35,831 articles · 312 videos found · page 903 of 1205
Deployant
A few years ago, watches with an integrated bracelet was the fad. Every watch manufacturer then decided they need at least a timepiece with an integrated bracelet in their repertoire. Today, things have cooled down a little. We still do see the appeal though, although the market may not necessarily agree with us. The strangeRead More
Time+Tide
We discover some of the most unexpected watch designs in the Vacheron Constantin archives with Style & Heritage Director Christian Selmoni.
Time+Tide
To mark this major milestone in the independent brand's story, we brought together the watch community in London.
Worn & Wound
There’s a riskiness to Oliver Gallaugher’s approach to watch design that I can’t help but admire. His aesthetic is clean, lending a stripped-down, contemporary look, but his methods are complex, resulting in elaborate manufacturing and higher costs. What looks, at a glance, like something simple, like a hand, never is. In fact, the hands of his watches, of which there have been two series, with the first sold out, are notably complicated, even featuring a “world’s first.” Further, though his watches are two-handers, rather than using a standard Swiss off-the-shelf movement, he has, thus far, used highly finished bespoke calibers. The result, and here is the dangerous part, is watches that don’t scream why they cost what they do. They aren’t for people who want or need an obvious element to point to, like a guilloche dial or a complication. The OG Watches Deep Space Blue is both a follow-up and an evolution of the Deep Space concept that the brand debuted with. It takes the same overarching concept, a minimal watch with a dial inspired by the night sky, but developed and refined seemingly every element, stripping back further, and yet increasing the complexity of manufacturing. It also uses a bespoke movement from Le Temps Manufactures, which is known for its work with very high-end independents. Beginning with the case, the first model was 41mm x 10.2mm thick and made of 316L steel. The new model is 38mm x 8.8mm and made of 904L. Given the spacious dial and...
SJX Watches
In 1989, Geneva’s storied watchmaker unveiled the most complicated watch ever made – the Patek Philippe Calibre 89. The genesis of the Calibre 89 arguably started almost a century before with a watch made in Besançon, the historical heart of French watchmaking. In 1977, the Association Française des Amateurs d’Horlogerie Ancienne (AFAHA) published the first issue of its journal Horlogerie Ancienne. The watch on the cover was the Leroy 01. The caption on the inside front page read, “Montre Leroy 01, la plus compliquée du monde” – “The most complicated watch in the world”. Inside, on page 15, a short article made the case: the Leroy 01, completed in 1904 by the Parisian firm of Louis Leroy for the Portuguese collector António Augusto de Carvalho Monteiro, held a title that no other timepiece had successfully disputed. In Geneva, the claim was noted. The first issue of Horlogerie Ancienne of 1977. Image – SJX composite/AFAHA Two years later, in early June 1979, Philippe Stern was at his desk in Patek Philippe’s offices on the rue du Rhône when Max Studer, the firm’s technical director, came in for what the records describe as a routine meeting. The 150th anniversary of the manufacture was a decade away. Among the ideas being considered to celebrate the occasion was a reproduction of the Henry Graves Jr. Supercomplication, the watch Patek had built in 1932, with its twenty-four complications, that had served as the benchmark of mechanical ambition ev...
Worn & Wound
Lately, no matter where I turn, I feel that I’m confronted with small watches, with exotic dials, and, with increasing frequency, set with diamonds or precious stones of some kind. It’s a well established trend at this point across both very high end luxury brands and more accessible fare, so it should never really be a surprise when a watchmaker takes a stab at something small and blingy. What is sometimes interesting to clock, however, is how a brand positions a watch like this, because there are multiple clear strategies and I think it’s interesting to consider what it says about the brand depending on the route they take. Watches in this category, or watches that bump against this category, tend to be watches that can traditionally be marketed toward women exclusively. If they’re relatively small and set with diamonds, they can be seen as inherently feminine, almost across the board. Some brands, however, lean into the current moment that is seeing men and women appreciate watches in this category. Bell & Ross, who have just released the BR–05 36MM Blue Diamond Eagle Diamond (yes, that’s the actual name of the watch) have taken the former approach. The watch “asserts a femininity that is both timeless and contemporary,” according to their press release. The Blue Diamond Eagle Diamond (let’s go with BDED from here on out, an acronym that will almost certainly never be repeated in these pages) is a new take on the just released (in March) BR-05 36 mm ...
Monochrome
Since 2005, the Longines Master Collection has been the brand’s flagship line of traditional mechanical watchmaking. While the collection includes more complex models such as chronographs, moon phases and GMTs, the core, conservative Master Collection mainly comprises time-only models. The latest news from the winged hourglass brand is the release of the new, fully redesigned […]
Hodinkee
It's summer in NYC. The Knicks are up 2-1 in the Finals. The pace has slowed a touch with the warmer weather, but the cold brew is still coursing through our veins, and society is sorting itself into two camps: people who stand in line for Dot Cake and those who do not. You can draw your own conclusions there. In other words, the city is immaculate right now. At Hodinkee HQ, that can only mean one thing: it's time for our new summer issue. Transatlantic by Design: How Tiffany & Co.'s watchmaking has always moved between New York and Switzerland, by Malaika Crawford. Volume 16 arrives with two covers. One celebrates Tiffany & Co.'s new Timer while looking back through the brand's remarkable watchmaking archives. The other marks 100 years of the Rolex Oyster with one of our most ambitious Reference Points to date, a deep dive into the Oyster Perpetual and the enduring influence of Rolex's most foundational watch. Written by former Hodinkee editor and Bring A Loupe alumnus, Rich Fordon. Reference Points: Rolex Oyster Perpetual by Rich Fordon. 100 years of the Oyster case proves a blueprint for everything Rolex does. Elsewhere, Nora Taylor spends time with Knicks guard Josh Hart, discussing basketball, collecting, and the watches that have accompanied him throughout his career. Independent watchmaker Rexhep Rexhepi contributes a personal essay on craft, responsibility, and the act of building something intended to outlast its maker. Then Jason Heaton revisits the legend o...
SJX Watches
After more than 20 years, avante garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. It combines a Horological Machine with a high-end shaped movement, flying tourbillon the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a designer. That Maertens did the har...
Time+Tide
Chronoswiss unveils a new Delphis, this time with icy, frozen-themed details housed in its distinctive jumping-hour platform.
WatchAdvice
I take Cartier’s titanium version of the Santos de Cartier hands-on to see if it really is the more versatile option in the brand’s signature collection. What We Love: A fresh take on a Cartier icon Much more suited as a daily wearer Light, robust and still has a sense of elegance What We Don’t: No open caseback for the 1847 MC movement Price point may feel high compared to other sports watches that also showcase movement Would love to see more dial colours for variation Overall Rating: 8.5/10 Value for Money: 8/10 Wearability: 9/10 Design: 8.5/10 Build Quality: 9/10 It’s not every day that we see Cartier venture outside the norm with the Santos de Cartier collection. For years, this collection has been one of the more appealing sporty-dressy everyday watches on the market, bringing together sporty proportions, a clean dial aesthetic, and a bracelet design that wraps beautifully around the wrist. But what has made it such a standout and appealing choice is that unmistakable Cartier charm: refined, instantly recognisable, and versatile enough to sit somewhere between a sports watch with dressy appeal and a daily wearer. The Santos’s history goes all the way back to 1904. As the story goes, Louis Cartier created a wristwatch for his friend, Brazilian aviator Alberto Santos-Dumont, who needed a practical way to tell the time while flying. Rather than having to reach for a pocket watch mid-flight, which was the norm at the time, Santos-Dumont wanted something tha...
Hodinkee
What We Know Among collectors I know and respect, Chopard has been somewhat quietly picking up steam. The launch of a dateless L.U.C. 1860 with a rosy salmon-toned dial in 2023 was a bit of a turning point, bringing the model—compact and beautifully finished—to a broader audience, and with it, Chopard. Revolution was early to the party with its own limited edition, featuring untreated 3N yellow gold and a Lucent Steel case. For that release, the dials were made by Metalem, which makes the dials for Philippe Dufour's Simplicity. Now, the idea is back with a new model with similar dial treatment, with a twist. The new L.U.C Quattro Revolution Re-Edition comes 26 years after the groundbreaking Quattro model, which featured a 9-day power reserve. This time, the same untreated 3N yellow gold dial is made in-house by the Chopard team, while the watch is still cased in Chopard's proprietary Lucent steel. There is a power reserve indicator at 12 o'clock, small seconds, and a date at 6 o'clock. The hour and minute hands are high-polished dauphine shapes with kite-shaped applied hour markers that have a faceted mirror-polished finish. One of the reasons that collectors value Chopard's L.U.C line so much isn't just the quality of the function of the movements, but the quality of the finishing. Yes, the caliber 98.01-L movement doesn't have sharp edges for interior angles like has become so popular these days, but the Côtes de Genève and anglage are still sublime. The four large...
Monochrome
TAG Heuer has been having a lot of fun with the Carrera Chronograph Glassbox lately. Blue, panda, reverse panda, and purple versions have all brought a different style to the table. More recently, TAG Heuer also added teal green and black dials to the new-generation 41mm models, and the latest addition heads in yet another […]
Two Broke Watch Snobs
Rado expands the Rado DiaStar Original Skeleton lineup with three new limited editions in blue, green, and red. Each is capped at 555 pieces.
Hodinkee
What We Know TAG Heuer has said this is the year of the chronograph. In reality, for the storied brand from La Chaux-de-Fonds, that means it's the year of the Monaco. With a series of new releases for 2026, including updated versions of the core Monaco collection with an in-house chronograph movement and updated titanium case, as well as tweaked dial design and, most significantly, the innovative and bar-raising movement tech of the new Evergraf, TAG has leaned into the square-shaped timepiece that debuted back in 1969 and affirmed its position as the brand's flagship and iconic model. So for the Formula 1 Louis Vuitton Grand Prix de Monaco 2026 this weekend, it shouldn't be a surprise that TAG is unveiling a new limited edition version of the Monaco to mark the occasion. The surprise here is that it isn't a chronograph. Rather, it's a time-only jump hour, utilizing the noted Spin Time movement from fellow LVMH property La Fabrique du Temps. It's called the TAG Heuer Monaco Speed 12, and it is certainly a unique and unprecedented interpretation of the mighty Monaco. Measuring 40 millimeters in diameter, the brushed case is made of grade 5 titanium, with the crown on the right rather than the left, which is now obligatory on the Monaco chronograph. It features a sapphire crystal on both sides, meaning the skeletonized case is effectively transparent outside of the dial architecture at the center. The design inspiration here is a 12-cylinder combustion motor, and the ...
Fratello
A few weeks ago, my latest watch purchase, a Sinn 103 St Ty Hd, arrived. I can’t tell you how many times I have browsed the Sinn catalogs over the years, whether on the brand’s website or in the printed versions we receive in the mail every year. The company from Frankfurt holds a special […] Visit Hands-On With My Latest Purchase — The Sinn 103 St Ty Hd to read the full article.
Monochrome
As the EPHJ Geneva trade fair, the major annual gathering dedicated to precision industries, including watchmaking, medtech and high-tech manufacturing, approaches (from 16 – 19 June), several suppliers exhibiting at the show have started unveiling their latest developments. Among them is Vaucher Manufacture Fleurier, a movement maker well known to regular readers of MONOCHROME Watches, […]
Two Broke Watch Snobs
The Timex Atelier line just added its first chronographs—a 42mm titanium automatic and a 40mm quartz—and the pricing raises some fair questions.
Fratello
Another Friday, another list. Last week, we picked our five favorite iconic watches from the 1980s. This week, we move on to the 1990s. If the ’80s were the decade of bad, extravagant taste, the ’90s toned it down significantly. Having said that, we saw plenty of remarkable watch designs in the 1990s. Some of […] Visit Fratello’s Top 5 Iconic Watches From The 1990s to read the full article.
SJX Watches
Online-only auctioneer Marteau & Co returns for its third sale, The Heat Wave. which opens at noon Geneva time on June 10, continuing with its focus on independent watchmaking. Marteau & Co was founded just last year by a duo including industry veteran Arthur Touchot, who spent several years as a journalist followed by a stint at a prominent auction house. The Swiss auctioneer sets itself apart with its intriguing “Maker’s Fee” concept, which rewards the maker of the timepiece with 3% of the hammer price for each watch sold, allowing a brand to benefit from the appreciation of its products. While artists’ resale rights, or droit de suite, is far from a new concept, and has been codified into law in the European Union and United Kingdom, Marteau & Co’s approach is the first instance of its application in watchmaking. Lot 6 – Voutilainen Decimal Repeater Regulator piece unique Kari Voutilainen needs no introduction, but this watch does as it is, like all Voutilainen minute repeaters, a unique piece. This example left the Voutilainen workshop in 2024, cased in 38 mm of unusual 4N gold, which sits between red and yellow gold, while the hands and dial, as you’d expect from any Voutilainen watch – excellent, but with a chiming twist. During a survey of vintage repeating wristwatches you’ll realize that many only have two hands. If you compared the movement of, say, a Patek Philippe ref. 2524 with a seconds hand to one without, the reason becomes clear. The two ...
Time+Tide
Leveraging the Louis Vuitton Spin Time movement as a base, the new TAG Heuer Monaco Speed 12 is an ode to 12-cylinder engines.
SJX Watches
The recent management changes at TAG Heuer and the wider LVMH Watch Division have given birth to a surprising collaboration: the Monaco Speed 12, an avant-garde take on TAG Heuer’s iconic square wristwatch that’s powered by the Spin Time movement made by La Fabrique du Temps Louis Vuitton (LFT). Instead of cubes, hours are indicated by a dozen rotating pistons – the concept is a homage to the V12 engine – that seemingly float in a concentric ring around the dial. Inside the titanium case is a self-winding movement that retains the signature recessed frosting of LFT. Initial thoughts TAG Heuer has been having a good run with technically interesting watches – the Monaco Evergraph is a recent example – and the Speed 12 continues the momentum. Admittedly, the Spin Time movement is not in-house, but it is surprisingly coherent despite the drastically different characters of TAG Heuer and Louis Vuitton. The Spin Time complication translates well into TAG Heuer’s automotive-inspired style, both in terms of concept and execution. Also in its favour is the restyled Monaco case that TAG Heuer has employed in other recent launches. Thought still a little chunky, it is sleeker and more ergonomic than earlier iterations of the design. The price tag of US$87,000 is similar to that of the Louis Vuitton Spin Time Air, which unfortunately makes this just a little expensive. Given the case material and TAG Heuer’s traditional price focus, a price that’s 15-20% lower would ...
Worn & Wound
Back in March, I found myself on an Amtrak train from Philadelphia to Lancaster, PA, a small city that many think of as the ancestral home of American watchmaking. I’d been to Lancaster before, with Hamilton, some years ago, and even though their old factory is no longer in use, the brand’s history is woven throughout the town in any number of ways. But I wasn’t traveling to Lancaster for Hamilton, I was there to see RT Custer, founder of Vortic. The coincidental nature of the line that connects Hamilton, RT, Vortic, and the city of Lancaster is almost beyond belief, and a new layer to that connection would be added in a matter of hours, as RT worked to secure a purchase of vintage pocket watch movements that would take his brand through another year (at least) of production. RT grew up in Lancaster, and his father still lives in town. Hamilton’s history there, of course, would have been something he encountered in his younger years, working its way into his memory the way a knowledge of baseball might if you happened to grow up in Cooperstown, or movies if you grew up in Hollywood. I don’t know, though, that anything could have predicted that RT would one day find himself running a company that would be so inextricably linked to the history of American watchmaking. A collection of very early Vortic watches Vortic is one of the most unique watch brands you’ll ever encounter. Founded in 2013 and based in Fort Collins, CO, Vortic repurposes vintage pocket wat...
Monochrome
Quite a radical departure from the usual classic German style of the Pano and Senator collection by Glashütte Original, the Seventies range, now exclusively available as a chronograph, is characterised by its TV-shaped case and integrated bracelet, but also by a great audacity in colours – which reflects the era after which the watch is […]
Time+Tide
The new Girard-Perregaux Laureato FIFTY collections brings the design into regular production, in full steel, with 36mm and 39mm options.
Hodinkee
It's been some time since we visited Philippe Dufour's workshop—at least officially. I'm not sure if my colleagues have stopped in before, which wouldn't surprise me. Once you know Dufour, stopping by his workshop in Le Solliat becomes much more informal. But until two weeks ago, I actually hadn't stepped foot inside the old building that was once his kids' schoolhouse and that has become his workshop. Back in 2013, Ben stopped by during the "Road to Basel" series, but a lot has changed since then. Or has it? Despite being a watchmaker for over 59 years now, all Philippe Dufour seems to want to do is make watches. And where better to do it than the famed "Valley of Complications"? When we last left him, Ben noted that he had just delivered the last of his Simplicities, after about 200 watches. "He will never make another," said Ben, and that Dufour was working on a more complicated follow-up. Well, since then, he certainly has delivered more Simplicities, including one with an aventurine dial that was auctioned for charity, and there are still more watches on the bench. And it's not just him at the workshop; his daughter Danièla is also working away as well. Tools on the display cases inside Philippe Dufour's workshop and a selection of pocket watches In 2022, I traveled to Switzerland and the Vallée de Joux for the first time to research and photograph a story on the watchmaker Charles-Henri Meylan. I immediately fell in love with the place. The three-dimensiona...
Monochrome
Timing, as they say, is everything. Hot on the heels of Audemars Piguet and Swatch’s Royal Pop pocket watch, the most hyped release of the century, teased with cryptic ads, countdowns and endless speculation, Ochs und Junior arrives with a timely proposal of a pendant/pocket watch. Not everybody has the nerve to follow a headline-grabbing […]
Monochrome
The Oris Big Crown started life in 1938 as a pilot’s watch with a large crown that could be operated while wearing gloves and a distinctive, red-tipped pointer hand to indicate the date on the dial’s perimeter. One of the brand’s most iconic models, the classic 40mm Big Crown Pointer Date returns today as a […]
Fratello
Zenith’s caliber 135 continues its revival within the brand’s modern lineup with a new version. After the restored vintage-powered editions from 2022 and the following G.F.J. releases in 2025 and 2026, the brand now adds a special, limited collaboration with Naoya Hida to the collection. This time, the focus shifts toward Japanese independent watchmaking. The […] Visit Introducing: The Zenith G.F.J. Calibre 135 Double Signed With Naoya Hida & Co. to read the full article.
Hodinkee
What We Know Today, Zenith introduces a new "Double Signed" program for its Calibre 135-powered G.F.J. collection, and its first entry in this series is a collaboration with a Japanese independent that might not require all that much introduction around these parts—Naoya Hida. The evolution of the G.F.J. line has not taken all that long, with its origins starting in 2022 with the Zenith Caliber 135 Observatoire Limited Edition, where ten Calibre 135 movements from the 50s were restored by Kari Voutilainen and introduced in watches done as a triple collaboration between Zenith, Voutilainen, and auction house Phillips. Just three years later, the Calibre 135 was revived as a modern caliber for a line called the G.F.J. (after Zenith's founder Georges Favre Jacot). In just a little over a year, we've seen three small runs of this watch introduced in different stone-dial and metal combinations—platinum with a lapis lazuli dial, tantalum with an onyx dial, and an upcoming yellow-gold GFJ with a bloodstone dial. In the meantime, this new Double Signed concept with Naoya Hida takes the G.F.J. in a very different visual direction. The hefty 39.15mm platinum case, with a thickness of 10.5mm and a compact lug-to-lug of 45.75mm, remains the same as other G.F.J. models. But that dial is unabashedly Naoya Hida, constructed out of solid silver with the distinctive hand engraving coming from the hand of master engraver Keisuke Kano, the man responsible for the hand engraving across al...
Question, suggestion, or just want to say hi? Drop a note.