Two Broke Watch Snobs
Ep. #160: Axis Power Watches
What is it about watches issued to WWII Axis Powers that drives watch collectors crazy? Listen in as Kaz and Mike break down the attraction and history behind these controversial timepieces.
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Two Broke Watch Snobs
What is it about watches issued to WWII Axis Powers that drives watch collectors crazy? Listen in as Kaz and Mike break down the attraction and history behind these controversial timepieces.
SJX Watches
Longines has been cranking out vintage remakes at a furious pace over the last year, most notably the Heritage Classic “sector” dial and Heritage Classic Chronograph 1946. All of them share the appealing qualities of being well-priced and fairly authentic remakes. The latest to be released is the Heritage Military 1938, a remake of an oversized watch Longines produced in the 1930s, often for Eastern European markets. It’s as good as the other remakes in terms of value – Longines excel at making value-for-money watches – but falls a bit flat with the dial. The ref. 4092 The inspiration for the new remake is the ref. 4092, a wristwatch that is exceptionally large for its time, with its steel case measuring 43 mm in diameter. Such extra-large watches with military-style dials appear to have mostly been sold to Eastern Europe; Zipper, the Longines agent in Poland at the time is often named as the recipient in archive extracts. A vintage ref. 4092 from the Longines Museum (left) next to the Heritage Military 1938 The rarity and remarkable size of the ref. 4092, along with its appealing military-style dial, makes it a fairly valuable watch today. Even an example with a severely-aged dial sold for 23,750 Swiss francs at Phillips in 2017. So unlike other modern-day remakes that are enlarged versions of vintage originals, the Heritage Military 1938 is just right; it is exactly the same size as the original, but priced at just a tenth of the auction result. The remake Th...
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Watches are no longer the robust tools we use in everyday life. We tell the time with our phones, and watches instead have taken on a much more important role as communicating something about ourselves. In spite of this, some watch companies continue to invest heavily in a traditional form of watchmaking where innovation is … ContinuedThe post Innovation sensation: 3 of the most innovative watches of 2019 appeared first on Time+Tide Watches.
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One of Hublot’s most enduring artistic collaborations has been its relationship with Sang Bleu, a Swiss creative agency and tattoo studio. Founded by Swiss tattoo artist Maxime Plescia-Büchi – who happens to be a bona fide watch aficionado himself – one of Sang Bleu’s signature tattoos is a symmetrical, geometric pattern made up of triangles, which was converted into an unusual time display for the Sang Bleu wristwatch. While the original Sang Bleu watch was time only, the Big Bang Sang Bleu II is a chronograph – with triple Sang Bleu indications, for the time, as well as the two chronograph registers. Clad in blue and available in titanium or 18k gold, the Sang Bleu tells the time via two large, latticework hands – the classic Sang Bleu motif – that have luminous paint on their tips. Similarly, the chronograph hands are rendered as open-worked octagons. Reminiscent of a kinetic sculpture as the hands move, the look is striking and unique, although it doesn’t help with legibility. Sang Bleu finishing The triangular Sang Bleu motif continues onto the bezel and case, which is essentially a geometrically-shaped variation of the tradition Hublot Big Bang. Notably, because of the alternating brushed and polished surfaces that cover the case, the brushed surface is actually a laser engraved linear pattern, because of the impossibility of creating alternating finishes on the same plane. Because the Sang Bleu II is a chronograph, it’s a large watch that’s 4...
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A chronograph is an important part of any watch collection, but the decision regarding which brand or model to buy can be a tough one. Time+Tide reader Jeremy talks us through the decision to pull the trigger on what was not only his first chronograph, but his first-ever Swiss watch, a silver dial example of … ContinuedThe post What Sealed The Deal – Jeremy’s Maurice Lacroix Pontos Chronographe appeared first on Time+Tide Watches.
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Breguet today is highly regarded for its watches that classically designed but often powered by innovative, high-tech movements, like the Classique Chronométrie 7727 with magnetic balance pivots, or the recent, elaborately finished skeleton tourbillon 5395. The brand is not, however, known for its luxury-sports watches (its line of Type XX aviator’s chronographs are entry-level and not quite sports watches). But last year Breguet unveiled the latest – and best – version of its luxury-sports watch, the Marine 5517. An under-appreciated contender in the category, the new Marine more conservative in style than its competition, but built to an admirably high standard. The Marine 5517 in titanium with a matching bracelet Horloger de la Marine Unlike its competitors, Breguet was relatively late to the luxury-sports watch segment (though not as late as A. Lange & Söhne, which launched the Odysseus last year); the original Marine only made its debut in 1990. The model name was inspired by Breguet’s appointment in 1815 as Horloger de la Marine – clockmaker to the French navy, an appointment it held for over 150 years. Designed by Jorg Hysek, perhaps the most famous watch designers of the 1990s, the first-generation Marine was distinguished by its fluted, domed crown, but otherwise looked pretty much like any other Breguet. That was replaced in 2005 by the second generation, a major redesign that gave it a more distinctive style. The practical robustness of the Marine...
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Every year Blancpain (as well as its sister company Breguet) debuts a limited edition for Valentine’s Day. The concept is a bit kitschy – the watch is usually decked out in diamonds and hearts – but this year’s edition is a notably interesting watch. The Saint-Valentin 2020 is powered by a newly-developed form movement, the cal. 510, that is both rectangular and skeletonised. While traditionally Jaeger-LeCoultre has been the leader in form movements for ladies’ watches, most notably with the tiny cal. 101 and with other movements found in the Reverso as well as various Cartier Tanks, Blancpain has notched up a win in the segment with the cal. 510. The cal. 510 is relatively large for what is supposed to be a small movement for a ladies’ watch, measuring 12 mm wide and 25.2 mm long. But it is impressively constructed. It’s fitted with a good-sized barrel that gives it a 50-hour power reserve, which is lengthy for such a tiny movement. That is especially so considering the relatively large balance wheel that is free-sprung and equipped with hour regulating weights on its recessed rim. Additionally, the bridges are all open-worked, revealing the going train and barrel ratchet wheel. The result is also an obvious two-tone look, with the gilded wheels contrasted against the rhodium-plated bridges. And the components are finished carefully and completely, although it appears some of it is done by machine. The rest of the watch is arguably less interesting than ...
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After having modernised the Constellation for ladies two years ago, Omega has just done the same for the men’s model, revamping the watch inside and out. Now the full range of Omega’s bestselling model line – the Constellation is likely the most popular watch model in China – has been facelifted. The new gents’ Constellation Co‑Axial Master Chronometer line-up is 26 models strong, all of which share the same basic specs. While the signature Constellation design has been retained, the case and bracelet has been sharpened with subtle improvements that given it a substantially different look. And the case is also larger, at 39 mm instead of the 38 mm of the earlier generation. But most importantly, the new model is equipped with a Master Chronometer movement containing all of Omega’s latest tech. Nip and tuck Available in steel, yellow gold, Sedna gold as well as two-tone combinations, the new Constellation retains the classic barrel shape with concave facets at the top and bottom lugs, as well as the four bezel “claws” at three and nine o’clock. The overall design is, in short, fundamentally the same, but it has been improved in finishing and style, inside and out. The lines and surfaces of the case and bracelet are now cleaner and more pronounced, at the same time accentuated with improved finishing. While the bezel claws keep their traditional polished finish, most of the other surfaces are now brushed, with the case and bracelet featuring polished be...
Hodinkee
An old chronograph and a new diver that is meant to look like an old diver. Also, Lego!
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Just as the inaugural LVMH Watch Week closed its doors – after Hublot, Bulgari and Zenith had presented their new timepieces – Louis Vuitton has something even bigger to boast about. The Parisian luxury brand, which is the biggest component of LVMH, has just acquired a stake in the world’s largest uncut diamond, which is also the second-biggest diamond ever. Discovered last April at the Karowe mine in Botswana, the Sewelô weighs 1,758 carats, or quite a bit larger than a tennis ball. Sewelo means “rare find” in Setswana, a language spoken in Southern Africa. It was the name chosen from some 22,000 entries that were submitted to a contest run by the mining firm that discovered the stone, Canadian outfit Lucara. Despite the moniker, the Sewelo is not unique – it is the second diamond over 1,000 carats mined by Karowe, after the 1,109 carat Lesedi de Rona found in 2015 and then sold for US$53 million to Graff, which cut it into in several smaller stones. Currently stored on the top floor of Louis Vuitton’s jewellery store on the Place Vendome in Paris, the Sewelô is covered in carbon, and its quality is unknown, although it was described as “near gem quality”, and containing “domains of high-quality white gem”, by Lucara. According to Louis Vuitton chief executive Michael Burke, quoted in The New York Times, the luxury house will only cut and set the stone after it has found a buyer, instead of keeping it as an object for exhibitions. Though Louis V...
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To mark its 160th anniversary this year, TAG Heuer just unveiled the Carrera 160 Years Silver Limited Edition, a remake of the Carrera 2447S from 1964 that’s a quintessential vintage Heuer. Though simple, the ref. 2447S is still fairly distinctive with a monochromatic colour palette and the recognisable Carrera case with its facetted lugs. The ref. 2447S was characterised by a radially brushed silver dial – the “S” in the model reference denotes a standard, silver dial without a tachymetric scale – that arrived only in 1964, replacing the white dial that was one of the launch colours, alongside black. Limited to 1860 pieces, the Carrera 160 Years Silver remains largely faithful to the original, save for a few tweaks like a larger size, restyled hands and necessary technical upgrades such as water resistance and the movement. While the original was 36 mm, the remake is 39 mm, a more appropriate size for a modern watch, if not exactly ideal for a remake. But it is finished just like the original, being entirely polished. And the case is topped by a domed sapphire crystal, which replicates the look of the acrylic glass on the original. A Carrera ref. 2447D, which shares the same silver dial but includes a decimal scale Besides the case, another obvious difference on the remake are the chronograph registers: the running seconds is now at six o’clock, while it sat at nine on the original. That is a consequence of the in-house movement inside. A more subtle upgrade ...
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There are a lot of traditions in the luxury watch industry. From the use of pegwood to polish bevels, to the Roman “IV” rendered as “IIII”, the culture of watchmaking is full of interesting customs passed down over generations. But the most fundamental tradition remains the reliance on incremental improvements towards better timekeeping. “Better” might mean absolute performance measured over a defined period such as an observatory trial (the objective of the superstar régleurs), or reliable long-term performance on the wrist. Regardless, for almost four hundred years the quest for better precision was the guiding principle of the trade. To paraphrase from historian David S. Landes’ Revolution in Time, “… it has always been the rule that the quality of [a watch] is a function of [its] precision.” Omega cal. 47.7 observatory chronometer, where the barrel and balance occupy almost all of the diameter. Image – Omega Today, some 50 years after mechanical timekeepers were left in the dust by their “better” electronic brethren, some makers of mechanical watches are more pious in their observance of this traditional approach to incremental improvement than their competitors. And if we look carefully, we can quantify this difference in approach by looking at how different watchmakers choose to use the available energy within their movements. Our interest was to find a way to quantify which watchmakers are making high-performance timekeeping choices and ...
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The debate about customised watches after they have left the factory is one that has been raging for generations. Is personalising your watch a laudable expression of individuality? Or is it a crass bastardisation of the very art of watchmaking? Here, Nick Kenyon and James Robinson tackle the debate head on. Nick Kenyon – The … ContinuedThe post Customised Watches: Watchmaking Crime or Horologically Sublime? appeared first on Time+Tide Watches.
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Zenith’s collaboration with Land Rover has produced the best-looking Defy 21 to date. Clad in matte grey with a handful of orange accents, the Defy 21 Land Rover Edition is pared back and minimalist compared to the typical Defy chronograph. It’s essentially a more compelling variant of a watch that is already strong value for money. Launched to mark the unveiling of the 2020 Land Rover Defender, the new Defy 21 has a case of micro-blasted titanium. The metal has been sandblasted to create an extremely fine, grained surface finish, giving it a dark grey appearance with a hint of olive green that evokes military equipment. The dial is finished in a similar shade of grey, with most of it reduced to the essentials. Both the hands and hour markers have been slimmed down and minimised, as has the power reserve indicator, which is now a narrow, horizontal window. Most of the usual automotive design elements have been avoided on the Defy 21, with the exception of the rotor, which is shaped like the wheel rim of the new Defender. But it is only visible from the back, and does not take away from the appealing minimalist look of the watch. Mechanically the Land Rover Edition is identical to the standard Defy 21, meaning it has twin oscillators and going trains, one for the timekeeping and the other for the 1/100th of a second chronograph. Key facts and price Defy 21 Land Rover Edition Ref. 97.9000.9004/01.R787 Diameter: 44 mm Height: 14.4 mm Material: Titanium Water resistance...
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Launched in 2005, the Big Bang was the watch that reestablished Hublot as a major watch brand. Fifteen years on, the model gets its most major revamp to date with the launch of the Big Bang Integral. While the basic concept is simple – it’s a Big Bang with an integrated bracelet – the new watch is a substantial upgrade in construction and finishing. The case was redesigned to fit the new bracelet, but also to accommodate a higher level of finishing. The Big Bang Integral King Gold Upgraded inside and out Most of the case edges, and also the pushers, have polished bevelling that contrasts with the brushed finishing on the top surfaces. The alternating surface finish continues onto the bracelet links, which are also facetted in profile. At the same time, the case construction has been improved in substance. Though the new case retains the traditional “sandwich” construction of the Big Bang, the filling of the “sandwich” is no longer resin, but is instead the same material as the front and back plates of the case. The only remaining resin bits are the resin lugs, or “ears”, on each side of the bezel at three and nine o’clock, the fundamental design feature of Hublot that was inspired by a ship’s porthole (hublot is porthole in French). The Big Bang Integral in titanium The All Black The new Big Bang is available in titanium or 18k King Gold as regular production models, and also the 500-piece limited edition Big Bang Integral All Black. Like its namesake...
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The flagship launch for Bulgari at LVMH Watch Week is a compact tourbillon for ladies that’s technically interesting because it is powered by a newly-developed form movement. The Serpenti Seduttori Tourbillon is a moderately large ladies’ watch, with a case measuring 34 mm in diameter and a slim 8.9 mm high. Because it is a Serpenti – which is Italian for “serpent” – the case is shaped like a snake’s head, giving it an ovoid form that has quite a presence on the wrist. Available in white gold or rose gold, the case is set with diamonds, as is the dial (and there’s also a version in white gold with a matching bracelet, set in diamonds from end to end). Inside is the BVL150, a hand-wound movement constructed specifically for this watch. It’s a small movement, measuring 22 mm at its longest and 3.65 mm high, but still manages to accommodate a tourbillon and a 40-hour power reserve. More notably, the movement is a form movement; its shape traces the case, with the tourbillon taking centre stage at six o’clock. Unusually, the tourbillon looks like a flying tourbillon, but is a conventional tourbillon secured by a bridge. But the bridge is a piece of clear sapphire, with the pivot jewel in its centre, making it almost invisible. Another unconventional feature is the crown, which is positioned just between two and three o’clock – inclined at six degrees from the horizontal according to Bulgari – a necessity due to the compact size of the movement. Key fa...
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Unveiled alongside the new variants of the Octo Finissimo in gold or steel, the Octo Finissimo Automatic Black Sandblast-Polished Ceramic is another take on the all-ceramic model launched last year. While last year’s watch had a uniformly matte finish on the case and bracelet, the new ceramic Octo Finissimo has alternating sandblasted and polished surfaces, giving it a little bit more life, with the polished bits catching the light just right. The all-black look is made a little bit more interesting with the varied surface finish, but retains the extreme sleekness of the original ceramic Octo. Like the case, the dial is monochromatic, but made legible, to a degree, with different surface finishes. The dial itself has a matte, frosted surface, while the markings and hands have a glossy finish. The dimensions of the new ceramic Octo remain unchanged from the earlier model, at 40 mm wide and 5.5 mm high. Inside is the BVL138 movement found across the Octo Finissimo Automatic model range. Key facts and price Octo Finissimo Automatic Black Sandblast-Polished Ceramic Ref. 103368 Case diameter: 40 mm Height: 5.5 mm Material: Black ceramic Water resistance: 30 m Movement: BVL138 Functions: Hours, minutes, and seconds Frequency: 21,600 beats per hour (3 Hz) Winding: Automatic Power reserve: 60 hours Strap: Black ceramic bracelet Availability: At both retailers and boutiques Price: US$15,600, or 22,000 Singapore dollars For more, visit Bulgari.com.
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Continuing with the sleek and successful Octo Finissimo, Bulgari has just unveiled two new variants of the extra-flat wristwatch at LVMH Watch Week, a pre-Baselworld launch event for the luxury group’s three watch brands, which include Hublot and Zenith. The new Octo Finissimo Automatic Satin-Polished – in either steel or rose gold – is an iteration of earlier models, and is distinguished by its case finish, which is mostly brushed, but highlighted with mirror polished edges and flanks. With alternating brushed and polished surfaces, the new case finish catches the light nicely. In contrast, current versions of the Octo Finissimo Automatic have a uniformly matte, sandblasted finish that is more muted. While the finishing is new, the case is exactly the same size – 40mm by 5.25mm, giving it an incredibly slim profile on the wrist. The new case finishing is paired with a glossy, black-lacquered dial that has markings and hands to match the case material – either 18k rose gold with a leather strap, or in stainless steel with a matching bracelet. The bracelet is an integral part of the Octo Finissimo, so price and material aside, the steel model is more compelling from a design perspective. Both are powered by the BVL138, the ultra-thin automatic movement that’s standard for the Octo Finissimo. The movement is just 2.23mm high, and relies on a platinum micro rotor for winding. Key facts and price Octo Finissimo Automatic Satin-Polished Steel Ref. 103297 Octo Finiss...
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Editor’s note: The hunt for a new watch is, for many watch enthusiasts, a huge part of the collecting experience. It isn’t enough to simply buy a watch, but a watch must be searched for long and hard, with its eventual discovery making the acquisition all the more exciting. This is the story of Joseph … ContinuedThe post What Sealed The Deal – Joseph’s Omega Speedmaster Limited Edition appeared first on Time+Tide Watches.
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Chanel’s best known watch is unquestionably the all-ceramic J12, now in its refined and upgraded second generation. But its most interesting watch – from a mechanic and design perspective – is the Monsieur de Chanel. Originally offered only in precious metals, the watch was last year given a stylish makeover with the Monsieur Édition Noire that’s clad entirely in matte black ceramic. A jumping hour with retrograde minutes, the Édition Noire is powered by the Calibre 1, an original, integrated movement produced with help from independent watchmaker Romain Gauthier. But equally important is its design, which is discreetly brilliant. The watch has the sort of thoughtful aesthetic that pays attention to the whole but also the details – the typeface used on the dial was designed expressly for the watch – that is expected from the grand Parisian fashion house. In fact, the design is more coherent and informed than many watches created by traditional watchmakers. The Chanel elements of the watch are subtle, like the octagonal frame for the hours inspired by the Chanel No. 5 perfume bottle The long road Like other luxury fashion houses, Chanel has been working hard to make proper timepieces, watches that are well made and equipped with respectable movements. Earlier this year it took a 20% stake in movement maker Kenissi, in a joint venture with Tudor, which now produces calibres for the face-lifted J12. Kenissi is merely the latest investment in Chanel’s gradual...
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Editor’s note: One of Tudor’s lesser-known model ranges, the 1926 is an admirable everyday watch with a number of great benefits. For a start, it’s powered by a tried and true ETA movement, not one of Tudor’s in-house calibres. Why is that a good thing? Well, for a start, it keeps costs down, as evidenced … ContinuedThe post The Tudor 1926: a great daily timepiece for the classically inclined appeared first on Time+Tide Watches.
Hodinkee
Moser's first automatic chronograph is a powerful new presence in the steel sports watch field.
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Luxury sports watches are a fad that numerous watchmakers are trying their hands at – with varying degrees of success. H. Moser & Cie. is the latest brand to try its hand at a sports watch. While the fact is not a surprise, since the company has been dropping hints about it for over a year, the product is unexpectedly well executed and different. Limited to 100 pieces but with future variants in the works, the Streamliner Flyback Chronograph is a “bull’s head” chronograph with the buttons at two and ten o’clock and a “racing” style dial. The Streamliner is characterised by an unusual cushion-shaped case and integrated bracelet, creating a design that brings to mind watches of the 1970s and 1980s, but still manages to be novel in the crowded luxury sports watch segment. Importantly, Moser also got the functional aspects of the watch right: the case is water-resistant to 120m, and the chronograph pushers can be operated underwater to the same depth. The Streamliner on the wrist of Moser CEO Edouard Meylan Fond memories Designed by Marcus Eilinger, a freelance designer whose recent work includes watches for IWC, Montblanc and Huawei, the Streamliner brings to mind interesting, maybe even great, watches of the past that are now forgotten, so it looks fresh. Edouard Meylan (left) with designer Marcus Eilinger. Photo – H. Moser & Cie. While Streamliner’s case is reminiscent of chunky 1970s chronographs made by the likes of Omega, Heuer, and Longines, the integ...
Time+Tide
First of all, I think it is wonderful news for Audemars Piguet to have had such a strong run at GPHG and Only Watch, but to be completely honest, I expected it. The RD2 winning the Aiguille d’Or was no surprise to me as it is hands down one of the favourite watches in my … ContinuedThe post AP expert @horoloupe warns against writing off the Audemars Piguet CODE 11.59 appeared first on Time+Tide Watches.
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Having dropped enough hints – first the movement and then the platinum Speedmaster – that the launch is no longer a surprise, Omega has finally unveiled the watch many have been waiting for: the Speedmaster Moonwatch 321 in steel, a remake of the Speedmaster “Ed White”. Notably, the latest remake means that Omega now has a remake hall of fame, having reproduced almost all of the historically significant vintage Speedmaster models, namely the ref. 2915, ref. 2998, ref. 105.012 (sort of), the ref. 145.022 in 18k gold, and now, the ref. 105.003 “Ed White”. Worn by astronaut Ed White in 1965 when he became the first American to accomplish a space walk, during the Gemini 4 mission, the Speedmaster ST 105.003 has since been nicknamed after White, who unfortunately died not long after when a fire consumed the cabin of the Apollo 1 spacecraft in 1967. Reproduced faithfully Distinguished by its straight lugs, the “Ed White” has been replicated in fine form with the new Moonwatch 321. Omega gets an A for execution with the remake, though its score for creativity won’t be quite as high. The new Speedmaster is a dead ringer for the original, but executed in modern materials – plus faux-vintage Super-Luminova, naturally. Details exactly as on the original include the applied Omega logo and stepped dial The bezel insert, for instance, is a “dot over 90” like the original, but is rendered in robust ceramic with white enamel tachymetric markings, instead of the fra...
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