Results for Voutilainen

First Look: Kari Voutilainen Aki-No-Kure, Pièce Unique (Video)

Kari Voutilainen’s New Green GMT

Video – How Does it Work? The Sympathique Clock of the Louis Vuitton x De Bethune Explained by Denis Flageollet

As you might remember, Louis Vuitton and De Bethune recently introduced the third chapter in LV’s ongoing journey through independent watchmaking, the LVDB-03 Louis Varius Project, following the LVRR-01 Chronographe à Sonnerie made with Rexhep Rexhepi, founder of Atelier Akrivia, and the LVKV-02 GMR 6 made with Finnish-born watchmaker Kari Voutilainen. While we were expecting to […]

Hazemann & Monnin Wins 2026 Louis Vuitton Watch Prize

Today in Paris a panel of five judges – including Carole Forestier-Kasapi and Kari Voutilainen – presented Alexandre Hazemann and Victor Monnin with the Louis Vuitton Watch Prize for Independent Creatives. The very same young watchmakers who won the F.P. Journe Young Talent Competition in 2023, the pair clinched the prize for their jump-hour “School Watch”. Launched in 2023 by Jean Arnault, who has spearheaded Louis Vuitton’s fine watchmaking ambitions, the initiative supports promising independent watchmakers while burnishing the maison’s credibility in the watch world. Last year the trophy – and its matching Louis Vuitton trunk – went to Raul Pages for his RP1 Régulateur à Détente. This edition’s victors met at Lycée Edgar Faure, a technical high school in Morteau, France, which is well known for its strong and respected watch and jewellery bent. Their aptly named School Watch developed from the pair’s school watch project. They have since set up shop in Saint-Aubin-Sauges, Switzerland, though both will now have the option of a one-year apprenticeship at Louis Vuitton’s La Fabrique du Temps manufacture in Geneva, in addition to financial support. In December, a Committee culled the 20 semifinalists, which we covered here, down to just five in December and appointed a five-person panel to select the winner. Other finalists included Norifumi Seki, who debuted the ambitious Fading Hours alarm watch, and Bernhard Lederer. Carole Forestier-Kasapi pr...

First Look – The Louis Vuitton x De Bethune LVDB-03 Louis Varius Project, With a Rare Sympathetic Clock

Here’s the third of the five collaboration watches done by Louis Vuitton with some of the most revered independent watchmakers. Indeed, following the LVRR-01 Chronographe à Sonnerie made with Rexhep Rexhepi, founder of Atelier Akrivia, and the LVKV-02 GMR 6 made with Finnish-born watchmaker Kari Voutilainen, it’s time now for LV to unveil its project […]

Hands On: Louis Vuitton x De Bethune LVDB-03 Louis Varius Project

Following collaborations with Rexhep Rexhepi and Kari Voutilainen, Louis Vuittion turns to De Bethune’s Denis Flageollet for its biggest independent collaboration to date, both literally and figuratively. The release spans two timekeepers - the first is the LVDB-03 GMT Louis Varius, a heat-blued titanium wristwatch that can be wound and set by the LVDB-03 Sympathique Louis Varius, an ambitious métiers d’art Sympathique clock. Initial thoughts Having worked on Sympathique clocks for Breguet during his spell at Techniques Horlogères Appliquées (THA) in the 1990s, Mr Flageollet revisits the concept on his own terms. De Bethune is one of the few independent brands with its own clockmaking workshop, which is a testament to Mr Flageollet’s experience gained at THA. The Sympathique clock is finely wrought, with several charming artistic flourishes embodying De Bethune’s house style with a generous use of blued titanium. While this Sympathique arguably is a historical tribute rather than state-of-the art, it is nonetheless easier to use than its antecedents, with a simplified docking process that doesn’t require the watch’s strap to be removed. In terms of usability, this Sympathique is arguably the most advanced to date; moreover, both clocks can be paired with any of the watches in the series, an interchangeability underlining the precision of make that was absent in historical Sympathique clocks. Denis Flageollet at the launch event in Tokyo. The massive ornam...

Year in Review: Our Best Stories of 2025

Our 2025 coverage included original research and in-depth stories including CEO interviews, engineering explainers, behind-the-scenes manufacture visits, and hands-on features exploring the latest developments in modern horology. We’d like to thank our readers for their engagement and support, which continue to shape and sustain our work. Our founder SJX provided an in-depth study of the Breguet Sympathique No. 1, with exclusive insights from its creator François-Paul Journe. The story is notable not only for its technical reconstruction of the mechanism but also for clarifying how the Sympathique informed Journe’s earliest thinking as a constructor before launching his namesake brand. SJX also spent time with the people leading the industry. Interviews with Kari Voutilainen, Gregory Kissling, Ilaria Resta, and Marc Michel-Amadry offered unusually direct insight into how each manufacture is approaching product development, heritage, and shifting collector behaviour. That research-driven approach continued across several technical features, including his hands-on review of the Rolex Land-Dweller, the most consequential mainstream release of 2025. His analysis unpacked both the engineering decisions behind the cal. 7135 and the strategic implications of Rolex introducing a new collection. Finally his analysis of the record-breaking Patek Philippe ref. 1518 in steel and reporting from the major auctions traced the evolving tastes and appetites of a tightening pool of top...

SJX Podcast: Best of 2025 – Independent Watchmaking

Episode 21 of the SJX Podcast reflects on independent watchmaking in 2025, a year that saw fewer genuinely new releases than expected. Many familiar names opted for variations on existing models rather than bold new directions, making the standout pieces all the more significant, including Urban Jürgensen’s impressive relaunch under Kari Voutilainen, two exceptional time-only watches that proved there’s still room for originality in a crowded field, and interesting calendars from Greubel Forsey, Konstantin Chaykin, and Berneron. Listen on Apple Podcasts, Spotify, and Youtube.  

Best of 2025: Independent Watchmaking

Independent watchmaking presented relatively few genuinely new releases in 2025. Many watchmakers instead reintroduced familiar models in new configurations or colourways - an approach typically associated with larger brands. The strongest releases were excellent, but they were few and far between. Our highlights reflect that: Urban Jürgensen’s relaunch stood out for its confidence and momentum, while Petermann Bédat and Raúl Pagès showed there is still room to say something new within the time-only format. Urban Jürgensen UJ-1 Tourbillon – SJX When I first heard about Urban Jürgensen being revived, I was sceptical. Could an investor halfway across the world and a watchmaker busy with his own brand pull it off? As it turned out, they could. The Rosenfields, Andy and Alex, father and son, and Kari Voutilainen, managed to put together a collection of three watches – all impressively conceived and executed – and then deliver a good number of watches in the months since the launch in mid-2025. The flagship of the Urban Jürgensen line-up and clearly its best creation to date is the UJ-1. A tourbillon with remontoir, the UJ-1 is modelled on the Oval pocket watch that was made by Derek Pratt for Urban Jürgensen. The movement instantly feels like it was descended from the Oval, which is a feat considering the disparity in scale. Mr Voutilainen managed to translate many of the key elements of the Oval into wristwatch format, including the “floating” barrel and...

Editorial: Reflections on WatchTime New York 2025

Autumn has always been a special time in New York, and that’s especially true now that the city plays host to the nation’s flagship watch fair. Held each October in the heart of Midtown, WatchTime New York has become one of the most high profile public watch fairs in the United States, bringing together independent watchmakers, major brands, and collectors under the imposing dome of Gotham Hall. Now in its tenth year, the 2025 edition was the largest yet, and served as the backdrop for the public unveiling of a few notable watches (and one strap). The Greubel Forsey Hand Made 2. Initial thoughts This was my third year attending WatchTime, and the experience is remarkably consistent from year-to-year. That said, this year’s event was clearly the biggest yet, with 44 brands and more than 2,700 visitors. Despite this turnout, it’s still a fraction the size of an event like Watches & Wonders, which gives it a more intimate feel that reminds me of SalonQP, which was an annual watch fair in London put on by now-defunct QP magazine. In other words, it’s big enough to attract big names and small enough to allow the general public to meet watchmakers that they might not otherwise have access to; Kari Voutilainen, Stepan Sarpaneva, Martin Frei of Urwerk, Albert Edelmann of Zeitwinkel, and Roland Murphy of RGM were present throughout the fair to engage with collectors. A big turnout Not only did WatchTime attendance set a record, the nearby Windup Watch Fair, a free event f...

Dubai Watch Week 2025 Panel Highlights and Rolex CEO Keynote

In less than two months, industry leaders will gather in Dubai for Dubai Watch Week (DWW), an event that has become a focal point of the industry since launching a decade ago. The 2025 edition will take place from November 19-23 in a new 200,000 sq ft venue next to Dubai Mall in order accommodate a slate of 90 brands; the largest line-up in its history, up nearly 50% compared to the 2023 edition. As ever, a highlight of DWW is the opportunity to hear directly from industry leaders during the various panel discussions. This year’s line-up includes some of the biggest names in watchmaking with a keynote from Rolex chief executive Jean-Frédéric Dufour, in conversation with Abdul Hamied Seddiqi, provocatively titled, ‘The Time to Act is Now – a note to the watch industry.” Mr Dufour rarely speaks publicly at a watch event, so this is one of the most significant happenings at DWW. In total, more than 50 sessions will take place across the five days of the event covering a variety of topics ranging from luxury and legacy in the age of algorithms and virality, to the reality of future-proofing founder-led independent brands; the latter will be a fireside chat with Max Büsser and Kari Voutilainen. There will also be a new chief executive roundtable featuring Georges Kern, Ilaria Resta, Karl-Friedrich Scheufele, and Julien Tornare, the heads of Breitling, Audemars Piguet, Chopard, and Hublot, respectively. DWW takes place from November 19-23, 2025 in Burj Park adjacent t...

Cartier Watchmaking Prize is Open for Submissions

Now in its 28th year, the Cartier Prize for Watchmaking Talents of Tomorrow is open for candidates. This year’s theme is “Shifting the Balance: Reading and Perceiving Time Differently” and encourages applicants to propose novel or unusual time displays, inspired by the recently revived Tank à Guichets. The prize is open to third and fourth year apprentice watchmakers and techniciens ES en Microtechniques in Switzerland, or young people in any equivalently rigorous program in France, Germany, Belgium, or employed at Cartier (which unsurprisingly is one of the largest employees in the Vallee de Joux). The brand will also consider applicants outside this scope on a case-by-case basis. Cartier accepts applications in French, English, and German, which must include an introduction video, project pitch, and sketch of the creation. This portal closes on October 31 2025. A five member jury, which includes Kari Voutilainen, will select six technicians and six apprentices, to be announced in December. The 12 chosen candidates will pair up with a mentor and have only 80 hours over three months to construct their respective vision using a Cartier cal. 012 alarm clock movement and a budget of CHF500. The application includes normally proprietary technical documentation on this movement to help the prospects plan their projects. Candidates will document the build in a digital logbook, recording and explaining each step, and keeping track of the 80 hour time budget. The reconvened...

Affordable Excellence: How High End Watch Brands are Creating Accessible Options for the Enthusiast

It is a global phenomenon: some of the most exclusive independent watch brands have in the last five years created more accessible and more affordable sister brands or collections. These are undoubtedly linked to the main brand thanks to similar design features and a similar spirit. Just look at MB&F; and its M.A.D.Editions in Switzerland, Grönefeld and Grøne in the Netherlands, and Hajime Asaoka with Kurono Tokyo. Their normal offering is in the tens or hundreds of thousands of dollars, and now their sister brands offer watches for a few thousand – and you don’t have to wait for years to get a watch.  Why are they doing this? What effect does it have on the general perception of the main brand? What are the collectors’ reactions to the more accessible offerings? Occasionally, it goes in the other direction. The Finnish brand Leijona’s Heritage 1907 Collection punches above its weight. It shows that a quartz based, mass market brand can make Swiss Made mechanicals together with a legend like Kari Voutilainen. We’ll get back to that. Just as we’ll get to Swatch’s recent collaborations with its fancier siblings within the Swatch Group. This phenomenon is all but new. Just look at Rolex and Tudor, the latter registered in 1926. “It was exactly the same as what we see today. Rolex founder (Hans) Wilsdorf wanted to offer high-quality watches at more affordable prices,” said watch expert Gianfranco Ritschel. Another example, half a century removed, is Cartie...

Interview: Kari Voutilianen on Urban Jürgensen and Artisanal Watchmaking

Urban Jürgensen made its comeback earlier this year with an impressive line-up that includes the flagship UJ-1 Tourbillon. Much of the credit for the brand’s watches and watchmaking goes to Kari Voutilainen. Mr Voutilainen has imbued Urban Jürgensen’s watches with the high standards of quality synonymous with his own brand, resulting in watches that are equally exquisitely craft and steeply priced, but arguably worth it. Though best known for his eponymous brand, Mr Voutilainen is also co-chief executive of Urban Jürgensen (and also a minority shareholder). His fellow steward of the Danish marque that is now headquartered in Bienne, Switzerland, is Alex Rosenfield. While Mr Voutilainen is in charge of watchmaking, Mr Rosenfield leads marketing and branding. From left: Kari Voutilainen, Andrew Rosenfield, and Alex Rosenfield. Image – Urban Jürgensen Given the opportunity to speak at length with Mr Voutilainen, I could not refuse. We discussed the true nature of artisanal work, ranging from movement decoration to guilloche, the details of Urban Jürgensen’s movements, and more. You can find his insightful answers below. But interestingly, my conversation with Mr Voutilainen reminded me of the first time I met him, which was at Baselworld 2006 when he launched the Masterpiece Chronograph (with a special hairspring from what turned out to be a questionable supplier). Even two decades ago, well before he was famous, Mr Voutilainen was passionate about the same thing...

New: Armin Storm Gravity Equal Force Ultimate Sapphire Blue

Armin Strom Gravity Equal Force Ultimate Sapphire Blue. Glacial blue guilloché main plate crafted by independent watchmaker Kari Voutilainen.

Up Close: Urban Jürgensen UJ-1 Tourbillon

Urban Jürgensen has been revived in fine style thanks to its investors and of course Kari Voutilainen. With the Finn in charge of watchmaking, the reborn brand made its debut with a trio of watches led by the flagship Urban Jürgensen UJ-1 Tourbillon. Inspired by the Oval pocket watch made by Derek Pratt for Urban Jürgensen, the UJ-1 is impressive in its execution, from construction to decoration. The quality is evident across the watch, which is unsurprising given Mr Voutilainen’s role in its conception and production. And the occasionally controversial lugs give an otherwise classical watch a distinct character. Initial thoughts The fine details of the UJ-1 are easily apparent in the metal. The movement decoration and construction are both impeccable, and so is the guilloche on the dial. But it is details like the engine turned case back and typography that give the UJ-1 that little bit of extra refinement. It is obvious from the photos, the movement quality is outstanding. Frosting, black polishing, chamfering, and so on – all are expertly accomplished. Moreover, all of the decoration is done in a traditional, often manual manner, rather than being mostly done by machine and then finished off by hand as is increasingly the case now. But finishing is merely the more obvious aspect of the appeal. The construction of the movement is equally impressive. It captures the style of the Oval pocket watch, including the three-dimensionality and clean aesthetics. Even though...

Editorial: Urban Jürgensen is Back

Despite missing the original 2023 target, the revival of Urban Jürgensen has proceeded surprisingly swiftly, especially since the brand is making its debut with three all-new models, including the flagship UJ-1 tourbillon – a substantial achievement in a relatively short period of time. The brand was only acquired at end 2021 by a consortium led by American financier Andrew Rosenfield, which installed Kari Voutilainen at its helm, whose presence explains a great deal of the brand’s momentum and product quality. The impressive UJ-1 movement with a flying tourbillon incorporating a remontoir Mr Voutilainen is now co-chief executive of Urban Jürgensen as well as a shareholder; the watches certainly bear the hallmarks of his work, namely top-class execution. Rosenfield senior’s son, Alex, is fellow co-chief executive primarily focused on crafting the brand’s image, which is a little fresher than the artisanal watches would imply. Now in his seventies, Rosenfield senior is president of Guggenheim Partners, the investment bank and asset manager, but more importantly, a collector of independent watchmaking for several decades. Mr Rosenfield has been a client of Mr Voutilainen’s for many years now, and owns one of the biggest collections of the watchmaker’s timepieces in the world. Andrew Rosenfield. Image – Urban Jürgensen The allure A wealthy, successful individual buying a watch brand is not a novel happening. The allure of owning a prestigious luxury watch mar...

Urban Jürgensen Introduces the UJ-3 Perpetual Calendar

Urban Jürgensen closes its newly launched model lineup with a surprising creation, the UJ-3 . An integrated perpetual calendar that elegantly builds on the base of time-only UJ-2, the UJ-3 is equipped with a calendar module developed in collaboration with independent watchmaker Andreas Strehler. The UJ-3 is the third and final watch in Urban Jürgensen’s relaunch lineup, which was among this year’s most unexpected (but welcome) surprises. Initial thoughts The introduction of a perpetual calendar along with the two other models is an impressive move by the team at Urban Jürgensen. Brands typically debut with a single model; Urban Jürgensen has managed three all-new watches. The fact that in addition to a tourbillon (and a special one at that) of the UJ-1, Urban Jürgensen managed to develop a complex perpetual calendar is nothing short of remarkable. Moreover, the perpetual calendar of the UJ-3 integrated with the movement, and not merely added as a module.  Urban Jürgensen is being transparent in revealing the UJ-3 is a collaboration between Voutilainen and watchmaker-engineer Andreas Strehler. This openness is important, especially for independent watchmakers. The acknowledgement also adds pedigree to the piece given Mr Strehler’s good reputation. Personally, I find the UJ-3 more cohesive in design compared to the UJ-2. The calendar indications better fill the dial space, and the hands are no longer too small for the face. Also, the dial appearance evokes the p...

Urban Jürgensen Debuts the UJ-2 Time-Only

Urban Jürgensen’s entry-level model is now the time-only UJ-2. The brand’s new design language includes nods to the past without being repetitive. Compared to the limited-edition UJ-1 tourbillon, the UJ-2 is a simpler and (relatively) more accessible watch, with a calibre inside that can serve as a base for complications in the future. Initial thoughts The UJ-2 shows no obvious direct influence from past watches and marks the beginning of Urban Jürgensen’s new approach. The styling is reminiscent of Breguet’s work, but the fine details are traceable to Jürgensen’s own creations. Inside, a new movement bears Voutilainen’s unmistakable touch. The gilded, grained caliber appears plain at first glance, but it is of high quality and strikingly original in many respects. Among the four versions of the UJ-2, one in particular catches the eye. The rose-gold model in particular, with its bright silvered dial recalls George Daniels’s Millennium series, thanks to the off-center dial and gold dial rings. The small seconds sub dial is rather large, with its diameter almost spanning the watch face diameter. Along with its lopsided placement, it makes for an interesting sight. The dial as a whole looks classical, but with a slight minimalist touch - same as in the UJ-1. The movement inside looks to be the base for models to come. In a growing trend of using new materials, longer power reserves and high frequencies, the UJ-1 caliber remains quintessentially traditional,...

In-Depth: Urban Jürgensen UJ-1 250th Anniversary Tourbillon

Led by Kari Voutilainen and backed by an American collector, Urban Jürgensen has been revived in grand style. The brand’s inaugural watch is undoubtedly one of this year’s most surprising launches, the UJ-1 250th Anniversary Watch. The first of three new models, the UJ-1 is a limited edition that pays tribute to the Oval, a pocket watch created by Peter Baumberger and Derek Pratt that is perhaps brand’s greatest timepiece. Having been dormant for a while and a little confused in terms of focus (including jumping on the fad of an integrated bracelet sports watch), the brand is now running full steam ahead and going back to its high horology roots with a trio of models, led by the UJ-1 that lives up to expectations, and then some. Initial thoughts The UJ-1 sets the tone for what is to come from Urban Jürgensen by Kari Voutilainen. Even before turning the watch over and admiring its movement, the execution of the dial hints at the quality within, reflecting the fact that Mr Voutilainen is an undisputed master of guillochage. At first sight the piece shows an engine-turned face that is tastefully restrained. The collective style of Breguet, Jürgensen, Pratt and Voutilainen can be immediately discerned from the dial. While wearing all the marks of traditional engine-turned dials, the proportions, the typeface and the “zero” marker make it look a little updated and almost leaning on the minimalistic.   The subtle change suggests that the brand is truly going into a...

Portrait – Finnish Indie Watchmaker Pietari Kupias On The Launch Of His Atelier, And His Katedraali Watch

Voutilainen, Sarpaneva, Laine… Just three names coming from Finland that have made an impact on independent watchmaking the world over. But it doesn’t end there, as recently we’ve uncovered young and exciting Finnish watchmakers like Kortela Valta and Reima Koivukoski. And there seems to be something special in the water in the “Land of a […]

Dubai Watch Week Returns in November 2025

Now a decade old and an established event in the annual horological calendar, Dubai Watch Week (DWW) will take place November 19-23, 2025. Most notably, DWW will move to a new venue, a 200,000 sq ft space next to Dubai Mall, departing its longtime home of the Dubai International Financial Centre (DIFC). The 2025 event will host over 90 brands, ranging from giants like Rolex to micro-brands such as Studio Underd0g. The biggest names will have standalone spaces, including Rolex and Tudor, Audemars Piguet, Van Cleef & Arpels, and Chanel. DWW traditionally took place at DIFC, pictured above But independents will still have a prominent role in the event, since DWW got its start as an indie-centric event. The 2025 edition will give independent brands room to breathe with a dedicated space. Exhiitors include leading independents like Rexhep Rexhepi, Voutilainen, and Roger W. Smith. DWW takes place from November 19-23, 2025 in Burj Park, the landscaped area surrounding the Burj Khalifa and adjacent to Dubai Mall. Entry is free but registration is required. For more, visit Dubaiwatchweek.com.  

De Bethune Turns to Swizz Beatz for Kind of Two GMT

The third iteration of De Bethune’s swivelling, double-faced watch is the Kind of Two GMT “Season 3” conceived in collaboration with American rapper and watch enthusiast Swizz Beatz. Powered by the hand-wound DB2517 movement, the watch indicates one time zone on the front and another on the reverse, with both sides able to be worn face up thanks to patented, pivoting “floating” lugs. Initial thoughts The Kind of Two series employs a useful reversible case, cleverly using the “floating” lug construction of the DB28 to create a double-faced watch. Here one dial is traditional with blued steel hands, and the other an open-worked face revealing the movement that also has a regulator-style display for the second time zone. The clever approach with a unique movement is typical De Bethune, although this loses some novelty as the third double-faced watch in the De Bethune line-up. The Kind of Two GMT is definitely one of the most elaborate two time zone watches on the market, but at over US$200,000, it is pricey for a GMT, even by the standards of independent watchmaking (Voutilainen’s GMT, for instance, costs less). Two-faced The “Season 3” edition adopts a restrained palette of black and gold with blue accents. The 43.3 mm by 11.4 mm case is titanium and zirconium, with blued steel hands and a blue-and-black guilloche dial centre on the front showing local time. Notably, this dial includes a jumping seconds that is driven by a secondary escapement visible on ...

Christie’s to Sell Single-Owner Collection of 21st Century High Horology

Christie’s is continuing with its streak of single-owner watch collections into the 2025 season with Stories in Time. Made up of 160 watches – including a sizeable number of independents – the sale is the culmination of three decades of collecting by one collector. Representing 47 brands from A. Lange & Söhne to Voutilainen, the collection represents 21st century horology in all its diversity, capturing the evolution of contemporary watchmaking as it developed from the 1990s onwards. The watchmaking landscape Establishment brands like Patek Philippe and Vacheron Constantin are well represented, but equally the independent watchmakers and brands out of the mainstream. While the brand with the largest number of pieces in the collection is Patek Philippe at 20, the second most numerous brand is De Bethune at 18. The line-up also includes nine watches by Greubel Forsey and seven from MB&F;, as well as a few examples of the Harry Winston Opus series. One of the nine Greubel Forsey watches in the sale, the Double Tourbillon 30° Edition Historique in platinum with an estimate of US$120,000-220,000 Almost every watch in the collection is in pristine condition and accompanied by the original boxes and paperwork, reflecting the collector’s meticulous approach. This collection will be offered at Christie’s sales across the world over the course of 2025, in Hong Kong, Dubai, Geneva, and New York in the eight auctions during the spring and autumn sales.  

Portrait – Kortela Valta, a New Independent Watchmaking Discovery From Finland

Finland has birthed some of the most fascinating watchmakers outside of Switzerland and has long left its mark on the watchmaking industry. Think of names like Kari Voutilainen and Stepan Sarpaneva, to name just two. Perhaps lesser known, but not to be overlooked, is Reima Koivukoski, whom we introduced to you about a year ago. […]

All of the Winners of the 2024 Grand Prix d’Horlogerie de Genève (GPHG)

The 2024 GPHG was a big night for jewelry brands as well as independent watchmakers with Rémy Cools, Kudoke, Ming, Sylvain Pinaud, Bernhard Lederer, and Kari Voutilainen all taking home prizes.

Indie-Focused IAMWATCH Registration and Programme

Announced a month ago, IAMWATCH is a three-day event centred on independent watchmaking that encompasses lectures, classes, and panel discussions. Taking place in Singapore from October 18 to 20 at the Edition hotel, Iamwatch has just revealed its programme for the event, which promises three full days – from breakfast to sundown drinks – of watches, watchmakers, and watch industry personalities. Entry is free but registration online is required. Boldface names attending the event include independent watchmakers Felix Baumgartner, Konstantin Chaykin, Kari Voutilainen, and Rexhep Rexhepi; watch entrepreneurs Jean-Claude Biver, Manuel Emch, Maximilian Büsser, and Jean Arnault; and auctioneers Aurel Bacs and Sam Hines. Konstantin Chaykin, Felix Baumgartner, and Rexhep Rexhepi Each day begins with a breakfast hosted by industrial notables, including Maximilian Büsser on October 19. The breakfast is followed by a full schedule, including daily lectures about history and horology by historian David Rooney, author of About Time, a history of timekeeping. Jean Arnault, Aurel Bacs, and Manuel Emch Afternoons include classes on various topics, including Jean-Claude Biver on being a watchmaking entrepreneur – a pitch perfect match of speaker and subject if there ever was one. Panel discussions take place daily as well, including one dedicated to independent watchmaking on the final day, October 20, moderated by myself with Felix Baumgartner, Kari Voutilainen, Rexhep Rexhepi ...

MIH Marks 50 Years with the Gaïa III and Gaïa 50th Anniversary

Originally launched in 2019 as a fundraising exercise for the Musée International d’Horlogerie (MIH), the Gaïa wristwatch is returning for the museum’s 50th anniversary this year. The MIH is marking the occasion with a pair of watches, the Gaïa Series III and Gaïa 50th Anniversary, both limited editions that will help fund restoration work and promotional activities at the museum. The two watches share the unique design of earlier Gaïa editions, but now the dials are engraved. Notably, the Gaïa 50th Anniversary (pictured above) has a guilloche dial that’s hand made by Georges Brodbeck, a veteran guillocheur whose workshop was acquired by Voutilainen two years ago. The Gaïa Series III with a laser engraved dial Initial thoughts As with the earlier Gaïa watches, the new pair are a great way to support one of Switzerland’s leading watch and clock museums. But the Gaïa is not just a charity project, it is an appealing and well-priced watch. The price has risen slightly, from CHF2,900 for the original to CHF3,400 for the Gaïa III, but the increase is modest relative to the watch industry as a whole, and the watch remains a value buy. The Gaïa anniversary is twice the price at over CHF5,000, but still value considering the hand-made guilloche dial. It’s one of the handful of watches in this price range with a traditional engine-turned dial, plus it has an unusual time display and case. The closest comparison is the Louis Erard Excellence that is less expensi...

The Andersen Genève Jumping Hours in Minimalist Black Jade

The Jumping Hours Black Jade Stone is Andersen Genève’s new take on its minimalist, digital hour timepiece. Retaining the same specifications, it once against uses the wide expanse of the dial for visual effect. The dial is a large, seamless piece of black jade just 0.4 mm thick that’s been lapped to a perfectly flat, mirrored finish. The glossy black dial is unadorned save for the hour display 12 o’clock, along with a pink gold minute hand matched with pink gold-powder printing. Initial thoughts Bringing to mind vintage jump hour pocket watches with its clean dial, the Andersen Jumping Hours is a perfect canvas for dial decoration given the available space. Even though it looks plain at a distance, the black jade dial is striking in its colour and simplicity, while also revealing the natural grain up close. The time display, however, is unconventional. While the hours are easy to read, the minute register at six is easily and often mistaken for the seconds. Though I can understand the design-driven purpose of the minute sub-dial, I would have done it another way to make reading of the time more intuitive. The quality of work is typical Andersen, which is artisanal and visibly so. It doesn’t have the perfect execution found in a Voutilainen or Akrivia but is done well. The price is commensurate with the quality – at about US$59,000 is more or less mid-range amongst high-end independent watchmakers. Time only in black jade One of the pioneering independent watchm...

Laurent Ferrier Introduces the Grand Sport Tourbillon Sincere Platinum Jubilee

While Laurent Ferrier originally made its name with timepieces that paid homage to traditional watchmaking, the brand has recently evolved towards to a more contemporary style, especially with its Sport collection that marries solid, classical mechanics with sporty case designs. The latest addition to the line is the Grand Sport Tourbillon Sincere Platinum Jubilee Edition, a limited edition in rose gold and green guilloche that celebrates the 70th anniversary of Singapore-based retailer Sincere Fine Watches. Initial Thoughts The Sincere edition is essentially a Grand Sport Tourbillon dressed in a warm and appealing palette. The green dial complements the 5N rose gold case, a rich combination that conveys a sense of old-school luxury and refinement, which suits the commemorative occasion well.  Unusually, it is presented on a strap, instead of a bracelet that has been the norm for most of Laurent Ferrier’s sports watches to date. The strap makes the watch more wearable – a bracelet would mean a lot of gold – and also slightly more accessible in terms of price. In typical Laurent Ferrier style, the quality of execution is high. The dial is made by Voutilainen’s Comblemine while the movement is decorated to an impressive level (though the bridges have a simpler linear brushed finish instead of the more traditional striping). Intrinsically, the Sincere edition is an appealing iteration, but the Laurent Ferrier Sport line in general feels ambiguous as the design not e...