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Monochrome
Urwerk’s mechanical ingenuity and sci-fi vessels have propelled the brand into the realm of cosmic watchmaking. Renowned for their wandering hour and satellite indications, founders Martin Frei and Felix Baumgartner captured the three dimensions of time, rotation and orbit with the UR-100 SpaceTime of 2019. An evolution of the UR-100, the UR-100V returns to Earth […]
Deployant
H. Moser & Cie opens its seventh global boutique and the first in Singapore with partner Cortina Watch. Here is our report of the ceremony.
SJX Watches
Audemars Piguet (AP) debuts a trio of new perpetuals calendars, led by the first open-worked version of brand’s cutting edge perpetual calendar launched last year with the skeleton cal. 7139 inside the Code 11.59 and Royal Oak. And rounding out the trio is the first all-ceramic Royal Oak Perpetual Calendar powered by the cal. 7138. Initial Thoughts The open-worked version of AP’s latest-generation perpetual calendar movement arguably does most justice to a clever movement that is one of the most notable such movements on the market. While there was little visual difference between solid-dial versions of AP’s new perpetual calendars and the preceding versions, the open-worked examples are less similar, at least up close, as the perpetual calendar works are so clearly different. The new open-work dial givers owners a look at what is going on under the hood as they adjust the calendar, which I see as a significant value add given the unusual and innovative mechanics. While AP could have been more daring, the last year’s crop of Royal Oak Perpetuals were good looking watches. The new pair, in both Code 11.59 and Royal Oak formats, look nearly identical from an arms length to their predecessors. The open-worked models are mostly monochrome, the Code 11:59 is rhodium-plated white gold with a black ceramic mid-case while the Royal Oak is titanium with polished Palladium 500 bulk-metallic glass (BMG) accents and rose gold dial furniture. Neither break new ground for the b...
SJX Watches
Audemars Piguet (AP) updates the Royal Oak Selfwinding Chronograph 38 mm with a new manufacture calibre, sapphire display back, while slightly tweaking the iconic design – and retaining the price of its predecessor. The new cal. 6401 comes with welcome quality-of-life improvements such as a longer power reserve and instantaneous date without tradeoffs in wearability, beat rate, or even cost, making this compact chronograph one of the most sensible and compelling offerings in the Royal Oak line. Initial Thoughts AP debuted the first Royal Oak chronograph in 1997 and it was powered by the Frederic Piguet cal. 1185, a landmark movement for automatic chronograph design. Now, nearly three decades later, AP is a true industrialised manufacture, and the cal. 1185 has been replaced with the new cal. 6401, a modern movement that with meaningful upgrades under the hood. This also comes with some minute tweaks to the dial and a crowd pleasing display case back, while the case and bracelet remain as excellent as always. Laudably, this comes without a significant price increase, with the new Royal Oak Chronograph 38 mm in steel costing only 3.6% more than its predecessor. New Engine AP’s new cal. 6401 is a solidly-spec’ed movement despite being small and thin for a modern chronograph. It’s wide and taller than the Frederic Piguet cal. 1185 but only slightly. It is 27 mm in diameter (up from 26.2 mm) and 5.7 mm tall (up from 5.5 mm) though even with the addition of a sapphire ...
Fratello
After using a relatively common Frederic Piguet movement for almost 30 years, Audemars Piguet now introduces the 6401, an in-house automatic chronograph caliber. It offers higher accuracy, greater reliability, and a more refined appearance. The brand’s 38mm Royal Oak is the first model to feature the new movement. You can choose between a stainless steel […] Visit Introducing: Three 38mm Audemars Piguet Royal Oak Selfwinding Chronographs With A New In-House Movement to read the full article.
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Monochrome
Vacheron Constantin’s Overseas luxury sports watch family is now in its third generation, but its roots trace back to the 222 model of 1977. A well-represented collection with complications and straightforward time-and-date models, the Overseas is widely acclaimed for its attractive design, high-end finishings, in-house movements and versatility. In 2019, a tourbillon was added to […]
Two Broke Watch Snobs
A closer look at the TRASKA Chronograph, featuring a Seiko NE86 column-wheel movement, hardened steel case, and unconventional subdial design.
SJX Watches
Ahead of its much anticipated Watches & Wonders return, Audemars Piguet (AP) has reached deep into its archives for what in past years would have been a [RE]Master model. But now AP has renamed its vintage reissues, and it is the Neo Frame Jumping Hour that takes inspiration from a similar guichet model from 1929. This perfectly timed launch comes at a time of renewed interest in the digital display format. Initial thoughts Each time an established brand launches a completely new collection, the public response can be either positive (think Rolex Land-Dweller) or underwhelming. AP has come face-to-face with this in the past with the Code 11.59, which was bold but not well received initially (though much of the early criticism can be chalked up to cynicism). That experience hasn’t stopped the brand from continuing to diversify its portfolio away from the Royal Oak, and the latest effort capitalises on the growing interest in guichet watches. In doing so, AP reimagines an obscure piece from its own past, adding strong touches of modern design to create something with a more distinctive visual identity than one might expect from a simple jumping hours watch. Though the Neo Frame nomenclature might take a while to enter the vernacular, the guichet design feels like it’s coming to market at the right time. Ironically, the sleek profile of the Neo Frame’s case looks much like a sports smart band - albeit much glossier. Specifically, the way the polished black face connec...
Teddy Baldassarre
Watches with enamel dials rarely fail to impress with their exquisitely finished surfaces, their impressive durability, and a level of artisanal craftsmanship that might not even be readily apparent to the naked eye but somehow elevates the entire timepiece to a higher level of luxury. Enamel dials - which are made by fusing finely ground, colored glass powders onto metal substrates through repeated firings in a kiln at high temperatures - are still fairly rare in the watch world, and almost (but not entirely) impossible to find below a certain echelon of pricing, Often, as in some of the limited editions below, an enamel dial is one essential component of a timepiece that combines several notable elements, including elite or unusual case metals, high-complication movements, or any number of special features. Here are 10 watches with enamel dials that have caught our eye over recent years. [toc-section heading="A. Lange & Söhne Cabaret Tourbillon Handwerkskunst"] Price: 315,000 euros at release, Case Size: 29.5mm x 39.2mm, Thickness: 10.3mm, Crystal: Sapphire, Water Resistance: 30 meters, Movement: Manually wound Caliber L042.1 In 2008, German haute horlogerie house A. Lange & Söhne brought a technical upgrade to the tourbillon - an 18th century invention originally designed to shield a watch’s balance from the ill effects of gravity - that was both subtle and substantial. The Saxon brand’s Cabaret Tourbillon featured the first tourbillon movement with a st...
Worn & Wound
Few other watchmakers enjoyed as much success and cachet as Heuer, especially during the fervent 1960s and 1970s. Not only had it launched one of the world’s first automatic chronographs, but it pushed the envelope on modern design with midcentury-cool chronographs like the uniquely square Monaco. Heuer was riding high on the glamor of Grand Prix: the Heuer shield was as indelible to the backdrops of Monza and Le Mans as Ferrari, Porsche, and McLaren themselves as the official timekeeper of Formula One. But, inevitably, the quartz revolution came for Heuer. Jack Heuer was the third-generation CEO of the company that bore his name, and he had been a savvy marketer, personally hawking chronographs to drivers like Jo Siffert and Nikki Lauda. By the 1980s, however, he found himself backed into a corner, and in 1982, he was forced to sell the company to Piaget and Lemania-a humiliating low point in his life, as he recounted in his autobiography. Yet, before he departed, he gave Heuer one saving grace. In 1979, he commissioned Heuer’s first dive watch, the Professional Series. At a trade show Jack had overheard a brief conversation about the unreliability of existing dive watches, and he aimed to emulate Rolex’s success with the Submariner and Sea-Dweller. (Incidentally, Rolex owned half of Heuer’s stock market shares, and nearly took over the company around this time.) Photo by Blake Rong Heuer had spent the decade building an electronic timing division, which b...
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Monochrome
Audemars Piguet’s Royal Oak Offshore, also known as The Beast, muscled its way onto the scene in 1993 as a beefier and bolder version of its famous sibling, the Royal Oak. Drawing its inspiration and name (offshore) from the world of powerboat racing popular in the 1980s, the ROO family expanded, and in 2010 surfaced […]
Two Broke Watch Snobs
Timex refreshes its Deepwater Reef Titanium 200 with a new dial while keeping the same core specs and automatic movement.
Worn & Wound
While the news today is dominated by big releases from Holy Trinity brands that will be nearly impossible for mere mortals to see in person, let alone buy, Traska has what feels like an antidote, or at least a cleansing breath when it feels we’re being flooded with watches that fall into the dreaded “hype” category. Their first new watch in nearly four years is also their first chronograph (conveniently named, the Traska Chronograph) and it applies much of the brand’s ethos into a platform that we’re honestly surprised they hadn’t pursued to this point. If you need a refresher on Traska, we invite you to read up on Venturer GMT, which Griffin reviewed recently here. While this is a look at one specific watch, Griffin gets to something about how we understand Traska, which is that they produce watches that are part of a long lineage of purpose built tools. The word “Rolex” is invoked multiple times in that Venturer review not because Traska has a connection to that brand’s current status as the most well known luxury object in the world, but to a previous state when watches were prized for their simplicity and usefulness. Rolex made great leaps from the middle of the last century onward simply by standardizing a design language for sports watches that has become definitional to the category at this point, and I think what Traska is doing with a commitment to using steel hardening treatments and offering other points of value in every watch while adhering...
Hodinkee
With a new case, and new movement, it’s a new(ish) look for Audemars Piguet for 2026. But if you look back far enough, you’ll find the brand’s inspiration, and imagine what might be coming.
Time+Tide
Andrew O'Connor goes over the latest industry data and focuses in on three brands in particular.The post Morgan Stanley’s latest data suggests a more stable secondary market. How is that beneficial to the watch community? appeared first on Time+Tide Watches.
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Hodinkee
Combining the base of the brand's RD#4 "Universelle" movement with new innovations and an added calendar calculator, capped by traditional handcrafts, the brand presents one of the most surprising things they've done in a long time.
Worn & Wound
One thing I loved about graduating from a relatively small district in rural Pennsylvania is that it wasn’t necessarily like the high school experiences I saw reflected in television. Due to the general population at my school never hitting above 200 students, cliques were permeable and caste systems were divided more by how often you had class with the same people versus, say, any general interests. While we are led to believe that high school is a microcosm of real life, and that people can generally be categorized by such surface-level things like hobbies or intelligence, I think my upbringing has allowed for me to see that one thing can contain multitudes. Because of this, I’d hate to box the new Vacheron Constantin addition to their Overseas Collection, a titanium tourbillon model, into one category or the other. It’s sporty and technical – or, if we’re keeping with the high school theme– a jock and a geek. Now that I’ve beaten that analogy to death, we can go onto the specifics of this latest reference from the Swiss watch brand. From a design standpoint, it has all the hallmarks of Vacheron Constantin design language: clean lines, a classic silhouette, and a balance of keeping it traditional without being boring. Even so, the design’s deep red sunburst dial, visible tourbillon movement, and use of titanium add just enough of an update to the collection to be notable. Of course, these aren’t all for aesthetiques. The use of Grade 5 titanium and an u...
Two Broke Watch Snobs
We did a hands-on comparison between the Casio Duro and Rolex Submariner on wearability, accuracy, water use, and long-term value.
Monochrome
Launched by Audemars Piguet in 2019, the compact Royal Oak Selfwinding Chronograph 38mm was welcomed by men and women alike. Fitted with a modified Frédéric Piguet 1185 ébauche, the big news for the most compact RO chronograph is the introduction of a brand new in-house calibre with a longer power reserve and a 4Hz frequency. […]
Monochrome
For its 150th anniversary, Audemars Piguet has chosen a format that predates the wristwatch yet remains central to the brand’s most ambitious technical expressions: the pocket watch. The new 150e Héritage pocket watch directly references the Manufacture’s historic ultra-complicated pocket watches of 1899 (L’Universelle) and 1921 (La Grosse Pièce). It is also connected to milestones […]
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Monochrome
A perpetual calendar is a complication very much dear to Audemars Piguet. Since the mid-20th century, the manufacture in Le Brassus has offered many variations on how this “celestial” mechanism could be presented, displayed and used. From the world’s first leap-year perpetual calendar wristwatch in 1955, to the ultra-thin automatic QPs of the late 1970s, […]
Monochrome
With 3 of its 4 main collections based on the original Royal Oak design, it’s fair to say that Audemars Piguet is a bit conservative in some aspects. But, from time to time, and not without great boldness, the brand releases something unexpected and not octagonally designed. As the best example of what AP can […]
Fratello
What’s my favorite version of the Royal Oak Offshore after the illustrious “Beast”? This might surprise you, but I always thought the three-hand diver was a very good watch. The dial, free of cluttering sub-dials, and the crown that rotates the inner dive bezel on the side of the 42mm case looked cool, clean, and […] Visit A Wave Of Five New Audemars Piguet Royal Oak Offshore Variations Hits to read the full article.
Fratello
Last year, Audemars Piguet introduced the revolutionary in-house caliber 7138. The movement introduced a completely new, user-friendly way to operate the perpetual calendar functions. It also lets users adjust the calendar forward and backward, which is a huge plus if they mistakenly set it too far ahead. After the release of last year’s Royal Oak […] Visit Introducing: The Audemars Piguet Royal Oak Selfwinding Perpetual Calendar Openworked to read the full article.
SJX Watches
Vacheron Constantin’s latest Overseas Tourbillon pairs a titanium case with a deep red dial, recalling last year’s perpetual calendar, showcasing the cal. 2160 with peripheral rotor, refined finishing, and a slow beating one minute tourbillon. It represents the finest of industrial fine watchmaking with high-end construction inside and out. Initial Thoughts Last August Vacheron Constantin launched a pair of new Overseas Perpetual Calendars, one in burgundy and the other pink-on-pink. I felt the “deep red” dial – as Vacheron Constantin calls it – works particularly well against the white gold case, and the light blue accents were a nice touch. Nothing has changed on that front, the colour pallette looks just as good now as it did then, but is now lighter, thanks to the titanium case, and equipped more impressive movement. While the Overseas Perpetual’s movement somewhat lags behind its competition, the Overseas Tourbillon has a more competitive calibre, which holds its own against the Royal Oak Tourbillons, and wins by default against the non-existent Nautilus Tourbillon. That said, it is hardly a value within its segment, with estimated pricing comparable to Audemars Piguet’s blue-chip Royal Oak Tourbillons, though that is more than fair when you put aside brand caché and focus purely on the product. Case and Bracelet The Overseas case is well made and well finished by any standard, though not quite as complex as its counterparts from Audemars Piguet and P...
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