Results for Code 11.59

Audemars Piguet Introduces the Code 11.59 Grande Sonnerie Carillon Supersonnerie

Audemars Piguet has been progressively unveiling increasingly compelling versions of the Code 11.59, starting the year with the smoked-dial models and then following with the tourbillon-chronograph. And now it’s revealed what is no doubt the flagship of the line, the Code 11.59 by Audemars Piguet Grande Sonnerie Carillon Supersonnerie. Originally slated to have been launched earlier in the year alongside the official opening of the Audemars Piguet Museum but delayed by the pandemic, the Code 11.59 Grande Sonnerie is powered by a movement enhanced with the brand’s Supersonnerie that results in one of the loudest chiming watches on the market. The pusher at 11 o’clock activates the minute repeater, while the crown at two o’clock sets the strike mode – silent, grande or petite sonnerie Beyond its technical innovation, the new Grande Sonnerie is bestowed with a dial made by Anita Porchet. It’s a limited edition of five watches, with three unique paillonné dials already having been made, while the remaining two dials can be customised by the buyer. Initial thoughts The new Code 11.59 Grande Sonnerie is a well-designed watch that is surprisingly simple in style. Like the recent Royal Oak Concept Frosted Gold Flying Tourbillon, the grande sonnerie is strikingly modern, but the paillonné technique used to create the dial is eminently artisanal and classical. The gold paillons are arranged at random, giving the enamel dial a beautiful, almost organic appearance. Mec...

Audemars Piguet Introduces the Code 11.59 Selfwinding Flying Tourbillon Chronograph

Last year’s debut of the Code 11.59 by Audemars Piguet was widely panned, with with most of the criticism centred on the dial that was widely regarded to be flat. That left the highlight of the new model to go unnoticed – a new case made up of an intriguing blend of geometric forms and intricate edges. Just after launching warmly-received variants with smoked dials (following last year’s Bolshoi edition in smoked-finish enamel), Audemars Piguet has taken the covers off the Code 11.59 Selfwinding Flying Tourbillon Chronograph, which follows the aesthetic direction set by the record-setting Code 11.59 Tourbillon Openworked “Only Watch”. Initial thoughts Audemars Piguet did well in combining two classical complications – a flyback chronograph and flying tourbillon – in a surprisingly contemporary and slightly sporty watch, which owes its looks to the complementary movement and case design. The skeletonised movement echoes the clean, angular lines of the case and open-worked lugs. A newly-developed movement – and one seemingly designed from ground-up as a skeleton – the cal. 2952 is thoughtfully constructed with a neatly symmetrical layout. As important is the high-contrast finish that emphasises the skeletonisation, achieved with rhodium-plated bridges against a matte-black base plate. The styling of the watch addresses the key shortcoming of the original Code 11.59 – the plain dial – and allows the Code 11.59 to come into its own with a cohesive des...

Audemars Piguet Introduces the Code 11.59 with Smoked Dials

When it was launched in 2019, the Code 11.59 by Audemars Piguet became the most-talked-about new releases of the year, and also of the most panned, largely for the way it was hyped before launch and the perceived plainness of the design. But Audemars Piguet is undeterred and affirmed its commitment to the new collection with the launch of a face-lifted Code 11.59 Selfwinding and Chronograph, featuring new dials with a smoked, graduated-colour finish, along with a variant in a two-colour gold case. The new Code 11.59 Selfwinding Initial thoughts The most frequent criticism against the Code 11.59 had to do with the rather bland dials of the base models. In contrast, the pricey, complicated models were the standouts of the collection, having fired enamel dials with a smoked finish (for the minute repeater and the flying tourbillon) or aventurine glass (for the perpetual calendar). Audemars Piguet doubtlessly realised the appeal of the smoked enamel dial, and followed up with the Code 11.59 Bolshoi Limited Edition, which featured the same graduated, dark blue dial in enamel, but on a time-only watch. The downside of the enamel dial on the base model is a massive price premium of over 55%, or a bit over US$14,000. Evidence that Audemars Piguet is receptive to feedback, the new dials for the Code 11.59 show how a slight tweak can completely change the visual impact of a watch. It’s highly probable that if the Code 11.59 had been launched with smoked dials in the first plac...

Audemars Piguet Introduces the Code 11.59 Tourbillon in White Gold and Black Ceramic

Introducing: Audemars Piguet's New 38mm Royal Oak And Code 11.59 Perpetual Calendars

Sometimes big news comes in a small package.

Introducing - Audemars Piguet Releases its First 38mm Perpetual Calendar Royal Oak and Code 11.59

To say that the perpetual calendar complication reverts great importance to Audemars Piguet, specifically in the context of the Royal Oak, would be an understatement. Earlier this year, in the frame of its 150th anniversary, the Le Brassus-based brand released two important new models, built around an unprecedented movement (calibre 7138): the new generation of […]

Introducing - Unique, Striking Code 11.59 Grande Sonnerie Models for AP’s 150th Anniversary

As you probably know by now, Audemars Piguet is celebrating its 150th anniversary this year. Last week, the Le Brassus-based brand released an array of new watches, predominantly focused on a new, clever and technically advanced perpetual calendar movement getting rid of recessed correctors (it is far more complex than you might imagine…) But that […]

First Look - The Next-Gen Perpetual Calendar Movement of AP also makes it to Code 11.59

Last year, Audemars Piguet announced the end of the calibre 5134, the automatic movement that has powered most of its modern perpetual calendar watches for the past 10 years – mostly, the classic RO Selfwinding Perpetual Calendar, which performed its swan song with a limited edition made with John Mayer. But the 5134 was not […]

The Latest Royal Oak Offshore and Code 11.59 by Audemars Piguet Releases Shine In Shades Of Gray And Colored Ceramic

Why Code 11.59 by Audemars Piguet Ensures a Continued Legacy of Craftsmanship, Innovation and Excellence

Introducing: Audemars Piguet's New Watches Of 2024: From the Royal Oak To The Code 11.59, The Offshore, And More (Live Pics)

While John Mayer might have been the spring headliner, there's plenty else to love from Audemars Piguet's new releases – including camo like you've never seen.

Audemars Piguet 2024: All the novelties from Royal Oak to Code 11.59 to Offshore

Introducing: Audemars Piguet's Most Complicated Watch Ever: The New Code 11.59 Universelle RD#4

A total of 23 complications – including a perpetual calendar, minute repeater, grand and petite sonnerie, flyback chronograph, and tourbillon – show AP's prowess as a true watchmaker of ultra-complicated watches.

Introducing the Code 11.59 by Audemars Piguet Universelle RD#4

Audemars Piguet expands its Code 11.59 Supersonnerie offerings

Brand-New Code 11.59 by Audemars Piguet Complications

The Conversation: Cracking The Code 11.59 And Other Watch-Related Mysteries

Let's talk about it.

Introducing: Audemars Piguet Just Announced A Trio Of Complicated And Colorful Code 11.59 Watches

In which bridges go blue and some numerals disappear completely.

Introducing the Code 11.59 by Audemars Piguet Selfwinding Flying Tourbillon Chronograph

Audemars Piguet unveils its first ever combination of a flyback chronograph and flying tourbillon mechanism with the newly minted Calibre 2952

Best of Watchville: Monochrome Goes (Very) Deep On The CODE 11.59 Chronograph

A year after the launch of the collection, Monochrome deciphers the Code.

Introducing: Three New Raymond Weil Millesime Small Seconds Watches With Tuxedo Dials

Three years ago, the Raymond Weil Millesime Automatic Small Seconds timepiece won the GPHG 2023 Challenge Watch Prize. That was a bigger surprise to most watch fans than Audemars Piguet winning the Grand Prix for the Code 11.59 Ultra-Complication Universelle RD#4. Since that award-winning watch, many variations have debuted. And truth be told, they all […] Visit Introducing: Three New Raymond Weil Millesime Small Seconds Watches With Tuxedo Dials to read the full article.

SJX Podcast: Audemars Piguet Thinks Beyond the Royal Oak

Recorded shortly after Brandon’s return from Audemars Piguet’s launch event in Switzerland, Episode 28 of the SJX Podcast provides analysis of all the brand’s new releases, including the Neo Frame Jumping Hour, the 150 Heritage pocket watch, the upgraded Royal Oak Chronograph 38 mm and its new in-house movement, and the latest open-worked perpetual calendar, which works equally well in Code 11.59 and Royal Oak guise. The conversation also touches on the internal reorganisation at AP that saw the creation of a multi-disciplinary fabrication laboratory dubbed the ‘Fab Lab.’ Listen now on Apple Podcasts, Spotify, and YouTube.  

Hands-on - The New Audemars Piguet Royal Oak Selfwinding Perpetual Calendar Openworked

Perpetual calendars are, without a doubt, an integral part of Audemars Piguet’s history, and the Royal Oak has carried its strand very convincingly since 1984. With the introduction of the Royal Oak Selfwinding Perpetual Calendar Openworked powered by the new Calibre 7139, AP signals a clear generational shift. Released alongside a Code 11.59 counterpart, which […]

Hands On: Audemars Piguet Neo Frame Jumping Hour

Having celebrated its 150th anniversary in 2025, Audemars Piguet (AP) has kicked off 2026 with a slate of new models, including one of the most complicated watches in its history. But it was a simpler watch that that generated the most buzz at the glamorous launch event in the Swiss alps: the Neo Frame Jumping Hour, which is both a new watch and the beginning of a new collection that replaces the [Re]master series. The Neo Frame is a regular production wristwatch in 18k rose gold inspired by the Pre-model 1271, a historical AP reference from 1929. Though rooted in the Art Deco era, the Neo Frame is an eminently modern watch with a novel case and dial construction and the brand’s latest-generation automatic movement. Initial thoughts The name Audemars Piguet is nearly synonymous with that of its signature product, the Royal Oak. While many brands would probably trade their entire catalogues to have a single hit like the Royal Oak, AP has sought to diversify its product line up with the introduction of collections like the Code 11.59 and the short-lived [Re]master series. Despite these efforts, the Royal Oak family remains AP’s commercial engine, making the introduction of a new collection, anchored by a rectangular jumping hours watch, especially notable. The jumping hours complication seems to be enjoying renewed interest among collectors, which makes release of the Neo Frame feel timely. But up close and on the wrist, it doesn’t look or feel like anything else on t...

Audemars Piguet’s Latest Gen Perpetual Open-Worked or All-Ceramic

Audemars Piguet (AP) debuts a trio of new perpetuals calendars, led by the first open-worked version of brand’s cutting edge perpetual calendar launched last year with the skeleton cal. 7139 inside the Code 11.59 and Royal Oak. And rounding out the trio is the first all-ceramic Royal Oak Perpetual Calendar powered by the cal. 7138. Initial Thoughts The open-worked version of AP’s latest-generation perpetual calendar movement arguably does most justice to a clever movement that is one of the most notable such movements on the market. While there was little visual difference between solid-dial versions of AP’s new perpetual calendars and the preceding versions, the open-worked examples are less similar, at least up close, as the perpetual calendar works are so clearly different. The new open-work dial givers owners a look at what is going on under the hood as they adjust the calendar, which I see as a significant value add given the unusual and innovative mechanics. While AP could have been more daring, the last year’s crop of Royal Oak Perpetuals were good looking watches. The new pair, in both Code 11.59 and Royal Oak formats, look nearly identical from an arms length to their predecessors. The open-worked models are mostly monochrome, the Code 11:59 is rhodium-plated white gold with a black ceramic mid-case while the Royal Oak is titanium with polished Palladium 500 bulk-metallic glass (BMG) accents and rose gold dial furniture. Neither break new ground for the b...