4,162 articles · 20 videos found · page 54 of 140
Monochrome
Tudor continues with its modern “dark” aesthetic by launching a new version of the Black Bay Ceramic, now presented for the first time on an integrated ceramic bracelet. Originally introduced in 2021 as the brand’s first METAS-certified watch, itself following the unique Black Bay Ceramic One created for the Only Watch 2019, the model has […]
Hodinkee
Just last week, I visited the workshop of Petermann-Bédat in Renes. I had a morning to kill on the way to Lausanne for a project, and instead of sleeping off some jetlag, I decided to do something productive. And, actually, something that makes me happy. Spending time with Gaël Petermann and Florian Bédat is always a pleasure. I put a lot of stock in the personalities of independent watchmakers, and I think it's fair to consider them artists you want to support, not just for the art but also for how you connect with them. Far from a buyer, I still seem to operate on a similar wavelength to the two. But the added bonus is that I finally got to see their new reference 1826, which was launched for The Hour Glass in Japan, and boy, was it a stunner. No, the name isn't a typo. While the larger (and relatively recently released) ref. 1825 from 2025 featured a 38mm case; the watchmakers have been able to downsize the two new versions to 36mm, made in white and rose gold. Actually, they made the original caliber with a 36mm case in mind, but, to paraphrase, they didn't feel the market was ready. Turns out that it was maybe not the best for the global stage, but perfect for one market in particular. The difference is pretty dramatic in person. But so is this recent generation of watches in general. Petermann-Bédat's business arch has been a yo-yo from a simple-looking but technically complex deadbeat watch (shown above) that launched the brand, then an incredibly complex spli...
SJX Watches
The most talked-about release from Jaeger-LeCoultre (JLC) at Watches & Wonders was the refreshed Master Control collection, which debuted on a surprising integrated bracelet. Available with or without perpetual calendar or power reserve complications, the Master Control Chronometre is powered by the latest version of the brand’s long-running cal. 899, which is now certified by both COSC and a new internal standard called the High Performance Guarantee (HPG). Initial thoughts Since the Master Control Chronometre debuted at Watches & Wonders, I have been asked multiple times whether it is a dress watch or a sport watch. Setting aside the issue of the false dichotomy that exists between these categories, the Master Control Chronometre presents itself primarily as a dress watch on a bracelet. While the bracelet’s angular facets evoke those of the Vacheron Constantin Overseas, the staid Master Control dial is what defines the look. The simple sunray finish and slim hands — not to mention the lack of any lume — firmly root the Master Control Chronometre in the dress watch category. The soft blue and brown dials are each attractive in their own right, with colour-matched date wheels to avoid any harsh transitions. While the text is arguably superfluous, the ‘Chronometre’ label is more interesting than the typical ‘Automatique’ text that mars most Master Control dials. In terms of the value proposition, it’s a tale of two metals. The stainless steel model isn’t...
Two Broke Watch Snobs
We reviewed four overlooked dive watches across very different price tiers to see what each one gets right, where it compromises, and who it makes sense for.
Monochrome
Marco Lang, known to many as co-founder of Lang & Heyne, has always practised watchmaking with a deeply personal perspective. Since leaving the Dresden-based manufacture and launching his own independent path, his work has become even more intimate and experimental, and the Seven Spheres is the best expression of his creative freedom so far. The […]
Hodinkee
The Schaffhausen-based H. Moser & Cie. made quite an unconventional splash this year at Watches & Wonders, with its completely out-of-left-field collaboration with Reebok for the Streamliner "Pump," a watch-and-sneaker release that only this brand could somehow manage to pull off. But there was a release that kind of slipped under the radar earlier in the year that I think offers a really excellent combination of Moser's strengths in one watch, which warrants a closer look. I'm talking about the Endeavour Tourbillon Skeleton launched at the end of January, and it's been a watch I've wanted to see in person since the announcement went live. On paper, it seems like a simple enough concept: take the skeletonized flying tourbillon movement Caliber HMC-814 introduced back in 2024 for the integrated bracelet Streamliner collection, and pair it with one of Moser's more classic and conservative Endeavour silhouettes. For me, that skeletonized flying tourbillon caliber has remained one of my favorite architectures that the brand has ever come out with, and I think the extra bit of elegance gained with the Endeavour case makes it stand out on its own. That 40mm Endeavour case, in 5N red gold, should feel very familiar to those who like Moser's designs. It is a twist on a dressier silhouette that looks simple from the top down, but at any other angle, the Endeavour has many interesting little design touches, from the concave bezel to the distinctive sculpting of the case flanks. They...
Two Broke Watch Snobs
We reviewed both the Seiko Samurai and Seiko Turtle to compare comfort, design, value, and long-term appeal between these two affordable dive watches.
SJX Watches
FVF Genève founder Franc Vila has created a unique piece of his flagship tourbillon for a noted European collector of independent and complicated watches who goes by @thedeadwatchsociety on Instagram. The FVF1 Tourbillon “Seven Poets” is a romantic twist on the day complication that assigns a daily reading from one of seven historical poets. Initial thoughts Franc Vila is a man of many passions. His atelier in central Geneva is packed with art, and each piece has a story — I can’t think of anyone better to create a poetry-themed watch. Neither, it seems, could the lucky owner who commissioned the Seven Poets. The watch is fundamentally similar to the standard FVF1 C2 Tourbillon Superligero, with its 42.5 mm case, titanium monocoque construction, seven-sided day roller, and flying tourbillon architecture. Even in its basic configuration, the FVF1 is a distinctive offering that relaunched Mr Vila’s career after he parted ways with his eponymous brand. But the Seven Poets is anything but basic. Like the “Today” edition reviewed last year, the Seven Poets deviates from the norms of traditional watchmaking. Instead of indicating the day of the week, the day roller has been repurposed to feature the hand-engraved names of seven poets that are personally meaningful to the owner who commissioned the watch. I liked the conceptual, philosophical statement made by the “Today” edition, and the Seven Poets takes it one step further. This simple change to an indicat...
SJX Watches
Taking place right next door to Watches & Wonders, Time to Watches is an annual fair dedicated to independent watchmaking. Among the exhibitors this year was Stéphane von Gunten, the watchmaker behind the Haute-Rive brand. Arguably the most technically impressive watch on display was the Honoris Meccanica, the most mechanical looking of Haute-Rive’s Honoris line. The timepiece houses a three meter-long mainspring which allows it to achieve a power reserve of 41 days — more specifically 1,000 hours. Unlike some other watches with ultra-long power reserves, the Honoris Meccanica remains a properly sized and wearable timepiece that doesn’t feel like a wrist-worn experiment. Initial thoughts Stéphane von Gunten is part of a new generation of independent watchmakers with a strong engineering background, rather than a career spent doing restoration work. Before launching Haute-Rive, Mr von Gunten worked as a Research and Innovation Director at the Sowind group, which owns Girard-Perregaux and Ulysse Nardin. His most notable work happened while at Ulysse Nardin, where Mr von Gunten filed a number of important patents, ranging from the oval-shaped hairspring still used by Ulysse Nardin today to constant force escapements and compliant flexure oscillators. As fate would have it, one of Mr von Gunten’s ancestors is Irénée Aubry, the watchmaker behind the “Hebdomas” eight-day pocket watch of 1888. Commercialised under many names, the movement only required winding...
SJX Watches
One of the most intriguing debuts in independent watchmaking this year is Nouvelle Chronometrie with its Montre Ordinaire. Despite the name, Nouvelle Chronometrie is actually Japanese, and the “ordinary” watch is a tourbillon chronometer inspired by 20th century observatory chronometer watches and dressed in formal Breguet attire. With its rigorously classical design, evident on both the front and back, the Nouvelle Chronometrie is distinctly Japanese at heart in how it careful reproduces and enhances traditional watchmaking – executed with a great deal of attention to detail. Moreover, the manufacturing of the watch is a combination of both old school manual methods and modern technology, reflecting a typically Japanese embrace of technology, not for cost efficiency, but for the sake of quality. Initial thoughts I first came across Nouvelle Chronometrie on Instagram. It was just images of the watch, with no information on the brand’s origins. Then I learnt Nouvelle Chronometrie was founded and led by Noritaka Sakurai, a longtime collector who pivoted to join the industry – which ironically left me a little sceptical. Though I have known Mr Sakurai for a long time and regard him highly as a collector, he was chief executive at Hajime Asaoka’s watchmaking outfit until 2020 – that employer was a red flag for me. Fortunately, Mr Sakurai has left that behind, and has now gone all in with Nouvelle Chronometrie, a project that deserves recognition and praise. Accor...
SJX Watches
A. Lange & Söhne has been a sponsor of the Concorso de Eleganza Villa d’Este for 15 years now, but this year marks the first time a limited edition is debuting at the event: the Cabaret Tourbillon Honeygold. Staged annually on the shores of Lake Como, the classic car show has historically awarded a unique Lange watch to the “Best of Show” winner. This year’s winner will once again receive a watch with an engraved hunter case back, but for everyone these there is the new Cabaret Tourbillon, a limited edition of 50 pieces that is the most appealing iteration of Lange’s most unusual, and least popular, wristwatch with a tourbillon. Initial thoughts The Cabaret Tourbillon is probably the least popular Lange tourbillon due to its shape and size; the original version was also relatively plain in terms of appearance. The new limited edition, however, looks and feels entirely different. Thought the dimensions are the same, it looks like a whole new watch with the Honeygold dial. The relief elements on the frosted surface give the dial a subtle depth, while the colour contrasts well with the case. Though this is not a Handwerkskunst edition, the dial gives it a special something. Ordinarily, a modest cosmetic makeover like this would be uninteresting, but here the gentle redesign elevates a watch that previously felt a little flat into something more inspired. I only wish Lange had given the movement a little extra decoration to set it apart from the standard calibre. As...
Hodinkee
Niche Lange collectors, rejoice! The Cabaret is back! Well, sort of. Today, on this fine Saturday, Lange has brought back the Cabaret in its complicated form, with a 50-piece run of the Cabaret Tourbillon in the brand's proprietary Honeygold alloy. It is a hefty block of grey and Honeygold, with this rectangular silhouette making its first appearance after a 30-piece handwerskskunst run in 2021. The price point, like many of the past Cabaret Tourbillon editions, sits in the mid-six-figure range at around €300,000. When the Cabaret Tourbillon was first introduced to the world in 2008, it was quite horologically impressive, adding the world's first hacking tourbillon into the brand's rectangular design from 1997. It might sound quite surprising that a hacking tourbillon had not been produced until 2008, but being able to stop such a large mass like a tourbillon cage is certainly not an easy feat, especially when you require delicate parts to do so, and with the need to navigate around the tourbillon cage itself. After all, you'd need to be able to stop the cage at any orientation it's in, and at any point in the balance wheel's oscillation. So Lange's movement designers set to work and devised a V-shaped spring that would directly halt the balance wheel—not the tourbillon cage. Its V-shape, centered around a rotating pivot at the end of a lever, would mean that one side would make contact with the balance wheel or tourbillon cage post, and pivot the other side of the V i...
Hodinkee
Earlier in the week, I got a chance to see the new Swatch x Audemars Piguet Royal Pop collaboration in person, the hottest (and most hotly debated) thing since, well, Swatch did their first collaboration with Omega. There were some restrictions, like the fact that I couldn't handle some of them without gloves, but I did get enough of an impression to have a lot of thoughts. Yes, I think they're a lot of fun, and actually pretty impressive in some ways. I get that a lot of people will disagree, and that's fine. But to answer the last part of our headline first: you can get the Swatch x AP Royal Pop watches only at select retail stores starting May 16. You can find those stores on the Swatch website by going to the homepage, looking for the collab, and clicking the "See Stores" link. One version (with a crown at the right) is $420, while the other (with a crown at the top) is $400. Also, this is not an AP-led product, so don't call your local AP AD hoping to get one. Swatch is in charge here. Love it or hate it, the Swatch x Audemars Piguet Royal Pop is big news. How big? A few hundred comments on our site is a good measure. But how about the fact that, in 24 hours, our "Introducing" story on the collab got about 20x an average story would do in a month and 1.75x more page views than the Rolex "Pepsi" GMT cancellation (which was the highest-traffic story of Watches & Wonders to date). We love watches over here, but it can be a bubble. There are a few rare moments when the wa...
Monochrome
Over the past few years, Patek Philippe has been continuously reshaping the Calatrava. What was once the ultimate ultra-classical dress watch – well, it still is with the 6196P – has evolved into something more textured, more casual, and, importantly, more practical. References like the 5326 Annual Calendar Travel Time and the 5328 8-Day introduced […]
SJX Watches
German independent watchmaker Marco Lang launched the Seven Spheres, the first multi-axis tourbillon wristwatch from Germany, and one of the few made with traditional materials and techniques. While the rotational speed is necessarily gradual, the central position of the massive seven-axis regulator affords a good view of the fine Saxon finishing from all sides. Initial thoughts Multi-axis tourbillons tend to be the domain of industrial brands, or independents that rely on industrial suppliers. It’s also a genre that’s overwhelmingly Swiss — Thomas Prescher is German, but produced his pioneering multi-axis tourbillons in Switzerland. In this context, the Seven Spheres is a departure from the norm in several respects. It’s Marco Lang’s first tourbillon since branching out on his own in 2019, and it’s the first multi-axis tourbillon made in Saxony. Without historical precedent to contend with, Mr Lang has produced something quite unlike any other German watch — a central, multi-axis tourbillon suspended within a donut-shaped movement. Despite its artisanal quality and low-volume production, the Seven Spheres costs no more than an equivalent from a big brand. It’s counterintuitive to suggest that a wristwatch that costs a quarter-million Euros is a good value, but on a comparative basis the pricing makes sense. Seven spheres, front and back Marco Lang cites the work of both Ptolemy and Carl Sagan as inspiration for the Seven Spheres’ architecture. The seven ...
Monochrome
Ever since its release, A. Lange & Söhne’s superb 1815 Tourbillon is a genuine horological heavyweight. While it might not have the complexity of the Tourbograph or the Triple Split, it certainly carries its weight, and not just by material. This latest edition is refined, elegant, technically impressive and aesthetically beyond words. Dressed in all […]
SJX Watches
The Vacheron Constantin (VC) Overseas Dual Time “Cardinal Points” was one of the most talked about releases of Watches & Wonders — despite being a somewhat predictable, incremental upgrade to an existing model. The response is indicative of strong product/market fit and the transformative power of colour and texture. Initial thoughts By all accounts, the Overseas Ultra-Thin ref. 2500V should have been the talk of the VC booth at Watches & Wonders. The copper-dialled platinum edition recalls one of the most sought-after models in the Overseas canon, and introduced a new micro-rotor movement that feels destined to be a big part of the brand’s movement strategy going forward. But it was the Overseas Dual Time that seemed to get people talking, despite its predictability and the fact that it’s a much more incremental update to an existing model. In my view, there are three reasons for this. First and foremost, it’s a perfectly targeted product, aimed at a well of unmet demand that has been simmering since the the titanium Dual Time was first teased seven years ago. The high/low contrast between the industrial-haute horlogerie build quality and the sporty aesthetic is inherently appealing. In some ways it feels like the perfect watch for locales like Sun Valley or Davos — the dual-time functionality is purpose-built for vacations (and economic forums) and the colours and textures will pair well with Mammut or Patagonia. Second, all four editions — named for the ...
SJX Watches
Urwerk bids farewell to the Spacemeter with UR-10 Spacemeter Blue Final Edition. As the final series of the UR-10, the 25-piece limited edition features a dark blue dial that differentiates it from the black and silver editions released previously. The watch is otherwise identical to its predecessors, and features an instrument panel-like display that tracks the progress of the Earth around both the sun and its own axis. Initial thoughts The ‘almost conventional’ display of the UR-10 represents a departure for Urwerk, which made its name in satellite wandering hours complications. Like the quirky and impressive EMC, the UR-10 proves Urwerk’s space-age aesthetic works in a variety of formats. But the Spacemeter’s time on Earth was relatively short, having been launched less than a year ago. The limited production of just 75 pieces (25 in each of three colours) should reward collectors, but I’m hopeful the ergonomic case and bracelet will come out of retirement to house different complications in the future. The UR-10 borrows a number of stylistic cues from the UR-100, but the case construction is entirely novel. The 45.4 mm case is essentially a bi-level construction — stainless steel on the bottom for a stable weight balance, and titanium on top for a continuous look from case to bracelet. The two materials contrast slightly on the winglets on either side of the case, where they are fastened with bolts. This construction is similar to that of the original Pate...
Hodinkee
Collaborations are an established part of the modern watch cycle: a new model is introduced, colors follow, maybe a complication is added, and eventually a collaboration enters the mix, often positioned as a moment of creative divergence within an otherwise predictable trajectory. With the Citizen Tsuyosa seconde/seconde/, the brand hits that phase in a way that feels both familiar and slightly off-script. Collaborations are also never entirely expected, yet the best ones have such a natural fit that they rarely come as a genuine surprise. While they can serve to keep a collection feeling fresh, there's a sense that many collaborations struggle to reflect a true meeting of perspectives. Instead, they can feel like extensions of ideas that brands are already circling, gently guided by an external voice to test whether something slightly unconventional might resonate. Too often, these ideas feel like early expressions that brands later refine and incorporate into their main collections. As such, limited editions can feel like testing grounds, and collectors, whether knowingly or not, become participants in that process. That dynamic can feel slightly hollow, as what was once framed as exclusive can quickly become part of a broader rollout, which is what makes what seconde/seconde/ feels notably different. Because if there's one figure consistently delivering something closer to a proprietary and fully authored take on collaboration, it's Romaric André of seconde/seconde/....
Monochrome
Timex and affordable quartz watches are synonymous and have been since the brand ceased mechanical watch production in 1982, following the Quartz Crisis. Few brands have found as much success as Timex with quartz, and innovations like Indiglo (bright, uniform dial electroluminescence introduced in 1992) have kept them on top for decades. Only a few […]
SJX Watches
Ulysse Nardin (UN) celebrates 25 years of the landmark Freak with the aptly named Super Freak — a timepiece that pays homage to its predecessors while asserting its own distinct identity. Showcased at UN’s eccentric booth at Watches & Wonders 2026, the Super Freak was advertised as the most complicated time-only watch ever made — an ambitious claim that appears to be true. Blending cutting-edge mechanics with an artisanal touch, the exuberant Super Freak comfortably reaches into the “hyper-watch” echelon, echoing the first groundbreaking Freak launched back in 2001. Ulysse Nardin also celebrates its 180th anniversary this year, so something extraordinary was to be expected. Initial thoughts Even before going hands on with the Super Freak, just visiting UN’s booth at Watches & Wonders 2026 was an experience. Passers-by were greeted by two humanoid robots and a large sculpture of Dr Ludwig Oechslin’s head, with his eyes peering down over the proceedings. The extravagant entrance hinted at the research-focused Super Freak, which looks and feels more like the product of some advanced laboratory rather than a 180-year-old manufacture. A very dynamic watch, the Super Freak’s face now more than ever resembles a space craft. The Super Freak pays tribute to 25 years of the Freak while also adding something truly new to the mix. The result is the UN 252, the first Freak movement featuring running seconds and two flying tourbillons (2010’s Freak Diavolo was ...
Hodinkee
The watches of A. Lange & Söhne very rarely gets a chance to step out of the stoically traditional design language the brand has established since its relaunch in 1994, but one collection from the brand offers a unique respite from it all. Lange's Lumen series is now in its 16th year since the introduction of the Zeitwerk "Luminous" back in 2010, with its inaugural display of smoked sapphire, blacked-out details, and, of course, luminous numerals for the hour and minute discs. But while that model was the first to be executed, the following Grand Lange 1 Lumen in 2012 was the first model officially given the name "Lumen." Last month, at Watches and Wonders, Lange introduced the seventh Lumen in the lineup, with the new Lange 1 Tourbillon Perpetual Calendar Lumen. Following the absolutely bonkers Datograph Perpetual Tourbillon in Honeygold released in 2025 for the Datograph's twenty-fifth anniversary, this new glow-in-the-dark take on the very complicated Lange 1 model marks a pattern of increasing complication (and resulting price points) for the Lumen series. A closer look reveals that there's a lot going on, and for nerds, it's certainly a feast for the eyes. In person, the cold, austere look of the chunky, 41.9mm case in platinum immediately struck me, as it was a welcome return to the combination of a smoky, black look with white metal from the past two Lumen iterations in Honeygold (that Datograph Perpetual Tourbillon and its predecessor, the Zeitwerk). For a design ...
SJX Watches
Recently revived Genevan haute horlogerie brand Niton jumps into the jumping hours market with the Prima — one of the more refined high-end examples of the industry’s latest favourite complication. It features a bespoke, shaped calibre that proudly carries the Poinçon de Genève — true to its inspiration — and is packed with creative choices and features. Initial thoughts Not long ago it seemed like 2025 would go down as the year of the jump hour, but the trend was evidently just getting started. The Niton Prima exemplifies this ongoing trend with surprising elegance and historical fidelity. As a rule of thumb, I view revival brands with a degree of scepticism; I would prefer people make a name for themselves rather than buying one. However, the Niton Prima shows a clear understanding of — and passion for — the source material, so I am satisfied this is not a mere cash-grab. It doesn’t hurt that the watch is excellent inside and out, and while expensive in absolute terms, it is fairly priced for what you get. The movement deserves special mention as the source of much of the appeal, being a true shaped movement — a very handsome one at that — and a competent timekeeper. It is finely finished with a plethora of interesting and clever features, including hidden screws for joining the bridges and mainplate, a small seconds hand that stops itself at 60 after the crown is pulled, and a sonnerie au passage to enhance the sound of the jump hour. Another point i...
Worn & Wound
One of my favorite days on the watch media calendar every year is the Naoya Hida preview day. Every spring for the last few years, watch media types make appointments at the Armoury on the Upper East Side to get a look at the upcoming Naoya Hida releases for the year. It feels like a very old fashioned way of doing things. Yes, there’s a press release sent out ahead of time, but Naoya Hida only makes one announcement like this per year – there are no mid-cycle drops or limited editions released to coincide with some later event. Members of the Naoya Hida team are present and there to explain the collection, piece by piece. This year, Naoya Hida will produce a total of 10 models, 7 of which are new designs. We won’t go through each one here, but rather focus on the references that are completely new and those that have the most notable upgrades. The reference that immediately caught my eye and was easily the most unexpected of the bunch is the new NH TYPE2C-2. To this point, Naoya Hida has really been defined, in my estimation, by their dial aesthetic, which prominently features elaborate hand engravings in the dial surface. It’s a very traditional and inherently ornate way to make a dial, and the execution is always top notch. It’s a type of craft that’s a true “IYKYK” proposition, though. From a distance the handwork on these dials might not be obvious, but they really come alive under close examination, especially under a loupe. Anyway, the TYPE2C-2...
SJX Watches
Among the great surprises from Watches & Wonders 2026 was the Monaco Evergraph from TAG Heuer. The new model not only brought some welcome aesthetic changes to the iconic square chronograph, but also benefits from a core rethinking of the chronograph mechanism itself. The Evergraph’s movement is notable in many respects, but the most interesting is the use of bi-stable compliant structures for the chronograph mechanisms. Initial thoughts This year’s Watches & Wonders was marked by some interesting developments — not least some renewed emphasis on technical substance from a subset of brands. While mainstream luxury still dominates the market, there was a shift toward thoughtful engineering and incremental innovation that could be felt across many releases. One such remarkably technical release was the Evergraph from TAG Heuer. While there’s no shortage of chronographs coming to market — from solid entry-level pieces to low-volume artisanal offerings — few are as genuinely forward-thinking as the Evergraph and its innovative TH80-00 movement. The TH80-00 was created by TAG Heuer in partnership with Vaucher Fleurier — a specialist noted for its expertise in chronographs — over a period of four years. TAG Heuer chose the longer road of developing a movement from ground up and not just applying its novel flexure chronograph mechanism to an existing base. As a result, the brand had a clean slate to incorporate signature elements like the nine o’clock crow...
Monochrome
Part of the Tata Group, an Indian conglomerate with revenues of over USD 150 billion, Titan Watches has been around for a long time and covers a wide range of watches, from everyday quartz pieces to youth-focused lines like Fastrack. More recently, the Indian brand has also been getting more serious about mechanical watchmaking, something […]
SJX Watches
One of the quieter hits from Watches & Wonders was Bulgari’s Octo Finissimo Automatic 37 mm, a watch that would probably have grabbed more headlines were it not for its visual similarity to the well-known 40 mm model. In pictures, it’s difficult to tell the sizes apart, but on the wrist the difference could not be more stark. Available in three versions in two different case materials — all regular production models — the 37 mm Octo Finissimo is powered by a new micro-rotor calibre that, while smaller than its sibling, manages to stretch the power reserve to 72 hours. Initial thoughts I’ve always appreciated the unique aesthetic of the Octo Finissimo, especially the matte titanium look that debuted in 2017. In some ways, it feels like the Royal Oak or Nautilus of my generation — an elegant sports watch with a distinctive voice. It’s a contemporary design that feels like it has staying power. This aspect of the Octo Finissimo should not be understated. The deluge of generic-looking integrated bracelet sports watches we’ve witnessed over the past five years proves that it’s very difficult to create a differentiated design within this format. For Bulgari, the development of the Octo Finissimo — with its wide bracelet and short-pitched links — was like capturing magic in a bottle. Unfortunately, the square shoulders of the 40 mm case ride up over my ulnar styloid (wrist bone) causing the case to sit at an odd angle — never flat and straight as intended ...
Monochrome
At first, this new version of the Black Bay 58 may seem like a minor update, mostly focused on introducing reworked bracelets and details to remain consistent with the rest of the BB collection. Yet, things can be deceptive. In recent years, as the Black Bay collection is more than well established, Tudor has been […]
Hodinkee
It ain't always Black Bays and Pelagi at Tudor. At least, not all the time. Since the brand returned to the U.S. market in 2012, Tudor's success has been rooted in the broad appeal of watches like the Heritage Chronograph, the Pelagos, and, of course, the Black Bay. These are heritage-coded, conventional watches that nailed the price point, specs, and aesthetic demanded by the enthusiast market at the time. In the preceding decade, we saw that formula become a playbook as the Pelagos and Black Bay evolved into increasingly specific slices of that original concept. But what about the Tudors that fall outside of the playbook? Remember the North Flag or the Fastrider? What about the Black Bay P01? While the playbook has successfully executed moves for left-side crowns, silver cases, and channel lugs, not all of the brand's explorations into other formats have been smash hits. And it's not merely a question of having a historical footing, sure, the North Flag and Fastrider were quite modern, but the P01 was a functional deep cut from the brand's archives. As a watch brand, a music act, heck, as just about anything in our oh-so-branded world, it can be hard to operate outside of "your lane". That can include what is actually your lane or what has become your lane in the current context of a given brand's media. For 2026 at Watches and Wonders, Tudor stuck to the playbook, offering refinement, additional specs, new bracelets, and the like – except for one watch, the Monarch. A...
SJX Watches
Ten years after the Polo S, Piaget reimagines the contemporary Polo Date with the brand’s signature gadroon motif. The Polo Signature Date is less a new watch than a clarification: a move to anchor the collection around a more explicit identity. This took place through a two-step process. First, the reinstatement of the historical reference with the Piaget Polo 79. Then, the diffusion of its codes – most notably the gadroons – into the contemporary line, now organised under the Polo Signature name. The result is a watch that remains technically unchanged, but conceptually more defined. The unchanged movement — the automatic cal. 1110P — remains in reliable service. Initial thoughts At first glance, the change is straightforward: the dial now carries the gadroon motif. But more importantly, it gives the watch a clearer and more distinctly Piaget presence. The overall architecture remains familiar – 42 mm case, cushion-shaped dial within a round frame, interchangeable bracelet – yet the visual impression is stronger. Where earlier Polo Date models relied on relatively neutral surfaces, this dial interacts more actively with light, creating contrast and a stronger sense of identity on the wrist. This is perhaps where the update is most effective. The Polo becomes more immediately recognisable, less reliant on its case shape alone. The gadroons do not transform the watch, but they sharpen its character within the crowded luxury sports watch segment. From motif to...
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