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Oyster Case

Rolex's 1926 waterproof case patent, the template for every water-resistant wristwatch.

Dr. Jekyll & Mr. Hyde, The Strange Case of IWC Schaffhausen’s SIHH 2013’s Ingenieur. Revolution
IWC Schaffhausen’s SIHH 2013’s Ingenieur Feb 3, 2013

Dr. Jekyll & Mr. Hyde, The Strange Case of IWC Schaffhausen’s SIHH 2013’s Ingenieur.

If you have read Jack Forster’s brilliant report on this year’s IWC Ingenieur collection unveiled at SIHH 2013, you must be as excited as I am. Personally, Visiting the surreal IWC booth itself was an unforgettable experience. with one Formula 1 car at one side of the booth floor and a racing car engine on another. With IWC Ingenieur watches being displayed on pumping engine […]

Anoma’s A1 Goes Prehistoric SJX Watches
Anoma Jul 6, 2026

Anoma’s A1 Goes Prehistoric

Anoma is back with a new take on its 1950s-inspired asymmetrical A1, but unlike previous riffs, which varied the dials but left the cases untouched, the A1 Prehistoric features a hand-chiselled case inspired by Stone Age human tools. Initial thoughts The original Anoma A1 was inspired in part by the sculptures created by Constantin Brancusi, specifically his ability to convey movement and create tension. But Brancusi was not just a painter and a sculptor — he also collected primitive human artefacts. In Brancusi’s view, early hand-carved tools like arrowheads and hand axes represent some of humanity’s earliest — and therefore purest — forms of creativity and craftsmanship. The A1 Prehistoric takes inspiration from these ancient tools with its distinctive case finish. To create it, Anoma turned to French engraver Steven Brunel to bring the Prehistoric to life. With hundreds of blows from his chisel, Mr Brunel removes material by hand until the case resembles a primitive stone tool. With so many uneven facets, the play of light across the case should be quite remarkable. Furthermore, each case will look slightly different since the strikes are made freehand. In an industry that is built on precision, perfection and order, the Prehistoric deviates sharply from the norm with a finish that revels in our primal impulses to shape the world around us. One thing that hasn’t changed much is the value proposition that has defined the A1 since its debut. At £2,900, the Pr...

Mermont’s La Parfaite Goes Platinum SJX Watches
Patek Philippe Museum Mr Delaloye personally Jan 28, 2026

Mermont’s La Parfaite Goes Platinum

Startup independent brand Mermont has just made its public debut with the heavyweight La Parfaite, translating as “perfect one” in French. Assembled and adjusted by independent watchmaker Nicolas Delaloye, La Parfaite is among the most affordable platinum watches on the market, despite its contemporary case size and upscale construction. Initial thoughts At first glance, Mermont’s debut watch could pass for a handsome, stainless steel Breguet Souscription homage, probably priced accordingly. However, La Parfaite is not stainless steel, it is (mostly) platinum – and surprisingly affordable. Sebastien Bey-Haut, a watch and photography enthusiast, founded the brand, enlisting none other than Nicolas Delaloye, a Genevan watchmaker and AHCI member, to bring it to life. Though less commercially successful than some of his peers, Mr Delaloye is a respected independent watchmaker who spent eight years with the Patek Philippe Museum. Mr Delaloye personally polishes the single hour hand, performs final adjustment, and cases up the watches. It’s unusual for an upstart brand to debut with a precious metal watch, but that’s exactly what Mermont has done. But that hasn’t stopped the brand from focusing on the value proposition, pricing the La Parfaite well below industry norms for a platinum watch, especially a full size mechanical watch. Priced at CHF10,998 before taxes, La Parfaite is a full 38 mm in diameter and certainly among the least expensive mechanical platinum wa...

The Urwerk UR-230 Goes Dark SJX Watches
Ulysse Nardin Dec 10, 2025

The Urwerk UR-230 Goes Dark

Urwerk’s latest satellite-display creation, the UR-230 Black Star, builds on more than two decades of the brand redefining the wandering hours complication. A concept first teased in the Harry Winston Opus 5 and later perfected in the UR-210, the retrograde-satellite display has become synonymous with Urwerk’s identity, and the Black Star demonstrates how far the idea has come. With a lightweight fibreglass-reinforced ceramic case, the Black Star is a 35-piece limited edition that looks to be the final instalment of the UR-230 series. Initial thoughts Urwerk didn’t invent the wandering hours display, but the brand deserves credit for dragging the complication into modernity in the late 1990s. While the brand has dabbled in watches with conventional hands, it’s still the satellite time display that carries the essence of Urwerk’s DNA. The UR-230 traces its roots back to the 2012 launch of the UR-210, which introduced the retrograde frame that travels with the satellite cube for hours. The concept for a retrograde hand paired with wandering hours dates back even further, to the 2005 launch of the Harry Winston Opus 5, which was also designed by Urwerk. While the concept has subsequently been elaborated with the UR-150 Scorpion, the UR-230 still looks strikingly advanced even after all these years. The latest black-and-yellow livery seems to be the flavour of the day, closely matching the brand’s recent collaboration with Ulysse Nardin. The signature detail of the...

Voutilainen Squares the Circle With the KV20i Reversed CS SJX Watches
Voutilainen Oct 3, 2025

Voutilainen Squares the Circle With the KV20i Reversed CS

Voutilainen turns the popular three-hand formula inside out to put the movement front and centre, now with a titanium cushion-case for the first time. The KV20i Reversed CS is not revolutionary, instead building on the KV20i Reversed Cherry from last year, but the movement remains one of the best in its segment, with hands, case, and half of a dial to match. Initial Thoughts Kari Voutilainen is a seminal figure in independent watchmaking, partly responsible for the popularity of elaborately decorated three-hand watches with dazzling guilloche dials – and not just because his company, Comblémine, makes a good number of those guilloche dials for other brands. Mr Voutilainen was at least a decade ahead of his time with his Observatoire of 2007, a watch that, alongside Philippe Dufour’s Simplicity, cultivated a market for this format. Nearly two decades later, his watches stand out less aesthetically, but his quality remains superlative – and has even improved. An Observatoire made in 2007, now 18 years old. Image – Phillips The cushion-shaped case is a new variable in a familiar formula, taking after the unique TP1 pocket watch Kari and Venla Voutilainen made for Only Watch 2019. Four prominent security screws hold the case together, and make for a more contemporary aesthetic that works well with Kari’s already pleasantly eclectic style. And for better or worse (depending on the collector’s taste) the Reversed CS leaves ample room for customisation. Beyond the c...

Jaeger-LeCoultre’s Master Control Calendar Goes Granular Two-Tone SJX Watches
Jaeger-LeCoultre s Master Control Calendar Sep 30, 2025

Jaeger-LeCoultre’s Master Control Calendar Goes Granular Two-Tone

Jaeger-LeCoultre has just introduced the Master Control Calendar Limited Edition, the latest addition to a long line of triple calendar watches going back decades. Packaged in the 40 mm Master Control case we’ve become familiar with, this new 500-piece stainless steel limited edition is all about the dial, which features a richly textured silver and grey livery on a “sector” layout. Despite the classical aesthetic, the Master Control Date is thoroughly modern on the inside with the cal. 866 featuring a silicon escapement that supports a 70-hour power reserve. Initial thoughts The triple calendar moon phase has long been a staple of the Jaeger-LeCoultre line-up; Pablo Picasso famously wore one. Add to this lineage the brand’s unique jumping date pointer, which jumps in a wide arc from the 15th to the 16th of the month to avoid confounding the moon phase display, and the result is a watch that manages to be both charming and technically distinctive. It’s also easily wearable in a 40 mm case, that, while larger than the vintage originals, gives the indicators on the dial plenty of space to breathe. Of course, the movement is the cal. 866, effectively a cal. 899 with a triple calendar module, which helps keeps the overall package quite sleek at 10.95 mm – on par with many simple time-and-date watches in this category. Upgraded a few years ago with a silicon escapement, the movement now runs for 70 hours when fully wound, adding convenience to wearability. Naturall...

Rolex Daytona Rainbow: When An Icon Goes Colorfully Gem-Set Teddy Baldassarre
Rolex Sep 19, 2025

Rolex Daytona Rainbow: When An Icon Goes Colorfully Gem-Set

Aside from the watch that was made legendary by Paul Newman - and which would forever, unofficially, carry the famous actor’s name - there is probably no version of the Rolex Daytona that is more coveted than the “Rainbow” models that bring a meticulously designed and eye-catchingly beautiful assortment of colorful precious stones to the bezel, case, and dial of the motorsport-inspired luxury chronograph. Here is the story behind the Rolex Daytona “Rainbow” and why it has become yet another smash hit for the Crown in the 21st Century.  To start off, it’s worth answering the question, “Why is the Rolex Daytona so famous in the first place?” The model’s success story begins in 1962, when Rolex, hot on the heels of other genre-defining watch releases like the Explorer, GMT-Master, and Submariner several years earlier, became the official timekeeper of the “Great American Race,” the Daytona 500. In celebration of the partnership, the Swiss brand introduced its original “Cosmograph” racing-inspired chronograph watch the following year. The watch, notable for its tachymeter bezel and three-register dial design, adopted the name “Daytona” shortly thereafter and really took the enthusiast community by storm when actor, director, and part-time racecar driver Paul Newman began wearing one regularly. Newman became a big-screen icon in the 1970s, around the same time that auto racing took off in popularity as a spectator sport, and this confluence of...