1,343 articles · 316 videos found · page 35 of 56
Monochrome
Inspired by the very first mechanical tower and table clocks that had not yet discovered the minutes hand, MeisterSinger’s disarmingly simple premise is to deliver the time with a single hand. However, a single hand is not necessarily equated with simple watches, and the brand’s repertoire includes complications like its chiming Bel Hora and moon phase […]
Worn & Wound
Benjamin Lewis Vulliamy was the last of the great Vulliamy family of Royal clockmakers and five-times Master of the Clockmakers’ Company. He was Royal Clockmaker to King George IV, King William IV and Queen Victoria and the driving force behind the formation of the Clockmakers Library and Collection – now Clockmakers’ Museum – from 1814 onwards. The Public Face of Clockmaking The Vulliamy family was known for producing high-quality timepieces, often regarded as some of the finest in Britain during the late 18th and early 19th centuries. Benjamin Lewis Vulliamy was the last of four generations of Royal clockmakers based at 68 Pall Mall, London from 1753. Early in life he joined his father Benjamin in the family business, which by then was best known for its ornamental clocks and metal furnishings. Upon his father’s death in 1811, Benjamin Lewis inherited control of the business. Following the end of the Napoleonic wars he began to shift its output towards emerging new markets, particularly those brought about by the development and expansion of institutions like the new Houses of Parliament, government departments and London’s clubland. In all his products he aimed for high quality, reliability and accuracy. He created clocks for public buildings and important institutions. Some of his works are still present in places like the Horse Guards Parade and the Royal Exchange in London. This magnificent and imposing clock No. 1394 (below) was purchased for use in ...
Worn & Wound
“Through constant emails, face-to-face requests at events, and in the comments of our social posts, it has been impossible to ignore the requests for this ‘Goldilocks’ case size. We are a brand that listens to our customers––you asked and we delivered.” –Christopher Ward’s CEO and Co-Founder Mike France It’s always refreshing when the feedback of the watch community is recognized by at least one company or representative within the watchmaking industry. To hear Mike France and Christopher Ward directly address their customer’s concerns is exactly what makes the microbrand/indie sphere so great. Whether you believe they’ve expanded beyond their microbrand status to “legacy micro,” “independent,” or some other higher level of categorization, the brand’s acknowledgement of customer input speaks volumes about their character and ability to take and utilize constructive criticism––perhaps a result of their humble beginnings as a true microbrand. After the critical acclaim the 36mm and 40mm Twelve models received, Christopher Ward is set to release a fresh take on their popular design with the new Twelve 38. The stainless-steel case, which made its limited edition debut last year in the “Ice Cream” collection, measures 38mm across, 43.3mm lug-to-lug, and 9.95mm thick, thanks to its ultra-slim Swiss-made Sellita SW200-1 movement. With 26 jewels, a smooth 4Hz beat rate, and a 38-hour power reserve, these reliable and durable automatic move...
Worn & Wound
Many of us are guilty of it: in an entire collection, every last dial will be monochrome. White here, black there, and a dash of silver or grey mixed in. If one is particularly daring, there may even be a dark blue dial added in. But versatility isn’t everything - sometimes, a bright, in-your-face dial is the perfect antidote to a grey day. Watch dials have historically been places of decoration. Painted enamel dials were popular in the nineteenth century, with such vivid imagery as landscapes, battles, and hunting scenes adorning them. Though neglected through the early twentieth century, the colorful dial - now in more vibrant bursts of color - saw a vivid return in the mid-twentieth century when companies were scrambling to produce new timekeepers for the burgeoning underwater sport of SCUBA diving. A colorful dial can signal the change in seasons. For many, a bright dial immediately conjures images of sunny vacations, warm water, and worn paperbacks, while a muted dial can be the perfect companion during bleak midwinters, perfectly accenting the changed environment. A well-chosen dial can also inject color into both your collection and wardrobe, providing the right accent piece and adding the missing link in an otherwise perfect outfit. In this week’s Chronicle, we’re looking at some of our favorite colorful dials for those occasions when nothing else will do. As always, the Windup Watch Team is available via consultation to answer any questions you have. I...
SJX Watches
Piaget is dialling up the complexity of its popular sorts watch with the Polo Flying Tourbillon Moonphase. Housed in a 44 mm, cushion-shaped titanium case, the new Polo features a partially open-worked dial that reveals the flying tourbillon - with cage topped by a stylised “P” - alongside a moon-phase indicator at six o’clock. Interestingly, the ultra-thin cal. 642P inside is a form movement in a tonneau shape. Initial thoughts The Polo Flying Tourbillon Moonphase adds an interesting pair of complications to the Polo, but without impacting the simplicity or symmetry of the dial. It’s a high-end alternative to the more affordable Polo models, like the Skeleton Ceramic, but it is also the largest Polo at 44 mm in diameter. This will affect wearability, making it versatile than the smaller-format Polo models. That said, because the movement is ultra-thin, the large case has an elegant, thin profile. As an aside, an open back would have been a welcome addition, since it would provide a view of the tonneau-shaped movement. Tourbillon This 44 mm cushion-shaped titanium case is finished with alternating mirror polishing and satin-brushing, complemented by blue-coated inserts on the case flanks. Water-resistant to 100 m, it frames a partially open-worked dial that’s finished with horizontal fluting as is standard for the Polo. Visible from both the front and back, the flying tourbillon is framed by a blue seconds ring on the dial, allowing the cage to double up as ...
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SJX Watches
On its face, the Audemars Piguet Royal Oak Concept Split-Seconds Chronograph GMT Date in CFT carbon is familiar. The aesthetic is the oversized, stylised, and modern look that defines the Royal Oak Concept (ROC), with aggressive pusher guards and a complex, open-worked dial. And this latest version has the added feature of a carbon composite case produced via Chroma Forged Technology (CFT) that adds both colour and luminosity to the material. But the ROC Split-Seconds is more than just another Royal Oak chronograph because of the cal. 4407 inside. Launched in the 2023 titanium model, the is a latest-generation in-house movement and a notably innovative rattrapante calibre. The ingenuity of the movement lies in the fact that is both a traditional, integrated split-seconds chronograph and self-winding – a feat achieved with an elegant and patented automatic mechanism. Initial thoughts The very first Royal Oak Concept in Alacrite of 2002 was an enormous, heavy watch. Since then, the design of the ROC has been refined to become more wearable, and more lightweight thanks to new materials. The ROC Split-Seconds is perhaps the most wearable to date. Even though it’s a big watch, it doesn’t actually feel that large; the curved, tonneau-like form clings to the wrist well. The look is typical ROC – technical, aggressive, and modern. While I like the look, it is a little over the top. The style is now; I am not sure how it will age. Visuals aside, the ROC Split-Seconds is int...
Fratello
Urwerk is confused. The brand doesn’t know if its new watch has a green or gray face, and a compromise entered the name. The Urwerk UR-100V “Hunter Green” is sober green with hints of cool gray. Hunter green - Hex code #2c5f34 - is a lush, cool-toned green color between blue and green. If you […] Visit Introducing: The Urwerk UR-100V “Hunter Green” - Not All Green, Not All Gray, But Definitely An Urwerk to read the full article.
Monochrome
Hamilton´s Performer is a relatively new series in the Jazzmaster collection, which comprises sporty, contemporary, and versatile watches, including seven 42mm Auto Chrono models. Classic in their appearance and with an undeniable wrist presence, these chronographs now face stiff competition from within, thanks to the arrival of the sleek, black-clad Hamilton Jazzmaster Performer Auto Chrono. […]
SJX Watches
Louis Vuitton starts 2025 with a surprise, the Tambour Convergence. Modelled on traditional “digital” pocket watches, the Convergence indicates the time with discs visible in a pair of small windows at the top of the face. The unusual design, coupled with the compact, 37 mm case gives the Convergence an elegant, vintage-inspired aesthetic atypical of Louis Vuitton. Equally notable is the newly-developed in-house calibre inside, the LFT MA01.01. The movement is of a family of movements that will underpin Louis Vuitton’s timepieces going forward; variants of the movement are also found in the new Tambour Taiko Spin Time. Initial thoughts The Convergence is unexpected because it isn’t typical of Louis Vuitton. The vintage-inspired styling and proportions are almost antithesis of the brand’s conventional look, which was historically colourful and modern. Even though such territory is relatively new to Louis Vuitton, the Convergence is executed well. The design has intrinsic appeal, and shows off good proportions and details. The Convergence demonstrates the refined style of the redesigned Tambour case, which barely resembles the chunky original that was often thick and paired with narrow lugs. While I myself liked the quirk look of the original Tambour, the revamped model is undoubtedly more elegant and consequently will have a wider appeal. The Convergence debuts in pink gold The Convergence does well in almost all respects – fit, finish, design, and dimensions ...
Monochrome
The L.U.C Lunar One was Chopard’s first calendar and astronomy complication. Unveiled in 2005, the model combines a perpetual calendar and a precision orbital moon phase display in a rotating aperture. Twenty years later, Chopard revisits its L.U.C Lunar One with a more compact basin-style case, a trimmer, more legible dial decorated with hand-guilloché in […]
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Monochrome
A moon phase complication on a watch that went to the Moon and is named, at least for some of the editions, the Moonwatch… Add to that a glass of moonshine and a slice of mooncake, and you’ll be over the Moon. I allow you to blame me in the comments for this lame introduction, […]
SJX Watches
Diversity is arguably a strength – and a weakness – of the Speedmaster – and Omega is proving this with the Speedmaster Moonphase Meteorite. In contrast to the recent military-inspired Speedy, the latest model goes for exotic materials: the dial is made of lunar meteorite finished in either grey or black, while the moon phase sports twin moons similarly fashioned from meteorite. The moon phase display is a double moon that depicts the age of the moon in both the northern and southern hemispheres. Completing the celestial scene, the stars on the moon phase disc replicate the night sky when Apollo 11 landed on the Moon in 1969, as observed from Omega’s headquarters in Biel. Initial thoughts Maybe the new Speedmaster is an ironic reference to the “Moonwatch” nickname. In fact, it doubles the Moon reference with Moon meteorite fragments and the moon phase. But does the Speedmaster need to be dressed up with a moon phase and meteorite? Intrinsically, the new model has a few things going for it. The in-house movement inside is one of Omega’s top-of-the-line chronograph calibres. And it also has a scaled-down case that improves wearability. Now 43 mm, the watch has a more compact form than its chunky 44.25 mm predecessor. Despite the in-house movement and liberal use of meteorite, the Speedmaster Moonphase still feels pricey with a retail of US$17,100. That said, most recent Speedmaster models are expensive – this costs only US$1,500 more than the Speedmaster C...
Two Broke Watch Snobs
Let’s face it: when you think of Formula One, your first thought probably isn’t, “Gee, I hope IWC drops a new Mark XX today.” But here we are, and IWC is back in the F1 game for 2025 with yet another AMG Petronas tie-in. This time, we’re looking at a no-nonsense titanium Mark XX, a clean time-and-date piece decked out in enough Petronas green to make your Speedmaster a little jealous.
Teddy Baldassarre
Panerai might be the most in-your-face example of the quintessential Tool Watch That Made Good as a Luxury Item. Unlike many other contenders for that title, a Panerai watch today looks essentially the same as it did back in the 1940s, when Italian navy frogmen wore them into underwater combat. Few concessions have been made to modern tastes and trends: the luminous material on the dials is no longer radioactive (inarguably a positive change), Rolex no longer makes the cases, and you no longer have to be a naval commando to own one, but otherwise the relatively few models that make up the Panerai family have stubbornly adhered to their military-issue origins. It is this adherence that makes Panerai, for many, an all-or-nothing proposition — either you’re in the brand’s worldwide, rabid coterie of fans and collectors, proudly self-dubbed the Paneristi, or you roll your eyes at the notion of ever owning one: they’re too big, too flashy, too clunky, too Stallone. This article, the latest in our series of Price of Admission guides, is aimed at those aspiring to join the former group — in other words, those wishing to pull the trigger on their first Panerai but possibly intimidated by the breadth of choices — and, of course, by the ticket price for entry to that first tier of Paneristi-land. Without further ado, let’s find the most affordable Panerai watches in each of the current product families. RADIOMIR The Radiomir, first conceived in 1935 but tracing its m...
SJX Watches
I was happy to see Peter Speake return with PS Horology and the Tsuba. Peter was one of the first independent watchmakers I got to know well on a personal basis, and I have followed his career for almost two decades now. I first met Peter sometime in 2005, either at Baselworld (it was my first time there) or in Singapore during his regular round-the-world tours. He was then a fresh face in independent watchmaking, having just founded his brand Speake-Marin in 2002. In the context of the period, when independent watchmaking was a truly niche segment, Peter was a star (although he is modest enough he might disagree). Founded by Peter and Daniela Marin, who were then married, Speake-Marin was a promising brand with many of the ingredients for success, including a strong aesthetic (thick, chunky, and ETA-based but I liked it), good watchmaking and quality thanks to Peter’s own skill, and of course Peter himself – the personality is as important as the product in independent watchmaking. The unique Majestic Monkey of 2008, one of the first custom Speake-Marin watches I saw in person Peter was not the only watchmaker I met around that time, but I got to know him better than most other indie watchmakers, as a result of an annual watch fair that took place in Kuala Lumpur, the Malaysian capital. Known as A Journey Through Time (AJTT), the watch fair was staged by YTL Corporation, a Malaysian conglomerate with diversified interests ranging from power generation to luxury shoppi...
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Monochrome
In an age where the world is literally in the palm of our hands, it seems like the far corners of our planet are closer than ever. Yet, if we want to go there physically, we still face the challenges of adjusting to different time zones when travelling abroad. Not to worry, as there are […]
Monochrome
They say the face of a watch can be regarded as a canvas. A canvas to display time first and foremost, but in some watches, it is also a backdrop for a discerning and mesmerising complication like a tourbillon or a perpetual calendar indication. But what if you would take the dial as a canvas […]
Fratello
Lists - don’t you just love ‘em? Well, I don’t. I don’t want to sound like the Grinch, but the avalanche of end-of-the-year lists - whether about music, movies, or sports moments - that comes during the holiday season doesn’t exactly give me a warm and fuzzy feeling of remembrance. I prefer to look ahead. […] Visit Fratello Favorites: The Best Watches Of 2024 - Lex’s Picks From Omega, Echo/Neutra, and Tudor to read the full article.
Time+Tide
White gold is lauded as a bit of a stealth wealth flex, but could you be fooled thinking it's stainless steel, or vice versa?The post Can anyone actually tell white gold and stainless steel apart? appeared first on Time+Tide Watches.
Christopher Ward is one of those brands that’s been doing it their very own way from the beginning. Between its direct-to-consumer business model to its recent expansion into approachable haute horology, the Christopher Ward team has been willing to experiment with new technologies and marketing strategies, pushing the industry forward-whether they like it or not. We recently had the chance to sit down with a familiar face, Michael Pearson is Christopher Ward’s Brand Director for the North America region. We chatted about the brand, the watches, and most importantly we discussed the opening of the company’s first showroom outside of England, located near Dallas, TX. We were also honored to be the team chosen to officially photograph the space for the public. Please enjoy both our conversation and these first-glimpse photos of Christopher Ward’s ambitious expansion. The post Christopher Ward’s Dallas Showroom: Experience a Piece of England, Deep in the Heart of Texas appeared first on Worn & Wound.
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SJX Watches
To mark founder Michel Parmigiani’s 74th birthday, Parmigiani Fleurier created the L’Armoriale Répétition Mystérieuse, a minute repeater without a tangible time indication on the face. Instead, the enamelled, guilloché dial on the front is purely decorative, with the repeater to tell the time on the wrist. But there is the time on the back of the watch thanks to a pair of discreet, peripheral hands. Initial thoughts Among the many complications, the minute repeater is one of my favourites. The beauty of a minute repeater lies in its acoustic time indication, which makes hands redundant in some ways. The L’Armoriale Répétition Mystérieuse takes this concept to its logical conclusion in a gorgeously executed manner. The elaborate dial and case, however, result in the watch being very large, big enough that it loses some of the refinement and details present in a smaller case. Several notable artisans contributed to the watch, including Vanessa Lecci for the enamelling. The movement was supplied by Renaud & Papi, which is a fine, high-end movement but it’s a bit of a shame that Parmigiani didn’t utilise one of its in-house repeater calibres. A fascinating complication Like many historical Parmigiani models, the styling of the L’Armoriale Répétition Mystérieuse is inspired by Ancient Greece. The fluted case middle is modelled on Doric columns, while the engine turning on the dial and the back are inspired by the Fibonacci sequence. It’s a large watch, w...
SJX Watches
One aspect of a watch that is often overlooked - but ironically the one that is front and centre - is the dial. While often conservative in terms of design, Rolex is perhaps at its most expressive in the details of its dials, which blend classic elements with modern touches, all accomplished by modern manufacturing techniques and finishes. Even though a dial may seem simple on its face compared to the moving parts of the movement, dials are complex. Much goes into making a high quality dial, the dial blank, applied ornaments, surface finishing, gold indices, and more recently even grand feu enamel. A diamond-set dial for the Oyster Perpetual Day-Date Unsurprisingly Rolex takes dial making very seriously. Reflecting its long-term vision, Rolex has invested tremendously in every aspect of manufacturing wristwatches, including producing its own dials. Dial manufacturing of the highest quality, and at scale, is a challenge few have truly mastered. Rolex accomplished that with a dedicated dial-making facility in the Chêne-Bourg district of Geneva, located about 15 minutes from Rolex headquarters, where some 500 people work exclusively on dial conception, prototyping, and production. Notably, the Chêne-Bourg facility also does gem setting as well as the production of Cerachrom components like the GMT-Master II bezel insert. In-house dial making has given Rolex control of the entire process, allowing the brand to innovate, even in rethinking the very foundation of a dial, n...
SJX Watches
Omega revived the CK 2998-inspired Speedmaster “First Omega in Space” earlier in the year. More than just another remake, I am convinced the FOiS may just be the perfect Speedmaster, at least for me. The second-generation “First Omega in Space” (FOiS) sports details that will appeal to enthusiasts, including a blue-grey “soleil” dial and domed sapphire crystal that completes the vintage-inspired look. And it’s powered by the latest generation Moonwatch cal. 3861. Initial thoughts Despite being interested in watches since my sophomore year in high school, I can’t say that the Speedmaster was ever a go-to watch for me. I have had a couple of Speedies here and there, but the model was never the centre of my attention as a collector. I mostly felt the modern Speedmaster, in its many forms, is good, especially for the price point, but never perfect. Based on that experience, I didn’t expect much of the FOiS, thinking it be yet another reissue, which is why I hesitated when I got the call from the Omega boutique in Seoul. My opinion changed when I went to the boutique to try it on. I was surprised to see how appealing it looked on the wrist, especially compared to the first-generation FOiS that was too plain with a black dial that seemed flat. Others seem to share my opinion. The critical response to the new FOiS has been mostly positive, other than the familiar debate over the faux-aged lume, which some find excessive but I personally don’t mind. In fact, I ...
Hodinkee
Now featuring a date and moon phase display.
SJX Watches
A thematic sale of watches related to Japan, Toki just concluded at Phillips in Hong Kong over the weekend, notching up HK$61.8 million with fees, equivalent to US$7.95 million. Comprised of watches sold in Japan or made for the country, the catalogue included familiar names like Seiko and Casio, but also independent watchmakers like Masahiro Kikuno, along with a host of limited editions by Swiss brands for the Japanese market. A novel concept given the dominance of Swiss brands in watch auctions, both in terms of value and volume, Toki surprised on the upside. The 115-lot auction included lots of surprising and notable results, like HK$1.14 million (about US$147,000) for the Casio G-Shock Dream Project, double the original retail price. Thomas Perazzi at the rostrum. Image – Phillips Toki and the subsequent main sale showed the momentum established during the Geneva auctions two weeks ago carried on into Hong Kong. The strength of the sale is also credit to the Phillips watch department in Asia led by Thomas Perazzi, which conceived Toki a year ago with the help of Tokyo-based consultants for Phillips, Kaz Fujimoto and Genki Sakamoto. The unusual theme was realised well with a carefully curated catalogue. Many of the watches in Toki were simply unavailable anywhere else. With only 35 made and all sold via a lottery in 2020, where else can one find a solid-gold G-Shock? This reflected in the diverse nature of the bidders. Most bids in the sale came from phone bidders an...
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