Konstantin Chaykin’s Venus is Arty and Naughty
Konstantin Chaykin’s signature Wristmon has taken an unexpected twist with the Venus. Inspired by The Birth of Venus, Botticelli’s famous Renaissance painting, the wristwatch is modelled on the goddess Venus emerging from the sea, nude with flowing hair. Like the Wristmons, Venus tells the time with rotating discs, except the discs no longer represent the eyes. Appropriately, the Venus prototype will be sold in at auction on December 11, with all proceeds going to LILT Milano Monza Brianza, an Italian charity dedicated to preventing breast cancer. Initial thoughts The Wristmon is now a familiar concept, maybe too familiar. Venus is a clever twist on the idea; it’s essentially identical in terms of function, yet entirely different in look and theme. The Venus is also relatively subtle, despite the highly exposed central theme. At the same time, the Venus fits into a historical category of watches. In some ways it’s a variant of the tradition erotic watch, which existed in pocket watches and also modern wristwatches. The case of the Venus is also a bit more graceful than the average Wristmon. It has flowing lines and more importantly, only one crown, instead of the two for most Wristmon models. In short, I like the Venus. It is a smart new direction for the Russian watchmaker’s signature concept. Goddess on the dial Like the Wristmons, Venus indicates the time regulator-style. Hours and minutes are each indicated on rotating discs, while the “face” forms the ...
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