gold hands secreted under the mean time hands. Depressing the chronograph button at eight o’clock causes these, along with the sweep seconds hand, to fly back to zero and being timing intervals up to 12 hours. The concept is not unlike that of the Maurice Lacroix Memoire 1, little-known halo piece that debuted in 2007 for EUR300,000. The Chronographe Mystérieux would work the same way without its hour and minutes hands, but their presence ensures the user can still read the time when the chronograph is running. The result is a highly legible dial, enhanced with an almost excessively fine grain d’orge guilloché that, like the undersized 18k gold hour markers, gets out of the way of the hands. At launch, PF offers two variants of the Chronographe Mystérieux ...
Worn & Wound
We have some exciting news to share. Worn & Wound has acquired Lorier. Lauren and Lorenzo Ortega, Lorier’s founders, will remain partial owners of the business and retain creative stewardship of the brand, with Lorenzo serving as Creative Director. The goal of this partnership is to unlock Lorier’s full potential, freeing Lauren and Lorenzo to do what they love most: designing great products and engaging with the Lorier community. In turn, Lorier gains access to Worn & Wound’s infrastructure of customer service, fulfillment, product procurement, logistics, and more. Together, we’ll scale operations to meet the overwhelming demand for Lorier. This will take time. There’s significant pent-up demand for Lorier’s core line, and in one week we’ll be unveiling updated versions of some of the brand’s most popular models: the Hyperion, Hydra, Falcon, and Astra. We’ll be honest, we expect this run to sell quickly. But, rest assured, we’ll reinvest to increase production runs, rerelease other core models, and develop new lines. Until now, Lorier was run solely by the Ortegas. They poured everything into it, building a remarkable brand and an even more remarkable community. But as demand for Lorier grew, Lauren and Lorenzo hit a crossroads. With their capacity tapped out, they either needed to find the right partner to help them scale or consider options for exiting the company. Thankfully, they chose the former. We’re honored to be entrusted with Lorier’s ong...
Hodinkee
When Vacheron Constantin announced the original Twin-Beat at SIHH in 2019, I wasn't in the watch space in the same way I am now. I was also focused on a much different price point—the one I shop in, not the one that I've since become fascinated by. So I missed it. A lot of people did, it seems. I don't think this watch, as interesting as it is/was as a first release, was made in particularly large numbers, and for over a year, I heard rumblings about the eventual return of the Twin-Beat. Well, it's here. It's improved. And yes, in the metal, it's both entertaining and impressive. But what is it? Essentially, the watch leverages two balances that beat at different rates to provide either 4 days of power reserve running at 5Hz or 70 days in standby mode at 1.2Hz. Oh, and it's a perpetual calendar as well. We covered the technical aspects back in 2019, so this will focus more on the watch as a revived model. The technical is the key here, but the form factor is impressive as well. A perpetual calendar, with dual balances, measuring 42mm and 12.3mm thick, it's hefty because of the platinum case, but it wears quite well despite the technicality. Vacheron has a tendency to make some impressively complicated watches and, unfortunately, make them quite large in the process. This would never have been a problem in the old days (especially for brands like Patek, which dominated this high-end, integrated complication space), but then again, the specifications of the old days don't ...
SJX Watches
On the morning of March 30, 1937, 16-year-old King Farouk I of Egypt visited the workshops of Vacheron & Constantin in Geneva. He had been on the throne for less than a year. His father, Fouad I, had died in April 1936, leaving him the crown, the palaces, and a collection that included one of the most complicated watches the Swiss had ever produced. The welcome was formal, as the company’s records and the following morning’s edition of La Suisse both confirm. The young king was received by the company’s directors and shown the workshops. He was already, by multiple accounts, deeply interested in watches as objects to be understood from the inside — the tour of the manufacture was a pilgrimage. Vacheron Constantin, before Plan-les-Ouates. Image – SJX composite/Vacheron Constantin At some point during the visit, Farouk made a remark that passed into the house lore of Vacheron & Constantin and into several of his subsequent biographies, though seldom accurately. The original French, as La Suisse reported it, was precise: “C’est qu’on n’abîmera jamais autant de montres que je n’en ai abîmé étant enfant!”, which translates as “One will never ruin as many watches as I ruined as a child.” Secondary sources have rendered this with démontées — dismantled — in place of abîmé; a small but telling substitution that transforms an admission of destruction into evidence of mechanical curiosity. A child who dismantles watches is a nascent watchmaker. ...
Monochrome
It’s common for brands to look back for inspiration for future releases, and some put a lot of effort into it. It’s not just about taking the shape of an hour marker or a hand and putting it into an entirely new design. No, it’s more than that, as multiple brands revive past designs almost […]
Worn & Wound
“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. Digger Trailer is Here You really have to give it to Tom Cruise. Nothing – and I mean nothing – can get that man down. From teen hearthrob to divorcing Nicole Kidman to inexplicably being his own stuntman, this man has lived a lot of lives. And now, we see another side of Cruise as the trailer for his much anticipated upcoming film Digger dropped. Directed by Alejandro G. Iñárritu, Digger stars Cruise as Digger Rockwell, an oil baron trying to convince the world he can save it from a catastrophe set off by one of his own company’s projects. The film is set for release on October 2, 2026, with a truly stellar cast that includes Sandra Hüller, Jesse Plemons, John Goodman, Riz Ahmed, and Emma D’Arcy. While Cruise will undoubtedly be praised for being classically good-looking and acting with prosthetics to look worse, make sure you don’t forget those heroes who have paved the way, like Charlize Theron in Monster and Eddy Murphy in The Nutty Professor. Twitter Turns 20 This week marks the 20th anniversary of Twitter which, like many, I refuse to refer to as X. Undoubtedly, Twitter has shaped the course of the 21st century in a variety of ways: culturally, p...
WatchAdvice
The IWC Ingenieur 35 comes in a smaller package – but does it still make the same big impact? Let’s find out! What We Love: A well-wearing compact case Smartly proportioned without compromise Unisex appeal for the size What We Don’t: No micro-adjustment a missed opportunity Butterfly clasp felt fiddly What does IWC want the Ingenieur to be? Overall Rating: 8.5/10 Value for Money: 8/10 Wearability: 8/10 Design: 10/10 Build Quality: 8/10 It’s a small world these days. Rapid communication, travel, and deeply connected economies are bringing everything closer than ever, and people are becoming increasingly accustomed to the appeal of compaction. No industry has been able to completely ignore the effects of downsizing, and in the watch world, that shift couldn’t be more apparent. Once considered the hallmark of vintage taste or dedicated enthusiasm, the small watch has found itself in high demand. More than simply a correction of a trend, consumers are increasingly drawn towards intent and proportion over hyper-tangible, bold statement pieces. Compelling watchmaking is no longer measured by square footage, and brands around the world have shifted to meet consumers where they are. This is especially apparent with the IWC Ingenieur as it exists today. Reimagined by Gerald Genta as a “Jumbo” model measuring 40mm in diameter, Genta’s revision earned fame for its ability to command presence through pragmatic minimalism and bold lines. When IWC re-released the col...
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