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Time+Tide
While an odd lug size can be a pain finding straps for, Andrew O'Connor argues that it shouldn't be a reason to write off a watch - far from it.The post Why odd lug sizes are worth the headache appeared first on Time+Tide Watches.
Worn & Wound
The designer and artist Romaric Andre (better known as Seconde/Seconde/) has had a string of hit limited edition watches over the last few years. Seriously, Google his name of Seconde/Seconde/, or just search our site, and you’ll see collaborations with brands large, small, expensive, affordable, and everywhere in between. He is, quite simply, one of the more prolific figures in the watch industry over the last five years or so. I have to confess I’m not sure if anyone has yet attempted to make a list of the best of most viral Seconde/Seconde/ creations, but if such a list exists and it doesn’t have his Halloween themed collaborations with Spinnaker on it, I’m here to tell you it’s incomplete. This is the type of watch that when it was launched, the inevitable shortage produced vitriol and anger on Instagram (quickly corrected with the announcement of an additional, less limited batch). Now, Spinnaker and Seconde/Seconde/ have reteamed for another bite at the apple with the Fleuss Automatic Seconde/Seconde 2025 Edition. The new release maintains the “phantom” dial concept (a take off on “Fifty Fathoms,” get it?) but this time around there are two case sizes to choose from, 40mm (“Phantom Steel”) and 43mm (“Phantom White”). Both have a textured gray dial with lume filled indices and hands, and of course a whole bunch of those little lumed ghosts, completing the visual pun. In addition to the option for multiple case sizes, both variants also ...
Monochrome
Almost a decade after the Big Bang exploded on the watch scene in 2005 – the paragon of an oversized, high-octane sports watch showcasing an unusual fusion of materials – Hublot introduced the Spirit of Big Bang. As its name suggests, the new collection captured the “spirit” of its forebear but replaced the octagonal porthole-shaped […]
Monochrome
Swiss watch manufacturer Ebel has long balanced beauty and function, from the 1911’s hexagonal case with exposed screws, first seen in 1986, to today’s clean, contemporary executions. The new 1911 Chronograph Ice Blue moves that signature language in a fresher, sport-forward direction. With this new colourway for the rather iconic chrograph, making us long for […]
Fratello
Spinnaker is back to haunt you. Once again, the Fleuss dive watch - not a watch named after a character from the movie Ghostbusters, mind you, but after influential diver and dive engineer Henry Albert Fleuss - is the medium that makes ghosts appear. The Spinnaker Fleuss Automatic Seconde/Seconde/ 2025 Edition is available in two […] Visit I Ain’t Afraid Of No Ghost! Introducing The Spinnaker Fleuss Automatic Seconde/Seconde/ 2025 Edition In Two Sizes to read the full article.
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SJX Watches
Roger Dubuis continues its decade-long exploration of Arthurian mythos with The Enchanter Merlin, the twelfth iteration in its fantastical Knights of the Round Table (KRT) collection, and the second Merlin-themed watch in the series. At the heart of the spectacle is a highly architectural dial composed of 56 stepped columns, inspired by the basalt pillars of Giant’s Causeway in Northern Ireland. The columns are rendered in a variety of materials, including Murano glass, vitreous enamel, and invisibly set diamonds. Above them stand 12 hand-engraved knights, each a unique character from the Matter of Britain, the medieval tales of King Arthur and his knights. Initial Thoughts Geneva has a long tradition in the decorative arts dating to the 18th century, mostly focused on enamelled boxes, small clocks, and of course, watches. It’s only natural that a Genevan watchmaker like Roger Dubius would continue that tradition, as do neighbouring Patek Philippe and Vacheron Constantin. In 2013, Roger Dubius launched the first KRT watch with a miniature enamel replica of the famous Round Table in Winchester’s Great Hall. Since then Roger Dubuis has pushed the boundaries of what can be reasonably called a “table” with striking results. While the miniatures were what made the first KRT special, The Enchanter Merlin’s basalt pillar-inspired crystal palace dial could easily stand on its own (perhaps Kollokium should take notes for its next Projekt). The 45 mm case is 18k pink gol...
Monochrome
The name Santos at Cartier carries a lot of weight. One of Cartier’s oldest collections, named after Brazilian aviator Alberto Santos-Dumont, who commissioned a watch from his friend Louis Cartier in 1904 to be worn while piloting his flying machines, it took on a slightly different vocation in recent years, becoming the brand’s vision of […]
Worn & Wound
This week, TAG Heuer announced a fifth generation in its Connected watch line, a collection of smart watches that lean more towards traditional watch form factors than most. It is an attempt to appease the modern watch enthusiast while offering the conveniences brought through connected features, most notably health tracking and phone connectivity. That does mean, though, that the previous generation did tend to fall somewhere in a no-man’s land where watch enthusiasts would most likely still prefer a watch, while those seeking smart features opted for more mainstream offerings from tech-focused companies. This new generation, though, is a true generational leap for TAG Heuer Connected. It brings about many meaningful improvements that might make you reconsider your next connected watch purchase. I was able to spend a bit of hands-on time with each version, cycling through the operating system to speak on it here. Looking first at the case, TAG Heuer is now offering the Connected Calibre E5 in two diameters, the standard 45 millimeter and a new 40 millimeter version. For those scoffing at the 45mm diameter, the Apple Watch SE comes in either a 40 or 44mm case for a frame of reference. At launch, seven standard versions are available between the two sizes, with one separate collaboration special edition. The 45mm case is offered in a mix of stainless steel with ceramic bezels or an all black DLC-coated titanium if you are looking for the full stealth approach. In the 40...
Time+Tide
There is no stopping the stone dial trend as Christopher Ward brings it to a smaller watch with real panache. The post Christopher Ward jumps on the natural stone trend with the C63 Sealander appeared first on Time+Tide Watches.
Fratello
Christopher Ward expands its versatile Sealander family with a striking set of four new models, the C63 Sealander Stones. This time, the spotlight is on natural stones, crafted into dials that make each watch one of a kind. The lineup includes malachite, charoite, turquoise, and tiger’s eye. The Christopher Ward C63 Sealander Stones models are […] Visit Rock-Solid Style: Christopher Ward C63 Sealander Stones Limited Editions to read the full article.
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SJX Watches
Following last year’s Arsham Droplet pocket watch, Daniel Arsham has just unveiled his second collaboration with Hublot, the MP-17 MECA-10 Arsham Splash Titanium Sapphire. One of the leading artists in pop culture, Daniel Arsham was inspired by the fluidity of a water droplet, explaining the streamlined, pebble-like wristwatch with an intriguing asymmetrical dial framed by a frosted sapphire crystal bezel. Mr Arsham has collaborated with brands as diverse as Porsche and Pokemon, and here he applies his aesthetic to Hublot’s Big Bang Meca-10. While the aesthetic is unlike any other Hublot, the movement inside is familiar: one of Hublot’s most interesting movements, the Meca-10 calibre with a 10-day power reserve, which was just facelifted this year to fit smaller format cases. Initial thoughts The Arsham Splash starts with a good base: the cal. 1205 Meca-10 movement is appealing both in terms of aesthetics and function. The geometric styling of the skeletonised construction is inspired by Meccano, the children’s construction toy, while the power reserve is an impressive 240 hours. I like much of the movement, except for the Etachron regulator that I would have hoped Hublot would have replaced in this second-generation Meca-10 movement but it’s still there. Still, the Meca-10 is a logical fit for the Arsham Splash both in terms of form and function. The form of the Arsham Splash is unorthodox. Though the case has some familiar Hublot elements like the flared fl...
Monochrome
Born in 2016, the Nebula watch by Arnold & Son set out to make the movement the dial: a perfectly balanced, openworked stage where seven radiating bridges, twin barrels and a dial-side balance create a calm, symmetrical look. Over the years, the concept has been refined (and downsized) without losing its architectural clarity. Marking 75 […]
SJX Watches
When I look at the current landscape of watch culture, I see a tension that defines our time. On one side lies the fascination with the way a watch appears on the wrist, and the endless variations of colour and form that drive demand. On the other lies a culture that is older, slower, and infinitely more complex; the science of horology, the mastery of craft, and the knowledge transmitted across centuries. In recent years, I have felt this latter culture slipping into the background, lost beneath the pageantry of style. Yet at the same time, I have witnessed a counter-movement taking shape in Switzerland, a series of initiatives that seek to protect, project, and transmit the deeper culture of watchmaking. I see in them a form of resistance, a refusal to let horology dissolve into an empty shell of design. This is the rise of Swiss horological institutions. The Clockmakers’ Museum in London. Originally displayed at the Guildhall, the collection is now on display at the Science Museum. The early resistance It is worth remembering that Switzerland, for all its dominance in production, did not take the first steps in creating enduring institutions around horology; Britain anticipated this need by centuries. In 1631, Charles I granted a royal charter to the Worshipful Company of Clockmakers, giving formal civic recognition to the craft. What began as a guild evolved into a guardian of standards, a keeper of apprenticeships, and eventually the custodian of one of the world’...
Teddy Baldassarre
The independent sector is where some of the most interesting, imaginative, and experimental designs are happening in the watch world, and Christopher Ward has been a standout in the category since its Bel Canto hit the scene. But today, I’m turning my attention to one of its less-hyped collections, one that is rather tame compared to the rest of the brand’s catalog, the Christopher Ward C63 Sealander. It strikes me as an outlier within the Christopher Ward universe – not that it’s without its own particular flair, but I would say that compared to the bold experiments with case architecture, haute horology level movements, and general quirky panache that I typically associate the brand with, the C63 Sealander is remarkably tame. The questions of the day are: how is this watch situated within the brand’s own offerings? What works about this watch, and what could be improved? Finally, how did we arrive at this relatively minimal watch in the first place? Christopher Ward C63 Sealander Context While other watchmakers have centuries-long histories, the Christopher Ward origin story is comparatively contemporary, officially founded in 2004. In that relatively short scope of time, the brand has evolved into one of the most successful independent brands out there, and the Christopher Ward of today has expanded its scope to include just about every flavor of watch utility, aesthetic, and functionality one could dream of, all while keeping its price point extremely competi...
Worn & Wound
Kollokium came on the watch scene almost two years ago shrouded in mystery. The Projekt 01 was not only a daring exercise in the avant-garde, it was from a brand that was, in some ways, kind of formless. Founded by watch industry veterans Manuel Emch, Barth Nussbaumer, and Amr Sindi, the pedigree was high but the teasing messages on their website and social media could lead you to think it was all a goof. Kollokium, in the years since, have evolved their Projekt 01 design with multiple colorways and lume treatments, always keeping the same signature “dial” effect, which is an array of hundreds of precisely sized cylinders that when viewed together show rough hour markers through undulations (like on a pin-art board) that allow for time telling. It’s all very sci-fi, and high concept, but Kollokium became a “real” brand at some point along the way, and have captured a devoted following of owners and prospective owners, always awaiting the next drop. Well, the next drop is here (sort of) and it debuts a striking new design. No points for creativity here, but the watch is simply called the Projekt 02, and according to Kollokium the design is rooted in the initial concepts that came from the brainstorming that eventually produced the Projekt 01. The brand describes it as a bit more organic, but very much still in their “neobrutalist” wheelhouse. Instead of those lume filled cylinders we saw in the Projekt 01 releases, the dial here is created from a total of ...
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Worn & Wound
Virtually every watch enthusiast is familiar with Art Deco, even if they don’t know it. Art Deco, short for Arts décoratifs, first appeared in Paris in the 1910s and spread across the globe over the following two decades. You may not be familiar with Art Deco’s principles - bold geometric forms and streamlined, mechanical aesthetics, among them - but you are almost assuredly familiar with some of its most famous designs, like the Cartier Tank and JLC Reverso. Worn & Wound contributor and Art Deco enthusiast Christoph McNeill considers Art Deco “the pinnacle of design,” and says he loves the beauty of the Machine Age design movement’s expression of curves and lines, obsession with mechanical aesthetics, and “streamline” nature. Wristwatches, which became popular about the same time Art Deco came onto the scene, was a natural medium for Art Deco design. “Because they’re little, tiny machines, right? said McNeill. “It sort of went hand-in-hand.” Vintage Art Deco watches from Christoph’s personal collection So, what does Art Deco design look like in watches? “It means clean lines, very specific fonts,” said watch collector and seller extraordinaire Eric Wind. “I think of a lot of rectangles, squares, things like that. Less round, unless it’s round within a rectangle. A lot of black on silver. I think of that kind of high shine chrome when I think about Deco as well. More silver than gold.” Wind cites “a lot of Pateks from the 20s and ...
Time+Tide
The 5th generation of TAG Heuer's smart watch offers more features, a new smaller 40mm size, and more customisation than ever before.The post The new TAG Heuer Connected Calibre E5 brings upgrades, more customisation, and a new size appeared first on Time+Tide Watches.
Fratello
In 2023, Seiko debuted its Prospex GMT models. Based on the groundbreaking 1968 300m-rated Professional dive watch, the current offerings have a similar form, including an external rotating bezel and strong case shape. The watches have proven popular, and since the initial release, the brand has predictably announced several limited editions. Today, we have a […] Visit Seiko Europe Introduces The Prospex 1968 Heritage Diver’s GMT Seashadow SPB534 to read the full article.
Fratello
Christopher Ward is not scared to go against the grain with its new releases. It has become a big part of its success. The brand seemingly slapped purists in the face with a manual-winding integrated-bracelet sports watch not too long ago. In itself, that’s nothing spectacular. However, if you are a Gérald Genta devotee, you […] Visit Hands-On With The Ultra-Slim Christopher Ward Twelve 660 to read the full article.
Teddy Baldassarre
Teddy Baldassarre is an authorized luxury watch retailer of brands like TUDOR, OMEGA, IWC, Grand Seiko, Breitling, Blancpain, Glashütte Original, Zenith, Longines, ORIS, MIDO, Tissot, Hamilton, NOMOS Glashütte, Baume & Mercier, and more.
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Worn & Wound
Let’s orient ourselves in the watch world five decades ago. The year is 1975, and we are in the height of the quartz crisis. Just six years prior in 1969, the watchmaking landscape forever changed with Seiko’s introduction of the first quartz timepiece, which called into question the future of mechanical timekeeping as we knew it. The era also marked the advent of the luxury sport watch, beginning with Gerald Genta’s Royal Oak for Audemars Piguet between 1970 and 1972. These two pivotal moments in horological history gave birth to an icon: the Girard-Perregaux Laureato. The first Laureato entered Girard-Perregaux’s catalog in 1975. The model was modestly sized by today’s standards and was even rather mid-sized for the era with a case measuring just 36mm (by comparison, the first Royal Oak began to set the tone for more oversized watches clocking in at 39mm, but was considered notably large and given the nickname “Jumbo”). The 1975 Laureato featured a two-tone construction, highlighting its mix of curves and geometric shapes. The design echoed Genta’s but with softer edges and a slightly more elevated look thanks to the addition of yellow gold elements combined with stainless steel. In line with the times, the model housed a quartz caliber, but not just any quartz caliber – it was COSC-certified. “The Laureato was more than just a new model for Girard-Perregaux’s catalog,” confirms Beatrice Morelli, Chief Customer Experience Officer. “It represente...
Monochrome
Raymond Weil adds a new reference to its elegant and handsome Millesime Moon Phase 35mm with a Japan-exclusive Special Edition overseen by Masayuki Hirota, Editor-in-Chief of Chronos Japan Edition. The watch retains the compact proportions, sector-dial grammar, and restrained vintage cues that made the 35mm Millesime line such a hit, then sharpens it with a two-tone […]
Monochrome
The Girard-Perregaux Laureato is a child of the 1970s, one of the seminal integrated luxury sport watches designed during this exuberant, pivotal decade for the watch industry. Since 1975, the model has evolved in various directions while remaining faithful to its defining features. Half a century later, the collection is still alive as the brand […]
SJX Watches
To celebrate the 50th anniversary of its most enduring wristwatch design, Girard-Perregaux (GP) has just unveiled the Laureato Fifty, a watch that highlights the brand’s storied history, while asserting the manufacture‘s place in the current competitive market. As expected, the watch is powered by the brand’s new workhorse calibre GP4800, which makes its official debut here. A limited edition of just 200 pieces, the Laureato Fifty is dressed in a two-tone case of steel and yellow gold, echoing the 1975 original. Though this is a one-off limited edition, it is more than likely that this revised Laureato styling will be implemented across the Laureato line in the coming year. Initial thoughts To understand the Laureato Fifty, we must first consider the era to which it pays tribute. The original design of the Laureato, presented to the world in 1975, appeared right between Gerald Genta’s iconic duo of the Audemars Piguet Royal Oak and Patek Philippe Nautilus, launched in 1972 and 1976, respectively. Compared to these designs, which would come to define the category, the Laureato was different in a few respects. First, the original design is credited to one of GP’s in-house designers, whose name has been lost to time. Second, the original Laureato was cutting edge at the time with its proprietary, chronometer-certified quartz movement, compared to the ultra-thin automatic Jaeger-LeCoultre-derived calibre found in the Royal Oak (and later, the Nautilus). Turning to...
Fratello
By now, everyone is aware that the Santos de Cartier is hot stuff. Cartier has certainly realized this and keeps releasing new versions of its square all-metal sports watch. I still love my Santos Galbée XL ref. 2823. However, as a true Cartier Santos fan, I can’t get enough of all the new variations La […] Visit Hands-On: Two Sporty New Variants Of The Cartier Santos - One In Titanium, The Other In Steel With A Black Dial And Lume to read the full article.
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