2,658 articles · 6 videos found · page 47 of 89
Monochrome
Anoma was founded in 2024 and entered the watchmaking scene with the distinctive, rounded, triangular-shaped A1 model. Inspired by a 1950s free-form table designed by Charlotte Perriand, the original A1 has since evolved through small-series releases, the Slate and the Optical, and, more recently, the permanent Abyss and Stone models. The young London-based brand now […]
Worn & Wound
Anoma has announced the latest version of the A1, their watch with a unique triangular shape that brand founder Matteo Violet Vianello says was inspired by a free-form table designed by Charlotte Perriand in the 1950s. There have been a variety of derivations of the original A1 design since it launched, and it’s been a surprisingly versatile canvas for a number of different ideas and points of reference. The thing I like most about the Anoma project, even more than the shape of the watch itself, which I like a lot, is that those ideas largely come from outside the watch world. This industry is filled with references to its own past, and sometimes new watches feel like fist bumps acknowledging and celebrating, well, themselves. It’s refreshing to see a brand celebrating an artistic world that extends beyond watches – it really expands the aperture on what’s possible in terms of design. Anoma’s latest, the appropriately named Prehistoric, was inspired by a visit to the Brancusi sculpture exhibition at the Centre Pompidou in Paris. The exhibition features primitive artifacts that Brancusi saw as the earliest examples of human creativity. The objects, such as arrow heads, axes, and other tools, got Vianello thinking about what is actually essential in design, and what is excessive. He was also influenced by the physicality of these objects, and how evidence of their making, the crude handwork, was still present thousands of years after their creation. The Prehist...
SJX Watches
Anoma is back with a new take on its 1950s-inspired asymmetrical A1, but unlike previous riffs, which varied the dials but left the cases untouched, the A1 Prehistoric features a hand-chiselled case inspired by Stone Age human tools. Initial thoughts The original Anoma A1 was inspired in part by the sculptures created by Constantin Brancusi, specifically his ability to convey movement and create tension. But Brancusi was not just a painter and a sculptor — he also collected primitive human artefacts. In Brancusi’s view, early hand-carved tools like arrowheads and hand axes represent some of humanity’s earliest — and therefore purest — forms of creativity and craftsmanship. The A1 Prehistoric takes inspiration from these ancient tools with its distinctive case finish. To create it, Anoma turned to French engraver Steven Brunel to bring the Prehistoric to life. With hundreds of blows from his chisel, Mr Brunel removes material by hand until the case resembles a primitive stone tool. With so many uneven facets, the play of light across the case should be quite remarkable. Furthermore, each case will look slightly different since the strikes are made freehand. In an industry that is built on precision, perfection and order, the Prehistoric deviates sharply from the norm with a finish that revels in our primal impulses to shape the world around us. One thing that hasn’t changed much is the value proposition that has defined the A1 since its debut. At £2,900, the Pr...
Worn & Wound
eBay Finds is back! This bi-weekly installment will feature a selection of watches currently listed on eBay that have caught the eye of editor Christoph McNeil (@vintagediver). If you come across any hidden gems on the ‘Bay drop us a note at info@wornandwound.com for potential inclusion. Zenith A3630 Vintage Diver Here’s a rare gem to start us off this week, a vintage Zenith diver with original bracelet! This Zenith A3630 has a classically styled 38mm diver case in steel that looks to be unpolished. It does have some wear consistent with use and its age, but it does not look abused. The matte black dial looks excellent, with a contrasting white outer chapter ring and applied steel markers, and an unobtrusive date window at 4:30. The steel hands have large lume plots, and the hour hand has a nice big arrow tip for easy reading. The oversize crown is signed with the Zenith star symbol. The aluminum elapsed time bezel insert has some nice fading to it, but overall it’s in good shape. This piece comes with the original Gay Freres steel bracelet with a Zenith signed buckle. The Zenith automatic movement is clean and runs well per the seller. Great hard to find vintage diver! View auction here Heuer Autavia 1163 Vintage Chronograph Next up is another heavy hitter, a vintage Heuer Autavia 1163 chronograph. Wow, this beast is a real beauty. The 42mm steel cushion case is superb, unpolished with crisp edges and the original brushed finish. The black dial looks original an...
Monochrome
Longines revived the Conquest Heritage Central Power Reserve in 2024, bringing back one of the brand’s most original mechanical displays, a patented solution first introduced in 1959 that shows the remaining energy stored in the mainspring with rotating discs. Released to celebrate the 70th anniversary of the Conquest collection, the model successfully combined faithful vintage […]
Time+Tide
Bringing the original high-tech ceramic timepiece back to the catalogue with full 80s style in black and gold.
SJX Watches
For those headed down the cape this summer, Hermès has unveiled an upscaled Cape Cod in brushed titanium. In some ways, it represents something of an ‘Offshore’ moment for the Cape Cod — a bolder, sportier version of one of the brand’s most emblematic models. While Henri d’Origny’s original 1991 design has evolved over the years to become more of a unisex concept, the latest execution is more overtly masculine than any prior variant in both size and finish. Initial thoughts Watches like the Cape Cod illustrate the strides taken by a handful of so-called ‘fashion brands’ that have successfully crossed over into watchmaking in the past few decades — Hermès is a poster child of this movement. The brand’s original designs — especially its emphasis on details like typography — and high-end movements have enabled it to make significant inroads with serious collectors, to say nothing of its broader success with its primary clientele. Despite the light weight of the 41 mm titanium case, the upscaled Cape Cod has substantial wrist presence on account of its design, which emphasises the lug-to-lug distance — perhaps a bit too much. But thanks in part to its monochromatic case and dial — the vivid orange seconds hand is the only pop of colour — the personality of the Cape Cod transforms easily with a strap change. Despite the strength of the Hermès brand and the obvious quality of the Cape Cod, the watch is priced well at US$7,900. That’s significan...
SJX Watches
Tudor surprised with an off-season launch in the form of the Black Bay Chrono 39 “Bumblebee”. Coming just two months after Watches & Wonders 2026, the Bumblebee is one of the brand’s outstanding debuts for the year (so far), alongside the atypical Monarch. The Bumblebee is essentially a scaled-down version of the original Black Bay Chrono, which was excellent but half a size too large. Now it’s almost just right, but unquestionably good enough, especially since the downsized chronograph still retains the same high-spec movement and affordable price tag. Initial thoughts I’m a fan of the Black Bay Chrono; I own two earlier iterations of the model. Tudor got everything right with those, except for the size, which was a little too big for the design. The Black Bay Chrono 39 scales it down noticeably, enough that the watch is just right. The case is still a little thick (inevitably due to the movement), but the overall package has been refined to a point where it’s difficult to improve it much more, especially with the constraints of price and the MT5813 movement. The MT5813 is probably the top movement in this price range in terms of features and construction, but it is relatively thick. Still, the thickness is forgivable given the quality of the movement and the price. I certainly hope Tudor rolls out new variants of this chronograph as yellow is not for me, but I rate this highly in terms of proportions, wearability, and of course value. At US$6,725, the Black B...
Hodinkee
Continuing Doxa's focus on its core late-60s aesthetic, the brand recently unveiled the T.Graph II, the latest iteration of its core dive chronograph. Reborn but largely faithful to the original (and indeed to some more recent T.Graph forays), the new T.Graph II ports the Sub 300's classic look into a burly yet entirely wearable automatic chronograph that comes in Doxa's classic trio of colors, along with the surprise inclusion of a blue "Caribbean" execution. With a flagship price tag, it's a model that has previously been hard to source and often even more expensive, so the question becomes: is the new T.Graph II the dive-ready Doxa chronograph we've been waiting for? Don't fret, we'll get to all that and more. But first, a quick history lesson to bring us all loosely up to speed on the T.Graph, as it's a model with a cult following but was previously never made in any considerable quantity. T.Graphs Past To keep things as basic as possible (because Jason Heaton has written extensively about, and dived with, vintage T.Graphs – here with a Searambler, and here with a Sharkhunter), the new Sub 200 T.Graph II is based on a low-production design from 1969 called the Sub 200 T.Graph. While there is some contention over production numbers, it is believed that ~300 of each of the original colorways (Sharkhunter, Searambler, and Professional) were produced. Again, I recommend both of Jason's stories, even if only so you can see how absolutely gorgeous a vintage Sub 200 T.Graph...
Monochrome
The Orbit, presented in 2022, is one of the defining models within Armin Strom’s catalogue. With the date displayed on demand via the bezel, it offered an original take on a function that has stayed mostly unchanged for decades. Since the launch, the independent Biel-based manufacture has produced several editions, including the inaugural First Edition, […]
Fratello
The Amida Digitrend is one of those out-of-the-box watches that always gets me. The combination of its unconventional shape, prism display, and jump-hour complication makes it unlike any other watch. That was already true of the 1976 original Amida Digitrend. Designer Matthieu Allègre and Depancel founder Clément Meynier relaunched the Digitrend in 2024 and tried […] Visit Get “Tunnel Vision” With The New Amida Digitrend OSII Black to read the full article.
SJX Watches
Twenty years since the original Venus’s debut, Dutch independent Christiaan van der Klaauw (CVDK) upgrades the concept with the Venus Annual Calendar featuring a stellar automatic movement and an austere new “astronomical” dial. The Annual Calendar supplements the more traditional Venus Zodiac, which shares the same 38 mm case and upgraded base calibre. Initial thoughts The next generation of CVDK’s Venus comes in two flavours that act as foils to each other, pitched by the brand as representing astronomy and astrology. While the Zodiac variant is a familiar blue aventurine glass affair, much like the original Venus launched back in 2006, the instrument-like white Annual Calendar version is new to the Venus family. Western sun-sign astrology divides the sky into 30° slices, each named after a constellation such as Virgo or Scorpio, with whichever slice the sun occupies being the current sign. CVDK’s planetariums normally include both an annual calendar and the 12 signs of the zodiac, so dropping the latter might seem like a loss for an astronomical watch. The duo would make an ideal set, but are currently only solid individually. However, these popular sun-signs do not match the actual locations nor sizes of the constellations. For example, the slice marked ︎ for Cancer actually contains the Gemini constellation, while Sagittarius (︎) accommodates Sagittarius and Scorpio. In some ways, the zodiacs were just bloat, and separating the two makes both watches st...
Time+Tide
The Casseil II is a sequel from Makina that moves in a different direction from the original, introducing a musclular, brutalist look
Monochrome
Awake Watches made its debut in 2019 by lifelong watch enthusiast and collector Lilian Thibault. The brand quickly found an audience through original, graphic and fun elements such as meteorite dials, collaborations with artists, and contemporary styling and materials, at a very fair price. In 2024, in celebration of the brand’s 5th anniversary, Awake made […]
Monochrome
Nomos released the Ahoi Neomatik Sand and Sky in 2023, adding a fresh, playful touch to the brand’s sporty collection. Combining the good specs of the Ahoi line with colours inspired by nature, they stood apart from the more restrained palette usually associated with the Glashütte manufacture. This year, Nomos offers a pair of smaller […]
Fratello
Nomos Glashütte has expanded the Ahoi Neomatik collection with two new dial colors called Sky and Sand. While these shades already existed within the larger Ahoi Date lineup, this marks their debut in the compact 36.3mm no-date version. The result is a pair of watches that feel familiar yet notably different thanks to their smaller […] Visit The Nomos Ahoi Neomatik Gets New Sky And Sand Dials In The Compact 36.3mm Case to read the full article.
Monochrome
In 2019, Ulysse Nardin launched the Freak X. More compact, more accessible and equipped with a conventional crown, it retained the essence of the original Freak (no hands, no dial, and no crown) introduced in 2001 by visionary watchmaker Ludwig Oechslin, while adapting it for everyday wear and a broader clientele. Now, as the manufacture […]
Hodinkee
What We Know Vacheron just brought back its incredibly unique Traditionelle Twin Beat Perpetual Calendar, and it's a welcome sight for dedicated collectors of the brand, along with general enthusiasts of unexpected yet innovative takes on complicated watchmaking. If you're not familiar with the original Traditionelle Twin Beat Perpetual Calendar, launched back in 2019, the watch offered an incredibly novel solution to a problem often found within perpetual calendar watches. Let's be honest, though the entire appeal and genius of the perpetual calendar is for someone wearing one watch all day, every day, for the whole year, watches like these are most often owned by those with a large collection to begin with. A weekend for a perpetual calendar in a watch box or drawer would mean that the complication would need to be set again after winding, and so Vacheron introduced this perpetual calendar with a whopping 65-day power reserve. To achieve this, rather than putting in an unfeasibly large mainspring in the barrel, the Traditionelle Twin Beat Perpetual Calendar lives up to its name by offering a new system that allows for switching between two beat rates for the watch—a contemporary high-beat 5Hz frequency with a 4-day power reserve for normal timekeeping during wear, but a much slower 1.2Hz mode with that prolonged power reserve for the "Standby" phase. The Caliber 3610QP comprises two separate gear trains for the two regulating systems, with a series of differentials tha...
SJX Watches
First launched in 2019, the Vacheron Constantin Traditionelle Twin Beat Perpetual Calendar remains one of the most fascinating watches in its category. Thanks to a movement with a secondary, low-power mode, the Twin Beat has an extended power reserve measured in months – all contained in a reasonably sized, 41 mm case. The original version of the Twin Beat was complex and finicky. Now Vacheron Constantin (VC) has refined and upgraded the movement, resulting in a second generation model with an extra five days of power reserve in Standby mode – which means the watch will run for 70 days. Initial thoughts I described the original Twin Beat as a “genuinely interesting, albeit pricey, watch”. Even though several years have passed, the Twin Beat remains genuinely interesting. It is a novel concept executed in a sophisticated manner. In contrast to majority of ultra-long power reserve watches, the Twin Beat is ordinarily sized. I am certainly glad VC has revived the concept and made it better. The original probably had a few kinks in the movement that made production difficult so the first generation never really made it to market in significant numbers. The kinks have been resolved with the new version, which is probably also more robust from a usability point of view. The same holds true today of the price, though given the overall price index of the market, the new Twin Beat is arguably less expensive in relative terms. The first generation model Two running modes On ...
Fratello
Philippine microbrand Makina returns with the Makina Cassiel II. This second iteration looks nothing like the original Cassiel. However, it looks much more like a Makina now, and that’s a good thing. Join me for a closer look at a distinctly brutalist, design-first chronograph. The Makina Cassiel II goes on presale today, priced at US$1,850. […] Visit Introducing: The Makina Cassiel II — A Brutalist Chronograph From The Philippines to read the full article.
Two Broke Watch Snobs
Rado expands the Rado DiaStar Original Skeleton lineup with three new limited editions in blue, green, and red. Each is capped at 555 pieces.
SJX Watches
The Girard-Perregaux (GP) Laureato Fifty collection adds four new references in crowd-pleasing configurations. The original 39 mm size is joined by a compact 36 mm option, available with our without diamonds, while a range of expensively made dials are on offer from solid 18k rose gold to deep blue flinqué enamel. The first four permanent members of the Laureato Fifty collection are powered by the brand’s latest automatic calibre, the GP4800, which illustrates GP’s capabilities as a manufacture. Initial thoughts Last year’s launch of the Laureato Fifty felt promising, but it was clearly just an opening act. GP is a brand intent on resurgence, and the Laureato Fifty represents an important part of the brand’s future. In this context, the four new Laureato Fifty references — in 2 sizes and 3 popular colourways — feel somewhat inevitable, though the high level of execution is anything but. Under the leadership of Marc Michel-Amadry GP seems to be building momentum in the right way — by emphasising what makes the brand unique. Specifically, its design icons like the Laureato and Three Gold Bridges, and its capabilities as a manufacture. In a few short months, the brand has delivered in each of these categories. The Laureato was one of the original luxury sports watches with an integrated bracelet, and helped establish the now-familiar format. Today, however, the field is crowded, a fact that invites comparison. The Audemars Piguet Royal Oak comes to mind first,...
Fratello
Jaeger-LeCoultre builds on last year’s smash-hit Reverso Tribute Monoface “Or Deco” in 18K pink gold with five new models. The simple yet clever addition of an 18K pink gold Milanese mesh bracelet renewed interest in this classic design. By pairing the case and dial with a matching metal bracelet, the Reverso regained its original essence. […] Visit Introducing: The Jaeger-LeCoultre Reverso Tribute Monoface “Or Deco” Series to read the full article.
Fratello
Welcome to another Sunday Morning Showdown! This week, we pit two Bioceramic hype monsters against each other. Daan defends the original Omega × Swatch Speedmaster MoonSwatch. Thomas counters with the recent Audemars Piguet × Swatch Royal Pop. Which collaborative Swatch model did it better? Let’s see! The Royal Pop retails for €385 or €400, depending […] Visit Sunday Morning Showdown: Audemars Piguet × Swatch Royal Pop Vs. Omega × Swatch Speedmaster MoonSwatch to read the full article.
Hodinkee
At the June 2026 lecture of the Horological Society of New York (HSNY), independent watchmaker Roger W. Smith OBE will trace the remarkable story of the co-axial escapement from George Daniels' original invention in the early 1970s through to its continuing modern evolution. Beginning with Daniels' determination to address the fundamental limitations of the Swiss lever escapement, the talk explores the development of his early experimental pocket watches, together with the long and often difficult process of persuading a skeptical Swiss watch industry to adopt an entirely new escapement system. Drawing on firsthand experience working alongside Daniels during the Millennium Watch project and the launch of the first Omega co-axial wristwatch in 1999, Smith will provide a rare personal insight into a pivotal moment in modern horological history. The second half of the presentation will examine the subsequent technical evolution of the escapement from 2005 onwards, including the development of the single-wheel co-axial and the changing philosophy behind escapement design — moving beyond pure chronometric performance towards long-term stability, durability, and extended service intervals. Due to limited seating, tickets will be released according to this schedule: Gold Members...............May 26 (12 PM ET)Silver Members..............May 28 (12 PM ET)Bronze Members............June 2 (12 PM ET)General Public................June 4 (12 PM ET) A dedicated email with a unique cod...
Fratello
Zenith marks the 250th anniversary of the United States with the release of the Chronomaster Revival Liberty II. This launch follows the original North American exclusive from several years ago. The new model strengthens the historical link between the Swiss manufacture and American industrial history. Zenith founder Georges Favre-Jacot famously visited the United States in […] Visit Zenith Introduces The Chronomaster Revival Liberty II to read the full article.
Worn & Wound
Back in 2020, Zenith released the Chronomaster Revival Liberty, a North American exclusive limited edition that is still one of the most popular of the A384 reissues we’ve seen. In fact, you could probably make a case that the early success of this particular A384 revival laid the groundwork for all that came after (and there have been many of these A384s released in the last six years). The original Liberty, with its red and white chronograph seconds hand and subtle blue fumé dial, was an attractive watch regardless of whether you saw it as part of a patriotic exercise. So it’s no surprise that Zenith has gone back to the well with the new Chronomaster Revival Liberty II. Coming as it does in the year of America’s 250th anniversary, the brand is leaning a bit harder into the connection Zenith has always had to the United States with this release. Part of the conceit of the Chronomaster Revival Liberty II is that Zenith’s founder, George Favre-Jacot, was inspired by the watchmaking industry in America in the way he built the Zenith brand. In the middle part of the 19th century, the Swiss watch industry worked largely on an éstablissage system, which meant individual components were to be produced separately before final assembly. When Favre-Jacot visited the United States as a young man, he encountered a much more industrialized and efficient way of making a watch, which served as a model for the early days of Zenith. To that end, the Chronomaster Revival Lib...
Monochrome
Following the Maxigraph, the Marinagraph, the Thundergraph, the original Type 10 Chronograph and the later cream-dial Type 10 Officer, the young Albishorn brand returns to its fictional military aviation universe with the new Type X-Graph. Once again, founder Sébastien Chaulmontet and designer Fabien Collioud explore the idea of a watch that never existed but could […]
Monochrome
The Lange 1 is, without a doubt, one of the most emblematic watches ever to be produced in Germany, and in particular in the little town of Glashütte. But when mentioning the name Lange 1, we too often refer to a single model, the classic 38.5mm version that was presented in 1994 (when the brand […]
Monochrome
Launching a dress watch collection today is not that easy, especially when enthusiasts have already seen decades of Calatrava-inspired cases, engraved dials, and heat-blued hands coming out in every price segment imaginable. But refinement can matter just as much as reinvention. For Sero Watch Company, the goal was not really to create the most original […]
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