179 articles · 5 videos found · page 4 of 7
Monochrome
Louis Erard has developed a close working relationship with contemporary artists, watchmakers, artisans, and designers to position itself as one of the most exciting and original brands on the watchmaking scene. To bring the delights of high-end watchmaking to a broader audience, Louis Erard sticks to its policy of accessible prices. What other brand can […]
SJX Watches
Independent watchmaker Cédric Johner has joined forces with Louis Erard in a collaborative effort that has given birth to the Le Régulateur Louis Erard x Cédric Johner. This regulator-style watch pays homage to Mr Johner’s signature Abyss case with its distinctive, hexagonal dial opening. And unlike other collaboration editions that were mostly design exercises, Mr Johner himself worked on each of these watches by decorating every rotor with his signature bead motif. Initial thoughts In contrast to the whimsical and striking Konstantin Chaykin and Alain Silberstein collaborations, the latest Le Régulateur has a more classical design but still manages to be different with its octagonal dial and crystal. Even though it is a round watch case, it doesn’t really seem so as a result of the crystal. And it is a homage to Mr Johner’s work in more ways than just aesthetics, as Mr Johner himself offered an Abyss regulator model back in the day. Interestingly, the restyled case arguably works better with the relatively chunky proportions of the Le Régulateur case, the dimensions of which also evokes the original Abyss that was also a solidly built shape. Reasonably priced at CHF4,000 (on par with last year’s Chaykin Time-Eater), this will appeal to collectors seeking more classical look while still having a little of the unique character of an independent watchmaker. Cédric Johner A more traditional-styled regulator A once successful watchmaker who then lost his brand...
Deployant
A new Louis Erard collaboration. Ths time with Cédric Johner with the release of a new Le Régulateur in two dial flavours.
SJX Watches
In 2021, Louis Erard collaborated with a Swiss design studio on the Le Régulateur x atelier oï, a strikingly minimalist regulator-style watch with a dial devoid of scales, indices, or branding. Originally presented in a restrained grey, this collaboration now returns with a brighter, gilt finish inspired by sundials in a notably small run of just 18 pieces. Initial thoughts Louis Erard’s newest offering has a captivating aesthetic that is both minimalist and striking, albeit not particularly legible. Unlike its predecessor, this has a more richer look with a golden dial that contrasts with the blued steel hands. The colour diverts the eyes towards the asymmetrical radial pattern engraved on the dial. The rest of the watch is identical to the earlier edition, which also means the same case as the standard regulator model. The downside of that is the thickness, which at over 12 mm is substantial for a watch with a relatively elegant design. The Atelier Oï regular is priced at CHF3,750, which is the prevailing price for most Louis Erard regulator editions, like the Oliver Mosset released in January. The new offering is a compelling timepiece for someone looking for something more artistic than the conventional offerings on the market. Inspired by a sundial The newest release follows on Louis Erard’s first collaboration with the Swiss design studio in 2021. With the exception of the dial colour, the watch retains the same specs as before. It has a regulator-style dial...
Worn & Wound
Getting outside Palexpo is essential during Watches & Wonders week. Not only because being inside the massive complex for days on end will quickly wreak havoc on your mental and physical health (it’s dry in there, and not seeing any natural light can’t be great for you), but because there’s so much watch related stuff happening in Geneva parallel to what’s going on at Watches & Wonders. Many smaller indies post up at hotels along Lake Geneva and take meetings with media and their dealer networks, and over the last three years these meetings have been some of our favorites to attend. One of them, with Louis Erard, produced an almost obscene level of interest. I think each of mentally bought a watch in the hour we spent chatting with CEO Manuel Emch. The watch you see here, a new collaboration between Louis Erard and atelier Oï, is the only watch we can show you from that meeting. Everything else is under embargo, but will be revealed throughout the rest of the year. But man, I was glad to see this new limited edition on the table almost immediately after sitting down. It’s the same design as a watch in my own collection, featuring a dial made up of deeply cut striated ridges that fan out like a, well, like a fan, I guess. No markers or branding, but each ridge is effectively a minute marker, so telling the time is fairly straightforward after a brief adjustment period. This LE has a gold tone dial, which leaves a very different impression than my silvery gray v...
Monochrome
Manuel Emch, the head of Louis Erard, is on a mission to democratise watchmaking. By inviting watchmakers, designers and artists to collaborate on different projects and offering traditional métiers d’art dials to a broader audience at accessible prices, Louis Erard fills a big gap in the watchmaking scene. Once again, the brand’s versatile Regulator watch […]
Episode 77 of A Week in Watches is going to be slightly different. This episode has two hosts and no script! With the big event happening so soon (the next episode will be made from Watches & Wonders), we figured getting ready with a little Q and A would be fun. That said, two very different watches with prominent moon phase complications were also worth covering. Join Zach Kazan and Zach Weiss in the studio as they discuss the new releases and then answer some fantastic questions from the W&W;+ Slack community. This week’s episode was brought to you by the Windup Watch Shop, which recently added the new Louis Erard x Alain Silberstein Tourbillon to the catalog. It is a gorgeous piece of haute horology that showcases Mr. Silberstein’s unique style. Head over to WindupWatchShop.com to check them out, as well as accessories, EDC, clocks, and more. The post A Week in Watches Ep. 77: Mission to Watches & Wonders appeared first on Worn & Wound.
Monochrome
Louis Erard received great attention last year with the debut of its first-ever tourbillon-regulated watch. Limited to just 78 pieces, it was exclusively available as part of a reasonably priced khaki-coloured trio, each piece conceived by the esteemed Alain Silberstein. Now in 2024, the brand led by Manuel Emch, the Artistic Director and CEO of […]
Worn & Wound
Years from now, someone will look back on this period and write about rise of affordable independent watchmaking. We are truly in a golden age if you happen to favor small brands who are inclined to do adventurous, experimental things. I wonder if anyone will identify Louis Erard’s collaborations with Alain Silberstein as a defining moment in this era of watch enthusiasm. From my perspective, it certainly seems like this relatively small Swiss brand and niche designer (who many thought, mistakenly, had reached a peak in terms of his popularity and influence) stand at the center of a lot of what’s happening in our world today. Limited edition collaborations, the mixing of the high and low, and a focus on accessible watches that are still undeniably special in some way are a huge focus of what’s driving interest in the hobby right now, and while Louis Erard and Alain Silberstein didn’t get there first, it’s hard to deny that their continued relationship isn’t one of the key stories of the last several years. That relationship continues this week with the launch of the Le Régulateur Tourbillon Louis Erard x Alain Silberstein Black. This is the same tourbillon that we saw as part of a limited edition triptych back in October of last year. That watch, and the others in the set, featured an olive green dial, and it was notable that the tourbillon could only be purchased as part of the set, while the other watches were available separately. At the time, the thinkin...
SJX Watches
Louis Erard returns to its flagship model, the Le Régulateur Tourbillon x Alain Silberstein, now in black. The tourbillon builds on the previous collaborations with the French designer but ups the ante on price and complexity. Louis Erard first tapped Alain Silberstein, known for his instantly recognisable Bauhaus-inspired aesthetic, in 2019 for a successful collaboration that led to a second collection in 2021. This new 78-piece limited edition is the first time Le Régulateur Tourbillon is presented in Silberstein’s typical Bauhaus colours. The model initially debuted last year as part of a three-piece set in khaki green, followed by a 10-piece limited edition made for UAE-based retailer Ahmed Seddiqi & Sons. Initial thoughts Louis Erard has created an interesting niche for itself in the world of independent watchmaking with its ongoing string of well-priced collaborations with established independent watchmakers like Konstantin Chaykin and Vianney Halter. And while the brand is arguably at its best when it challenges conventional expectations of watch design, such as its collaborations with designers from outside the industry like Oliver Mosset and atelier oï, the designs of Alain Silberstein have proven timeless in their own quirky way. Le Régulateur Tourbillon features a 40 mm titanium case that is also surprisingly slim at just 11.8 mm. That said, it’s likely to wear larger due to the hinged strap loops that extend beyond the case. With a black nylon strap and...
Deployant
Another collaboration with Alain Silberstein. And yet another chance for a collector to own this Le Régulateur Tourbillon.
Worn & Wound
Louis Erard’s appeal is that of a legitimately independent brand mixes a taste of high horology with compelling value. Across the entire Excellence collection, we see various design elements, materials, and finishing techniques that belie the watches’ price points. A hands-on experience with the collection brings a new level of appreciation for the level of detail that each particular model boasts. Take the Louis Erard Excellence Petite Seconde, the brand’s take on an elevated everyday watch. After marveling at the striking dial colors and complementary straps, we appreciate the harmony of the various textures and dial elements. On the other hand, the Regulateur Lapis-Lazuli wows us with its ultramarine and speckled blue stone dial, which is accentuated by using an interesting and uncommon regulator format. Not to be outdone, the Excellence Guilloché Main II is a master class of high-end finishing at a more approachable price than most. The lines comprising the concentric circles and diamond are intricately etched using a rose engine lathe in a process pioneered by Abraham-Louis Breguet. We’re excited to offer the Louis Erard Excellence collection in the Windup Watch Shop because, simply put, they are special. Zach Weiss gets hands-on with the watches in our latest video here. Louis Erard’s appeal is that of a legitimately independent brand mixes a taste of high horology with compelling value. Across the entire Excellence collection, we see various design elemen...
Teddy Baldassarre
Louis Erard is one of those Swiss watch brands that may have registered on your radar only recently - earning both enthusiast buzz and critical acclaim in the past few years thanks to its very high-profile partnerships with indie watchmakers whose own timepieces might otherwise be unattainable. How did Louis Erard, which actually traces its origins all the way back to the Great Depression, manage to finally find its niche in the 21st Century? Family Foundations Born in 1893 in La Chaux-de-Fonds, a historical hub of Swiss watchmaking, Louis Erard discovered his horological vocation early. In the early 1900s, he began plying his trade as a watchmaker for several of the town’s workshops, and in 1929 founded a watchmaking school where he served as instructor. At the same time, Erard started a watchmaking business with a partner named André Perret, originally as an “assembler” of complete timepieces for third parties using parts supplied by independent artisans. By 1931, the partnership was dissolved and Erard became a producer of watches under his own eponymous brand name. The company grew in the following decades, with Erard’s two sons, René and Jean-Louis, joining in 1945. Among the company’s milestones during this early period was helping to develop the now-legendary Valjoux 72 chronograph caliber. In 1956, Louis Erard, which still used third-party movements in its own watches, advanced to the next stage of horological prestige, starting production of it...
Worn & Wound
The Roundup is the Windup Watch Shop’s weekly rundown of the latest and greatest watches, accessories, EDC, and more. Top billing belongs to the Treat Yourself category, which spotlights special watches worth their price tag, while the Value-Packed Pick celebrates a timepiece that provides great bang for buck. Upgrade Your Kit highlights indispensable everyday carry gadgets. When You Have Too Many Watches is all about accessories and peripherals for your watch collection. Last but not least, the Deal of the Week is a limited time bargain that you will not want to miss. Don’t forget to join the Windup Watch Shop Rewards Program to save and earn points with every purchase. The Windup Team is also available to schedule a consultation or demo with you to answer any questions you may have. This week we start with crowd-favorite Louis Erard Petite Seconde watches. Next, we admire the ruggedness and value of Casio’s new G-Shock Utility Black Series with Cordura material. Our friends at The James Brand and Nitecore bring the heat with some awesome gear, and we end our Roundup with a special code for first-time shoppers. Whether you’re new here or just tuning in for this week’s Roundup, welcome! The Roundup is the Windup Watch Shop’s weekly rundown of the latest and greatest watches, accessories, EDC, and more. Top billing belongs to the Treat Yourself category, which spotlights special watches worth their price tag, while the Value-Packed Pick celebrates a timepiece ...
Time+Tide
Perpetual calendars in celebration of the leap year are the order of the week.The post New releases from Blancpain, Corum, Louis Erard and more appeared first on Time+Tide Watches.
The post Louis Erard: Accessible Luxury Defined – Now Available at the Windup Watch Shop appeared first on Worn & Wound.
Deployant
Louis Erard is at it again! They released two new versions of their Petite Seconde in classical bicolour guilloché dials.
Worn & Wound
The latest release from Louis Erard expands their Excellence Petite Seconde range, and includes another release in that collection’s 39mm case size. Louis Erard has really become a collector favorite over the last few years with their many collaborative limited editions and (relatively) affordable ways to buy into design codes that traditionally represent true high luxury watchmaking, and they’ve done it mostly on the back of a 42mm case. It’s always notable when we see them release something new in their easier to wear 39mm case size, and with the Excellence Petite Seconde Guilloche (in two sizes) we also have a watch that’s really playing into that high luxury aesthetic with an unusually complex dial. These watches are really a celebration of guilloche itself, and seek to present the decorative technique in a more classical way than something like the brand’s much more contemporary guilloche LE from a few years ago. The larger 42mm watch features gray and black tones, while the smaller 39mm watch features a rich blue and gray for contrast. The dials are made in four parts, and highlight contrasting guilloche patterns. The central section has a traditional wave-like pattern that is meant to cast light directly from the dial’s center. An outer section, where you’ll find the hour track, features what’s known as a “panier” motif, which has the appearance of slightly staggered scales. This pattern is repeated in the small seconds subdial at the 6:00 posi...
Monochrome
Louis Erard continues its path onwards and upwards with yet another artistic iteration of its Excellence Petite Seconde. A flagship model at Louis Erard since 2020, this model is an attractive dress watch with a small seconds counter available in 39mm and 42mm cases. The uncluttered dial of the Petite Second has been treated to […]
Quill & Pad
When the 2023 set of Louis Erard X Silberstein watches came out, GaryG wasn’t entirely certain they were for him. Happily, he had the opportunity to see the Monopoussoir at his favorite local dealer, and within minutes had decided to take it home.
Deployant
Louis Erard collaborates with Swiss artist Oliver Mosset on a curious and interesting interpretation of their Le Regulateur.
Worn & Wound
There’s a whole category of watches that I have come to genuinely love that I think can be fairly described as highly impractical art objects that also tell time. I wrote about one quite extensively here, and if you follow me on Instagram or have chatted with me in real life or in the Worn & Wound+ Slack community (which, to be fair, is technically “real life”) you know that I gravitate more and more toward the avant-garde, and love challenging designs that try to break what a watch even is. The new limited edition regulator from Louis Erard fits into this category nicely, and indeed was made in partnership with a Swiss abstract artist with a reputation for this type of challenging work. The new Le Régulateur Louis Erard x Olivier Mosset is perhaps the brand’s most purely abstract creation yet. Let’s start with the obvious question: how do you tell the time on this thing? This is not an unreasonable query – many who have encountered this watch on Louis Erard’s Instagram feed since its unveiling on Tuesday morning have been confused enough to send their question into the void. I won’t say it’s “simple” because even I have to admit that telling the time on this thing is probably difficult in a pinch, but the idea is straightforward. It’s a regulator, with the top hand reading the hours, the middle the minutes, and the bottom the seconds. But the task of actually reading the time is intentionally (I’m assuming) made more challenging for a few reas...
SJX Watches
Louis Erard, a brand well-known for its affordable collaborations with notable figures across different industries, has just dropped a wristwatch designed by a Swiss contemporary artist known for his abstract style. A variant of the brand’s classic regulator model, Le Regulateur Louis Erard x Oliver Mosset tells the time, but in an extremely minimalist, almost redacted manner, with just three hands rotating on a dial that evokes outer space. Initial Thoughts The design is clearly the work of an abstract artist; time-telling instrument it is not. In fact, it is not especially recognisable as a watch, particularly for someone unfamiliar with a regulator-style dial. The striking design will be polarising, particularly since it comes at the expense of function. It is, however, appealing in its own peculiar way and more broadly reflects the wide-ranging aesthetic adopted by Louis Erard thanks to Manuel Emch, now the brand’s creative chief and himself a collector of contemporary art. The only downside of the watch is the chunky case, which is shared by all Le Regulateur models. It’s thicker and bulkier than such a minimalist watch should be, but necessarily so due to the no-frills movement inside. But that also means the Oliver Mosset regulator is an affordable CHF3,750, as is typical for the brand. It’s a value proposition for a little bit of contemporary on the wrist. Not a watch That the watch was conceived as an artwork, rather than a timepiece is indicated by the l...
Monochrome
An exceptional collaboration between renowned Swiss abstract artist Olivier Mosset and watchmaker Louis Erard results in a minimalist black-on-black model destined to become a sought-after collector’s piece. Translating the artist’s abstract, reductionist codes into the miniature canvas of a watch, the Louis Erard Regulator flaunts the monochromatic palette of the rebellious Swiss artist. Produced in […]
SJX Watches
While the headline-grabbing watches of the year often featuring big complications and equally hefty prices, the year’s new launches also included a good number of value buys – both bang for the buck and accessibly priced. We have assembled a list highlighting the best value propositions of 2023, focusing on watches below US$10,000. Leading the list is a collaboration between Louis Erard and Russian independent watchmaker Konstantin Chakyin – unsurprisingly given Louis Erard’s speciality of making independent watchmaking more accessible. The Le Régulateur “Time-Eater” continues with the whimsical aesthetic of Mr Chaykin’s bestselling Wristmons line, but the Time-Eater only has one eye in order to fit the regulator-style display. Like Louis Erard’s other regulator models, the Time-Eater in either version, 39 mm or 42 mm, is a thick watch at over 12 mm high, while inside is a no-frills Sellita automatic. But at CHF4,000 it was one of the best value buys in terms of independent watchmaking, and also the broader market. The 39 mm Time-Eater A fixture on our annual value-propositions list for some years now is Tudor, which has consistently distinguished itself with well-priced sports watches. Granted, all of the brand’s best products are dive watches – diversity is certainly not its strength for now – but the brand does one thing really well, thanks in large part to its brand-new, expansive manufacture. The brand had three noteworthy models in its line-u...
Worn & Wound
If you frequent certain corners of Watch Instagram, you likely came across a new and somewhat mysterious project last week called Kollokium. They appeared almost out of nowhere with minimal teasing, and presented a watch that you can’t yet buy that is certainly unique. The real story, though, is in the ethos of the brand itself. Part of that ethos is that they don’t actually consider themselves a brand at all, but a “project based platform” that exists to explore alternatives to traditional watchmaking. It might help to start with the people behind the platform. Kollokium was founded in 2020 by three watch industry veterans: Manuel Emch, Barth Nussbaumer, and Amr Sindi. Emch is perhaps the most well known of the three, and has been leading Louis Erard since 2020, overseeing the brand’s incredible turnaround from through the smart execution of desirable limited editions with interesting collaborators. Nussbaumer is a watch designer who over the years has worked with Louis Erard, Petermann Bedat, and other brands (you can follow him on Instagram here). And Amr Sindi will be more familiar by his Instagram handle, @thehorophile. You might recall that Sindi collaborated on a limited edition release with Louis Erard earlier this year, and you’ll begin to see how these three individuals are all tied together, and the collaboration begins to make a bit more sense as a creative outlet that can exist apart from their respective day jobs. OK, so, the watch itself. The...
Worn & Wound
This week, Louis Erard caps a fruitful, multiyear relationship with Alain Silberstein that has had a profound impact on the stock of both parties in the larger watch space. Silberstein, after a period where his watches were all the rage, had faded somewhat from our collective memory by 2021, and Louis Erard, too, was adrift. They made very high quality and unique watches for the money, but weren’t really the focus of enthusiasts and collectors. Now, through a series of collaborations with Silberstein and others, Louis Erard occupies a very different niche in the collector arena, and we’ve seen a renewed interest in Silberstein’s work as well in the years since his design language has been put spotlighted by these collaborations. Now, in what feels like a culmination of the work they’ve done together, Louis Erard has released a limited edition box set that adds a new color option to a prior collaboration, and, oh yeah, a tourbillon. No big deal. The Le Triptyque Louis Erard x Alain Silberstein Khaki is a new spin on their second collaboration, a collection of three watches (available as a collector’s set) featuring a unique titanium case framed with brancards. The watches in that collection featured a regulator, a day-date complication, and a chronograph, all with the hallmark Silberstein combination of colorful shapes in lieu of traditional hands. For this set, the black dials have been swapped for a dark green khaki, and the chronograph is now a tourbillon. It...
Deployant
Louis Erard releases yet another triptych with Alain Silberstein in an exclusive 3 watch set with La Semaine Louis, Le Régulateur & Tourbillon Régulateur.
Worn & Wound
It’s no surprise that after the successful launch of the Time Eater, the viral collaboration between Louis Erard and Konstantin Chaykin that launched in April, that the two would attempt a follow up. In fact, not only is it not a surprise, it was expected by anyone who paid close attention to the marketing materials we saw earlier this year, which teased another release to come. Well, like the horror movie franchises that this collaboration sometimes evokes, the sequel has come quickly. The Time Eater II: From Dusk to Dawn, is a pair of watches that use the same basic design as the original Time Eater, but in a darker (literally and figuratively) execution. I don’t know if a “Halloween watch” is actually a thing, but given the aesthetic of the new Time Eater and the season we find ourselves in, it makes a strong case. Like the first drop, this release sees two different versions of the watch in two different case sizes, released alongside one another. Instead of the silvery white dials of the first pair, here we have black (for the 39mm watch) and anthracite (on the larger 42mm version). Both have bright red minute hands that match the major aesthetic shift on these new Time Eaters: a truly gross bloodshot eye hour register. It’s paired with the same sawtooth seconds register at 6:00, and when everything is put together it certainly gives off a spookier vibe, making the original watches with hints of purple and green seem downright playful by comparison. The ...
Revolution
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