Hodinkee
Introducing: The MB&F; HM7 Aquapod Platinum Red
A new red version of the brand's aquatic-inspired Horological Machine.
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Monochrome
Recap – The Best New Indie Watches From Geneva Watch Week 2026
Independent watchmaking has always been a crucible of creativity and doing things off the beaten path, and that’s exactly the reason why we love the genre so much. From industry legends and trailblazers such as Daniel Roth, Urwerk and MB&F;, to the newest generation of stars, the indie watchmaking scene is truly unique. And while […]
Time+Tide
New releases from Ressence, M.A.D. Editions, Rexhep Rexhepi and more
This has been an incredible week for independent watchmaking. Ressence has announced its first-ever in-house movement, M.A.D. is presenting two new editions for those who want to own a piece of MB&F; engineering without the price tag, and Rexhep Rexhepi has unveiled a new project. Moments like this don’t come around often, and when they … ContinuedThe post New releases from Ressence, M.A.D. Editions, Rexhep Rexhepi and more appeared first on Time+Tide Watches.
Monochrome
First Look – The New Generation Maghnam Mohareb, a Transformative Timepiece
Maghnam operates within an area that few independent brands genuinely explore. Urwerk, MB&F; or even Hautlence have long defined the idea of futuristic, space-age watchmaking. Sohaib Maghnam, Qatar-based founder of Maghnam Watches, approaches the concept from a different angle. His watches are not only about unconventional displays, bold mechanics, form, structure, but also about, importantly, […]
Monochrome
The ABCs of Time – The Most Popular Watch Styles Explained
There’s an endless amount of mechanical wristwatches on the market today from a seemingly endless amount of brands (large and small), but almost all watches fall into a specific style (assuming it’s not from MB&F; or Urwerk). However, many take on multiple roles and blur those lines – an Audemars Piguet Royal Oak is a […]
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AVOID These 50 Watch Buying Mistakes: My Brutally Honest Experience
Get your Urban Gentry coffee mug, #wristwatchcheck tee, and more official merch:
Worn & Wound
Ressence Hits Warp Speed with the new Type 9 IKE
When we create a post on the Worn & Wound blog, we check a little box on the sidebar of our backend system to categorize the watch we’re writing about. The options are things like “Diver,” and “Chronograph” and “Dress,” which is about what you’d expect, and these well understood categories are appropriate for most of the watches we write about. But my absolute favorite thing is when a news release (or an actual watch!) comes across my desk that can only fit into one category, at the very bottom of the list: Unique. More than any other brand (besides perhaps MB&F; and Urwerk), Ressence really has a lock on the Unique category here at Worn & Wound. One of many reasons we continue to be drawn to them year after year. Their latest, the Type 9 IKE, is unique even within the Ressence catalog. Built on the (relatively) approachable Type 9 platform, which features an easy to wear 39mm case and a simplified version of the already incredibly stripped down Ressence Orbital Convex System (ROCS), the new limited edition is a collaboration with Japanese artist Terumasa Ikeda. It’s also a twist on a trend we’ve been seeing play out in the watch industry over the last few years, but you probably wouldn’t think at first glance that this is actually a very intricately crafted mother of pearl dial. Ikeda’s work has a style that can be described as mixing very old craft techniques with a futuristic, almost sci-fi inspired design code. The Type 9 IKE’s dial looks...
Monochrome
Introducing – L’Epée 1839 Reimagines its La Regatta Clock with Enamel
For over 180 years, L’Epée 1839 has been one of the greatest specialists in high-end mechanical clocks, from traditional carriage timepieces to captivating, bold creations like the 1520-component Albatross and other time-telling objects developed in cooperation with MB&F;, cars and aeroplanes for Tiffany & Co., or an Imperial Hot Air Balloon for Louis Vuitton, to […]
SJX Watches
David Candaux Thinks Differentially with the DC12 MaveriK
After a few quiet years, David Candaux has introduced the DC12 MaveriK – the brand’s fourth model and its first without a tourbillon. A deceptively complicated time-only watch, the DC12 features twin escapements linked by a differential, a mechanism deeply rooted in the twentieth century history of the Vallée de Joux. Housed in an organic 39.5 mm titanium case, the DC12 is the most affordable watch yet from the Le Solliat-based watchmaker, but retains the brand’s signature push-button crown below the dial. Initial thoughts An experienced constructor who can count the MB&F; HM6 and Jaeger-LeCoultre Hybris Mechanica à Grande Sonnerie among his credits, David Candaux launched his eponymous brand in 2017. But he would be the first to tell you it was not an easy start, managing to sell just 14 watches during his first four years in business. This is not uncommon in the world of independent watchmaking; look around at some of the most popular independent brands today and you’ll hear a similar story about their early days. Mr Candaux’s business subsequently picked up some momentum, and in the past four years the brand claims to have made an additional 42 pieces. If true, it’s an encouraging sign for a watchmaker with something of a chequered past as an independent constructor, who is said to have had difficulty meeting obligations to client brands. In some ways, the DC12 is the embodiment of this journey, being simpler and cheaper than Mr Candaux’s previous models....
SJX Watches
In-Depth: Girard-Perregaux Debuts All-New Automatic Calibre
Girard-Perregaux (GP) has just taken the covers off a new in-house movement that will serve as a versatile platform for the brand, the Girard-Perregaux GP4800. Historically a significant producer of automatic movements, GP marks a milestone with the new, high-performance base movement that will gradually replace the 3000 family of movements that was once a workhorse employed by several high-end brands. Initial thoughts GP’s most famous creations are undoubtedly the historical Tourbillon with Three Gold Bridges and the more recent Constant Escapement. Significant as they may be, neither illustrates the brand’s past strength as a manufacture in the early decades of contemporary watchmaking post-Quartz Crisis, in particular GP’s position as a leading supplier of automatic movements. It all began with the 3000 family of calibres introduced in 1994. Desirable for its slimness and high performance – the 3000 series was sub-3 mm thick while ticking at 4 Hz – this versatile platform served not only as a base for many of the brand’s own timepieces, but also powered well-known watches made by a number of prominent brands, including Cartier, Daniel Roth, Vacheron Constantin, and even MB&F;. A GP3000 found in the MB&F; HM2 And then inverted in the MB&F; HM8 Mark 2 The new GP4800 is clearly meant to replace the venerable-yet-aging 3000-series. Boasting a modern architecture and fine technical chops, the GP4800 is a step towards reclaiming GP’s past success as a movement ma...
Hodinkee
Business News: Hot Offerings From Swiss Watchmakers Wrestle For Attention With Tariff Price Talk At Geneva Watch Days
More price increases are coming, including Patek, MB&F;, and Moser, executives say, without a better U.S. tariff deal.
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This is Incredible - My Favorite New Independent Watch Brand
Hodinkee
Announcements: Geneva Watch Days 2025 Starts This Thursday – Stay Tuned!
Over 50 brands and a whole lot of releases from MB&F;, Bulgari, Zenith, Oris, and more.
Worn & Wound
Massena LAB and Vianney Halter Team Up for the “Old Soul”
Before there was MB&F;, before there was Richard Mille or Greubel Forsey or De Bethune, there was Vianney Halter. Alongside brands like Urwerk, Vianney Halter helped to reimagine what watches could look and feel like coming into the 21st century. Writing in 2025, it’s hard to think of a time when the weird and wonderful wasn’t a core part of watch collecting, and Vianney Halter deserves no small amount of praise for his role in bridging the gap between a more traditional interpretation of independent watchmaking and the wide-open world of watch design we now get to enjoy. Still, nearly three decades on from the release of his first watch in 1998 (the inimitable Antiqua Perpetual Calendar), Vianney Halter is still working, and his latest release, the Old Soul - designed and executed in collaboration with William Massena and Massena LAB - is a sterling reminder that the old master isn’t out of tricks just yet. Like Halter’s last collaboration, the Louis Erard x Vianney Halter Regulator, which was released around Thanksgiving last year, the Old Soul leans into Halter’s Steampunk sensibilities, but blends the unique aesthetic with Massena’s signature eye towards historic watch design. The resulting piece is something both classically beautiful and wholly contemporary. Cased in a sedate and handsome 42mm, 12mm thick steel case, the Old School by Vianney Halter and Massena LAB is powered by the Minerva calibre 17’22, a vintage pocket watch movement first introdu...
SJX Watches
Thirty Days with the Christopher Ward C12 Loco
‘Micro-brand’ watches are rarely about finishing or movement design. The business model employed by this segment of the industry typically involves off-the-shelf movements combined with made-to-order cases and dials; this is how Christopher Ward (CW) got started. But having merged with its movement supplier a decade ago, the brand has become more ambitious, first with the striking Bel Canto and again with the C12 Loco, which reimagines the Valjoux cal. 7750 as a budget-priced mechanical sculpture inside a sporty steel case. Architectural watchmaking is not new, but it is new at the price point targeted by CW, which recently moved into larger premises in Maidenhead about 30 minutes west of London. Having spent a month with the Loco, it’s worth looking at what they did, and how. Initial thoughts I find architectural watchmaking inherently appealing, and appreciate it when watchmakers and designers work in tandem to elevate mechanical components into miniature works of art. It can come across as gimmicky, but when done well it results in an enthralling and educational wearing experience. Given the steep development costs, this type watchmaking has long been the exclusive domain of high end brands like MB&F; and Ulysse Nardin. But CW has been moving in this direction since the launch of the Bel Canto, and the Loco, despite its relative simplicity, is a worthy follow-up to its striking sibling. Sitting within the Twelve collection, CW’s take on the integrated bracelet sp...
Worn & Wound
Affordable Excellence: How High End Watch Brands are Creating Accessible Options for the Enthusiast
It is a global phenomenon: some of the most exclusive independent watch brands have in the last five years created more accessible and more affordable sister brands or collections. These are undoubtedly linked to the main brand thanks to similar design features and a similar spirit. Just look at MB&F; and its M.A.D.Editions in Switzerland, Grönefeld and Grøne in the Netherlands, and Hajime Asaoka with Kurono Tokyo. Their normal offering is in the tens or hundreds of thousands of dollars, and now their sister brands offer watches for a few thousand – and you don’t have to wait for years to get a watch. Why are they doing this? What effect does it have on the general perception of the main brand? What are the collectors’ reactions to the more accessible offerings? Occasionally, it goes in the other direction. The Finnish brand Leijona’s Heritage 1907 Collection punches above its weight. It shows that a quartz based, mass market brand can make Swiss Made mechanicals together with a legend like Kari Voutilainen. We’ll get back to that. Just as we’ll get to Swatch’s recent collaborations with its fancier siblings within the Swatch Group. This phenomenon is all but new. Just look at Rolex and Tudor, the latter registered in 1926. “It was exactly the same as what we see today. Rolex founder (Hans) Wilsdorf wanted to offer high-quality watches at more affordable prices,” said watch expert Gianfranco Ritschel. Another example, half a century removed, is Cartie...
Time+Tide
New releases from anOrdain, Bulgari, Unimatic and more
High-end Bulgaris, a trio of TAG Heuer Monacos, a new collection from MB&F; and porcelain dials from anOrdain dropped this week.The post New releases from anOrdain, Bulgari, Unimatic and more appeared first on Time+Tide Watches.
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My 2026 Watch Collecting + Life Goals: A Panerai In Italy, Patek Grail, An Exit Rolex, Health & More
SJX Watches
Christie’s to Sell Single-Owner Collection of 21st Century High Horology
Christie’s is continuing with its streak of single-owner watch collections into the 2025 season with Stories in Time. Made up of 160 watches – including a sizeable number of independents – the sale is the culmination of three decades of collecting by one collector. Representing 47 brands from A. Lange & Söhne to Voutilainen, the collection represents 21st century horology in all its diversity, capturing the evolution of contemporary watchmaking as it developed from the 1990s onwards. The watchmaking landscape Establishment brands like Patek Philippe and Vacheron Constantin are well represented, but equally the independent watchmakers and brands out of the mainstream. While the brand with the largest number of pieces in the collection is Patek Philippe at 20, the second most numerous brand is De Bethune at 18. The line-up also includes nine watches by Greubel Forsey and seven from MB&F;, as well as a few examples of the Harry Winston Opus series. One of the nine Greubel Forsey watches in the sale, the Double Tourbillon 30° Edition Historique in platinum with an estimate of US$120,000-220,000 Almost every watch in the collection is in pristine condition and accompanied by the original boxes and paperwork, reflecting the collector’s meticulous approach. This collection will be offered at Christie’s sales across the world over the course of 2025, in Hong Kong, Dubai, Geneva, and New York in the eight auctions during the spring and autumn sales.
Hodinkee
Introducing: The M.A.D.Editions M.A.D.2 Has Arrived And It's Playing Two Groovy Tunes (Live Pics)
The successor to the watch that made MB&F; "Madness" affordable is back, with a design from a new friend of the MB&F; family.
Deployant
New: Bvlgari x MBF Serpenti
From two of the most creative maisons in the industry, Bvlgari partners once again with MB&F; to release this new Serpenti.
SJX Watches
Tiffany & Co. Watchmaking Kicks Off with Bird on a Flying Tourbillon
Having acquired Tiffany & Co. in 2020, LVMH set about remaking the storied American jeweller. That extended to Tiffany’s watch division, which now debuts the first flagship creation under new ownership, the Bird on a Flying Tourbillon. Led since 2021 by Nicolas Beau, the former chief of Chanel watches, Tiffany’s watch division turned to independent watchmaker Artime for the movement of the new tourbillon. Set with some 4 carats of diamonds, the Bird on a Flying Tourbillon features an off-centre dial layout with a flying tourbillon at seven o’clock, along with a turquoise marquetry dial bearing a pair of diamond-set birds in flight. Initial thoughts One of Tiffany’s best-known jewellery designs, the Bird on the Rock has been a fixture in the brand’s catalogue for decades. A horological twist on the concept, the Bird on a Flying Tourbillon is clearly part of an effort to position the design as a versatile icon that is Tiffany’s equivalent of the Serpenti. It’s a little bigger and thicker than the traditional ladies’ watch, though reminiscent of the MB&F; LM Flying T. The reason for the size is the AFT24T01 movement inside, which is more interesting than usual as it was developed for Tiffany & Co. by Artime, a recently established independent brand. The AFT24T01 has a high quality execution with appealing details, but it’s related to Artime’s own calibre for a men’s skeleton tourbillon, explaining its large size. As an opening effort, the Bird on a Flying...
WatchAdvice
We See Why The Raymond Weil Millesime Is Award Winning
In this revisited article we originally published early in 2024, we take a look at the (then) new Raymond Weil Millesime with Mario going hands on with the Challenge Watch Award Winning piece from 2023’s GPHG. Originally published April 22nd, 2024 What We Love: Every design element feels exceptionally thought-out Appears larger than on paper, but wears comfortably and true to size A spec & design monster for the price point What We Don’t: Some design elements feel slightly unnecessary Lack of a date can bug some people Would have liked a more finished movement Overall Rating: 8.75/10 Value for Money: 8/10 Wearability: 9/10 Design: 9/10 Build Quality: 9/10 After the Piaget Polo Date Review, Chamath opened the floor to me, asking what other watches I wanted to review. Unlike last time, I didn’t jump straight into the annals of priceless and inaccessible haute horlogerie. With my newfound experience in reviewing timepieces, it felt right not to give him a heart attack this time. So, instead of asking for an MB&F; or an Urwerk, I gleefully drafted a shortlist of five timepieces to review. There wasn’t a real theme, rhyme or reason with the pieces I requested. I chose pieces not based on brand, price or reputation, but on what intrigued me the most horologically. It was hard to restrict myself to five, (There are so many I love!) but my feeble mind would have exploded before I managed to compile everything I wanted to see. Enter Geneva brand Raymond Weil – a relat...
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My Ultimate Tool Watch - The Green Fifteen
Christopher Ward C60 Trident Lumière ‘Green Fifteen’ x Bark & Jack:
Teddy Baldassarre
Review: Neobrutalist Horology & the Kollokium Projekt 01
About 15 years ago I came across a brand out of the Netherlands called d.m.h. which was, in reality, a single person by the name of Fred Dingemans, working out of a shed in his backyard. His creations were raw and slightly impractical, but they were also a pure expression of creativity, and unwaveringly original. These watches were captivating at a glance, showcasing a similar level of creative fidelity to what we were seeing from the likes of Urwerk and MB&F; at the time. This is a quality sorely taken for granted these days, with most of the newcomers wisely choosing to play it safe with practical, conventionally attractive creations that can go anywhere, and do anything. I have a well-documented love of practical tool watches that can go anywhere and do anything, but I often lament the homogeneous nature of watch design that this trend has brought us to. Truly novel expressions are a rare sight these days, but there has been exactly one to cross my radar over the past year that has brought a similar feeling to seeing a d.m.h. watch all those years ago, and that is the kollokium projekt 01. My first glimpse of kollokium came when I spotted one on the wrist of one of the co-founders while attending the Dubai Watch Week events of 2023. This individual, uncoincidentally, is also responsible for the avant-garde creations coming out of Louis Errard these days. His name is Manuel Emch, and he is one of three men (the others being Barth Nussbaumer, and Amr Sindi) behind koll...
SJX Watches
Insight: The Advantages of a Vertical Clutch Chronograph
The vertical clutch has become the de facto standard in modern chronograph movements thanks to its mechanical and practical benefits. The widespread and varied use of the vertical clutch is illustrated by the many recent movements that employ the mechanism, ranging from the Rolex Cosmograph Daytona to the Breitling B01 to the MB&F; LM Sequential Evo. The proliferation of the vertical clutch is easily explained by its merits. Having explained the construction of a vertical clutch, we now turn to its advantages over the traditional horizontal clutch (or lateral coupling). Figure 1: A simplified cross section of a vertical clutch A vertical clutch serves to transfer energy from the going train of the movement to the chronograph going train, accomplishing this via a vertical motion. Figure 1 illustrates its key parts: a flywheel (yellow) geared to (or even part of) the going train; a cone (grey) that is linked to the chronograph seconds mobile, and vertically tensioned by a spring (red); a pair of pincers (blue) that engage with the cone, lifting or lowering the cone. When the cone is raised and engaged with flywheel, the chronograph starts running, and when the cone drops and disengages, the chronograph stops. One of the most apparent advantage of the vertical clutch is the low kinetic friction generated during coupling and uncoupling of the chronograph, as friction is produced only by the sliding motion of the pincers and the vertical motion of the cone. The Rolex Cosmogra...
Worn & Wound
Three Geneva Watch Days Takeaways From a First Time Attendee
For watch collectors, enthusiasts, and industry veterans, it’s kind of hard to believe that Baselworld hasn’t existed in a meaningful way since 2019. Covid (and a rapidly changing industry) killed the industry’s biggest trade show in 2020, and as soon the show was on life support, many began prognosticating about the future of large scale industry events. Over the course of the last five or so years, the watch world has settled into a groove, with Watches & Wonders (formerly the far more exclusive SIHH) largely replacing Baselworld as the big spring must-attend watch event, with an ever growing roster of brands exhibiting at the show, and even more taking meetings in unofficial capacities adjacent to it. Baselworld being effectively replaced by another show was probably somewhat predictable, but a turn of events that fewer saw coming was the rise of Geneva Watch Days as a major end-of-summer tentpole event for the watch community. Originally conceived in 2020 as a way for a small handful of brands (Breitling, Bulgari, De Bethune, Girard-Perregaux, H. Moser & Cie and MB&F;) to bring watch collectors together in a pandemic ravaged year, the event has grown to over 50 official participants and many more exhibiting on the fringes, taking advantage of the influx of collectors and watch industry types on the city of Geneva while the event is up and running. If you talk to people who have attended Geneva Watch Days since it began, you’ll hear a lot of chatter about t...
Hodinkee
Announcements: Geneva Watch Days 2024 Starts This Thursday – Stay Tuned!
The latest releases from 50+ brands, including Breitling, Bulgari, MB&F;, Oris, and more.
SJX Watches
L’Epée 1839 Unveils Racing Car Clock with Built-In Cigar Lighter
Only recently taken over by LVMH, L’Epée 1839 is celebrating its 185th anniversary with the T35, a clock shaped like a 1920s racing car, specifically the acclaimed Bugatti Type 35, which set several records and won numerous Grand Prix. But the T35 is more than a clock – the removable engine block is actually a cigar lighter. Initial thoughts L’Epée 1839 is known for both its own clocks and the many collaborations with brands like MB&F; or Chanel. Although they are actual time-telling devices, L’Epée’s creations are usually elaborate kinetic sculptures which also happen to be built around clockwork. This is the case with the T35 as well. In itself the movement is not very advanced, but the T35 is more of an interactive kinetic sculpture rather than a serious chronometer. Bringing to mind the New York taxi clock made for Tiffany & Co., the T35 is a desktop timekeeper with clever details that allow the owner to interact with, like turning the steering wheel to set the time. The built-in lighter feels kitschy on its face, but is actually a logical and useful addition to the clock given the context. Such a clock will inevitably sit on a desk or coffee table, and cigars are a probable vice for many of the potential owners. A racing machine The T35 takes the shape of a classic racing car with aluminium bodywork on a steel chassis. The bodywork is available in classical racing colours: French racing blue, British racing green, Obsidian black, and Rosso Corsa. The elo...
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