WristBuzz
Chronoswiss opus dakar sundown: desert Gold meets Skeleton Chronograph
The iconic Opus gets a warm makeover with a two-tone steel and red gold case and a skeletonised dial inspired by desert dusk
36,286 articles · 262 videos found · page 720 of 1219
WristBuzz
The iconic Opus gets a warm makeover with a two-tone steel and red gold case and a skeletonised dial inspired by desert dusk
Monochrome
Chopard has been the World Sponsor and Official Timekeeper of the Mille Miglia since 1988, and the collection bearing the race’s name has evolved continuously since then. This year, Chopard returns to the compact Mille Miglia Classic Chronograph design introduced in 2023 with three country-exclusive editions inspired by historic national racing colours. The use of […]
Teddy Baldassarre
The Studio Underd0g 02SERIES (Gen2) delivers sleeker cases, extended power, and two new dial colors to the microbrand's field watch line.
Hodinkee
What We Know Today, British microbrand Studio Underd0g, known for its uniquely conceived and constructed dials, introduces the second-generation update to its 02Series time-only field watch-ish design. Though new dial colors kind of feel like the brand's major schtick, there are a few surprising changes this time around. First, and a change that's sure to appeal to everyone, is a slight reduction in the case height of the 02Series. It's not the craziest of reductions, going from 12mm to 11.5mm, but shaving off this much is still a welcome improvement, especially considering the case itself is 9.4mm without the pronounced crystal. The new case measures 37.5mm in diameter, with the new 11.5mm thickness and a 46mm lug-to-lug. Yes, the diameter has also increased by half a millimeter, but the revamped proportions should work well across a large variety of wrists. The tighter tolerances also mean that the dial is now closer to the crystal, and this was accomplished thanks to the brand's acquisition of assembly workshop Horologium, now transformed into Studio Underd0g's own in-house workshop, aptly titled The D0ghouse. The caliber inside has also received a subtle update—the Sellita SW210 has been replaced by the SW200-2 M Power+. It's a mouthful, but what that means is an extended power reserve, increased from 42 hours to 63 hours. But in keeping with the execution of the previous generation, the rotor is removed to keep this second-generation manually wound. Across the four ...
Monochrome
Anoma was founded in 2024 and entered the watchmaking scene with the distinctive, rounded, triangular-shaped A1 model. Inspired by a 1950s free-form table designed by Charlotte Perriand, the original A1 has since evolved through small-series releases, the Slate and the Optical, and, more recently, the permanent Abyss and Stone models. The young London-based brand now […]
Worn & Wound
Anoma has announced the latest version of the A1, their watch with a unique triangular shape that brand founder Matteo Violet Vianello says was inspired by a free-form table designed by Charlotte Perriand in the 1950s. There have been a variety of derivations of the original A1 design since it launched, and it’s been a surprisingly versatile canvas for a number of different ideas and points of reference. The thing I like most about the Anoma project, even more than the shape of the watch itself, which I like a lot, is that those ideas largely come from outside the watch world. This industry is filled with references to its own past, and sometimes new watches feel like fist bumps acknowledging and celebrating, well, themselves. It’s refreshing to see a brand celebrating an artistic world that extends beyond watches – it really expands the aperture on what’s possible in terms of design. Anoma’s latest, the appropriately named Prehistoric, was inspired by a visit to the Brancusi sculpture exhibition at the Centre Pompidou in Paris. The exhibition features primitive artifacts that Brancusi saw as the earliest examples of human creativity. The objects, such as arrow heads, axes, and other tools, got Vianello thinking about what is actually essential in design, and what is excessive. He was also influenced by the physicality of these objects, and how evidence of their making, the crude handwork, was still present thousands of years after their creation. The Prehist...
SJX Watches
Anoma is back with a new take on its 1950s-inspired asymmetrical A1, but unlike previous riffs, which varied the dials but left the cases untouched, the A1 Prehistoric features a hand-chiselled case inspired by Stone Age human tools. Initial thoughts The original Anoma A1 was inspired in part by the sculptures created by Constantin Brancusi, specifically his ability to convey movement and create tension. But Brancusi was not just a painter and a sculptor — he also collected primitive human artefacts. In Brancusi’s view, early hand-carved tools like arrowheads and hand axes represent some of humanity’s earliest — and therefore purest — forms of creativity and craftsmanship. The A1 Prehistoric takes inspiration from these ancient tools with its distinctive case finish. To create it, Anoma turned to French engraver Steven Brunel to bring the Prehistoric to life. With hundreds of blows from his chisel, Mr Brunel removes material by hand until the case resembles a primitive stone tool. With so many uneven facets, the play of light across the case should be quite remarkable. Furthermore, each case will look slightly different since the strikes are made freehand. In an industry that is built on precision, perfection and order, the Prehistoric deviates sharply from the norm with a finish that revels in our primal impulses to shape the world around us. One thing that hasn’t changed much is the value proposition that has defined the A1 since its debut. At £2,900, the Pr...
Hodinkee
What We Know Matteo Violet Vianello found the idea for his newest watch while standing in a room full of prehistoric tools. At the Centre Pompidou's Brancusi exhibition in Paris a couple of years back, Vianello, the man behind Anoma, saw the sculptor's collection of primitive tools and artifacts, which stopped him—and stayed with him. That visit became the starting point for the A1 Prehistoric, the latest limited run built on Anoma's signature triangular case. The case itself is hand-chiseled 316L stainless steel, a five-hour process undertaken by Steven Brunel, a French engraver whose work has been exhibited at the Louvre. Brunel works out of a workshop in Mornand-en-Forez, a village of about 500 people in the Loire region. The buckle receives the same treatment. Because the chiseling is done entirely by hand, Anoma says no two pieces will be identical. The dial carries the process further. Roughly 600 individual lines are cut by hand into a brass base in a sunburst pattern, then finished in a dark anthracite color meant to recall the look of worked stone or flint. Specs remain close to the standard A1: the case measures 39mm by 38mm, wearing closer to 37mm thanks to its lugless, triangular shape, with a 9.45mm thickness. Inside is the Swiss automatic Sellita SW100, the same movement Anoma has used across its lineup, running in a case rated to 50 meters of water resistance. The watch comes on a grey-grained Italian leather strap. Anoma will build 100 examples of the A1 ...
Two Broke Watch Snobs
Is the Watchdives WD Premier WD0016B the best integrated sports watch under $250? Our long-term review covers the design, finishing, and value.
SJX Watches
The Star Caliber 2000 occupies a peculiar position in the history of grand complications. It was never the most complicated watch in the world. At its debut it ranked fourth — behind Patek Philippe’s own Calibre 89 and Graves Supercomplication, and the Leroy 01 — and in the quarter-century since, the complexity record has moved further still, most notably to Vacheron Constantin. The complication arms race the Calibre 89 inadvertently triggered ran its full course, and the Star Caliber 2000 was never part of it. What it did instead was something harder to measure and, as it turns out, more durable. It demonstrated that the tradition’s inheritance of unsolved problems — the desynchronised equation, the imperfect melody, and the moon exiled from the sky — was not inevitable. That each problem had a solution. And that the solutions, taken together, produced a different kind of watch: not necessarily more complicated but more coherent; not a larger accumulation of independent mechanisms but an integrated instrument in which every display refers to a single source of truth. The arms race In early 1989, as Switzerland prepared to celebrate the most complicated portable timepiece ever made, the man who had just assembled it returned to his bench. Paul Buclin had spent years assembling and setting up the Calibre 89 by hand — 1,728 components driving 33 complications. Weighing most of a kilogram, the watch itself required its own carrying case. The watch was a monument...
Fratello
I have a form when it comes to writing about the IWC Mark XV. In fact, I previously called it my GADA watch of choice, praising the 38mm pilot’s watch for its balance, restraint, and everyday usability. The trouble with many vintage or neo-vintage timepieces, however, is that finding bracelets worthy of them can become […] Visit Forstner Brings Out Bracelets For The IWC Mark XV to read the full article.
Time+Tide
The Tedoro Quadra GMT Meteorite pairs a striking meteorite dial with an automatic GMT movement and a slim, architectural square case
WristBuzz
TAG Heuer softens the 39mm Carrera Chronograph Glassbox with a warm sand dial and anthracite azuré counters. Cal. TH20-00, 80-hour reserve, only 500 pieces for European boutiques.
Fratello
There’s a specific kind of disappointment that comes from encountering a watch on a brand’s website and feeling precisely nothing. The dial is sharp, the case gleams, and the lug angles are geometrically perfect. And yet, somehow, you close the tab unmoved. You’ve just been the victim of a render. It looked fine, sure, but […] Visit Why Watch Renders So Frequently Leave Us Underwhelmed to read the full article.
Deployant
Sartory-Billard marks its tenth anniversary with the SB10 250th Anniversary: a jumping hour watch built around an exposed American copper cabochon, CNC-engraved in the United States and hand-patinated in Scotland, assembled in France. Available to order July 4–11, 2026 only. The following post is based on press release information. Editorial commentary appears in italics. New:Read More
Two Broke Watch Snobs
We compare the Seiko Turtle vs Orient Kamasu after extended hands-on wear to see which affordable diver offers better comfort, value, and long-term appeal.
Fratello
When RJ asked me to kick off a new series in which Fratello writers describe the best watch they have ever owned, I had to think for a moment. The idea is for each writer to describe his favorite watch, the one that served him most loyally and brought the most joy. We’re not talking […] Visit The Best Watch I Have Ever Owned: How My Rolex Explorer II Ref. 16570 Stumbled To Number One to read the full article.
Monochrome
How much horsepower is enough? Or better yet, how much horsepower is too much? While there’s surely no definitive answer, it seems like there’s no end to the power craze in performance cars. The latest generation of Super- and Hypercars are almost always pushing 1,000-horsepower figures, or more, and we’re not even touching upon full […]
Quill & Pad
I love a 5-star hotel. I love dressing up and hanging out in the lobby, serenaded by soft piano music, the murmurs of the crowd, the intermittent chime of the elevator arriving.
SJX Watches
This weekend, the United States marks its 250th Independence Day — the perfect opportunity to reflect on recent American contributions to the field of horology. On episode 43 of the SJX Podcast, SJX and Brandon discuss the latest entry in this field — the Liberty 250 from 1776 Atelier — and break down the claim that 90% of its components are manufactured in the US. The conversation also discusses RGM and J.N. Shapiro — brands that have contributed substantially to contemporary American watchmaking. Finally, to look into the future we go back to school by visiting the Watch Technology Institute in Seattle — the last remaining full-time public watchmaking programme in the US capable of granting a major certification. Listen now on Apple Podcasts, Spotify, and YouTube.
Monochrome
Steeped in tradition, perfectly in place in the present, and not shy about welcoming the future, the Tradition collection by Breguet is perhaps the finest representation of Abraham-Louis Breguet’s true watchmaking vision. This cornerstone collection was introduced in 2005 and has reshaped the perception of modern watchmaking through something remarkable: the creation of a pocket-watch-style […]
SJX Watches
Texas-based independent 1776 Atelier commemorates America’s 250th year with the Liberty 250, a rose gold skeleton watch with sharp anglage on a movement that is overwhelmingly American made, from the main plate to the free-sprung balance. Initial thoughts The American watch industry transformed from a cottage industry heavily reliant on European imports to the world’s largest watch manufacturer in just a few decades, concentrated around a handful of massive, and capital intensive, factories. This meant that when Waltham, Elgin, and Hamilton closed their American factories in 1957, 1968, and 1969, respectively, the entire domestic watchmaking disappeared almost overnight. 1776 Atelier is one of a handful of independents trying to rebuild it. Founder Jason Lu is a Texan technology executive turned self-taught watchmaker who cut his teeth restoring pocket watches as a hobby. He was later mentored by Donat Kornagel of DK Precision — a prolific German movement customiser — and took anglage-guru Philippe Narbel‘s full week masterclass. Co-founder Zach Smith — WOSTEP-trained watchmaker and KERN-whisperer — also founded Hour Precision, one of the few American component suppliers. Two members of Hour Precision’s fleet of KERN CNC mills Together, their approach is antithetical to the so-called “American system” of industrial watchmaking, which failed in the US but lives on in Switzerland and Asia. Instead, they build watches in small numbers by labour-intensive ...
Quill & Pad
First, I want to clarify that there is no debate in the literal sense. Moritz Grossmann (hereinafter MGr) and A. Lange & Söhne (hereinafter ALS) carefully communicate as if the other does not exist, operating as though they are in two separate universes, despite being located next door in the same small town.
Monochrome
Presented in 2025, the Pulse collection was a significant departure for Chronoswiss. While retaining signature elements such as the onion crown, coin-edge bezel and layered dial construction, it introduced a newly designed case with an integrated-style bracelet and a very contemporary aesthetic. Earlier this year, the collection welcomed the Pulse GMT models, namely the Enamel […]
Monochrome
The Opus, one of the defining collections in the modern Chronoswiss catalogue, was originally introduced in 1995 as the world’s first serially produced skeletonised automatic chronograph. It remains a foundational part of the brand’s identity, continuing to evolve through colour, materials and finishing. Following last year’s titanium Opus Dakar with its desert-inspired palette, Chronoswiss now […]
Time+Tide
Chronoswiss unveils the Opus Dakar Sundown, pairing a two-tone steel and red gold case with a skeletonised, desert-inspired dial.
SJX Watches
Seiko’s latest wristwatch is the surprising Star Time, which features a disc-based display that tells the time as well as elapsed time for up to one million hours, equivalent to 114 years. An unconventional and philosophical watch for a typically conservative brand, the Star Time is unfortunately not available commercially but is instead a unique creation for baseball superstar Shohei Ohtani. Japanese by birth but now a star in America’s Major League Baseball, where he plays for the Los Angeles Dodgers, Mr Ohtani is a longtime and loyal Seiko ambassador who first partnered with the watch brand in 2016, well before he was a global star. Though Seiko has unveiled limited edition models associated with the ballplayer in the past, the Star Time is the first unique watch made specifically for Mr Ohtani. Shohei Ohtani (left) and Seiko Watch Corporation Chairman and chief executive Shinji Hattori Initial thoughts The Star Time is a surprise coming from Seiko. Even though Seiko builds excellent watches across the breadth of the price spectrum – while keeping a keen eye on value – its watches are almost always predictable (though the concept watches from its annual Power Design Project are always intriguing but never commercially available). In contrast, the Star Time philosophical and impractical, with a simple yet complex display. Though the display is straightforward, the engineering behind the module that underpins the five discs is more complex than it might seem given...
Fratello
Last month, I attended the second — and soon-to-be annual — Hands On Horology event. Hosted by Oracle Time at Protein Studios in Shoreditch, London, the show brought together watch brands from around the world. Representatives from Switzerland, France, Italy, Germany, China, Japan, Britain, Norway, the United States, and many other nations filled the venue. With […] Visit Hands On Horology 2026 Hosted By Oracle Time Magazine — Photo Report to read the full article.
Worn & Wound
This weekend is the 4th of July. And it’s not just any run of the mill 4th of July, it just happens to be the 250th anniversary of American independence. America’s semiquincentennial (honestly, I’ll be glad when I no longer have to use, read, or think about that particular word) is certainly a time for celebration, just like any other Independence Day. But this one does feel somewhat momentous. I mean, it comes with its own logo, after all. It also comes with many commercial opportunities, as does every anniversary, something long known and understood in the watch community. So it’s no surprise that we’ve seen an inordinate (some would say tiring) amount of watches brandishing that “250” logo or “1776” or the colors of our flag, often from brands that aren’t even American! Look, we love it that Swiss, British, German, and Japanese brands want to help celebrate this special birthday, but if I’m being honest, I find most of these watches in red, white, and blue with that omnipresent logo on the dial a little, I don’t know, not great? An “America 250” novelty item should be something bought at a gas station on the way to a fireworks celebration (maybe as you fill your truck with $6/gallon diesel) that can be easily discarded at the end of the night. Or maybe it should be a commemorative coin bought on the Home Shopping Network at 2:00 AM at a price you can’t resist. Should it really be a watch? I feel like it shouldn’t, but that’s just me....
Hodinkee
Cartier has always chosen to tell time a little differently. From the first Santos wristwatch in a distinct square case, to its compelling mystery clocks, the unorthodox Tank à Guichet, the counter-intuitive Santos-Dumont Rewind, and the magic of the Masse Mystérieuse, it's a mainstream maison that has rarely approached the art of telling time by running with the pack. Roy Davidoff (left), a vintage watch dealer and expert, and Kari Voutilainen (right), the renowned independent watchmaker, were among the panel of judges tasked with ranking the unique projects submitted for the Cartier Prize for Watchmaking Talents of Tomorrow. That unique sensibility is at the heart of the Cartier Prize For Watchmaking Talents of Tomorrow. It's an accolade that's been awarded 28 times over three decades. But Cartier has rarely spoken about the initiative that began way back in 1995. For its latest edition, we were given a glimpse into the process in which watchmaking students from Switzerland, France, and Belgium were tasked with creating a timepiece based on the motion of a pendulum and the theme of "reading and understanding time differently." The resulting creations from 11 finalist watchmaking students, tasked with building a piece in just 80 hours over three months, displayed both technical prowess and artistic expression, conveying bold and surprising approaches to telling time within the Cartier design language. Prizes were awarded at a ceremony in La Chaux-de-Fonds at C...
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