Thirty Days with the Christopher Ward C12 Loco
‘Micro-brand’ watches are rarely about finishing or movement design. The business model employed by this segment of the industry typically involves off-the-shelf movements combined with made-to-order cases and dials; this is how Christopher Ward (CW) got started. But having merged with its movement supplier a decade ago, the brand has become more ambitious, first with the striking Bel Canto and again with the C12 Loco, which reimagines the Valjoux cal. 7750 as a budget-priced mechanical sculpture inside a sporty steel case. Architectural watchmaking is not new, but it is new at the price point targeted by CW, which recently moved into larger premises in Maidenhead about 30 minutes west of London. Having spent a month with the Loco, it’s worth looking at what they did, and how. Initial thoughts I find architectural watchmaking inherently appealing, and appreciate it when watchmakers and designers work in tandem to elevate mechanical components into miniature works of art. It can come across as gimmicky, but when done well it results in an enthralling and educational wearing experience. Given the steep development costs, this type watchmaking has long been the exclusive domain of high end brands like MB&F; and Ulysse Nardin. But CW has been moving in this direction since the launch of the Bel Canto, and the Loco, despite its relative simplicity, is a worthy follow-up to its striking sibling. Sitting within the Twelve collection, CW’s take on the integrated bracelet sp...