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Introducing: The MB&F; Legacy Machine Perpetual EVO
Take that, crystal.
1,654 articles · 79 videos found · page 17 of 58
Architect-trained Geneva designer behind MB&F\'s entire HM and LM series, plus Bovet, Manufacture Royale, Greubel Forsey commissions.
MB&F's twelfth Horological Machine is a flying-tourbillon wristwatch that docks inside a 15 kg, nearly 400 mm tall transforming robot companion, and only 36 will ever exist
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Take that, crystal.
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Thirteen collaborations and counting.
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Max Busser & (man's best) friend.
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The chocolate and peanut butter of independent watch brand collaborations.
Quill & Pad
Elizabeth Doerr delves into four exciting new introductions by independent watchmakers that she looks forward to seeing in the metal as soon as the Coronavirus travel restrictions allow.
Hodinkee
A downsized spin on the brand's out-of-this-world desk clock.
Quill & Pad
As just about every watch event has been canceled because of the coronavirus pandemic, Elizabeth Doerr highlights five new watches for women here that we would have seen for the first time at Watches & Wonders 2020.
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Take a bite out of time.
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Same awesome watch; new awesome look.
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Three tourbillons enter, only one can leave.
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Honoring the Golden Age of automotive and aircraft design with a gold case.
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A new red version of the brand's aquatic-inspired Horological Machine.
Monochrome
Independent watchmaking has always been a crucible of creativity and doing things off the beaten path, and that’s exactly the reason why we love the genre so much. From industry legends and trailblazers such as Daniel Roth, Urwerk and MB&F;, to the newest generation of stars, the indie watchmaking scene is truly unique. And while […]
Time+Tide
This has been an incredible week for independent watchmaking. Ressence has announced its first-ever in-house movement, M.A.D. is presenting two new editions for those who want to own a piece of MB&F; engineering without the price tag, and Rexhep Rexhepi has unveiled a new project. Moments like this don’t come around often, and when they … ContinuedThe post New releases from Ressence, M.A.D. Editions, Rexhep Rexhepi and more appeared first on Time+Tide Watches.
Monochrome
Maghnam operates within an area that few independent brands genuinely explore. Urwerk, MB&F; or even Hautlence have long defined the idea of futuristic, space-age watchmaking. Sohaib Maghnam, Qatar-based founder of Maghnam Watches, approaches the concept from a different angle. His watches are not only about unconventional displays, bold mechanics, form, structure, but also about, importantly, […]
Monochrome
There’s an endless amount of mechanical wristwatches on the market today from a seemingly endless amount of brands (large and small), but almost all watches fall into a specific style (assuming it’s not from MB&F; or Urwerk). However, many take on multiple roles and blur those lines – an Audemars Piguet Royal Oak is a […]
Worn & Wound
When we create a post on the Worn & Wound blog, we check a little box on the sidebar of our backend system to categorize the watch we’re writing about. The options are things like “Diver,” and “Chronograph” and “Dress,” which is about what you’d expect, and these well understood categories are appropriate for most of the watches we write about. But my absolute favorite thing is when a news release (or an actual watch!) comes across my desk that can only fit into one category, at the very bottom of the list: Unique. More than any other brand (besides perhaps MB&F; and Urwerk), Ressence really has a lock on the Unique category here at Worn & Wound. One of many reasons we continue to be drawn to them year after year. Their latest, the Type 9 IKE, is unique even within the Ressence catalog. Built on the (relatively) approachable Type 9 platform, which features an easy to wear 39mm case and a simplified version of the already incredibly stripped down Ressence Orbital Convex System (ROCS), the new limited edition is a collaboration with Japanese artist Terumasa Ikeda. It’s also a twist on a trend we’ve been seeing play out in the watch industry over the last few years, but you probably wouldn’t think at first glance that this is actually a very intricately crafted mother of pearl dial. Ikeda’s work has a style that can be described as mixing very old craft techniques with a futuristic, almost sci-fi inspired design code. The Type 9 IKE’s dial looks...
Monochrome
For over 180 years, L’Epée 1839 has been one of the greatest specialists in high-end mechanical clocks, from traditional carriage timepieces to captivating, bold creations like the 1520-component Albatross and other time-telling objects developed in cooperation with MB&F;, cars and aeroplanes for Tiffany & Co., or an Imperial Hot Air Balloon for Louis Vuitton, to […]
SJX Watches
After a few quiet years, David Candaux has introduced the DC12 MaveriK – the brand’s fourth model and its first without a tourbillon. A deceptively complicated time-only watch, the DC12 features twin escapements linked by a differential, a mechanism deeply rooted in the twentieth century history of the Vallée de Joux. Housed in an organic 39.5 mm titanium case, the DC12 is the most affordable watch yet from the Le Solliat-based watchmaker, but retains the brand’s signature push-button crown below the dial. Initial thoughts An experienced constructor who can count the MB&F; HM6 and Jaeger-LeCoultre Hybris Mechanica à Grande Sonnerie among his credits, David Candaux launched his eponymous brand in 2017. But he would be the first to tell you it was not an easy start, managing to sell just 14 watches during his first four years in business. This is not uncommon in the world of independent watchmaking; look around at some of the most popular independent brands today and you’ll hear a similar story about their early days. Mr Candaux’s business subsequently picked up some momentum, and in the past four years the brand claims to have made an additional 42 pieces. If true, it’s an encouraging sign for a watchmaker with something of a chequered past as an independent constructor, who is said to have had difficulty meeting obligations to client brands. In some ways, the DC12 is the embodiment of this journey, being simpler and cheaper than Mr Candaux’s previous models....
SJX Watches
Girard-Perregaux (GP) has just taken the covers off a new in-house movement that will serve as a versatile platform for the brand, the Girard-Perregaux GP4800. Historically a significant producer of automatic movements, GP marks a milestone with the new, high-performance base movement that will gradually replace the 3000 family of movements that was once a workhorse employed by several high-end brands. Initial thoughts GP’s most famous creations are undoubtedly the historical Tourbillon with Three Gold Bridges and the more recent Constant Escapement. Significant as they may be, neither illustrates the brand’s past strength as a manufacture in the early decades of contemporary watchmaking post-Quartz Crisis, in particular GP’s position as a leading supplier of automatic movements. It all began with the 3000 family of calibres introduced in 1994. Desirable for its slimness and high performance – the 3000 series was sub-3 mm thick while ticking at 4 Hz – this versatile platform served not only as a base for many of the brand’s own timepieces, but also powered well-known watches made by a number of prominent brands, including Cartier, Daniel Roth, Vacheron Constantin, and even MB&F;. A GP3000 found in the MB&F; HM2 And then inverted in the MB&F; HM8 Mark 2 The new GP4800 is clearly meant to replace the venerable-yet-aging 3000-series. Boasting a modern architecture and fine technical chops, the GP4800 is a step towards reclaiming GP’s past success as a movement ma...
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More price increases are coming, including Patek, MB&F;, and Moser, executives say, without a better U.S. tariff deal.
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Over 50 brands and a whole lot of releases from MB&F;, Bulgari, Zenith, Oris, and more.
Worn & Wound
Before there was MB&F;, before there was Richard Mille or Greubel Forsey or De Bethune, there was Vianney Halter. Alongside brands like Urwerk, Vianney Halter helped to reimagine what watches could look and feel like coming into the 21st century. Writing in 2025, it’s hard to think of a time when the weird and wonderful wasn’t a core part of watch collecting, and Vianney Halter deserves no small amount of praise for his role in bridging the gap between a more traditional interpretation of independent watchmaking and the wide-open world of watch design we now get to enjoy. Still, nearly three decades on from the release of his first watch in 1998 (the inimitable Antiqua Perpetual Calendar), Vianney Halter is still working, and his latest release, the Old Soul - designed and executed in collaboration with William Massena and Massena LAB - is a sterling reminder that the old master isn’t out of tricks just yet. Like Halter’s last collaboration, the Louis Erard x Vianney Halter Regulator, which was released around Thanksgiving last year, the Old Soul leans into Halter’s Steampunk sensibilities, but blends the unique aesthetic with Massena’s signature eye towards historic watch design. The resulting piece is something both classically beautiful and wholly contemporary. Cased in a sedate and handsome 42mm, 12mm thick steel case, the Old School by Vianney Halter and Massena LAB is powered by the Minerva calibre 17’22, a vintage pocket watch movement first introdu...
SJX Watches
‘Micro-brand’ watches are rarely about finishing or movement design. The business model employed by this segment of the industry typically involves off-the-shelf movements combined with made-to-order cases and dials; this is how Christopher Ward (CW) got started. But having merged with its movement supplier a decade ago, the brand has become more ambitious, first with the striking Bel Canto and again with the C12 Loco, which reimagines the Valjoux cal. 7750 as a budget-priced mechanical sculpture inside a sporty steel case. Architectural watchmaking is not new, but it is new at the price point targeted by CW, which recently moved into larger premises in Maidenhead about 30 minutes west of London. Having spent a month with the Loco, it’s worth looking at what they did, and how. Initial thoughts I find architectural watchmaking inherently appealing, and appreciate it when watchmakers and designers work in tandem to elevate mechanical components into miniature works of art. It can come across as gimmicky, but when done well it results in an enthralling and educational wearing experience. Given the steep development costs, this type watchmaking has long been the exclusive domain of high end brands like MB&F; and Ulysse Nardin. But CW has been moving in this direction since the launch of the Bel Canto, and the Loco, despite its relative simplicity, is a worthy follow-up to its striking sibling. Sitting within the Twelve collection, CW’s take on the integrated bracelet sp...
Worn & Wound
It is a global phenomenon: some of the most exclusive independent watch brands have in the last five years created more accessible and more affordable sister brands or collections. These are undoubtedly linked to the main brand thanks to similar design features and a similar spirit. Just look at MB&F; and its M.A.D.Editions in Switzerland, Grönefeld and Grøne in the Netherlands, and Hajime Asaoka with Kurono Tokyo. Their normal offering is in the tens or hundreds of thousands of dollars, and now their sister brands offer watches for a few thousand – and you don’t have to wait for years to get a watch. Why are they doing this? What effect does it have on the general perception of the main brand? What are the collectors’ reactions to the more accessible offerings? Occasionally, it goes in the other direction. The Finnish brand Leijona’s Heritage 1907 Collection punches above its weight. It shows that a quartz based, mass market brand can make Swiss Made mechanicals together with a legend like Kari Voutilainen. We’ll get back to that. Just as we’ll get to Swatch’s recent collaborations with its fancier siblings within the Swatch Group. This phenomenon is all but new. Just look at Rolex and Tudor, the latter registered in 1926. “It was exactly the same as what we see today. Rolex founder (Hans) Wilsdorf wanted to offer high-quality watches at more affordable prices,” said watch expert Gianfranco Ritschel. Another example, half a century removed, is Cartie...
Time+Tide
High-end Bulgaris, a trio of TAG Heuer Monacos, a new collection from MB&F; and porcelain dials from anOrdain dropped this week.The post New releases from anOrdain, Bulgari, Unimatic and more appeared first on Time+Tide Watches.
SJX Watches
Christie’s is continuing with its streak of single-owner watch collections into the 2025 season with Stories in Time. Made up of 160 watches – including a sizeable number of independents – the sale is the culmination of three decades of collecting by one collector. Representing 47 brands from A. Lange & Söhne to Voutilainen, the collection represents 21st century horology in all its diversity, capturing the evolution of contemporary watchmaking as it developed from the 1990s onwards. The watchmaking landscape Establishment brands like Patek Philippe and Vacheron Constantin are well represented, but equally the independent watchmakers and brands out of the mainstream. While the brand with the largest number of pieces in the collection is Patek Philippe at 20, the second most numerous brand is De Bethune at 18. The line-up also includes nine watches by Greubel Forsey and seven from MB&F;, as well as a few examples of the Harry Winston Opus series. One of the nine Greubel Forsey watches in the sale, the Double Tourbillon 30° Edition Historique in platinum with an estimate of US$120,000-220,000 Almost every watch in the collection is in pristine condition and accompanied by the original boxes and paperwork, reflecting the collector’s meticulous approach. This collection will be offered at Christie’s sales across the world over the course of 2025, in Hong Kong, Dubai, Geneva, and New York in the eight auctions during the spring and autumn sales.
Hodinkee
The successor to the watch that made MB&F; "Madness" affordable is back, with a design from a new friend of the MB&F; family.
Deployant
From two of the most creative maisons in the industry, Bvlgari partners once again with MB&F; to release this new Serpenti.
SJX Watches
Having acquired Tiffany & Co. in 2020, LVMH set about remaking the storied American jeweller. That extended to Tiffany’s watch division, which now debuts the first flagship creation under new ownership, the Bird on a Flying Tourbillon. Led since 2021 by Nicolas Beau, the former chief of Chanel watches, Tiffany’s watch division turned to independent watchmaker Artime for the movement of the new tourbillon. Set with some 4 carats of diamonds, the Bird on a Flying Tourbillon features an off-centre dial layout with a flying tourbillon at seven o’clock, along with a turquoise marquetry dial bearing a pair of diamond-set birds in flight. Initial thoughts One of Tiffany’s best-known jewellery designs, the Bird on the Rock has been a fixture in the brand’s catalogue for decades. A horological twist on the concept, the Bird on a Flying Tourbillon is clearly part of an effort to position the design as a versatile icon that is Tiffany’s equivalent of the Serpenti. It’s a little bigger and thicker than the traditional ladies’ watch, though reminiscent of the MB&F; LM Flying T. The reason for the size is the AFT24T01 movement inside, which is more interesting than usual as it was developed for Tiffany & Co. by Artime, a recently established independent brand. The AFT24T01 has a high quality execution with appealing details, but it’s related to Artime’s own calibre for a men’s skeleton tourbillon, explaining its large size. As an opening effort, the Bird on a Flying...
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