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Monochrome
In a press release issued just a few hours ago, the LVMH Watches Division announced having acquired a minority stake in yet another key player in the Swiss watch industry. As a reminder, the LVMH Watches Division comprises brands Hublot, TAG Heuer and Zenith and is under the direction of Jean-Christophe Babin, also CEO of […]
Fratello
The C1 Jump Hour Mk V marks the return of Christopher Ward’s mechanical jump-hour complication, now housed in a 39mm stainless steel case. It comes in two variants - Noon and Dawn - each available either on a steel bracelet or a leather strap. I got a chance to play with the blue Noon version […] Visit Introducing: The Christopher Ward C1 Jump Hour Mk V to read the full article.
Monochrome
Mido’s TV-shaped Multifort has quietly become one of the most distinctive value propositions in the sports-chic bracket. The core model provided you with the compact square-with-rounded-corners, TV-shaped case, a big date at 12 o’clock, and a modern Powermatic-based calibre, while last year’s S01E01 Test Screen showed how playful the format could be without losing seriousness […]
Monochrome
For many years, you’ve probably known Roger Dubuis for its bold, angular watches with openworked movements and tourbillon(s), most of them under the Excalibur collection. And while most are technically very impressive, this isn’t exactly the style that Mister Dubuis defined when he created the brand in the mid-1990s. The earliest watches, known as the […]
Fratello
It certainly seems like 2025 is the year of anniversaries. Big names are celebrating many centuries of watchmaking, and many brands, young and old, are releasing exceptional commemorative creations. Some are intricate masterpieces that express their maker’s savoir-faire, while others represent an evolution of a historical benchmark creation. The Roger Dubuis Hommage La Placide is […] Visit Introducing: The Roger Dubuis Hommage La Placide - A 28-Piece Limited-Edition Biretrograde Perpetual Calendar to read the full article.
Fratello
In the words of the great Huey Lewis, “It’s hip to be square!” Just as the lyrics of this ’80s hit refer to it being cool to be conventional, the Nomos Tetra celebrates the traditional square dress watch in style. But there is a twist to both the song and the watches. As Lewis explained, […] Visit Spending Time With The New Quartet Of Nomos Tetra Origins Watches to read the full article.
Teddy Baldassarre
The Longines Hydroconquest has been around since its debut in 2007 and in that time it has come to be one of the staple entry level luxury dive watches. And it’s certainly for good reason considering just how much quality is on offer for the price which is in no small part thanks to the brand’s positioning under the Swatch Group umbrella. Derived from the classic Longines Conquest collection, the Hydroconquest is a decidedly un-vintage inspired dive watch that rather leans into contemporary design. Given how much safer a vintage-inspired design is these days, I give Longines a lot of credit for developing and nurturing this collection over the last 18 years. After all, having the Legend Diver as a sibling sets a rather high bar. The Hydroconquest was refreshed back in 2018 when it gained a ceramic bezel which, quaint as it might seem today, was not such a universally available option at the price point. Here I will get into the standard model as well as the excellent GMT iteration that was released back in 2023. [toc-section heading="Longines Hydroconquest Case"] This watch is available in several case size iterations ranging from a 32mm quartz model all the way up to a 43mm all black ceramic case iteration. I want to talk about the 41mm size which is also likely the most popular for obvious reasons. Measuring 41mm wide and 11.9mm thick with a 51.1mm lug-to-lug height, the Hydroconquest does stretch out onto the higher side of that 50mm L2L, meaning it wears on the big...
Worn & Wound
One of the most unexpected but delightful trends to emerge in watches over the last few years is the rise of the “Japanese Calatrava” style watch. Even if you haven’t heard this term thrown around, you probably know exactly the type of watch I’m talking about, as there have been several that have emerged relatively recently. The small dress watches made by Kurono Tokyo are an obvious example, and perhaps the genesis of it all. Brands like Kikuchi Nakagawa and Noaya Hida are also part of this conversation at the more luxurious end of the spectrum, and of course there are a variety of affordable watches that sit nicely in this category or are tangential to it, like Kuoe and Orient (which admittedly has been doing this for many, many years). I like this trend because it feels like a small segment of the watch world is pushing back on the dominant force in watches over the last decade: the vintage inspired sports watch. I’m no hater – I own a few vintage inspired sports watches and can appreciate the good ones, but they are so ubiquitous it’s tough to see them as anything but generic. The simple Calatrava style watches coming out of Japan are of course similarly generic, but are a welcome flip side to the sports watch coin, and I like the idea that someone entering the hobby now might find themselves down a rabbit hole of small dress watches as opposed to Submariner-style divers. I’d be very curious what that collector has in their watch box five or ten years...
SJX Watches
The just-concluded Geneva auction season was mostly a plateau with several striking peaks and a few lows. The peaks were marked by desirable timepieces that outperformed by far, yet shared little in common with one another in terms of style or period. The peaks ranged from multiple F.P. Journe watches to a diamond-set Patek Philippe ref. 3424/1 “Gilbert Albert” to the Breguet four-minute tourbillon pocket watch from 1809 to the Instagram-ready Patek Philippe ref. 3970 in “salmon” with Breguet numerals. Despite such diverse taste, the small pool of bidders seemed to have one thing in common: they were all focused on a “trophy” watch. The Christie’s saleroom in the Four Seasons. Image – Christie’s With few exceptions, contemporary watches from mainstream brands were cold, while vintage watches were mostly lukewarm – but as always there were exceptions. An Patek Philippe ref. 570 with a black dial signed “E. Gubelin” sold for an impressive CHF419,100 including fees, or US$523,000, at Christie’s, while Phillips sold a Rolex Daytona ref. 6263 “RCO” (or “Oyster Sotto”) for an equally impressive CHF1.39 million, or US$1.73 million – close to the historical peak for the model. A vintage watch that surprised on the downside was the 1927 Rolex Oyster worn by Mercedes Gleitze when she became the first woman to swim the English Channel in 1927 – a landmark in Rolex lore. Though it sold for CHF1.39 million, or US$1.74 million, there was just one bi...
Monochrome
Lebois & Co. was founded in 1934, and since its revival a decade ago, the independent has been steadily building a catalogue that treats vintage codes with the utmost care. The turning point was the Heritage Chronograph, a compact, community-shaped bi-compax that gave the brand a clear design language: classical proportions, crisp typography, and useful […]
Worn & Wound
Windup Watch Fair 2025 NYC might be over, but we’re still experiencing the high. One of the most popular aspects of the fair is the live panels, where industry leaders and insiders can share insights and dialogue directly with collectors and enthusiasts. There was no better way to kick off the weekend than with Bremont CEO Davide Cerrato, who graciously sat down with Worn & Wound’s Sam Amis to discuss Cerrato’s unique perspective on the industry and vision for Bremont. There is also an audience Q&A; at the end. Enjoy the full video of the interview below, or read along with the following transcript. The following conversation has been lightly edited for brevity and clarity. Sam Amis: Thanks for being here, Davide. This is going to be fun. Davide Cerrato: Thank you for inviting me. Sam Amis: Let’s start with the classic first question: what’s on your wrist today? Davide Cerrato: Today I’m wearing a very special watch that’s dear to me-a new version of the Terra Nova Jumping Hour. We launched the first version at Watches and Wonders in bronze, limited to 100 pieces. It sold out in two and a half weeks. Now we’re releasing a 904L steel version. It perfectly embodies the bold design direction Bremont is taking. Sam Amis: Love it. If you haven’t seen this watch, it’s on display upstairs. I was admiring the vertical brushing on the dial-it’s beautiful. I’m wearing a Tudor FXD, which I got when my second son was born, so it means a lot to me. I know you...
Worn & Wound
Brown is a divisive color; get it right, and it can make whatever it adorns seem luxurious, rich, and warm. Get it wrong or pair it with a color that doesn’t go well with earth tones, and you end up with something either dull or downright ugly. Fortunately, German watchmaker Hanhart has gone the right route when designing their 417 ES Mocha Flyback date, with a naming convention and brown and silver color pairing that conjures cafes on a rainy day. Made in collaboration with the Porsche Fahrer magazine, the Mocha Flyback is actually a handsomely-masked nod to motorsport, albeit with a coffee-centric aesthetic twist. The 42mm stainless steel case measures in at 49.75mm lug-to-lug, with a smooth stainless steel bezel, and a crown at the 3 o’clock position. Flanking the crown are two pushers-one matching steel at 2 o’clock, and one in a daring HyCeram red at 4. The red pusher is the sole deviation from the moody brown and silver design, and the first indication of the Mocha Flyback’s infatuation with speeding automobiles. It’s not just for optics, either; the bright red is a hallmark of flyback watches, intended to warn pilots (or race car drivers) before they accidentally reset the stop timer. The dial is a deep mocha brown, with two subdials inset at 3 and 9 o’clock for small seconds and 30-minute counter functionality; a date window sits at 6, replacing the numeral. Around the dial is a military-esque minute track, echoing the pilot watch origin of the model....
Monochrome
Any watch from Christiaan van der Klaauw that carries a planetarium is, by definition, special. Since the mid-1990s, this rare and spectacular complication has been the brand’s signature feature, conceived and calculated by Mister van der Klaauw himself. Recently, the brand, now under the guidance of Pim Koeslag, presented the fantastic Grand Planetarium Eccentric, the […]
Fratello
If you are a fan of interesting microbrands, you have heard of Peren. We have covered several of the brand’s watches. The minimalist style of the Regia and Nero divers is recognizable and serves as an adaptable canvas to experiment with different looks. However, for his next release, founder Andy Bica decided to leave the […] Visit Introducing: The Minimalist Peren One Chronograph to read the full article.
Monochrome
Rado has become a byword for design-led, high-tech ceramic watches spearheaded by the Ceramica watch of 1990. Although the fully integrated case and bracelet of the Cermica were more rectangular in shape, the sleek, minimalist style passed down through the family tree and was inherited by the True Square Automatic collection, released thirty years later, […]
SJX Watches
Appointed Managing Director of Girard-Perregaux (GP) in early 2025, Marc Michel-Amadry has over two decades of leadership experience spanning both the auction world and fine watchmaking. A former head of Sotheby’s Switzerland and Chief Commercial Officer of IWC, he steps into the role at a pivotal moment for GP, which has spent the past three years refining its identity as an independent brand, alongside its sister brand Ulysse Nardin in the Sowind Group. I sat down with Mr Michel-Amadry not long after he took office to discuss what he has in store. Our conversation touched on the enduring relevance of the Laureato, the renewed importance of in-house innovation, and his plans to restore GP to its former glory. The interview was edited for length and clarity. SJX: You’ve covered a wide range of the industry, having worked with niche brands, major brands, and big groups. Tell us how you ended up at GP. MMA: People often tell me I don’t have a typical career path. Usually, you start somewhere and stay within the same group. But for me, every step has to have a purpose. I’ve always wanted to work for a brand that means something. By coincidence, I was born in La Chaux-de-Fonds - the home of GP. It’s a brand I’ve always followed. I met Luigi Macaluso early in my career and was struck by the sophistication and beauty of the brand. Beyond its know-how and history, GP has always expressed its own design because everything is in-house. Luigi “Gino” Macaluso, forme...
Teddy Baldassarre
Watches with Roman numerals on the dial are among the most stylish and classically elegant of timepieces, despite the fact that most of them have what we might today refer to as an egregious typo. Then again, it’s not really a typo if it’s intentional, right? And the use of a "IIII" in place of the standard Roman numeral "IV" is clearly a conscious decision, as it's been commonplace for centuries. In this article, we offer some possibilities as to why. As anyone familiar with the Roman alphabet knows - and nowadays that probably includes anyone who pays attention to Super Bowl advertising - the Arabic numerals 1, 2, and 3 are rendered, respectively, as I, II, and III, but the format changes with the numeral 4, which is rendered as “IV,” and 5, which is simply “V.” Without getting too bogged down in an ancient alphabetization lesson, the first three numerals after zero (and after 5) are additive, while the one before the next major character, representing 5, is subtractive: “IV” stands for 4 because it’s five (V) minus one (I). And yet, take a glance at just about any watch dial, or clock dial, for that matter, that uses Roman numerals to denote its hours and most often you will find not a “IV” but a “IIII” - the so-called “clockmaker’s 4,” which differs from the Roman numeral we’re familiar with today. Making watches, as any aficionado knows, is one of the most meticulous, time-intensive, and detail-oriented pursuits in the world...
Teddy Baldassarre
The Cartier of today is undeniably a symbol of luxury and has strategically manufactured that imagery. From its quintessential deep red boxes with gold filigree border to its looping cursive script, even before you get to the object itself, whether it be jewelry or a watch, the brand has carefully crafted the entire experience of its product to position it as such. But today, we’re taking a look at an anomaly in the maison’s past, for which Cartier descended from its luxurious heights to extend its hand to the mass market. Les Must de Cartier is representative of a pivotal time in the history of watchmaking, and its contrasting accessibility played a crucial role in the maison’s longevity and its ability to weather shifting market trends. Down below, I’ll be walking you through how Must de Cartier came to be, some significant design codes, how the line has reemerged after its discontinuation, and share some musings and philosophical ponderings about this strange chapter in Cartier’s history. Les Must de Cartier Context From its relatively humble beginnings as a local, artisanal jewelry workshop in 1847, by the turn of the 20th century, Cartier had already established itself as a global luxury powerhouse, operating in London, New York, and Paris by 1909. Each independent branch of Cartier at this time was operated by a trio of Louis-François Cartier’s grandsons, and while they often collaborated, each location developed its own unique flair and catered to ...
Worn & Wound
The latest from Ming is a continuation of their incredibly popular diver lineup, the current incarnation of which began with the 37.09 “Bluefin” and was later followed up with the 37.09 “Uni”. Both of those watches very effectively made use of a dual crown system (one for time setting, one for rotating an internal bezel that is not really a bezel at all), streamlined proportions, and Ming’s expertise in using sapphire and lume for both decorative and functional purposes. The new 37.11 Odyssey is an expansion of the ideas found in the Bluefin and Uni, with an added GMT feature and the option to spec the watch on the absolutely insane Polymesh bracelet. When we had our meeting with Ming earlier this year at Geneva Watch Days, this was the watch that brand founder Ming Thein was wearing on his wrist. I’ll be honest, the Polymesh bracelet kind of stole the show in that presentation, overshadowing the Odyssey just a little, but that’s simply because the Polymesh was a legitimately novel creation, while the Odyssey is something a little more familiar. That’s not a slight, of course. One of the things that makes Ming such an impressive brand is the way a clarity of design runs through each new watch they make, always in conversation with earlier pieces. That’s what helps you identify a watch as a Ming, but it can also mean that certain releases don’t create that vibrational spark of interest that really gets you excited. That said, the Odyssey is an objectiv...
Monochrome
Vanguart is a young independent watchmaking brand founded by four men: Thierry Fisher, Jeremy Frelechox, Axel Leuenberger and Mehmet Korutürk. Both Leuenberger and Frelechox previously honed their skills at Audemars Piguet. Fisher is in charge of design. Korutürk has a background in finance and was working for a private equity company. Presented in 2021, their […]
Hodinkee
From high art crafts of enameling, engraving, and gemsetting, to a new 24 complication double-sided watch from Vacheron Constantin, the brand pulls absolutely no punches this year.
Deployant
Grand Seiko’s Evolution 9 collection has been killing it recently, and quietly. In 2024, we greeted the arrival of the SLGW003 with praise. It’s bright titanium case, silvery birch bark-inspired dial, and the Evolution 9 design language (which plays hard with the concept of light and shadow) was a winning combination that left a lastingRead More
Monochrome
Founded by Ming Thein in 2017 and based in Kuala Lumpur, MING is a design-led indie brand with a distinctive and recognisable aesthetic built on contemporary design, where minimalism, luminescence, layering and colour are key players. MING’s first dive watch surfaced in 2019 with the 18.01 Abyss Concept prototype, leading to the regular production model […]
Hodinkee
A successor to the GPHG-winning 37.09 'Bluefin,' a rugged but lightweight GMT, and a perfect match for Ming's growing ecosystem.
SJX Watches
Ming’s latest release, the 37.11 Odyssey, builds on the brand’s reputation for luminous, multi-layered dials and inventive designs. The Odyssey takes the visual depth seen in the Bluefin and Uni to the next level with a smoked sapphire dial that reveals the movement beneath, paired with shark-tooth hands and a multi-coloured luminous display. Despite its futuristic appearance, the Odyssey remains a practical travel companion. The compact 38 mm titanium case weighs just 42 g and offers 300 m of water resistance, while the Sellita SW330.M2 movement inside provides caller GMT functionality (with a twist). Available on a rubber strap, a titanium bracelet, or the brand’s new 3D-printed Polymesh strap, the Odyssey showcases Ming’s evolution from a design-driven micro-brand to a mature independent watchmaker with its own distinct language and value proposition. Initial thoughts The Odyssey is appealing because it plays to the brand’s strengths with regard to multi-layered, semi-transparent luminous dials. Like many of Ming’s best watches, including the similarly constructed Bluefin and Uni, the Odyssey provides a pleasing parallax effect thanks to the presence of luminous material on both the dial itself, as well as the underside of the sapphire crystal. The Odyssey takes the layered look even further by revealing hints of the movement through a smoked sapphire crystal dial. The movement is a typical Sellita GMT calibre, customised for Ming with anthracite-coated plat...
Two Broke Watch Snobs
We hand-picked watches that we tested and feel premium on the wrist. Make your gift count and deliver real value this holiday season.
Monochrome
The Impulsion by Louis Moinet is already one of the more extroverted ways to pair a chronograph and a tourbillon. For Dubai Watch Week 2025, the brand dials up the theatre with a sharp new act: the Impulsion Titanium Green, a limited edition that blends carbon, smoked sapphire and green-and-red colourway with the same openworked […]
Fratello
Jack Mason has certainly been busy! The American brand has taken huge steps in renewing and improving its offerings. Recently, I had a chance to review both the updated Canton and the new Pursuit Pro. The next two releases that landed on my desk were new versions of the popular Strat-o-Timer GMT. After introducing a […] Visit Hands-On With The Jack Mason Strat-o-Timer Titanium Diver GMT to read the full article.
Fratello
Hold your horses; Universal Genève is still warming up for a full launch in 2026. For now, we have to settle for ultra-exclusive stuff. You could call it “clickbait,” but that would be too crude for two sets of three Universal Genève Tribute to Compax chronographs in white and pink gold with different dials. You […] Visit Introducing: Two One-Off Sets Of Three Universal Genève Tribute To Compax Chronographs - “The Nina” Returns to read the full article.
Two Broke Watch Snobs
The Casio Vintage AQ-240E is a new analog-digital watch with retro styling, compact dimensions, and a stainless steel build-all for under $70.
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