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Fratello
In all four seasons of the Fratello Talks podcast, we’ve never dedicated an episode to watch dials. We thought it was about time to change that. The dial is one of the most important parts of a watch, as it’s the “face” that gets the most attention when checking the time. It often draws the […] Visit Fratello Talks: Texture, Color, Stone — Let’s Talk Dials to read the full article.
Worn & Wound
Editor’s Note: A break this week from reader submissions of our ongoing 3 for 5k column to make room for an entry from Worn & Wound contributor Cait Bazemore. Cait is a watch industry veteran and her choices reflect her experience in the space in an interesting way. Specifically, they are all tied to her connections with the people behind the brands. This is a phenomenon most of us who work in watches for any length of time eventually come to understand. It just feels good to support the people we connect with (even when it’s hypothetical support for a Worn & Wound column). And honestly, this isn’t exclusive to watch industry professionals. Anyone who has attended a Windup event or any other watch fair and taken a minute to speak with a brand owner can probably relate. Today, I notch another rite of passage as a contributor at Worn & Wound: my three-watch collection for under $5,000. The mission is clear, but I have to be honest, it was much more challenging than I expected. This exercise taught me a lot about myself, what I value, and how that actually translates to a dollar figure. I’ll confess, I realized a majority of my most desired watches sit around the $2,700 to $3,300 range – multiply that times three, and the total is well over the $5,000 mark. I had to carefully consider three timepieces that fell roughly around $1,500 each and that would make a well-rounded three-watch collection: a dress watch, a sport watch, and a wild card seemed like obvious ...
Monochrome
Paris is the inspiration behind this latest special edition again, but Zenith has done it differently this time. In 2024, the brand took cues from the city’s modern architecture and combined it with the sharp lines of the Defy Skyline Paris Edition. This time, however, Zenith has chosen its vintage-inspired El Primero watch, resulting in […]
Worn & Wound
I was recently invited by the Hampden Watch Company to participate in their First Hand Watchmaking Workshop and experience what it’s like to build my own watch from the ground up. I first happened upon the program through an Instagram advertisement at the beginning of 2026, only a couple of months after its December 2025 launch. Upon my initial review of the program’s website and details at that time, my only gripe was the cost of the workshop itself (a topic we will revisit later), especially as an enthusiast who bases his collecting solely on the affordable vintage sphere. When Hampden reached out to me, I became eager to see how my area of watch collecting would intersect with a different sphere of the hobby; in essence, how my ultra-budget-conscious perspective on watch collecting would intertwine or potentially clash with that of a more luxury oriented experience. Additionally, having personally performed minor maintenance and repairs on watches without professional equipment or knowledge of how to fully disassemble or reassemble a movement, I was curious to see what type of experience I would gain and potentially implement in my daily watch life through participating in the workshop. The day starts at 9:30 AM in Hampden’s headquarters located in a rather quiet area within the West Loop of Chicago. The well-preserved architecture of the building’s interior is a remarkable demonstration of how to properly preserve old industrial spaces from a period gone by–...
SJX Watches
Partly a new watch, partly a manifesto, the Greubel Forsey (GF) Balancier QM inaugurates the brand’s Qualité Musée (QM) designation, which codifies its approach to world-class construction and finishing. Building on the Balancier Contemporain platform, GF has succeeded in refining its ‘entry level’ time-only watch, which comes in a 39.6 mm white gold case and is limited to 33 pieces. Initial thoughts The Balancier QM feels immediately familiair. It should, since it borrows much of its architecture from the recently-discontinued Balancier Contemporain. But what it lacks in novelty, it makes up in execution. In fact, the brand could hardly have picked a better way to inaugurate its official quality standard, dubbed Qualité Musée (QM). Without complications or chronometric fanfare, the Balancier QM’s design puts finishing at the forefront. The self-proclaimed ‘museum quality’ standard would sound brash coming from most brands, but it feels reasonable coming from GF. This ambition is evident throughout the Balancier QM. Even if the branding were blinded, the quality of make will be obvious to future generations of restorers, who will be able to tell immediately that the Balancier QM was never a commodity item. Even if they miss the escape wheel, which is polished on both sides, the artfully rounded pallet stones should catch their attention. On a technical level, the Balancier QM is an evolution of the Contemporain and doesn’t break much new ground. It’s st...
Monochrome
It’s fair to say that TAG Heuer’s history is so closely intertwined with racing history that it is usually the first name that springs to mind when the subject of motorsports crops up. In 1882, Edouard Heuer patented his first stopwatch, and in 1911, Heuer released the Time of Trip, the first dashboard chronograph. Under […]
Fratello
Well, this week in the UK, and much of central Europe, sits firmly in the grip of an intense heatwave. Honestly, I’ll take a cold, wet day over this any time. Still, summer is here, and the vibes are unavoidable. So, let’s look at some watches that can handle the heat across different price points. […] Visit The Best Summer Watches: Ben’s Five Picks From Orient Star, Longines, Fears, Hermès, And Richard Mille to read the full article.
Time+Tide
Sometimes, small improvements are all it takes to turn a good watch into a great one. Baltic brings back the Scalegraph in the permanent collection in an array of colours, Sartory-Billard dedicates a SB04-E to the Time+Tide Studio in NY, and Grand Seiko brings the long-awaited bracelet updates to many of its staple, fan-favourite pieces. … Continued
SJX Watches
Enjoying a new lease of life under chief executive Gregory Kissling, Breguet is continuing with the revamp and revival of its product range, this time marking the 225th anniversary of Abraham-Louis Breguet invention of the tourbillon. Breguet is rolling out a quartet of models for the occasion, starting with the compact and enthusiast-oriented Classique Tourbillon ref. 7357 that’s an old school 35 mm in diameter. That’s followed by variants of existing models. The Classique Tourbillon Sidéral ref. 7255PT takes things up a notch with a “mysterious” flying tourbillon and aventurine enamel dial, while the Tradition Tourbillon ref. 7047PT is a new look for the long-tenured model featuring a chain-and-fusee transmission. Lastly the Marine Tourbillon Équation Marchante ref. 5887PT gains a translucent, luminous grand feu enamel dial. The enamel dial of the Marine Tourbillon Équation Marchante ref. 5887PT features a Super-Luminova star chart Initial thoughts Breguet has steadily refreshed its current line up since Mr Kissling took over, while releasing a handful of all new models, like the innovative Experimentale 1. The new tourbillons mostly fall into the former category; all are based on existing models to varying degrees. Ironically, of the four new models, it’s the entry-level piece that’s arguably the most novel. The Classique Tourbillon 7357 is clearly based on the ref. 3350 of 1989, but it has a new case and dial (but retaining the small case size). The mov...
Monochrome
Alongside the sporty Fifty Fathoms, Bathyscaphe or Air Command collections, the Villeret range, named after the village in the Vallée de Joux, where Jehan-Jacques Blancpain set up his workshop on the top floor of his house in 1735, is the epitome of classic. Ranging from time-only to high complications, the entry-level model to the Villeret […]
Hodinkee
What We Know Today, Grand Seiko introduces nine new variants to the three-hander, time-and-date models in its Evolution 9 collection. If you're feeling overwhelmed by that already, don't worry. Yes, there's quite a bit of nuance to unpack here among all these references, but not all nine are really new watches, per se. Many of them are existing models, just slightly modified. If you've read the title of this article, you'll already know that the biggest updates to these Evolution 9 models are things that collectors have long clamored for— tapered bracelets and clasps with tool-free microadjustment. Yes, for those who weren't able to achieve a perfect fit with previous Evolution 9 models, they will be able to now and can adjust accordingly, especially in hotter months with more wrist swelling. The clasp design comes from the original Evolution UFA SLGB003 model introduced last year, but now has spread to the rest of the collection, in both steel and titanium versions, and both 37mm and 40mm. Gone are the 5-day Spring Drive 9RA2 calibers used in the collection, replaced entirely with the U.F.A caliber 9RB2. This means that for those who found the 37mm U.F.A models too small, the more classic 40mm versions now get the ultra-accurate caliber that features an annual rated accuracy of +/- 20 seconds (timing per month is quoted at +/- 3 seconds). This is a big deal, and I think it suggests that Grand Seiko could be making a move to replace all of its Spring Drive calibers down ...
Monochrome
Swiss watch exports have been volatile for some time. Sluggish, oscillating between highs and lows, they reflect a global environment marked by uncertainty – not least because China, once the engine and Eldorado of the industry, has slowed down significantly. In this context, some analysts – armed with Excel spreadsheets, demographic curves and rising purchasing […]
Monochrome
The MeisterSinger Panthero Jumping Hour, introduced at the start of the year, combines a jumping-hour display with a new design language for the brand, best known for its single-hand watches. Rather than displaying the hours with a central hand, the time is indicated through a jumping-hour aperture at 12 o’clock, while a centrally mounted hand […]
Fratello
It’s Sunday morning, which means it’s time for another showdown! This week, the new stainless steel Girard-Perregaux Laureato Fifty takes on the Vacheron Constantin Overseas Self-Winding. With this new Laureato, Girard-Perregaux impressed a lot of fans. Not only is the 39mm version spot-on in terms of size, but the redesigned enamel dial also adds a […] Visit Sunday Morning Showdown: Vacheron Constantin Overseas Self-Winding Vs. Girard-Perregaux Laureato Fifty 39mm to read the full article.
Worn & Wound
“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. The Biggest Box Office Flop Of All Time Look, I’m not one to take pleasure in another person’s failure. Lord knows I’ve had my fair share of them (for example: I once sold timeshares after dropping out of law school – go ahead and laugh, my schadenfreude-inclined readers). But even still, when it comes to a flop this massive…well, brother, even I’m going to take notice. According to SlashFilm, the biggest flop in Hollywood title now belongs to Desert Warrior, Rupert Wyatt’s historical action epic starring Anthony Mackie, Aiysha Hart, Ben Kingsley, and Sharlto Copley. The film reportedly cost $150 million to make and earned just $742,066 worldwide, bringing back roughly 0.5% of its production budget in theaters. With very little post-theatrical marketing, I doubt this will get any big wins anytime soon. The best Wyatt et al. can hope for is a few royalty checks coming from those big $5 DVD bins at Wal-Mart, if you ask me. The Transformers: The Movie Getting Theatrical Re-Release I wasn’t big into cars growing up (surprise, surprise), but I was big into animals. Because of this, the only Transformers I liked was the short-lived Beast Wars from 1996, when ...
Fratello
This article comes right on time, as tomorrow marks the official start of summer here in Amsterdam. Besides, temperatures are already rising well above 30° Celcius here these days, so it’s the perfect moment to think about which watches I’d like to take with me on my family’s summer vacation to the southwest of France […] Visit The Best Summer Watches: Daan’s Picks From Tissot, Sinn, Tudor, Grand Seiko, And Daniel Roth to read the full article.
Worn & Wound
Our 3 for $5k series is back this week with a new entry from Worn & Wound contributor Blake Z. Rong. Blake is a Brooklyn based writer and while his selections here focus on modern watches, they reflect his personal interest in vintage, time tested designs, but in a playful and spirited way. These are not vintage recreations, necessarily, but reinterpretations of classic ideas, sometimes with a lighthearted twist. If I could cut my collection down to three watches, I figure that I could someday live the rest of my life a happy man, satisfied only by the essentials and with no horrible combination of discretionary spending and emotional attachment to finite objects to distract me. So far, that has not proven the case. But if a person only needs three watches to truly be fulfilled in any scenario, then here’s what I would do in an alternate realm: three modern watches from brands both known and worthy of being rediscovered, and versatile enough to carry you from the beach to the boardroom. What are watches if not helping us dream of these scenarios? Citizen Promaster Fujitsubo Titanium – $1,025 The irony of wearing a titanium watch is that it is a tremendously difficult material to work with: not only does it stick to machining tools, according to Citizen, but its discarded shavings also have the tendency to catch fire. And when you’ve made a watch with it, it’s so lightweight that it can feel like you’re wearing a piece of plastic. But that didn’t stop Citize...
Monochrome
Cuba may be making headlines today for reasons far removed from motorsport, but there was a time when Havana was among the most glamorous destinations in the world. During the 1950s, the city was a vibrant mix of culture, entertainment and international sport, attracting celebrities, entrepreneurs, and racing drivers. It was the racing capital of […]
Worn & Wound
I was trying to think back to when I first really became aware of H. Moser, and I have to think it was probably right around the time the Swiss Alp series was gaining traction (and some notoriety) in the watch community. Obviously that wasn’t the genesis of the brand, but it marked a turning point in the larger awareness of Moser in the cultural imagination of watch enthusiasts. I hate using the word “disruptive” but it really felt that way in the moment, playing as it did with the well understood shape of the world’s most popular smart watch, and making an attempt to send a statement about the importance of traditional Swiss watchmaking through aesthetic codes. It was also around that time that Moser really began leaning into color as a defining trait of their design language, particularly through “Concept” dials which completely abandon markings and branding of any kind. They never really completely turned away from this, but as they’ve expanded into new complications, experimented with Vantablack, and have generally leaned into watches that sit at ever higher price points, some of the purely playful colorful stuff that reminds me of that initial period of Moser discovery has felt like it’s been moved to the background. The latest Pioneer Centre Seconds in a colorway the brand is calling “Sun Berry” is the first reference from Moser in a long time that really brings me back to those earlier, pre-pandemic days. Collectors and enthusiasts will argue...
SJX Watches
California-based independent watchmaker J.N. Shapiro has unveiled the Infinity Series Radiant chronograph, the brand’s first complicated model available to the general public. Like the special order series released last year, the Radiant is built around a well-known La Joux-Perret monopusher calibre, but this time the watch features a tantalum case and choice of two dial configurations. Initial thoughts The Infinity Series is how it all started for J.N. Shapiro, and while the southern California-based watchmaker subsequently introduced the Resurgence — taking ‘made in America’ to the extreme — the Infinity Series makes use of third-party movements to make the brand’s inventive hand-turned guilloche dials more accessible. The Radiant chronograph takes after the 14-piece limited edition unveiled last year for the Boston-based ‘Escapement’ collector group. The Radiant is functionally identical, using the same La Joux-Perret cal. 5000 monopusher chronograph movement. But while the Escapement chronograph featured a movement that had been customised for fellow Alternative Horological Alliance (AHA) member Ming, the Radiant gets its own anthracite-coated livery complete with the brand’s ‘infinity weave’ logo. The movement itself has its own interesting backstory, but the handmade dials and weighty tantalum case do more to help justify the pricing of US$35,900. By the standards of mass market watchmaking this is a steep ask for a straightforward complication,...
Hodinkee
What We Know Time flies, and it’s been almost 10 months since J.N. Shapiro launched the brand’s first complication, a limited-run monopusher chronograph for a private group of collectors in the Boston area. It featured a salmon-and-black dial and a stainless-steel case, limited to 14 pieces. Now the concept is back, with the same movement, but with some arguable upgrades in how the entire watch is treated. The brand has tapped tantalum and zirconium as major parts of the watch's construction, materials used extensively in aerospace engineering for their special properties. "Our workshop is located in one of the largest aerospace manufacturing hubs in the world," says Shapiro in their press release. "Companies like SpaceX, Boeing, Northrop, and JPL are all nearby. This watch is a nod to that environment, using space-age metals and meteorite to reflect where we come from and what inspires us." The watch comes in two dial variants, both cased in 38mm-by-9.6mm (8.2mm without crystal) tantalum cases. The dark grey material, famously hard to machine, is incredibly heavy, giving the watch a lot of gravitas on the wrist. Photo courtesy J.N. Shapiro. The first dial, which is the most direct homage to the Californian tie with aerospace, features a Meteorite with a blued zirconium chapter ring and blued hands. The chapter ring is engraved with hour markers and Arabic numerals at 3, 6, and 9, plus a minute track, but no specific chronograph scale. The subsidiary dial counter has a...
Monochrome
Long-time MONOCHROME readers might remember that we were among the very first to cover the work of Dutch designer and watchmaker Laurens de Rijke. Back then, the focus was on the ingenious Amalfi Series I, a watch with a rotating inner case inspired by driving and travel. Since those early days, De Rijke & Co. […]
Hodinkee
What We Know Just in time for the hot and humid summer ahead, Doxa has just unveiled a new generation of its distinctive, cushion-cased dive-watch-slash-chronograph with the new Sub 200 T.Graph II. The best part? It's no longer a limited edition, but rather a permanent offering for the brand. Oh, and thankfully, it's priced less than that previous 300-piece LE. At a quick glance, nothing seems to have changed on Doxa's tribute to its 1969 design, and you'd be sort of correct. The dial layout, with two subdials at 3 and 9 o'clock, along with an oversized arrowhead chronograph seconds hand, remains the same in this new generation. But the main changes here are sure to make almost everyone happy: a slight reduction in diameter and case thickness. While the previous Sub 200 T.Graph measured at 43mm in diameter with a thickness of 15.15mm, the steel case on the Sub 200 T.Graph II measures 42mm in diameter and 14.6mm in thickness. Rather than the new old stock Valjoux 7734 chronograph caliber that the limited edition housed, this new T.Graph II uses a contemporary automatic Sellita SW510 chronograph caliber, with a slightly higher 56-hour power reserve and a much higher beat rate of 28,800 VpH. New to the Sub 200 T.Graph II is also another dial color, Caribbean (Doxa's name for blue), which is a familiar livery within the brand's other models but never before offered on a T.Graph. The dark, slightly dusty navy dial joins the three other colorways found in the original design: ...
Fratello
Oh yes, indeed, it is already Sunday again! Time flies, doesn’t it? The one upside of life rushing by is that it is already time for another Sunday Morning Showdown, our weekly highlight. This week, Thomas and Daan throw two minimalist, design-first dress watches into the ring. Thomas puts forward the classic Nomos Tangente Neomatik […] Visit Sunday Morning Showdown: Nomos Tangente Neomatik 39 Vs. Oris Artelier Hölstein Edition 2026 to read the full article.
Fratello
Another Friday, another list. After picking our five favorite watches from the 1980s and the 1990s, it’s time to move on to the 2000s. By the turn of the millennium, mechanical watches had returned in full glory. If you were around in the early 2000s, you are undoubtedly aware of the rise of oversized watches. […] Visit Fratello’s Top 5 Iconic Watches From The 2000s to read the full article.
Worn & Wound
It will be impossible to talk about the new Trafford Crossroads S without discussing the size of the case in great detail, which I fear might be disservice to the watch as a whole, because there are a lot of very nice things about the Crossroads, and it’s one of the most charming new watches from a microbrand that I’ve seen in some time. But the case size is critical, because Trafford has walked a very interesting line with this release, debuting the Crossroads S in two sizes and marketing each based on how they feel the case wears, not its actual measured size. It’s getting by on vibes, as the kids sometimes say. It also capitalizes smartly on the growing trend we’ve seen for smaller, more discreet watches in a really interesting way. The Crossroads S is actually two watches: the Crossroads S 36 and the Crossroads S 40. Neither of these watches are named for their actual measurements, though. Instead, Trafford has used these pretty commonly understood sizing conventions to name the watches based on how, in their estimation, they actually wear. The Crossroads S 40 measures 35mm x 36mm, while the Crossroads S 36 comes in at 31mm by 32mm (both are 9mm thick). Looking at the watches side by side, and compared to other watches in circular cases that are true 40mm and 36mm cases is an interesting lesson in how we perceive size depending on shape. It also, in my opinion, illustrates how one of these watches is absolutely the “correct” size while another is, well, n...
Monochrome
Since 2005, the Longines Master Collection has been the brand’s flagship line of traditional mechanical watchmaking. While the collection includes more complex models such as chronographs, moon phases and GMTs, the core, conservative Master Collection mainly comprises time-only models. The latest news from the winged hourglass brand is the release of the new, fully redesigned […]
Monochrome
Whenever Urwerk bids farewell to one of its watches, you know they will give it a special send-off. In the past, we’ve seen some excellent final salutes, such as the UR-10 SpaceMeter Blue, the UR-230 Black Star and the excellent UR-220 RG. And today it’s time to bid adieu to one of Urwerk’s coolest space-inspired […]
Monochrome
Named after the historic Granvelle Palace in Besançon, home to the city’s Museum of Time, the Yema Granvelle collection (2025) embraced a more architectural and elegant approach, stepping away from the brand’s familiar world of dive watches and tool-oriented sports models, and offering a model with a distinctive cushion-shaped case and powered by one of […]
Worn & Wound
The microbrand/independent scene in the UK is truly one of the most exciting in the world, with dozens of brands vying for attention and an always growing community of excited watch enthusiasts eager to experience just about everything on offer. This is very much the vibe every time we attend British Watchmakers’ Day and have a chance to experience it firsthand, and honestly it’s invigorating in a way to be placed in an enthusiast environment that feels familiar but also very specific to the UK. One of the more interesting brands to emerge from this scene is Beaucroft, based in Cambridge. Beaucroft is not the flashiest or highest profile microbrand in the UK, but they’re on the rise, and they tend to make an impression when you actually see the watches in person. Garrett was such a fan of the Element when he saw one he decided to purchase it for himself. My moment of conversion came at British Watchmakers’ Day 2025, where I still regret not purchasing the Penfold Special Edition released that year. Their newest release has been dubbed the “Arc” and is an update of the Seeker model originally launched in 2023. The Arc leans into the design language that was established with the Seeker and the brand has continued to refine in every model since, namely flowing, natural case lines paired with dynamic, colorful fumé dials. The dramatic curved mid-case is, according to the brand, inspired by the Bridge of Sighs over the River Cam, not far from Beaucroft’s head...
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