Results for Vianney Halter

Introducing the Vianney Halter La Resonance

Marco Lang’s Seven Spheres Tourbillon is Futuristic Classicism

Independent watchmaker Marco Lang has just unveiled the Seven Spheres, a wristwatch containing a multi-axis central tourbillon. Diversifying away from his conservative style, the Dresden-based watchmaker presents an ambitious and dynamic mechanical sculpture that tells time. Inspired by the ideas of both Ptolemy and Carl Sagan, Mr Lang has achieved a rare feat with the Seven Spheres, building a watch that is both technically imaginative and artistically crafted. Initial thoughts We are seldom treated to multi-axis tourbillons, so Marco Lang’s entry to this niche and ambitious category is most welcome. The Seven Spheres is the his first tourbillon since leaving Lang & Heyne in 2019, and demonstrates the full breadth of his technical skill. The theme of seven spheres was inspired by the geocentric universe model theorised by Ptolemy in the first century. The astronomer’s theory was built around having the Earth as the centre of the universe, orbited by seven planets. Inspired by this obsolete theory, Mr Lang created the Seven Spheres, which places the regulating organ inside seven turning rings, which comprise the complex multi-axis tourbillon cage. The movement with its central multi-axis tourbillon vaguely resembles Vianney Halter’s Deep Space Tourbillon. However, the Seven Sphere’s architecture is even more interesting than that of the Deep Space, since the central tourbillon appears to be suspended in mid air.  The Seven Spheres is one of the most complex multi-...

Monochrome Monopusher: The Montre de Souscription 5 by Angelus

On the heels of its sold-out collaboration with Habring² back in December, Monochrome is back with a vintage-oriented monopusher chronograph in collaboration with Angelus. The Montre de Souscription 5 Angelus Chronographe Tachymètre (MdS5) is a subtle riff on the brand’s Chronographe Télémètre, which walked away with the Chronograph Prize at least year’s Grand Prix d’Horlogerie de Genève (GPHG). Initial thoughts I had the chance to see the MdS5 on the wrist of Monochrome founder Frank Geelen during Dubai Watch Week, and the watch makes a statement with its compact proportions. In fact, it could almost pass for a vintage watch. While historical reissues are made in abundance, they are often unnecessarily up-sized to suit modern tastes. At just 37 mm, the MdS5 has a tidy footprint on the wrist, and the 9.25 mm case height makes for a low profile. Interestingly, the watch could actually be a little smaller, given the compact proportions of the La Joux-Perret A5000, a manually wound monopusher chronograph movement descended from a construction first developed at THA by independent watchmaking royalty, including François-Paul Journe, Denis Flageollet, and Vianney Halter. This lineage gives the movement cachet, though the La Joux-Perret movement is in reality a distant relation of the THA (and Jaquet) original. As a souscription series, as many as 20 pieces of the MdS5 will be made, assuming enough demand, with a non-refundable deposit due up front. The watch goes o...

First Look – The New Louis Erard x Monica Bonvicini NOT FOR YOU

It’s fair to say that under Manuel Emch’s leadership, Louis Erard has evolved from being a somewhat obscure brand into a dynamic platform for creative collaborations. Offering highly original content at affordable prices, Emch has partnered with high-profile watchmakers such as Alain Silberstein, Vianney Halter, and Konstantin Chaykin, while his passion for contemporary art has […]

Le Régulateur, Reinvented Yet Again

Louis Erard continues its prolific run of collaborations with the Le Régulateur Louis Erard x Worn & Wound, designed with the New York-based publication behind the value-focused Windup Watch Fair. Known for reinterpreting its popular regulator model through limited editions created with independent watchmakers and designers, Louis Erard now turns to a collaborator rooted in accessible watch culture, resulting in a design that blends layered dial architecture with the brand’s familiar 39 mm steel case and reputation for value. Initial thoughts If there’s one brand that has managed to build an identity around collaborations, it’s Louis Erard. Over the past few years the brand has released an astonishing range of limited edition series, usually built around the Le Régulateur platform, designed in collaboration with a diverse mix of watchmakers and designers. Notable releases include collaborations with Konstantin Chaykin and Vianney Halter, but these are just two among many. Louis Erard’s latest is a collaboration with New York-based Worn & Wound, a watch blog with an e-commerce business. Worn & Wound is also the driving force behind Windup Watch Fair, a collector-focused watch fair that takes place in New York, San Fransisco, Dallas, and Chicago each year. Worn & Wound’s primary focus is value-oriented watches, so the collaboration with Louis Erard makes perfect sense. Like most of the brand’s watches, Le Régulateur is a good value, managing to sneak in just u...

Louis Erard and Konstantin Chaykin are Back with a New Limited Edition in a New Case

If you read Worn & Wound with any regularity, you know that we’re pretty big fans of Louis Erard’s limited edition collaborative regulators around here. What can we say? There’s something incredibly fun and appealing about having a great independent watchmaker tied to a watch that’s on the accessible side. That said, there are fair criticisms of these limited editions, particularly as they’ve been “normalized” and we’ve all been conditioned to just kind of expect them two or three times per year. The one I hear most often is that Louis Erard is that each new collaboration effectively amounts to a dial variant, a skin grafted onto the the brand’s regulator format doesn’t necessarily reflect the creativity of the watchmaker being referenced. But on handful of occasions (like with Alain Silberstein and Vianney Halter) Louis Erard allow themselves to expand beyond the dial and add flourishes to the case as well. These editions, in my mind, are even more effective because they represent another rung of ambition in this ongoing project. The brand’s latest collaboration, another release with Konstantin Chaykin, follows this tradition with a reimagined case construction and dial layout while maintaining a real connection to Chaykin’s aesthetic. The Louis Erard x Konstantin Chaykin Unforgettable is based on the Slavic myth of the Frog Princess, and the dial looks like, well, a frog, with big reptilian “eyes” at 9 and 3. If you’re used to Louis Erard’...

SpaceOne Launches the All New WorldTimer

Over the last three years or so, as the idea of the “micro indie” has gained steam in our hobby, SpaceOne has been on the bleeding edge of this movement. Their first two releases perfectly capture every element of what we love about this type of watchmaking: inventive case designs, clever movements, the interesting use of materials, and, importantly, a price point that welcomes enthusiasts rather than shutting them out. The Jump Hour and Tellurium impressed on these fronts and more, and the brand’s third release, a worldtimer that they’ve been quietly showing to clients and press over the last few months, continues the brand’s impressive run, and cements their status as a leading indie brand, micro or otherwise.  The new SpaceOne WorldTimer once again pairs watchmaker Theo Auffret with designer Olivier Gamiette. The case has an oblong shape that’s somewhat reminiscent (in broad strokes, at least) of their Jump Hour debut, but is quite a bit more complex. It mixes sci-fi, spaceship influences with subtle automotive design influences, and a multi-window display that will make some fans of independent watchmaking think of names like Vianney Halter and other similarly adventurous icons of the contemporary indie scene.  This is one of those watches that no matter how experienced you are with these things, it kind of needs to be “taught” on some level, but once you understand what you’re looking at, it’s fairly intuitive. Here’s how it works. In a move th...

Louis Erard and Konstantin Chaykin Unveil a Third Round of their “Time Eater” Collaboration

Louis Erard and Konstantin Chaykin, the only Russian member of the AHCI, have teamed up once again for a new batch of their hit “Time Eater” collaboration. It’s been about two years since their first collaboration, which was an immediate hit for both parties and sold out quickly. A follow up limited edition came a few months later, this one much darker in tone, both in terms of the dial and case, and also the mood of the piece- that bloodshot eye really leaves an impression. For their third release, Chaykin and Louis Erard have returned to their original idea, offering a pair of watches that fans of the original who might have missed out will likely be quite interested in taking a look at when they go on sale in a few days.  The fact that this collaboration exists at all is one of the things we like most about Louis Erard as a brand. They’ve really found a niche in developing limited edition projects with interesting collaborators both in and outside of the watch industry. A watchmaker like Konstantin Chaykin, who has risen to prominence in recent years with his “Wristmons” series of watches, makes watches that are likely out of reach for most collectors. But through Louis Erard, Chaykin, along with watchmakers like Stefan Kudoke and Vianney Halter, brings his design ethos down to earth, making it approachable to enthusiasts who admire his work but would never be able to spend tens of thousands on a single piece. Together with Louis Erard, Chaykin has essentia...

Louis Erard & Konstantin Chaykin Return with “Time Eater” III

Louis Erard and Konstantin Chaykin are closing their “Time Eater” collaboration with the final pair in the series, the Le Régulateur Louis Erard x Konstantin Chaykin III Blue and Red. Retaining the familiar “cyclops” regulator dial inspired by the Russian watchmaker’s Wristmons, the new pair will be the last collaboration between the two in this format. Louis Erard and Konstantin Chaykin are working on future collaborations, but those will be in a different style. The blue version is 42 mm and available only from Louis Erard, while the red model is 39 mm and will be sold only by Konstantin Chaykin. The 42 mm model in blue Initial thoughts Louis Erard has done a great number of collaborations with independent watchmakers, but the Konstantin Chaykin Time Eater ranks amongst the best of them. Like the second Vianney Halter collab, the Time Eater captures the spirit of the watchmaker’s original creation while being affordable. I look forward to the next collaboration with Mr Chaykin, because I am sure it will be interesting. Admittedly the latest pair are only a cosmetic tweak on the earlier editions, but the Time Eater is still an appealing concept that’s priced right. Both versions adopts the standard Louis Erard regulator case, which makes it a little too thick, but that’s an acceptable compromise for affordability. The two are the third Time Eater project, and Louis Erard chief Manuel Emch has confirmed they will close the Time Eater regulator series. The ...

Auction Watch: Breguet Sympathique No. 1 at Phillips

Right on time for Breguet’s 250th anniversary this year, Phillips just revealed it will soon be selling Breguet Sympathique no. 1, the unique, entirely gold clock created as a tribute to the 19th century originals made by Abraham-Louis Breguet. This is the first time the clock is emerging in public after it was first sold in 1991. Actually a clock with an accompany wristwatch (that can be transformed into a pocket watch), the Sympathique is masterful, modern-day creation that reproduces the genius of A.-L. Breguet’s original concept of a master clock that winds and sets a removable watch over the course of the night, allowing the owner to retrieve the watch for use the next day. The first of a 20-piece series, clock no. 1 is most unique in both entirely solid gold – the master clock, wristwatch, pocket watch case, and bracelet are all in 18k yellow gold. Like the rest of the series it was constructed by Techniques Horlogères Appliquées (THA) in Sainte-Croix, a complications workshop that is today most famous for having had Francois-Paul Journe, Denis Flageollet, and Vianney Halter amongst its alumni. One of the artisans who worked on the Sympathique series was Dominique Mouret, a clockmaker who today still restores antique clocks in his workshop in Sainte-Croix. The clock comes straight from the collection of the original owner who paid CHF1.55 million at The Art of Breguet auction held by Antiquorum in 1991. It has an estimate in excess of CHF1.00 million, but I t...

Louis Erard’s Latest Collab is All About Hand-Forged Damascus Steel

Louis Erard has enjoyed a good run of independent watchmaker collaborations recently, and keeps it up with the Le Régulateur Louis Erard x GoS. Following last year’s Vianney Halter edition, the GoS regulator adopts the Swedish watchmaker’s signature material: artisanal Damascus steel forged by the hand of a Swedish swordsmith. The watch retains the usual Louis Erard case and movement, but has a dial of acid-etched Damascus steel hand made by Conny Persson, the knife maker who produces the exotic alloys employed by GoS, which was founded by watchmaker Patrik Sjögren in 2007. Initial thoughts I respect and admire the craft behind GoS watches, which utilise Damascus steel that is sometimes incredibly patterned. But I find the brand’s aesthetic a little too much, especially when the dials are matched with aggressively styled cases. Whereas in the Louis Erard collaboration the heavy patterning of the dial is offset by the clean lines of the no-frills, 39 mm case. More importantly, the GoS regulator is one of the few Louis Erard editions that incorporates an actual example of the collaborator’s craft, as opposed to just being a design exercise. Even though I liked the earlier Vianney Halter and Kudoke editions, they were just watches designed by the respective watchmaker’s input. The GoS regulator, on the other hand, has a dial in an artisanal material – and it remains at the same affordable price as past collabs. Exotic alloy GoS was founded by bladesmith Johan Gu...

Best of 2024: Value Propositions Below US$10,000

Many of the year’s most notable watches were expensive, especially complications and independent watchmaking, but there were still a few standouts at the affordable end of the price spectrum. Some relied on familiar formulas, like the Grand Seiko SLGW005 or Tudor Black Bay 58 GMT, while others like the Louis Erard Vianney Halter collaboration were unexpected. Here’s our team’s take on the year’s best watches under US$10,000. Albishorn Type 10 Chronograph - David Ichim A great debut from the recently-established micro brand is the Type 10 Chronograph. Albishorn’s tagline is “imaginary vintage” - drawing inspiration from actual vintage watches, but reimagined with an entirely novel composition, resulting in watches that are highly suggestive of an era without actually being remakes. The Type 10 Chronograph exemplifies this philosophy. The hands, typeface, bezel, and slim lugs pay homage to mid-century aviator chronographs from the likes of Airain, Breguet, and Heuer. The unusual arrangement of the chronograph display however makes it entirely unique.  Inside is a heavily reworked 7750-derived movement, that is positioned unconventionally, leading to the unusual crown and pusher arrangement along with the unorthodox chronograph layout. The manually-wound movement is also C.O.S.C certified and incorporates a chronograph-function indicator. In fact, the calibre is arguably more than just heavily reworked, amongst other things, it has shorter pinions than a 77...

A Week in Watches Ep. 95 – A Colossal Collab, and More!

The year is winding down, but only after a few more new releases. On this week’s episode of A Week in Watches, we take a look at the Ressence Type 9, the smallest Ressence yet. Then we dive into Jacques Bianchi, square up with the Circula Facet, head to the mountains with Élge, and turn green with Fratello and Czapek-lastly, we nerd out with Vianney Halter and Louis Erard, who are bringing steampunk back. This week’s episode was brought to you by the Windup Watch Shop and its new Brooklyn showroom. Inside, find watches, accessories, EDC, and more from the Windup Watch Shop. The showroom is located at Worn & Wound HQ, a newly built-out shopping space that immerses you in watches from brands you won’t find in your normal AD. If you’re in the area and are interested in stopping by, head to Windupwatchshop.com to book an appointment. The post A Week in Watches Ep. 95 – A Colossal Collab, and More! appeared first on Worn & Wound.

MB&F; Updates the HM8 Mark II with a New Blue Limited Edition

It’s hard not to love Max Büsser. Anyone who has met the man in person will tell you that he is a fount of enthusiasm and creativity. The watches he creates are otherworldly and fun and, like ‘em or not, his watches have helped to - alongside brands like Urwerk and watchmakers like Vianney Halter - push independent watch design to new and interesting directions in a big way. One of last year’s big releases from MB&F; (alongside the UFO-like HM11) was the HM8 Mark 2, which was initially released in June to plenty of fanfare. At the time, the watch was available in two configurations - one in white, and a limited edition of 33 in a wonderful British Racing Green. That limited edition is now long gone, and in its place, MB&F; has announced a new limited release of the HM8 Mark 2, this time in blue.  For those who may have missed it last summer, the HM8 Mark 2 is an automotive-inspired watch and an evolution of, you guessed it, the HM8 that was first released in 2016. Max Büsser - who has said time and again that he wanted to design cars long before he was interested in watches - has tapped into his affection for automobiles and racing as inspiration for a number of watches and clocks over the years, to great success. The HM8 Mark 2, and the HM8 before it, pull from this history. Racing and watches have always been linked. The simple reality is that racing without timing doesn’t really work and so, for as long as there have been cars, watchmakers have been ...

New: Beauregard Ulysse

An interesting collaboration, perhaps somewhat unexpected, between Beauregard and Vianney Halter. Presented at Watches & Wonders Geneva 2024.

Louis Erard Introduces the Affordable Tourbillon Alain Silberstein

Louis Erard returns to its flagship model, the Le Régulateur Tourbillon x Alain Silberstein, now in black. The tourbillon builds on the previous collaborations with the French designer but ups the ante on price and complexity. Louis Erard first tapped Alain Silberstein, known for his instantly recognisable Bauhaus-inspired aesthetic, in 2019 for a successful collaboration that led to a second collection in 2021. This new 78-piece limited edition is the first time Le Régulateur Tourbillon is presented in Silberstein’s typical Bauhaus colours. The model initially debuted last year as part of a three-piece set in khaki green, followed by a 10-piece limited edition made for UAE-based retailer Ahmed Seddiqi & Sons. Initial thoughts Louis Erard has created an interesting niche for itself in the world of independent watchmaking with its ongoing string of well-priced collaborations with established independent watchmakers like Konstantin Chaykin and Vianney Halter. And while the brand is arguably at its best when it challenges conventional expectations of watch design, such as its collaborations with designers from outside the industry like Oliver Mosset and atelier oï, the designs of Alain Silberstein have proven timeless in their own quirky way. Le Régulateur Tourbillon features a 40 mm titanium case that is also surprisingly slim at just 11.8 mm. That said, it’s likely to wear larger due to the hinged strap loops that extend beyond the case. With a black nylon strap and...

Profile: Hannelore Lass, Watchmaker and Engraver

German-born Hannelore Lass has mastered the art of engraving, but she is also a trained watchmaker. Together with her husband, independent watchmaker Christian Lass, they live with their two children on the idyllic Danish island of Fyn, a two hour’s drive west of Copenhagen. It is there that they created the 30CP, the time-only wristwatch that marked the debut of the Christian Lass brand. Hannelore’s career meandered through European watchmaking before landing her on Fyn. Having started her career at Sinn, the German brand best known for its “tool” watches, she would go on to become the in-house engraver for Vianney Halter, followed by a stint as a freelancer working with BNB Concept, before moving to Denmark with her husband to establish his eponymous brand. The burin as a watchmaking tool Crafts that concern the smallest of parts have always had a particular impact on Hannelore; the interaction of the hands with the very small was something that gave her extreme pleasure. So having finished high school, Hannelore considered watchmaking as a possible career. Living near Frankfurt at the time, she visit the Sinn, which is located in the city. It was during this visit that Hannelore experienced one of the defining moments of her life. “During the tour, we were shown a gigantic cupboard brimming with small boxes full of minuscule parts,” says Hannelore, “That’s when I knew what I wanted to do!” Image – Hannelore Lass The experience led her to send an app...

[VIDEO] Hands-On: Argon Space One Jump Hour

Are you ready for the final frontier? Or rather, the next frontier? A new frontier, at the very least? Yes, all signs point to a big change in the world of watches on the horizon. A new world, or I guess frontier to be consistent, where you don’t have to win the lotto, inherit tons of wealth, or be uncommonly successful to buy an exotic watch. A world where brands that were once considered too small to matter are standing their ground against giants, showing that with a passion for watches and an innovative spirit, the seemingly impossible can occur. This is a very dramatic way of saying that there have been some cool releases in the last few years that have been accelerating in their frequency, indicating the beginning of a new trend of the previously “exotic” becoming more obtainable. We’ve seen affordable wandering hours pop up for a few years from the likes of Gorilla and Atowak. We’ve seen unexpected collaborations between approachable brands and high-end independents like Louis Erard and Vianney Halter. We’ve seen high-end independents branch out into the approachable space with offshoots like Kurono Tokyo by Hajime Asaoke, SUF Helsinki by Stepan Sarpaneva, and M.A.D. Editions by Max Büsser. We’ve seen Christopher Ward shock the world by releasing a dial-side sonnerie au passage with the C1 Bel Canto. We’ve seen more too, so perhaps the trend is already here. Reinforcing this is the subject of today’s review, the Argon Space One. The first watch by...

Louis Erard Teams Up with Independent Watchmaker Konstantin Chaykin for their Latest Limited Edition

Louis Erard is continuing their run of impressive and whimsical limited editions with a pair of regulators made in collaboration with none other than Konstantin Chaykin, the AHCI member and independent watchmaker known primarily for his Wristmons series of character watches. With this collaboration, Louis Erard returns to working with a member of the independent watchmaking community (they have previously collaborated with Alain Silberstein and Vianney Halter) after a series of watches made with less likely partners, including an architecture firm (atelier oï) and a miniature marquetry specialist. Like the other collaborative watches before it, the new watch with Chaykin has the bones of a Louis Erard, but has been left with an unmistakable signature by the collaborator.  Looking back, a collaboration between Louis Erard and Chaykin seems meant to be. After all, Chaykin’s signature Wristmons series of watches are basically regulators already, featuring separate hour and minute discs representing the “eyes” of the character being portrayed in the watch (personally, I’m partial to the Minion). For this limited edition, Chaykin was inspired Likho, a cyclops figure from Slavic folklore. Likho’s eye is the dial’s focal point, acting as the hour “hand” at the 12:00 position. At 6:00, running seconds are represented by a wheel decorated with pointy teeth, so it serves as a constantly moving mouth, which is both quite clever and a little disconcerting. The extra ...

Konstantin Chaykin and Louis Erard Team Up on Le Régulateur “Time-Eater”

With a knack for novel collaborations with partners ranging from industrial designers to guillocheurs, Louis Erard’s latest project brings on board Konstantin Chaykin. The result is Le Régulateur Louis Erard x Konstantin Chaykin Time-Eater, a regulator-style wristwatch inspired by the Russian independent watchmaker’s signature “rolling eye” watches. Inspired by a one-eyed monster from Slavic folklore, the Time-Eater has a whimsical vibe that departs from Louis Erard’s more serious offerings like the recent example with a hand-made wood marquetry dial. It is available in either a 42 mm or 39 mm size, or both together in a two-piece box set. Initial thoughts  Following its successful collaborations with other notable watchmakers, it’s perhaps no surprise that Louis Erard recruited Konstantin Chaykin. Earlier partnerships, with Vianney Halter for instance, broadened the appeal of the independent watchmakers by making the name accessible at a far lower price point. Despite Mr Chaykin’s specialty in avant-garde or fantastical designs, the Time-Eater is surprisingly restrained compared to his own creations, no doubt because it is based on the existing template of the Louis Erard regulator. As a result, it is not the full-blown Konstantin Chaykin watch that collectors might expect from the Russian watchmaker. But then again, the price of about US$4,000 means the Time-Eater is about the fifth a price of Mr Chaykin’s trademark Minion watch. The Time-Eater watch is...

Louis Erard Introduces the Excellence Marqueterie

After several consecutive hit collaborations, Louis Erard debuts its first with a wood marquetry dial. Arguably its most ambitious release yet in terms of craftsmanship, the Excellence Marqueterie features a dial inlaid with tiny pieces of wood to form an M.C. Escher-like motif. For the dial, the brand tapped Bastien Chevalier, a Swiss artisan who specialises the art of creating designs and patterns out of intricately cut pieces of wood, although other materials like stone, silicon, straw, and even leather can be used for the technique. Initial thoughts In my view, most watchmakers tend to collaborate only as a last resort, when they’ve run out of ideas. What sets Louis Erard apart is its coherent strategy for collaborations. Whether created by industrial designer atelier oï, or a watchmaker like Vianney Halter, its collaboration editions are still recognisable as Louis Erard thanks to the use of the same steel case. And they are uniformly produced in small runs and priced below CHF4,000. The new Excellence Marqueterie continues this successful formula, bringing wood marquetry to the sub-US$10,000 category for the first time. While brands like anOrdain are doing something similar with affordably priced enamel dials that are designed for modern tastes, there’s never been a marquetry dial at this price point. Not only does the dial look good, it is impressively constructed from dozens of hand-made elements that require careful finishing. Despite the more complex dial...

Louis Horror and seconde/seconde/ reveal the spooky skeletons in their closets

Louis Erard is no stranger to collaboration, having released some of their most successful pieces in partnership with the likes of Massena LAB and legends like Alain Silberstein and Vianney Halter. Another on the long list of associates is Romaric André of seconde/seconde/, working together to produce a brilliant take on the brand’s regulator design, … ContinuedThe post Louis Horror and seconde/seconde/ reveal the spooky skeletons in their closets appeared first on Time+Tide Watches.

Highlights: Independent Watchmaking at Phillips’ Hong Kong Auction

Phillips sold US$74.5 million of watches during its recent Geneva auctions, the besting the two-decade old record set by Antiquorum in 2002 for the biggest watch auction ever. Now it the focus shifts to Hong Kong for the fall watch sale in the city. Amongst the top lots in Geneva were important creations by independent watchmakers, including the Philippe Dufour Grande Sonnerie wristwatch that sold for US$5.2 million, as well as an F.P. Journe Resonance Souscription that achieved US$4.3 million (fees included). Fortunately there are fine examples of the genre for far less money at the upcoming Hong Kong auction. We round up some of the most notable – and possibly overlooked – in the sale, including the little-known F.P. Journe Octa “France-China”, the rarely-seen Haldimann H11, and a pair of quirky watches by Vianney Halter (but designed by Pascal Pages). The movement of the H11 The Hong Kong Watch Auction: XIII takes place on November 25 (for lots 801-852) and November 26 (lots 853-1106). The full catalogue and registration for bidding are available on Phillips.com. Lot 841: Harry Winston Opus 3 by Vianney Halter Perhaps the most complicated watch ever conceived by Vianney Halter is the Opus 3, which was originally a collaborative effort between the watchmaker and American jeweller Harry Winston. Entirely digital in its time display, the Opus 3 has no hands, but instead six apertures on its face. The date occupies the two windows in the centre, with the left co...

November 2021 Ineichen Auctions To Offer Fascinating Timepieces By Independent Watchmakers

Ineichen Zurich announces special auctions of rare timepieces to be hosted simultaneously in Zurich and online November 20-21, 2021. On offer are a some very desirable watches from A. Lange & Söhne, Audemars Piguet, Patek Philippe, and Breguet as well as independents including F.P. Journe, De Bethune, Vianney Halter, Urwerk, Konstantin Chaykin, and Svend Andersen. Have a look at our picks here.

Louis Erard Drops Quirky Regulator in Design-Studio Collab

Since recruiting Manuel Emch, best known as the former chief executive of Jaquet Droz, to advise on strategy and design, Louis Erard has rolled out interesting collaboration watches at a steady pace. To date, the brand has worked with Alain Silberstein and also Vianney Halter, both of whom added their idiosyncratic flair to the brand’s trademark regulator wristwatch. Now Louis Erard has just unveiled its fourth collaborative edition, the Le Régulateur x atelier oï. This time, however, the brand looked outside the watch industry for aesthetic direction. Founded in 1991, Atelier Oï is a design studio with a diverse repertoire ranging from furniture for Louis Vuitton to perfume bottles for Bulgari. The new regulator is the first wristwatch penned by Atelier Oï. The three founders of Atelier Oï: Aurel Aebi, Armand Louis and Patrick Reymond Initial thoughts Like the earlier collaborative editions, the Le Régulateur x atelier oï is all about design – essentially a new dial to go with the standard case and movement. Strikingly distinctive, the latest regulator is radically minimalist, with the dial doing away with all scales, indices, and branding. The dial markings consist only of straight lines arranged in a radiating spiral that create a hypnotic pattern. At the same time, the radial nature of the lines give the dial an expansive feel. Add to that the industrial, monochromatic finish and the effect is magnificent, evoking the fan-like structures found on cable-s...