35,919 articles · 314 videos found · page 596 of 1208
Revolution
Revolution’s Sophie Furley and Adi Soon leave the SIHH and all its top models to meet a real life top model, Adriana Lima, who was in Geneva to celebrate the launch of IWC’s new Aquatimer collection…and yes, she is as gorgeous in real life! Revolution: IWC’s slogan “Engineered for Men” rather excludes women from wearing […]
Revolution
The first major watch event of 2014 looks set to whet our appetite for the best of horology and as you can see from the pile of equipment above, we at Revolution are in the midst of our preparations for this yearly January showcase. SIHH or the Salon International de la Haute Horlogerie is the […]
Revolution
The design of the Roger Dubuis Excalibur Quatuor is the most interesting thing about it. This statement is not as disparaging as it sounds. In fact, it’s quite the opposite. What I’m saying is - despite the intriguing premise of a watch equipped with four sprung balances of identical frequency linked by differentials to form what […]
Deployant
Today’s feature is the special watch produced by Lange for the Kidz Horizon auction scheduled for 27 August 2011 in Singapore. Please go here to read the Lange press release, and about Duncan Wang and Kidz Horizon. I photographed the press release photographs, and here I release a few more photographs from the same session.Read More
Deployant
The MB&F;’s latest creation the Horological Machine No. 4 is an imposing watch…quite large, though it sits well on the wrist. MB&F; HM4 Thunderbolt Made from titanium and sapphire crystal, the watch is a rather interesting piece of sculpture…reminiscent of a rocket ship or a jet engine. Two engine like scuptures, I guess that isRead More
SJX Watches
New York-based Wren has introduced the Vessel, an integrated-bracelet sports watch with an unusually elaborate sapphire crystal. Designed by Max Resnick under founder Craig Karger’s direction, its futuristic case and crystal mark Wren’s first departure from the dive watch format and help establish a broader identity for the brand. Initial thoughts The name Wren is a portmanteau of Wrist Enthusiast, the online watch publication founded by Mr Karger. The brand’s first watch, the Diver One, was introduced in 2024, and Wren has stuck to dive watches ever since. The Vessel, however, is anything but a diver. By venturing far beyond its initial design language, Wren has carved out considerable space in which to develop its identity. In doing so, Wren has taken a page out of the Berneron playbook with a sophomore effort that is almost as different from its debut as it could be. Perhaps because the look is so different, the Vessel features an aqua blue seconds hand and winding rotor to match the dial colour of the original Diver One. The Vessel’s design was penned by British designer Max Resnick under Mr Karger’s creative direction. Originally trained in automotive design, Mr Resnick has worked with several other small brands, including Anoma and VPC. The vision called for an integrated-bracelet sports watch that avoided channelling the same handful of historical designs from the 1970s. The resulting look has more in common with Alto than Audemars Piguet. The angular desi...
Worn & Wound
Last month, Girard-Perregaux announced its latest involvement in the Formula 1 scene with the Atlassian Williams F1 Team. We knew a collaborative watch would soon follow, and the moment has unfolded. Here, we get the debut duo of watches in the new Laureato Williams Edition lineup. If you’ve been reading my take on timepieces for a while, you know I’m a longtime fan of the Girard-Perregaux Laureato. In the vast world of integrated bracelet sport watches, I’ve always found it to be one of the most refined and easily dressed up while remaining subtle and effortless enough for daily wear. With these new interpretations of the iconic design for the Atlassian Williams F1 Team, we get some of the sportiest takes on the model, proving the Laureato offers a versatile canvas that can truly embody both the “luxurious” and “sporty” sides of the luxury sport watch. As the brand’s flagship line, the Laureato has long served as the foundation for Girard-Perregaux’s collaborations and has taken many sizes, styles, and shapes over the years. However, the choice of this particular collection for the debut models in partnership with the Atlassian Williams F1 Team runs deeper. The Laureato was born in 1975, and the Atlassian Williams F1 Team was born just two years later in 1977, giving the duo roughly 50 years of shared history and evolution. Girard-Perregaux brings us two iterations for its inaugural line honoring the partnership: a chronograph alongside a classic time an...
WatchRider
Let’s be honest: being a watch enthusiast often involves making some highly questionable life choices in the name of horology. I should know. Back in 2022, I literally boarded a plane and flew to London just to hunt down the Swatch Mission to Uranus. I secured the pale blue prize, and then… I scratched it on the very first day. But time heals all wounds, and Swatch has just dropped something that is pulling me right back into the gravitational pull of the MoonSwatch madness. Enter the brand-new, ultra-exclusive Mission to the Moon 1969. The “Mission to the Moon 1969” is not just another cosmetic color swap. It is a highly exclusive, 1,969 piece limited-edition release that bridges the gap between affordable hype and true luxury watchmaking. Here are the details that make this particular release a genuine collector’s fever dream: It’s Made of Actual, Re-Smelted Omega History Unlike previous “Mission to Moonshine Gold” editions, which only featured a gold-plated seconds hand, the Mission to the Moon 1969 is absolutely dripping in real gold. The watch features a solid 18-karat Moonshine Gold dial, hands, crown, and chronograph pushers, totalling exactly 11 grams of gold (a clever, playful nod to the Apollo 11 mission number). But the real magic is in the gold’s lineage. Rather than sourcing new gold, Swatch melted down actual vintage Omega spare parts dating back to 1969 using their in-house foundry. When you wear this watch, you are wearing a phy...
Fratello
Hype around Swatch is not new. The “Second Watch,” launched in 1983 as a fun and affordable accessory you could wear to match your daily outfits, was never meant to be a lifelong heirloom investment. It was always about the heat of the moment. The colorful plastic Swatch caused a massive cultural and commercial “uproar” […] Visit Pondering Swatch’s Relevance: Is Adrenaline-Fueled Hype Enough To Remain A Player In The Watch Game? to read the full article.
SJX Watches
Audemars Piguet (AP) and Swatch have teamed up to launch the Royal Pop, a series of lanyard-borne pocket swatches in eight pop art-inspired colourways set to hit stores on May 16th. It also debuts new manually wound Sistem 51 movements, including one with small seconds, to capture the pocket watch feel. This could be seen as AP having a little fun on a project set in motion by a Swatch-obsessed former CEO, or long-term thinking to cultivate the next generation of customers. Initial thoughts I imagine ambivalence will define the general reaction to the Royal Pop, as it should. A pop art-inspired pocket Swatch is a challenging product to casual watch buyers and enthusiasts alike. And I mean that as praise — it would have been much easier to go the MoonSwatch or Scuba Fifty Fathoms route, but much less interesting. Ref. SSX03L101N. Case in point, a non-enthusiast friend texted me over the weekend expressing interest in the Royal Pop under the common assumption that it would take after the MoonSwatch. In short, he was expecting a plastic Royal Oak. He was less enthusiastic — but not entirely put off — when I asked him how he’d feel about a manually wound pocket watch. Ref. SSX03R100N. While my favourite watches are overwhelmingly pocket watches (or pocket chronometers), I can’t see myself wearing one regularly, be it a Swatch Pop or a Nicole Nielsen tourbillon. I do, however, see myself attaching an Otg Roz Royal Pop to my keychain or workbag. Considering the recent ...
Hodinkee
What We Know The cat is out of the bag on what is likely to be the biggest watch news of the year. The Swatch x Audemars Piguet "Royal Pop" just launched, ahead of its official availability on May 16, 2026, at selected Swatch stores. There are no wristwatches here, just eight unique pocket watches in two different styles, cased in brightly colored Royal Oak-shaped bioceramic cases, powered by manually wound mechanical SISTEM51 movements. Eight watches, for each side of the iconic Royal-Oak bezel. All the watches are instantly recognizable as Royal Oak-inspired. They have a "Petite Tapisserie" dial and a Royal Oak octagonal bezel with eight hexagonal screws. Every watch comes with a 40mm case (without the clip) and measures 44.2mm by 53.2mm when mounted in the clip. The thickness is 8.4mm. The hands and indices on all watches feature Grade-A Super-LumiNova. The watches can be dropped in your pocket, worn in the pocket, or popped into a holder attached to a calfskin lanyard (in three lengths), attached to a bag, or placed in a removable stand that lets the watch function as a desk clock. Swatch and AP say this will change the way we wear watches, breaking free from the wrist (suggesting the expected wristwatch collaboration is unlikely at the moment). The new Swatch x Audemars Piguet "Royal Pop" comes in two main variants. There's the "Lépine" style, where the crown is at 12 o'clock on the pocket watch, which come in six varieties: Otto Rosso (pink case and dial with red ...
Hodinkee
A little over a month ago, Citizen celebrated the 50th anniversary of Eco-Drive with a massive bash in New York and a few new releases. The most striking, and unlike anything they had released in the past, was the new Photon. Aptly named, of course, because of the very particles—oh wait, or is it waves?—that power Eco-Drive movements. And before we get any further, these aren't solar watches like most watch movements that could be considered a "competitor" on the market. They are powered by any light around you, whether it's your office lights, home lights, or yes, the big bright ball in the sky that's starting to peek out more and more in New York. If you want to know more about Eco-Drive, our friend Griffin recently published a story about the technology (and its history) here. But this watch requires a slightly different history lesson. If you take a look at the dial below, you'll see it has a very unusual design. It's also out of the ordinary for Citizen, which prides itself on creating watches that can pass for any other watch aesthetically and don't require slits in the dial to transmit light (a problem other brands have struggled to engineer around). The new Citizen Eco-Drive Photons are two watches measuring 39.6mm by 9.9mm with integrated bracelets, all of which are made of Super Titanium with Duratect coating. One features a titanium carbide finish, while the other, with a two-tone dial and case band, uses a DLC finish. Each is limited to 5,000 pieces and ava...
SJX Watches
It is somewhat counterintuitive to think that New York-based jeweller Jacob & Co. is one of the fastest growing brands in the mostly stagnant Swiss watch industry. In fact, Jacob & Co. is now a watchmaker first and a jeweller second by turnover – watches account for 75% of the brand’s revenue today. This success is party due to the brand’s open-minded approach to movement making and the surprising (and often risky) projects it has produced, from the first 31-day wristwatch in 2006 to the world’s fastest tourbillon in 2026. One of Jacob & Co.’s specialties is dial-side automata - micro-mechanical sculptures that that can be activated on demand. Alongside the launch of the flagship Godfather II, Jacob & Co. expanded its range of automata watches with new sapphire editions of the Bugatti Tourbillon, a malachite-dialled Casino, and new editions of the provocative Oil Pump. The Bugatti Tourbillon Sapphire Jacob & Co. is not the first watch brand to collaborate with celebrated carmaker Bugatti, but the collaboration is more than a mere commercial tie-up. In fact, the two companies share a manufacturing partner - Concepto - a La Chaux-de-Fonds-based specialist in components and white-label movements. Bugatti enlisted Concepto to produce the fully analogue instrument cluster of its latest hypercar - the aptly named Tourbillon. This was a delightful return to tactility in a world of digital displays and ubiquitous touchscreens. This three-way collaboration contin...
Hi, how’s everyone doing? We hope your 2026 is off to a great start. It’s already been an incredibly busy year for the Worn & Wound team and the watch industry as a whole. Between new releases on the blog, hosting the Dallas Windup Watch Fair, and all the new releases dropping in our shop, we’ve hit the ground running. Like many of you, we are currently gearing up for an exciting Watches & Wonders, and with a packed calendar of events and some big projects in the works, the rest of the year is shaping up to be one of our most active yet. However, alongside the excitement of the watch community, the first part of this year has also been a period of significant turmoil globally. In the professional world, there is often a desire to “avoid politics” and stay focused strictly on business. But when our news feeds are filled with instability, uncertainty, and, sadly, tragedy, the conversation shifts. Over the past several months, our team has found itself caught in these discussions. In times like these, we find ourselves relying more than ever on the strength of our community. We’ve realized that as Worn & Wound grows, we have both a responsibility and a desire to be a genuine source for good. While we began as a place to celebrate the technical and the aesthetic, we have grown into a global community, and we believe that community should stand for more than just the products we collect. So, the Worn & Wound team has gotten together and solidified how we want to act...
Worn & Wound
A common critique leveled at Seiko over these last few years is that they’ve abandoned the affordable enthusiast dive watch market and have been creeping toward a higher priced product. Honestly, it’s fair. Those of us of a certain age can fondly remember the days when an SKX diver could be had for a few hundred bucks, and it basically stood alone in the Venn diagram of pedigree, dive watch bona fides, enthusiast credibility, and affordability. The fact is, there’s a lot of competition for affordable divers these days, much of it driven by the popularity of a handful of key Seiko references. So it’s no wonder that they’ve sought to expand their footprint elsewhere and make a higher end, more expensive product. What often gets lost in these conversations is that the higher priced Seiko divers are actually very good dive watches that still cover much of that hypothetical Venn diagram, perhaps leaning a little further away from affordability. Seiko recently announced a handful of new references and while many of us hoped a truly affordable SKX alternative might be in the mix, they’ve once again debuted a new diver at a higher rung of their pricing ladder. The highlight for collectors and serious Seiko fans will likely be the Seiko Prospex Marinemaster 1968 Heritage Diver’s Watch (the official Seiko naming conventions are always a bit cumbersome). Yes, this is yet another mostly historically accurate take on the first ever diver rated to 300 meters of water r...
Worn & Wound
Despite frigid temperatures outside, the Windup Watch Shop showroom in Brooklyn was buzzing with energy as Oris and Worn & Wound hosted an evening dedicated to one of the brand’s most beloved new releases: the Big Crown Pointer Date “Bullseye.” Fans, enthusiasts, and first-time Oris buyers alike packed the space, turning a cold winter night into a warm celebration of independent watchmaking. Representing Oris for the evening were VJ Geronimo, CEO – The Americas; Josh Shanks, Director of Marketing and Communications – North America; and Megan Hines, Marketing Coordinator. Their presence gave attendees direct access to the people behind the brand, creating an atmosphere that felt both intimate and entertaining. Guests were treated to extensive hands-on time with the full Oris collection, with special attention naturally focused on the the Big Crown Pointer Date “Bullseye.” The watch drew a steady crowd throughout the night, with attendees eager to experience its striking dial and classic proportions in person. Professional wrist shots were available to everyone, and a steady rotation of guests took advantage of the opportunity to capture studio-quality photos with their favorite pieces. In keeping in theme with the hero watch of the evening, guests were also invited to try their luck and making a Bullseye-of the dart variety. The Worn & Wound crew took special interest in this activity in particular. The evening also had its share of Oris merch and mater...
Worn & Wound
Joseph Bulova was just twenty-four when he founded a company that would revolutionize American watchmaking. Immigrating to the United States from Bohemia in 1870, he founded the J. Bulova Company in 1875 on New York City’s Maiden Lane, specializing in jewelry and watch and clock repair. The business grew, and by 1911 the Bulova Company began producing table clocks and pocket watches. The next year, Joseph Bulova opened a Biel, Switzerland plant for the mass production of watches. The J. Bulova Company was reincorporated as the Bulova Watch Company in 1923, symbolizing its shift into watch production. Joseph Bulova was just twenty-four when he founded a company that would revolutionize American watchmaking. Immigrating to the United States from Bohemia in 1870, he founded the J. Bulova Company in 1875 on New York City’s Maiden Lane, specializing in jewelry and watch and clock repair. The business grew, and by 1911 the Bulova Company began producing table clocks and pocket watches. The next year, Joseph Bulova opened a Biel, Switzerland plant for the mass production of watches. The J. Bulova Company was reincorporated as the Bulova Watch Company in 1923, symbolizing its shift into watch production. The post A History and Guide to Bulova appeared first on Worn & Wound.
SJX Watches
Often behind every watch brand’s marketing and image is an overarching influence that can be subtle or explicit. For Patek Philippe, that influence reveals a long arc of intention, carried across centuries, shaped by consistency, and reinforced through a remarkable alignment between product and message. From its early days in royal courts to modern-day exhibitions in New York and Shanghai, the company has approached communication as a reflection of its philosophy. Over nearly two centuries, Patek Philippe has maintained a consistent approach to communication – measured, stable, and aligned with the brand’s long-term perspective. The manner of Patek Philippe telling its own story is perhaps as interesting as its watches. We trace the way in which Patek Philippe has communicated over time, from introducing itself to the mind of the client, to adapting to a changing world, all while remaining aligned with its values. We also examine the brand’s choices in language and imagery, looking in particular to its early references to inheritance, which evolved into the familiar campaign that continued across decades. Launched in 2025, but perhaps enjoyed by many generations to come Foundations and Royal Recognition (1839–1877) When Patek Philippe was founded in 1839, the idea of advertising a luxury watch was almost nonexistent. Most manufacturers relied on trade reputation, medals at international exhibitions, and word-of-mouth among wealthy clientele. In contrast to today,...
Worn & Wound
I purchased my first Arcanaut, the Arc II Fordite, on April 29, 2023. I know the exact date thanks in part to Instagram, where I documented the acquisition, as one does, at that year’s Windup Watch Fair in San Francisco. In the two years and change that I’ve owned the Arc II, my fondness for it has only grown, and Arcanaut has become, to put it plainly, one of my very favorite watch brands. I wrote a pretty thorough review of the Arc II a few months after buying it, and scrolling through it today I really can’t see any particular assertion I’d take back now that I’ve lived with it for even longer. But I thought two years would be a good time return to the watch and evaluate it again, this time in context with another Arcanaut that I added to my collection at the end of last year: the Experimental Arc II Tiger Sh’arc. View this post on Instagram A post shared by Zach Kazan (@zkazan) The first thing I’ll say here about the Tiger Sh’arc is how unlikely, under normal circumstances, that I’d choose to own one. I don’t have a strict “no duplicates” rule when it comes to keeping multiple watches from a single brand in my collection, but it’s something I’m a bit leery of. As someone who generally speaking prioritizes variety and originality in my watchbox, owning two or more watches by one maker ultimately seems like a waste of (my) resources. My philosophy has always been that I want to experience as much as possible. How different could one Arc ...
Two Broke Watch Snobs
Discover the new Blancpain x Swatch Bioceramic Scuba Fifty Fathoms 'Green Abyss'-a $400 automatic dive watch dropping June 7, blending playful design with mechanical credibility.
Worn & Wound
It’s not entirely uncommon for my first encounter with a brand to be when they inquire about attending Windup Watch Fairs. There are a lot of brands out there, more every year, so it’s hard to keep up with every new launch. Conveniently, Windup is a great way for new brands to meet enthusiasts and potential customers (sorry, this wasn’t meant to be a Windup pitch), resulting in a natural amount of outreach. When new brands come in, whether to me or a colleague, we give them a quick review to see if they are a conceptual fit for the fair, which they are more often than not. Occasionally, a new brand will stand out, for one reason or another, and they’ll get the seal of approval and an immediate request for a sample to review. Such was the case with Piccola & Joffrete. What stood out wasn’t the watch’s design, though it is altogether pleasant if conservative; rather, it was what appeared to be a high level of finish and a dedication to Swiss manufacturing. Many watches say Swiss-made on them, the definition of which I’ll elaborate on below, but few say 100% Swiss-made like the Piccola & Joffretes. Typically, those that are 100% Swiss (which is also hard to tell as transparency isn’t a strength of the watch world) cost significantly more, likely starting in the five figures. So, the final aspect that made Piccola & Joffrete (PJ) stand out was their relatively reasonable price point, Swissness considered, of 2500 CHF. There are several criteria a watch must mee...
Worn & Wound
It’s certainly no surprise that our inboxes here at Worn & Wound continue to be inundated with new releases heralding the year of the snake. The first weeks of January are traditionally a slow period for new watch releases in every category except lunar new year novelties. It’s safe to say that if this type of thing is your primary interest in watch enthusiasm, we are in the midst of what is surely your Super Bowl. While a lot of the new lunar new year releases are extravagant, high end demonstrations of a brand’s craft, there are, thankfully, examples of watches in this vein that are far more approachable. That brings us to the Year of the Snake collection from Swatch, a pair of impressionistic snake themed designs for those who are looking to celebrate the new year on a budget. First up is the Golden Red Bamboo reference, a ultra slim 38mm quartz powered watch with a glimmering gold dial. The dial’s motif appears to be a somewhat abstract idea of a snake rather than a zoologically correct representation of a serpent, and I think it’s better off because of it. The orange accents on the hands and dial make for a nice contrast with the gold, which is extended to the case, crafted from stainless steel and given a PVD gold coating. The strap is described as “leather and textile” and has matching orange embroidery and gold accents. If something a little bigger is more your speed, Swatch has you covered with the Blue and Gold Lithe Dancer reference, part of th...
Well, it’s finally arrived, the end of 2024. Typically, around this time we put together an annual wrap, but the brands had other plans. You see, they kept releasing watches. So, for episode 96 of A Week in Watches, we’re still covering new releases, with a particular focus on that last-minute Speedmaster drop, and, boy, do we have some thoughts on that one. This episode was brought to by the Windup Watch Shop. When the winter break is behind you, and you’ve returned the awkward sweaters and novelty socks, head on over to the shop and get yourself something you really want. Perhaps some straps, a utility knife, or even a watch. And, if you happen to be near NYC, you can set up a time to come to the new showroom and pick something out in person by following this link. The post A Week in Watches Ep. 96: It’s a Bird, It’s a Plane, It’s a Speedmaster! appeared first on Worn & Wound.
AWAKE is a French horological brand with a very unique take on the future of watches. They are intent on using the culture and traditions of métiers d’art-or artisanal craftsmanship-to carve a new pathway apart from trends that so often get repeated time and time again in this particular industry. Prior to the Windup Windup Watch Fair, we met up with the AWAKE team, Lilian Thibault and Thibaut Sacre, on The High Line in NYC for a quick discussion on the brand, the importance of métiers d’art, their latest Sơn Mài collection, and what the future holds for AWAKE. The post Designing the Future with AWAKE appeared first on Worn & Wound.
Fratello
After a two-week hiatus, Fratello On Air returns with an episode about how we research watches before buying. This is a listener suggestion that likely comes from the southern USA. We know this because the message contained the word “y’all.” Well, giddyup because it’s time to discuss our top tips. For our listeners, the watch […] Visit Fratello On Air: How We Research Watches Before Buying to read the full article.
If you’ve ever attended a Windup Watch Fair or spent much time on pretty much any watch enthusiast blog, there’s a pretty decent chance you know who Jonathan Ferrer is. Not only is he the founder of and designer behind Brew Watch Co., he’s also a great friend of Worn & Wound. We were delighted to meet him at his office just a couple weeks ago to get up close and person with him and his new Metric Star Chronograph, a watch full of both nostalgia and charm. The post Lookbook: An Afternoon with Jonathan Ferrer and the Brew Metric Star Chronograph appeared first on Worn & Wound.
Worn & Wound
No Windup Watch Fair would be complete without Lorier. Since the brand’s introduction six years ago, they have become a fixture of the show and a consistent hit among attendees. Seriously, anyone who dropped by Center 415 this past weekend will know just how hard it was to even get to the Lorier booth. The big draw for the brand this week was their latest release; a new chronograph they’re calling the Olympia. In the lead-up to the show, I got to spend some time with the new watch, and with Windup behind us and the Olympia now available to everyone, it seemed like the right time to share my thoughts. Before we get into the specifics of the watch itself, it’s worth taking a moment to consider where this new model will sit in the Lorier catalog, and what it’s doing there. The short answer is that the Lorier Olympia is taking the place of the immensely popular Lorier Gemini. That watch, which was first unveiled at Windup Watch Fair in New York City a full five years ago, was a mid-century inspired bi-compax chronograph powered by the Seagull ST19 hand-wound movement. $899 Hands-On: the Lorier Olympia Chronograph Case Stainless Steel Movement SII NE88 Dial White Lume Yes Lens Acrylic Strap Stainless steel bracelet Water Resistance 50 meters Dimensions 39 x 46mm Thickness 13.8mm Lug Width 20mm Crown screw down Warranty Yes Price $899 I’ve always felt that the Lorier Gemini (and the Lorier Gemini SII) represented a serious step forward for Lorier. The introduction of t...
Fratello
The new Lorier × Worn & Wound Astra Stargazer is the latest limited-edition collaboration from the New York City-based publication. The partnership is close to home as Lorier, a well-known microbrand, also hails from the Big Apple. They’ve created an affordable, very cool watch that should sell faster than the newest SoHo clothing drop. I’m […] Visit Introducing: The Lorier × Worn & Wound Astra Stargazer to read the full article.
Worn & Wound
New today from Baltic, a trio of limited edition versions of their Prismic “cocktail watch,” each with a colorful stone dial. The watches have been announced to celebrate Baltic’s new showrooms, one exotic dial for each. The Paris showroom is tied to the lapis lazuli dial, London to red agate, and New York gets green jade (as seen in the included photos). Stone dials are clearly having a moment, with approachable and affordable stone dial editions being released by many of our favorite brands over the course of the last year or so. Once considered extremely niche (and to be fair, it’s probably still pretty niche) stone dials are now seen as a way to have something genuinely unique on the wrist, as no two dials will be exactly the same. They’re also a natural fit for the Prismic collection, which is already set apart as something a little off the beaten track from Baltic’s heritage inspired sports watches. As is the case with most stone dials, the texture and color of each stone takes center stage with these pieces. Each watch features simple applied hour markers and brushed dauphine hands, with Baltic’s wordmark near the 12:00 position and a small seconds register at 6:00. The case is the same five part design seen on the initial Prismic releases. It measures 36mm in diameter and is composed of both stainless steel (the bezel, lugs, and caseback) and titanium (the midcase, which has a contrasting “grain” finish). The original concept of the Prismic, a t...
Worn & Wound
How long would it take you to invent an entirely new kind of watch movement? Five years? Ten years? If your answer was 27 years, you’d be on the right track. That’s how long it took the Spring Drive movement to go from idea to reality at Seiko. Initially conceived of by Yoshikazu Akahane in the 1970s, the development of the Spring Drive movement grew out of efforts to solve problems endemic to early quartz movements, though the project would not bear fruit until Baselworld 1999 when the first trio of Spring Drive watches was released to the public (something Akahane would, tragically, not live to see). Five years later, Spring Drive would finally reach Grand Seiko with the introduction of the 9R series of movements in 2004. 20 years later, the 9R series of Spring Drive calibers remain a core pillar of the Grand Seiko catalog, and GS is ready to celebrate that anniversary with the introduction of two profoundly autumnal limited editions. Each of these limited releases is powered by a Grand Seiko 9R series movement and each is inspired by the fiery red tones found throughout the Hotaka mountain range come fall. First up, we have the SBGY035, driven by a hand-wound Caliber 9R31 Spring Drive movement. Similar in execution and design to the popular SBGY007 Omiwatari, this thin dress watch claims inspiration from the vibrant leaves that coat the landscape of Hotaka each fall. An ombré finish made up of deep red tones is paired with a textured dial, and is accented by sparin...
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