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Revolution
Wei speaks one-on-one with Rexhep Rexhepi, a panelist from our Legends of Independent Watchmaking Horological Symposium at Geneva Watch Days 2022, to learn about his journey of becoming one of the most celebrated watchmakers in the modern era. It has been 10 years since Rexhep founded AkriviA and in that time he has had to […]
Hodinkee
Subtle improvements make a significant impact for the young Akrivia watchmaker.
SJX Watches
Having already been revealed as a one-off for Only Watch 2021 – that sold for a record CHF800,000 – the Rexhep Rexhepi Chronomètre Contemporain II (RRCCII) has now made it into regular production, albeit as a limited edition. The standard RRCC II is identical to the example made for Only Watch, save for the dial. Inside is the RRCC02, an all-new calibre with twin going trains as well as an independently-driven deadbeat seconds with hacking and zero-reset functions. And the dial is a two-piece affair in fired enamel – black for the platinum model and translucent white for the gold. Initial thoughts With the first edition having become the signature watch of Akrivia, it’s no surprise that the RRCCII continues down the same road in terms of design. But the RRCCII is not just a facelift; it is an entirely new watch. The movement is a new construction in both layout and complications, while none of the case components are interchangeable between the two generations. At the same time, the movement decoration – the most easily observed quality of Akrivia watches – has been refined. It is impressively executed and even exaggerated in some respects. The bevelling on the bridges, for example, is remarkably broad for a relatively thin watch. The degree of technical advancement from the first to second editions is impressive and demonstrates Mr Rexhepi’s pursuit of progress despite his brand’s tremendous success. The RRCC02 is instantly recognisable as a new calibre...
SJX Watches
A young company founded just two years ago, Genus is all about exotic expressions of time. Though the brand is young, Genus cofounder Sébastien Billières is an industry veteran, having established a workshop that specialises in producing complicated movements for major brands exactly a decade ago. The brand made its debut with the GNS1 – essentially a time-only watch made ultra complicated by virtue of its unique time display – a snaking procession of pointers travelling in a figure of eight that create a dynamic tension unlike anything else. Genus has now taken the concept further with the GNS Dragon, which layers a miniature sculpture over the original in the form of a segmented gold dragon. Initial thoughts The rise of independent watchmakers with atypical time displays started two decades ago – personified by brands like Urwerk – so Genus is rather late to the game, but it still made an impressive entrance. The original GNS1 was a fresh perspective in a crowded arena, the very sort of diversity that makes this hobby fun. And the GNS1 is a serious watch in terms of quality and construction – it also did win the Mechanical Exception award at the 2019 GPHG. While the focal point is the intriguing time display, the movement finishing is excellent; not quite artisanal haute horlogerie like Akrivia, for instance, but nevertheless done by hand and done well, particularly in the genre of avant-garde watches. Made of solid 18k gold, the bridges have wide, polish...
SJX Watches
A leader retailer of independent watchmaking, Singapore-based The Hour Glass has just inaugurated The Persistence of Memory, a virtual exhibition dedicated to the craft. Covering the period starting from 1970 till today, the exhibition encompasses most of the key figures in independent watchmaking during those five decades. And it is about people, rather than brands, since these timepieces are often, quite literally, the creation of a watchmaker’s mind and hands. I wrote most of the content, and it was written as a brisk journey through the careers of each watchmaker, along with their most important timepieces. The Akrivia Chronometre Contemporain Hosted on a dedicated site, the exhibition is arranged into sections and largely chronological, tracing the evolution of the craft from its start with individuals like George Daniels, to the stars of today, most notably Rexhep Rexhepi of Akrivia. Other boldface names in the exhibition include Francois-Paul Journe, Kari Voutilainen, Philippe Dufour, and Denis Flageollet. A trio of Resonance by F.P. Journe Dual Dufour Duality Much of the content is illustrated by uncommon and special watches – over 150 in fact – drawn from collections around the world. The line up of timepieces include the two landmark pocket watches by George Daniels, the Space Traveller I and Grand Complication, as well as the most important examples of Philippe Dufour’s work. Visit the exhibition on Thehourglass.com.
SJX Watches
A Dane who spent eight years restoring the treasures of the Patek Philippe Museum, Christian Lass set up his own workshop in 2018 and has just unveiled his first timepiece, the 30CP. Inspired by mid-20th century Swiss timepieces – as many such watches are – the 30CP is powered by a movement of Mr Lass’ own design. Beyond its flowing lines and fine finishing, the movement is also notable for its intriguing “special hairspring adjuster floating on a ruby ball” that is based on a mechanism Abraham-Louis Breguet invented for marine chronometers. Initial thoughts The success of Philippe Dufour, and more recently Akrivia, has fuelled a slow proliferation of independent watchmakers specialising in highly-finished, time-only watches. Mr Lass, however, has managed to do something subtly different. Though the 30CP has a conventional, classical aesthetic on the front, the movement is unexpected. Its architecture is defined by flowing lines – the arched, almost wave-like balance bridge is particularly interesting – as well as some symmetry. But it is more than a pretty face, for Mr Lass has managed to incorporate a hairspring adjuster arm that pivots on a ruby ball. The combination of movement aesthetics and the adjuster help set the 30CP apart from its peers. I have yet to see the 30CP in the metal, but the photos of the prototype already indicate a high quality of decoration, which will surely be refined in the production watches. Simple done excellent “The main idea...
SJX Watches
Fine finishing in high-end watchmaking automatically brings to mind polished bevels, black-polished steel, Cotes de Geneve, blueing, and even perlage. But less thought is given to frosting, even though it is prominent in the grandest of timepieces made by leading independent watchmakers. Put simply, frosting is the treatment of a metal to create an uneven, pitted surface. A beautifully rough finish, frosting dulls the appearance of the component it is applied to. Many brands rely on the technique for decoration, but often in strikingly different forms. Akrivia, Greubel Forsey, Masahiro Kikuno, and Roger W. Smith are all known for their frosted finishes, but each differs from the other in technique and aesthetic effect. The frosted bridges on the front of the Greubel Forsey Hand Made 1 Heroes and sidekicks When it comes to finishing methods in horology, I like to separate them into two categories: heroes and sidekicks. The sidekicks – such as perlage, graining, and of course frosting – are the methods that help the heroes stand out. Do not think any less of the sidekicks because without them, the heroes would not get the attention they deserve. The heroes are the methods that make you wonder: “This is beautiful – how did they do that?” Black polishing, blueing and engraving are just a few of them. As in the comic books, heroes and sidekicks work together to make each other look good. But as is frequently the case in fiction, sidekicks are often forgotten. Take fo...
SJX Watches
Rexhep Rexhepi of Akrivia was the guest on our first-ever Instagram Live, where he spoke with our founder SJX. Lighthearted and insightful, the session centred on the growth of Akrivia’s in-house capabilities, as well as the future of the Chronomètre Contemporain series. Here’s a recap of the highlights from the session. Ambitions for integration Rexhep has big dreams for Akrivia as a true manufacture, from production to even testing. This stems from an explicit desire to control every element of production, and to ensure his high standards at met every step of the way. Much of the progress made in vertical integration will be reflected in the second series of the Chronomètre Contemporain. While the series one cases were produced by a Geneva specialist, the second series will have its cases made in-house by master case maker Jean-Pierre Hagmann, who joined Akrivia last year. At the same time, Rexhep said the movement will have a greater share of parts made in-house. While the exactly proportion was unsaid, he made clear that his goal was to eventually make all key parts – bridges, base plates, wheels and pinions – in the Akrivia workshop. Beyond production timepieces, such vertical integration will be advantageous as it would allow Akrivia to prototype ideas far more quickly. Rexhep Rexhepi with Jean-Pierre Hagmann. Photo – Akrivia Interestingly, Rexhep also touched on chronometer testing and certification. The first series Chronomètre Contemporain is te...
SJX Watches
Thirty-three year old Rexhep Rexhepi is a rising star in independent watchmaking who practices his craft from a workshop in Geneva’s Old Town. But he was born almost a continent away in Kosovo, having left his birthplace as a young teenager as a consequence of the Yugoslav Wars. The Singapore-based retailer of Rexhep’s brand, Akrivia, recently debuted a documentary on Rexhep’s life and work. It’s the latest instalment in The Lives of Artists, a series of short films on a handful of notable watchmakers and creative personalities. Other subjects of the film series include contemporary artist Daniel Arsham, architect Sir David Adjaye, as well as Felix Baumgartner and Martin Frei of Urwerk. The subsequent instalments will debut one a week until mid-June 2020. You can watch Rexhep’s film below, while the other films can be in the The Lives of Artists playlist.
SJX Watches
Amongst independent watchmakers, Rexhep Rexhepi has found swift and significant success since he founded Akrivia, now one of the hottest niche brands. After his Chronomètre Contemporain took the prize of best men’s watch at the 2018 Grand Prix d’Horlogerie de Genève (GPHG), collectors have been eagerly anticipating his next creation – which is on track despite the pandemic-induced disruptions. How has the COVID-19 coronavirus affected Akrivia? Now still crafting watches in his workshop at the heart of Geneva’s Old Town, Rexhep answers. Rexhep, still at the workshop in Geneva’s Old Town. Photo – Rexhep Rexhepi What impact has the crisis has on your business? The first impact was human. A month ago, when social distancing was first implemented in Switzerland, the atmosphere was grim. I could feel employees’ morale was affected; their motivation was low. I offered them the choice to stay home with partial unemployment or keep coming to the atelier, while respecting all health and hygiene measures, of course. Most of them opted to keep working, so we are still open at the moment and working almost normally. Even my partner [Jean-Pierre] Hagmann is back now. Production-wise, we feared for some of our subcontractors, like the [specialist that does] rhodium plating for example, but they are also working, even if only part time, for one week out of every two. But since we have [vertically] integrated a lot of our production, like making our own cases, and we have...
SJX Watches
When it comes to finely-finished, time-only movements, the ultimate Seiko offerings are the Credor Eichi II and Grand Seiko Spring Drive 20th Anniversary. The Japanese equivalent of watches like the Akrivia Chronometre Contemporain and Philippe Dufour Simplicity, the pair are the work of the Micro Artist Studio and finished to the same magnificent level, broadly speaking. (The Grand Seiko 8 Day is of the same quality, but it is a much larger and more complex watch.) Because the movements, the 7R14 in the Eichi II and 9R02 in Grand Seiko SBGZ001 and SBGZ003, are fundamentally identical, comparing the finer details of the two – an enlightened, obsessive nitpicking – makes for some interesting conclusions. The 7R14 in the Eichi II (left) and the 9R02 of the Grand Seiko SBGZ001 The sampled are both finished examples that were purchased in stores, and not prototypes, so both are representative of their respective model and movement. Though both were made in the Seiko-Epson’s Micro Artist Studio, probably by the very same craftsmen, the Eichi II was produced in 2015, while the Grand Seiko SBGZ001 dates to 2019, which is the year of its launch, and is the property of Mark Cho, founder of menswear retailer The Armoury. Same but different Both movements share the same architecture and layout, with the key functional difference being the power reserve, in both duration and display. The Eichi II’s 7R14 has a single barrel and a 60-hour power reserve, indicated on a fan-sha...
SJX Watches
Now the non-executive chairman of the watch division at LVMH, Jean-Claude Biver has enjoyed a remarkable career in the watch industry that has spanned some 45 years. That success has enabled him to build a timepiece collection that is both magnificent and diverse, ranging from vintage Patek Philippe to modern independent watchmaking. Now the entire collection will be on display for the first time at Phillips in Geneva, after which it will embark on a world tour. Bookends of Mr Biver’s career so far: a Royal Oak ref. 5402 ST by Audemars Piguet, where he started his career And a Hublot Big Bang Tourbillon Chronograph Titled Jean-Claude Biver: A Retrospective. Share, Respect, Forgive, the exhibition includes two dozen watches – including some lovely Patek Philippe pocket watches – that are amongst the best examples of 20th century watchmaking. Notably, the collection also includes several watches by prominent independent watchmakers, many of which were relatively recent purchases. They include a Philippe Dufour Simplicity in rose gold – the exact watch we featured several weeks ago in fact – and a fresh-off-the-press Akrivia Chronometre Contemporain in platinum. According to an inside source, Mr Biver’s late-in-life interest in independent watchmaking, and also the Rolex Daytona “Zenith”, is the result of counsel from his son, Pierre, who is a specialist at Phillips’ London office, showing that the love of watches can be hereditary. A Patek Philippe Ref. 15...
Time+Tide
SJX Watches recently published a fascinating story by Brandon Moore that takes a look at the impact that Instagram and other social media platforms have had on the scrutiny and importance of watch movement finishing. Moore talks to former Patek Philippe watchmaker and founder of Akrivia watches, Rexhep Rexhepi, about the influence of the social … ContinuedThe post RECOMMENDED READING: Instagram’s influence on movement finishing appeared first on Time+Tide Watches.
SJX Watches
Self-taught Russian clock- and watchmaker Konstantin Chaykin, who has built notably complex timepieces, is ironically best known for the Joker, a relatively simple watch. The Joker is powered by an ETA 2814 base movement with an in-house module of just 61 parts that drives the novel time display: two sub-dials, positioned like eyes in a face, for hours respectively minutes, and a moon phase at six o’clock resembling a smiling mouth – the funny face of time. When first unveiled the inaugural Joker in steel at Baselworld 2017, the 99-piece limited edition sold out quickly. The watch also enjoyed critical acclaim; the subsequent Joker Clown won the Audacity Prize at the Grand Prix d’Horlogerie de Geneve 2018. Konstantin notes he was particularly surprised how eagerly the love-or-hate design was embraced by collectors of high-end watches. So his extended the Joker concept to the top-end of the price spectrum, with the limited edition Joker automaton developed with fellow independent watchmaker Svend Andersen. And then Konstantin recently revealed he was participating in charity auction Only Watch 2019 – alongside peers like Akrivia, F.P. Journe, Urwerk and De Bethune – which piqued my interest, so I reached out to Konstantin to find out more. The Joker automaton by Andersen and Chaykin Inspiration strikes As Luc Pettavino, the founder of Only Watch, was planning the 2019 event, he approached Konstantin to suggest a straightforward variant of the origin...
SJX Watches
Thanks to Instagram, and social media in general, fine watchmaking has become something of a spectator sport. Roger W. Smith’s YouTube channel has over 10,000 subscribers, and though he produces only about a dozen watches per year, his video about polishing the flanks of pinions has been viewed more than 115,000 times. Akrivia, which produces watches on a similar scale, has almost 40,000 followers on Instagram and their videos, which focus on hand finishing techniques, get thousands of views and likes. These numbers suggest a huge appetite among watch enthusiasts for information about movement construction and finishing. Yet while collectors now have unprecedented access to this kind of information, finishing is a highly nuanced topic that doesn’t readily lend itself to the brevity of an Instagram comment. This can make it difficult, especially for new collectors, to understand how finishing fits into the overall value proposition offered by a fine watch. What is finishing and why it matters Finishing is the process by which the components of a watch movement are treated between fabrication and final assembly. At lower price points, finishing is done by machine. At higher price points, it is often applied by hand. The results of good hand finishing are unmistakable, often cited as the main reason for drastic price differences between watches. I asked Akrivia founder Rexhep Rexhepi about the value of hand finishing, and he replied, “Let’s face facts – the differe...
Deployant
The Chief Editor's Choice: The Best of the Independents for Baselworld 2017:Akrivia, Asaoka, Candaux, Czapek, Haldimann and Pellaton.
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