16,408 articles · 82 videos found · page 30 of 550
Monochrome
As one of the most admired independent watchmakers with a hallmark style defined by elegant understatement, it is hard to believe that Laurent Ferrier’s brand was established just 15 years ago. A third-generation watchmaker and car racing enthusiast, Laurent Ferrier (Geneva, 1946) was about to retire after a 37-year stint at Patek Philippe when his […]
SJX Watches
The just-concluded Geneva auction season was mostly a plateau with several striking peaks and a few lows. The peaks were marked by desirable timepieces that outperformed by far, yet shared little in common with one another in terms of style or period. The peaks ranged from multiple F.P. Journe watches to a diamond-set Patek Philippe ref. 3424/1 “Gilbert Albert” to the Breguet four-minute tourbillon pocket watch from 1809 to the Instagram-ready Patek Philippe ref. 3970 in “salmon” with Breguet numerals. Despite such diverse taste, the small pool of bidders seemed to have one thing in common: they were all focused on a “trophy” watch. The Christie’s saleroom in the Four Seasons. Image – Christie’s With few exceptions, contemporary watches from mainstream brands were cold, while vintage watches were mostly lukewarm – but as always there were exceptions. An Patek Philippe ref. 570 with a black dial signed “E. Gubelin” sold for an impressive CHF419,100 including fees, or US$523,000, at Christie’s, while Phillips sold a Rolex Daytona ref. 6263 “RCO” (or “Oyster Sotto”) for an equally impressive CHF1.39 million, or US$1.73 million – close to the historical peak for the model. A vintage watch that surprised on the downside was the 1927 Rolex Oyster worn by Mercedes Gleitze when she became the first woman to swim the English Channel in 1927 – a landmark in Rolex lore. Though it sold for CHF1.39 million, or US$1.74 million, there was just one bi...
Monochrome
If we had to name the one model that defined the concept of a dress watch, it would undoubtedly be the Patek Philippe Calatrava 96. This watch, when launched in the early 1930s, was rather revolutionary and has ever since been the blueprint for anything dress watch. Watch enthusiasts have long recognised its beauty and […]
SJX Watches
Phillips’s upcoming sale in Geneva has the most attention-grabbing roster of the Geneva auctions, including the return of a record-setting Patek Philippe ref. 1518 in steel. Yet it was the J. Player & Son No. 11’901 that most affected me. Dubbed the “hyper” complication by Phillips, the watch belongs to a rarified group of swan-song supercomplications that memorialise the final days of English fine watchmaking. Despite being over a century old, the watch easily holds its own against the fine watchmaking of today, both in decoration and mechanics. By the turn of the century, the traditional watchmaking centers of England and France were besieged by vertically integrated American super-factories from the West, and cheap but skilful Swiss labour from the East, both of which benefited greatly from mechanisation. During the waning years of English fine watchmaking, the most prestigious firms responded by attempting to move even further upmarket with highly complicated watches, and the firms remained confident in the appeal of their products. “If they are more expensive, as they must necessarily be, they last the purchaser a lifetime,” said a representative of Nicole, Nielsen & Co., the company that built this watch, said of English watches in 1912, “The better classes, indeed, have always bought, and will always buy, English-made watches, and will not buy any others”. Swiss prelude This watch started life in Switzerland as ebauche number 7’321, according to Fr...
Quill & Pad
The WatchCharts Overall Market Index gained +0.6% in September 2025, continuing its gradual recovery trend. Patek Philippe led the way with a +2.3% increase, while Rolex edged up +0.2%. Over the past six months, Patek Philippe and Rolex have risen +5.7% and +2.0%, respectively.
Quill & Pad
In August, about half of the major brands gained ground. Patek Philippe, the best performer so far in 2025, continued its recovery, although the growth isn’t as strong as that of the previous months.
SJX Watches
On the ninth episode of the SJX Podcast, SJX and Brandon Moore sit down to discuss recent watch launches during Geneva Watch Days, highlighting standout pieces like the hand-made Ferdinand Berthoud (the first of which will be sold at auction) and the Berneron annual calendar, and also reflecting on the flavours of the day like artisanal finishing and user-friendly calendar watches. Also on the docket, the record-setting Patek Philippe 1518 in steel returns to auction while a second is up for private sale, and reflecting on our reassuring recent encounter with Breguet’s new chief executive. Listen on Apple Podcasts, Spotify, and Youtube.
SJX Watches
As the Hong Kong auctions have wrapped, we move to the final sales of the spring season in New York City. Phillips will offer a healthy mix of new and old, common and rare, across 144 lots. The sale includes many of the expected top-of-the-line offerings, with the headline lot a Patek Philippe ref. 1518 in yellow gold, and staples like a pair of ref. 5004s. But there are plenty of interesting watches to be down catalog too, including some fresh faces and value buys. Highlights include the best of English watchmaking made by Charles Frodsham a century apart, the auction debut of American independent Keaton Myrick, an unusual F.P. Journe Résonance, along with a Cartier pocket watch made by complications specialist THA. We round up these and a few more from The New York Watch Auction: XII, which takes place from June 7-8, 2025. The full catalogue is available on Phillips.com. Lot 11 – A. Lange & Söhne 1815 Chronograph “2022 Best of Show, Concorso d’Eleganza Villa d’Este” Since 2012, A. Lange & Söhne has been a sponsor of the Concorso d’Eleganza Villa d’Este, a classic car shown that takes place in spring on the picturesque shores of Lake Como. Each year, the owner of the event’s best car is presented with a unique Lange watch. While past winners have received a fairly conventional Lange 1 Time Zone, the brand upgraded the prize in recent years to a striking 1815 Chronograph. In 2022, the winner was Andrew Pisker with a Bugatti 57 S from 1937. He received th...
SJX Watches
If you want to own the world’s thinnest mechanical watch, the Konstantin Chaykin ThinKing, you’ll have to fight for it at The Geneva Watch Auction: XXI, which will see the first production example go under the hammer. The 1.65 mm stature of the ThinKing is even more impressive coming from a small Russian independent watchmaker, considering previous records were set by big Swiss brands ranging from Piaget to Richard Mille. Notably, this is not the first time a landmark release has been trusted to an auction that isn’t linked to a charity. The most famous example of this was the Patek Philippe Calibre 89 (ref. 989J) back in 1989 at Antiquorum’s thematic sale. The ThinKing will be sold in the first session of the auction, which starts on May 10, 2025, at 2 pm. The ThinKing in profile. Image – Phillips Mr Chaykin achieved the record-setting height with clever construction, including a “double balance wheel” system that places an intermediate wheel between the balance and escapement, allowing both to sit on the same plane. Another notable technical feature is a barrel that is open on both sides, and no thicker than the mainspring itself. And unlike most serially-produced Konstantin Chaykin watches, each ThinKing is made, finished, and assembled by Mr Chaykin himself. Wearability is enhanced by the bolt-on protective shroud in titanium christened “PalanKing”. This increases the height to 5.4 mm, but adds key-less setting and winding, and automatic winding by a...
Monochrome
One of the most classical and complex yet satisfying complications to master is, of course, the Perpetual Calendar. It was Patek Philippe who first put a perpetual calendar pocket watch movement into a wristwatch in 1925, but the history of the Quantième Perpétuel, as it’s called in French and explains why it’s often abbreviated to […]
Monochrome
Despite being an experienced watchmaker in his 50s, Nicolas Delaloye remains one of the discreet names in the independent watchmaking scene. But there are good reasons for that. This AHCI member just regained his independence and re-started making watches a few months ago, after a long period serving as a watchmaker-restorer at the Patek Philippe […]
SJX Watches
A mechanical watch is not always spot on; less-than-perfect timekeeping can happen, often due to an unruly oscillator. The solution is direct adjustments to the hairspring and balance assembly, either slowing down or speeding up the oscillator, a practice known as regulation. Watchmakers have devised multiple innovations to achieve this, including the free-sprung balance, exemplified by the Gyromax of Patek Philippe and Microstella of Rolex. While a simple concept in principle, the mechanics and practice of regulation are nuanced. Here we’ll delve into the theory of regulation and the primary regulating systems: the curb-pin regulator and the free-sprung (or variable inertia) balance. The Lange L043.4 with a screwed balance inspired by pocket watches Basic concepts In order to better understand watch regulation, we need to first cover some of the basic physics behind the watch oscillator: The component responsible for the running rate of a movement is its regulating organ. The regulating organ is made up of a hairspring paired to a balance, which together are also known as a harmonic oscillator. The natural oscillation period is the time it takes the balance to make a full swing, back and forth. The period is made up of two vibrations, one for each direction of the balance motion, with the escapement being unlocked at each vibration. Notably, the natural period of a balance wheel is intrinsic to itself and does not depend on the escapement type or the going train ratio. ...
SJX Watches
There were relatively fewer surprises in 2024, perhaps because of the overall slowdown in demand for luxury watches. There were a few big surprises though, including the biggest one of all, the Patek Philippe Cubitus, leaving aside the leak thanks to a premature publication of Fortune magazine. Perhaps even more surprising and even bigger, both figuratively and literally, was the Bugatti Tourbillon, a hypercar inspired by a watch. Also notable was the fact that there was little unexpected from independent watchmakers, which perhaps underlines the still-robust demand for watches by the indies, which stick to safe bets that are easy to sell. Here’s a look at our team’s take on the unexpected launches of the year. Biver Automatique – SJX The first Biver watch was a carillon minute repeater with tourbillon that was finely finished, inside and out, but it was big, thick, and expensive. The follow-up, in contrast, was almost the opposite. The Automatique is compact and elegantly wearable, with a clean design that has just the right amount of vintage flavour. The only aspect where the Automatique stays true to its predecessor is in the finishing, which is outstanding, inside and out. The surprising bit about the Automatique is the movement. For one, it was developed by Dubois Depraz, better known as a maker of chronograph- and perpetual calendar modules mounted on ETA movements. Second, it arguably exceeds the movement of the Carillon Tourbillon in terms of design and decor...
SJX Watches
Over the last decade, metal alloy hairsprings seem to fallen out of favour across watchmaking, with even conservative, haute horlogerie brands like Breguet and Patek Philippe turning to silicon balance springs. Not to mention large-scale makers of sporty watches like Omega and Tudor, which already transitioned to silicon balance springs. Rolex, however, stands out. The Geneva marque continues to employ a hairspring fabricated of its proprietary blue alloy – the Parachrom hairspring. The Parachrom hairspring inside the cal. 4131 of the Cosmograph Daytona The advantages of alloy The use of blue Parachrom is rooted in the simple fact that the right metal alloy boasts performance that is at least on par with its silicon counterpart – while offering some distinct advantages missing in silicon. Alloy hairsprings are traditionally made of Nivarox (and its family of related alloys), a special alloy that neither oxidises nor change its dimensions with variations in temperature. Invented in 1933 and almost a century old, Nivarox is a mix of nickel and iron, making it a ferromagnetic alloy, thus susceptible to influence from magnetic fields. The cal. 3255 of the Day-Date 40 is equipped with a Parachrom hairspring. Image – Rolex In order to make its hairsprings more resistant to magnetism and to bypass the Swatch-imposed monopoly on Nivarox hairsprings (Nivarox-FAR being one of the key companies of Swatch Group), Rolex set out to develop its own hairspring alloy in the early 2...
Monochrome
If you’re into watches, then the name Gübelin should sound familiar – you’ll probably first think about double-signed vintage Patek Philippe watches, once retailed by this house. Indeed, Gübelin is, first and foremost, a jeweller and watch retailer which has been in the business for over 150 years in Switzerland. Today, Gübelin returns to making […]
SJX Watches
Newly established “micro” brand Anoma follows a familiar template: making particular vintage designs or genres affordable. But it’s approaching the concept with a different flavour. Instead of “sector” dials or Breguet numerals, the brand’s inaugural watch, the A1 First Series, is a clean, geometric form inspired by 1950s furniture. Initial thoughts The A1 is refreshing change from the typical “micro” brand offering that is too often a remake of a vintage Patek Philippe or dive watch. While the A1 won’t have the broad appeal of a conventional round watch, it is an interesting alternative for someone on a budget. The A1 is more typical of “micro” brand offerings in its fit and finish. It is done well for the price, but some compromises had to be made to achieve the affordability. The gap between the case middle and back, for instance, is quite obvious. This isn’t a criticism but a fact true of all brands in this genre. Vintage flavour Founded by Matteo Violet Vianello, a management consultant who’s a watch entrepreneur on the side, Anoma aims to be a “experimental and daring vision of watch design”. The A1 is not modelled on a watch, but instead a triangular table designed in the 1950s by French architect Charlotte Perriand. Earlier in her career Perriand worked at Le Corbusier’s studio, where she helped design several now-famous pieces of furniture, including the B 306 chaise longue. The watch reproduces the outline of the table with the cas...
Worn & Wound
Massena LAB has announced a new collaboration with independent watchmaker Raúl Pagès inspired by one of the most important Patek Philippe watches of the last century. The Absinthe, which serves as the direct follow-up to the pair’s massively successful 2022 release, the Magraph, brings together a proprietary hand-wound movement, a strikingly green dial (reminiscent of the infamous spirit for which the watch is named), and all the vintage charm we have come to expect from Massena LAB in one surprisingly affordable (and highly limited) package. William Massena is one of those rare figures in the watch industry who everyone seems to know. He’s an outsized presence who seemingly manages to be everywhere at once and have a hand in every facet of the watch industry. Over the last few years though, his name has come to be associated primarily with Massena LAB, where he consistently produces some of the most talked about limited editions and collaborations on the market. This latest release follows closely on the heels of a watch introduced last month. That watch - a collaboration between Massena LAB, Pagès, and Phillips Auction House in association with Bass & Russo - debuted the M690 movement used in the Absinthe and drew inspiration in its layout from the iconic (and record-setting) 1952 Patek Philippe ref. 2458 produced for J.B. Champion, Jr. That watch was one of only two Patek wrist watches to have been fitted with an Observatory-grade movement, and its unique d...
Fratello
We’ve all heard it: “You never actually own a Patek Philippe. You merely look after it for the next generation.” This advertising slogan became almost as iconic as the watches themselves. That’s understandable, too, considering how it tugs at the heartstrings and strongly implies superior quality. But what charges a watch with heirloom quality? And […] Visit Pass It On - The Heirloom Quality Of Properly Made Watches to read the full article.
SJX Watches
The spring auction season in Geneva started dramatically enough with a cyberattack at Christie’s that took down its website and app. Only Watch went ahead as scheduled, however, and raised over CHF28.3 million, with most of that coming from the Patek Philippe Grande Sonnerie ref. 6301A that sold for CHF15.7 million. What transpired at Only Watch also played out in the subsequent auctions over the weekend. The live sales at the four auction houses, Antiquorum, Christie’s, Phillips, and Sotheby’s, sold almost CHF85 million of watches, including fees (excluding Only Watch). This compared to over well CHF110 million for Geneva’s fall season last year. Although the sale season six months ago was buoyed by an extra live auction at Christie’s (that was subject of much chatter), the diminished total for this season reflects the state of the market. The waning sentiment was palpable in all the salerooms. That said, the auctions did throw up a handful of grand surprises, including CHF3.13 million for the Patek Philippe ref. 605 HU world time pocket watch with cloisonné enamel dial at Antiquorum, and CHF1.16 million for the Rexhep Rexhepi Chronomètre Contemporain I at Phillips. Christie’s sold the most expensive wristwatch this season with CHF2.47 million for a Patek Philippe ref. 1518 “pink on pink” (above), though Antiquorum claimed the title for most valuable timepiece with its ref. 605 HU pocket watch. Image – Christie’s The good and great indies One of the ...
Monochrome
In the realm of chronographs in 1999, it was customary across the watchmaking industry to rely upon outsourced calibres. Rolex, for example, was still using a modified Zenith El Primero to power the Daytona, and Patek Philippe had yet to introduce its in-house chronograph (2005); Patek’s 1998 chronograph 5070 was built upon the Lemania 2310 […]
Worn & Wound
Phillips, along with Bacs & Russo, has recently unveiled the 1952 Observatory Dial Limited Edition. This watch was created in partnership between three industry leaders: Phillips Watches, William Massena from the horological concept studio Massena LAB, and the award-winning independent watchmaker Raúl Pagès. The result is a watch that encompasses each collaborators’ unique talents, while building a watch that melds past and present seamlessly. Drawing inspiration from the legendary Observatory-grade Patek Philippe Ref. 2458 wristwatch, originally crafted in platinum for collector Joe Ben “J.B.” Champion, Jr. in 1952, this watch pays homage to horological history. Notably, the original timepiece set a record in 2014 as the most valuable time-only wristwatch ever auctioned, solidifying its iconic status. Despite its vintage influences, the 1952 Observatory Dial Limited Edition has a distinctly modern essence. Building upon the technical foundation established by Massena LAB and Raúl Pagès in 2022 with the Magraph Limited Edition, this collaboration introduces a 38.5mm × 10mm stainless steel case housing the manual-wind, proprietary caliber M690. This movement is a refinement of Massena LAB’s inaugural movement, features sub-seconds at 9 o’clock and hand-decoration (including hand finished anglage on bridges and plates) overseen by Swiss craftsmen under Pagès’ direction. Embracing a love for vintage timepieces and the narratives surrounding them, the colla...
Worn & Wound
There’s really nothing like the Cartier meeting at Watches & Wonders. Along with Rolex and Patek Philippe, Cartier can be thought of as an anchor brand of the show. They have one of the largest booth spaces, with nonstop foot traffic, and a veritable army of cheery employees who are happy to show you watch, after watch, after watch in your meeting. It’s a seemingly never-ending parade of beautiful objects. To me, that’s what an event like this is all about. Why are we here if not to gawk? In terms of sheer volume, Cartier is your best bet for that. What’s wonderful about Cartier, though, is that the beautiful objects aren’t necessarily completely unobtainable, and the brand works hard to make even the most head turning pieces feel approachable (at least in the context of the show). While you’ll see your fair share of unique pieces and watches that have no listed price because if you have to ask, well, you know how it goes, there are accessible ways into the brand that give you plenty of what is essential about Cartier. My favorite example of this for 2024 is a new dial variant for the Santos, in a metallic brown with a gradient effect. It’s lovely, and pretty clearly meant to evoke something that has aged naturally over a period of many years. It’s available as both a large and medium Santos, but it’s very clear that the medium is the “correct” size for this watch. It works considerably better when it’s a little more discreet. It joins a growi...
SJX Watches
Commencing in early October, the autumn auction season begins with Sotheby’s Important Watches I, a catalogue of 205 lots that will be sold on October 7 in Hong Kong. The auction includes artisanal timepieces, examples of independent watchmaking creativity, and exceptional complications. Here, we present eight notable complications including some unsurprising, six-figure picks like a Patek Philippe ref. 5004R with a special-order dial and a Rolex ref. 6062 “Stelline” from the original Japanese owner. But the list includes some that may fly under the radar but deserve recognition, such as the travel-ready Richard Mille RM62-01 (albeit conceived for flying private) and an impressive Patek Philippe ref. 942 grand complication pocket watch that includes a grande and petite sonnerie, putting it in the top rank of all pocket watches. Important Watches I takes place on October 7, 2023. Registration for bidding and the full catalogue can be accessed here. Lot 2166: A. Lange & Söhne Lange 1 Perpetual Calendar ref. 345.056E The Lange 1 Perpetual Calendar has effortlessly fuses the renowned Lange 1 design with a complex movement, conspicuously excluding the tourbillon found in its larger counterpart. At launch, the watch was available in two guises: pink gold with a grey dial or the more popular, limited edition white gold with a “salmon” (pink gold) dial, as we see here. In contrast to conventional calendars that employ sub-dials, the Lange 1 perpetual calendar sea...
Revolution
The Laurent Ferrier x Revolution Classic Micro-Rotor Amazonia is our latest collaboration with the man himself, featuring a verdant green dial inspired by Laurent’s love for nature and conservation. Laurent Ferrier’s legendary status needs no introduction, a third-generation watchmaker, with a three-decade career as a technical director for Patek Philippe and also a semi-professional racecar […]
SJX Watches
Having covered the extraordinary Patek Philippe timepieces and the single-owner “Ultimate Collection” in Christie’s upcoming Important Watches auction in Hong Kong, we now shift gears and look at the sales’s line-up of independent watchmaking. The independents in the sale are of course led by big names like Richard Mille and F.P. Journe – amongst the latter’s offerings in the sale is the rare Tourbillon Souverain in the colours of the Chinese flag. But alongside these six- and seven-figure watches (in U.S. dollar terms), are some underrated watches that might be value buys, notably the Ulysse Nardin Freak Lab. And then there’s the simply whimsical with the Konstantin Chaykin Clown II. Important Watches (lots 2201-2360) begins at 1:00 pm on May 26 – the catalogue is available here. The “China 2010” dial Lot 2215: Ulysse Nardin Freak Lab While Ulysse Nardin is not an independent watchmaker in the strictest sense of the term, it isn’t owned by a luxury group. And the Freak is still an avant-garde watch over two decades after its introduction, a watch so exotic it seems to have emerged from mind of a talented independent watchmaker. Which is true: it was conceived by Carole Forestier then refined and perfected by Ludwig Oechslin. So the Freak certainly makes the cut in this independents feature. And this particular Freak is incorporates some notable innovations. Historically a platform for movement-technology experimentation, the Freak evolved into the F...
Worn & Wound
When you enter Palexpo, the enormous convention center that is home to Watches & Wonders, you have an immediate decision to make: right or left? A glance to the left and you see the Tudor, Rolex, and Patek Philippe booths. These brands, in a lot of ways, anchor the entire show, and dominate much of the conversation for the duration of the fair. If you look to your right, you’ll be greeted by something entirely different. This year, it was a giant Ingenieur, spread across the top of the IWC booth at the end of the hall, and it was hard not to get the message that this watch, and this watch alone, was the brand’s sole focus for Watches & Wonders this year. Building your Watches & Wonders presence around a single watch was a trend that came into sharp focus at this year’s event. The IWC booth at Watches & Wonders, viewed from the opposite end of the hall. Whether brands took a literal one watch approach (like Ulysee Nardin, who only showed the new Freak ONE this year) or put the lion’s share of their backing behind one release but dropped a few additional under the radar pieces (like IWC), it’s a strategy that makes for a stark contrast with what feels like a more traditional practice of overwhelming everyone in the meeting with tray, after tray, after tray of new watches to try on, photograph, write about, and otherwise consider. The single watch strategy communicates a sense of confidence, that a brand has hit on something so good that they don’t need to muddy...
SJX Watches
As is often the case when the wider industry is doing well, independent watchmaking is on fire. This was illustrated by the numerous and diverse exhibitors, many of them brand-new entrants, showing their wares alongside Watches & Wonders in Geneva. But as is often the case when independent watchmaking is on fire, quantity far exceeded quality, and the good and great were rare. Not wanting to go up against brands like Rolex and Patek Philippe for eyeballs (and also because most independent marques now enjoy long, long waitlists), many watchmakers didn’t launch anything new. Some talented watchmakers are merely making slow but steady progress, like Yosuke Sekiguchi, the Japanese watchmaker based in Switzerland who presented the final version of his Primevère along with new dial variants for the same. One of the best new launches is not really a new model, but it’s good enough it deserves a top spot on the list. The F.P. Journe FFC is the regular production version of the unique FFC Blue made for charity auction Only Watch in 2021. Indicating the time with a five-fingered hand, the time display is simple but driven by a clever and complex movement, illustrating the brilliance of its creator. Granted it costs CHF820,000 before taxes, which is probably too much even considering the complication. But according to Mr Journe, the movement is complex enough that it can only be assembled and adjusted by a watchmaker who is otherwise working on the Astronomic grand complication....
Revolution
Laurent Ferrier is a third-generation watchmaker, who graduated from École d’Horlogerie de Genève in 1968 and worked 37 years in Patek Philippe. Hailed by many as the master of sector dial watches, Laurent Ferrier was 63 when he started his eponymous watch brand in 2010. At Watches and Wonders 2023, he introduces three new novelties […]
SJX Watches
Having covered highlights from independent watchmakers at Sotheby’s upcoming Important Watches I auction in Hong Kong, we now dive into the complicated timepieces in the sale that takes place on April 5. We look at eight notable lots. Some, like the platinum Patek Philippe ref. 5016 with its minute repeater, perpetual calendar, and tourbillon, are amongst the most valuable in the sale. But the catalogue also has value buys, notably including offerings from jewellers like Cartier, Van Cleef & Arpels, and Bulgari. Registration for bidding and the entire catalogue can be accessed here. The Patek Philippe ref. 5016P Lot 2137: Van Cleef & Arpels Lady Arpels Pont des Amoureux One of the most poetic timepieces by the Parisian jeweller, the Pont des Amoureux was a watch that helped make Van Cleef & Arpels as a watchmaker. This watch is the original and cleanest version of the model, which was discontinued in 2019 and replaced by a revised version. The watch is all about a uniquely whimsical depiction of the passing of time. A double retrograde display takes the form of two figures: a lady with an umbrella indicates the hours whilst a gentleman marks the minutes. The two figures move towards one another over the course of 12 hours, until they meet and “kiss” on top of the bridge that overlooks the Seine river – this happens twice in a day, at midday and midnight. The dial is executed in grisaille enamel, a meticulous process that dates back to the 16th century. The techn...
Time+Tide
The MB&F; LM Perpetual Steel is their second ever creation to have a salmon dial Stainless steel is very rarely used by MB&F; for cases, upping the rarity factor even more Not a limited edition, but it will be limited in production each year When you look at higher end brands like Patek Philippe, typically … ContinuedThe post The new MB&F; LM Perpetual has a salmon dial in a steel case – super rare for the brand yet not a limited edition! appeared first on Time+Tide Watches.
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