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Results for The 1969 Automatic Chronograph Race

41,099 articles · 6,650 videos found · page 98 of 1592

Audemars Piguet Introduces the Code 11.59 Selfwinding Flying Tourbillon Chronograph SJX Watches
Audemars Piguet Introduces Sep 14, 2020

Audemars Piguet Introduces the Code 11.59 Selfwinding Flying Tourbillon Chronograph

Last year’s debut of the Code 11.59 by Audemars Piguet was widely panned, with with most of the criticism centred on the dial that was widely regarded to be flat. That left the highlight of the new model to go unnoticed – a new case made up of an intriguing blend of geometric forms and intricate edges. Just after launching warmly-received variants with smoked dials (following last year’s Bolshoi edition in smoked-finish enamel), Audemars Piguet has taken the covers off the Code 11.59 Selfwinding Flying Tourbillon Chronograph, which follows the aesthetic direction set by the record-setting Code 11.59 Tourbillon Openworked “Only Watch”. Initial thoughts Audemars Piguet did well in combining two classical complications – a flyback chronograph and flying tourbillon – in a surprisingly contemporary and slightly sporty watch, which owes its looks to the complementary movement and case design. The skeletonised movement echoes the clean, angular lines of the case and open-worked lugs. A newly-developed movement – and one seemingly designed from ground-up as a skeleton – the cal. 2952 is thoughtfully constructed with a neatly symmetrical layout. As important is the high-contrast finish that emphasises the skeletonisation, achieved with rhodium-plated bridges against a matte-black base plate. The styling of the watch addresses the key shortcoming of the original Code 11.59 – the plain dial – and allows the Code 11.59 to come into its own with a cohesive des...

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In-Depth: A History of the Pulsations Chronograph SJX Watches
Aug 3, 2020

In-Depth: A History of the Pulsations Chronograph

In 1816, Louis Moinet accomplished a first in watchmaking: a timepiece that could precisely track elapsed time. Measuring periodicity on demand had been accomplished before, but the French watchmaker’s invention gave it the functionality and exactness that we expect today. In assessing prototypes, we often tend to forgive their shortcomings and rosily reminisce, rewriting flaws as charms. Moinet’s timepiece, however, was a prescient opus. The layout of the dial had the now-familiar large central hand and elapsed time in subdials. Two pushers controlled the start, stop and reset functions, the power reserve lasted over 30 hours, and the mainspring could be wound while the timing mechanism was engaged to allow for longer timing runs. Most impressive, though, was its precision. Louis Moinet’s compteur de tierces of 1816. Image – Louis Moinet Named the compteur de tierces, or “timer of thirds”, Moinet’s invention ran at 216,000 beats per hour, measuring time down to one-sixtieth of a second. To allow for this ambitious exactitude to be utilised, the central chronograph hand completed revolutions once per second – such that the user could easily see which sixtieth of a second the period in question ended on - and the watch had an extra sub-dial for tracking elapsed seconds in addition to those for the minutes and hours. Whys and wherefores An impressive story, except that it’s missing something. Why did Moinet build it? And what did he use it to measure? A...

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HANDS-ON: The Jay Gatsby of the class of 2020 is in the (Art Deco) house, meet the Longines Heritage Classic ‘Tuxedo’ and ‘Tuxedo Chronograph’ Time+Tide
Longines Heritage Classic ‘Tuxedo’ Jul 5, 2020

HANDS-ON: The Jay Gatsby of the class of 2020 is in the (Art Deco) house, meet the Longines Heritage Classic ‘Tuxedo’ and ‘Tuxedo Chronograph’

Longines has had quite the 2020. First came the excellent Khaki Green addition to the HydroConquest collection, and then we scored an entirely new and very exciting collection in the Longines Spirit. And now, to round out something new and something updated, comes something from the past –  but, we think you’ll agree, very much … ContinuedThe post HANDS-ON: The Jay Gatsby of the class of 2020 is in the (Art Deco) house, meet the Longines Heritage Classic ‘Tuxedo’ and ‘Tuxedo Chronograph’ appeared first on Time+Tide Watches.

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Glashütte Original Introduces the Sixties and Sixties Chronograph “Glacier Blue” SJX Watches
Glashütte Original Introduces Apr 7, 2020

Glashütte Original Introduces the Sixties and Sixties Chronograph “Glacier Blue”

A yearly tradition starting two years ago, the Sixties annual edition is a limited-production run of Glashütte Original’s well-liked, retro Sixties. In contrast to the sedate, Teutonic colours of the regular models, the Sixties annual editions are characterised by dials in bold colours and elaborate patterns, all produced the traditional way at its sister company located just several hours away. The annual edition began in 2015 as an experimental collection of watches with dials in over-the-top colours, before becoming an annual edition, first with a green dial patterned after water droplets, followed by an orange version of the same motif last year. Now Glashütte Original has gone in the opposite direction with the Sixties and Sixties Chronograph featuring pale-blue, dégradé dials finished with a simple, radial brushing. Decidedly more restrained than the earlier editions, the new “glacier blue” dials are still nuanced and striking. Subtle blue As with all of the dials found on the Sixties annual editions, the new “glacier blue” dials are produced by the what was once the Th. Muller dial factory in Pforzheim, historically the heart of the German jewellery and clockmaking industry, and now owned by Glashütte Original’s parent company, Swatch Group. The blue dials are finished in a dégradé, or graduated, colour that darkens towards the edges – an effect that requires multiple steps to achieve. It starts with a dial blank made of German silver that is...

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