Time+Tide
Nivada Grenchen rocks the F77 with seven stone dials for its 100th birthday
Nivada Grenchen celebrates 100 years with the F77 MKII 100 Years Collection, featuring seven stone dials and a new La Joux-Perret movement.
31,688 articles · 171 videos found · page 310 of 1062
Time+Tide
Nivada Grenchen celebrates 100 years with the F77 MKII 100 Years Collection, featuring seven stone dials and a new La Joux-Perret movement.
Worn & Wound
In 2014, the Foundation Haute Horlogerie (FHH) introduced the FHH Academy, a series of courses that span the fundamentals of watchmaking to culture and heritage as well as more advanced technical curriculums, catering to both industry professionals and enthusiasts. One of the most unique aspects of the program is that it’s offered entirely online in 11 different languages, resulting in participants across 20 countries worldwide. While accessibility has been at the FHH Academy’s core, there are also select courses offered in-person at the FHH headquarters in Geneva as an extension of the platform. Now, the academy is expanding once again as the FHH announces a new partnership with the Gemological Institute of America (GIA). The GIA is globally acknowledged as the foremost authority in gemology and a leader in the gem and jewelry sector. Since its founding in 1931, the organization has set the standard, educating more than 200,000 professionals worldwide across its seven campuses throughout the United States, Europe, and Asia. With its longstanding commitment to education and the dissemination of specialist knowledge within the luxury jewelry industry along with its global reputation and reach, the GIA presented itself as an incredible partner to expand its offerings into the world of horology and for the FHH to expand its in-person training. The partnership marks the first time the GIA has worked with an external entity and allowed trainers outside the institute to teac...
Time+Tide
Captain Price adds a new Hamilton Khaki Field Mechanical to his kitbag for Call of Duty: Modern Warfare 4, and now you can equip one too.
WristBuzz
The latest Art Watch from Ressence pairs its orbital dial with a hand-drawn maze by Belgian artist Jules Wittock, and yes, it actually works as a puzzle.
WristBuzz
Five dials, a proper column wheel, and a gap in the lineup finally filled. The C63 Sealander Chronograph is here.
Two Broke Watch Snobs
Bulova revisits its WWII-era A-11 military watch with a compact 37mm case, automatic movement, and some serious Hamilton Khaki Field competition.
Monochrome
Founded in 2010 by industrial designer Benoît Mintiens, indie brand Ressence stands out from the crowd with its original and contemporary way of displaying time. Like planets orbiting the Sun, time circles around the dial thanks to the brand’s patented Ressence Orbital Convex System (ROCS). For the brand’s latest Art Watch, Ressence has teamed up […]
SJX Watches
For the latest installment of the brand’s Art Watch series, Ressence has teamed up with a contemporary Belgian artist for the puzzling Type 9 Jules Wittock. I say ‘puzzling’, because Mr Wittock’s specialty is hand-drawing incredibly detailed mazes, which are both decorative and solvable. By collaborating with Ressence, the artist has devised a clever maze that fits on the rotating dial of the Type 9. Initial thoughts If it seems like you’re seeing more artistic collaborations in watchmaking, you’re probably right. While it’s not a new idea — Swatch released its first artist edition in 1985, just two years into the company’s history — the format feels increasingly common, especially amongst design-oriented brands and independent watchmakers. For Ressence, the Type 9 Jules Wittlock is the latest in a line of artist collaborations, including works with Shantell Martin, Stefan Sagmeister, and Daniel Engelberg. The brand has also worked with designers like Alain Silberstein and Marc Newson — two regular contributors watch-related projects. While most artist collaborations result in a fairly straightforward dial variant, Ressence is perhaps uniquely suited to the format, with its rotating dial capable of creating a dynamic tableau. In this case, Mr Wittock has taken full advantage of this technical aspect of the watch with a functional, hand-drawn maze, complete with a secret message that reveals itself in the pattern twice per day. Fortunately, the pattern...
WristBuzz
The new 70s Collection strips away the chronograph and doubles down on what made the original era great
Fratello
When it comes to vintage watches, few brands have as much depth as Rolex. Over more than a century, the company has produced an enormous range of models, references, and variations that have become firmly established among collectors. From tool watches built for specific purposes to understated everyday models, there’s plenty to explore beyond the […] Visit Fratello Talks: Our Favorite Vintage Rolex Models to read the full article.
Worn & Wound
The watch industry, as we know, never misses an opportunity to celebrate a milestone. This week marks 50 years of Gerald Genta’s Ingenieur, a watch that has existed in a variety of forms over the years, but was relaunched a few years ago in a widely celebrated new guise that feels almost spiritually connected to the original. The new limited editions released this week by IWC are available in both the standard 40mm size and the newer, more compact 35mm case, both with dials that play up the design’s inherent starkness. The Ingenieur’s dial is most commonly associated with a distinctive grid pattern, but these LEs depart from that playbook for a dial that feels very metallic with vertical brushing and silver plating. It’s a reference, according to IWC, to an obscure Ingenieur reference from the original launch in 1976. I’m struck by how simple and muted this dial is for a limited edition. We’ve been trained, I think, to think that special releases and limited editions should be louder than this, and recontextualize a watch into something that couldn’t exist in the main collection. This dial execution is about as simple as it gets, and while it presents quite differently than the mainline Ingenieurs with patterned dials, it wouldn’t be a challenge at all to imagine this watch as a permanent part of the IWC collection. It’s a clear play to history, which of course is fitting and expected for a 50th anniversary watch. It’s nice but maybe not particularl...
Hodinkee
I'll admit it, Geneva Watch Days is one of my favourite times in the city. It's when our industry reunites after a long, heatwave-themed summer to meet friends from all corners of the watch world and get hands-on with the latest pieces from some of the hottest and most interesting brands. And that's the thing about this summer show: while Watches & Wonders draws our attention to the larger players, Geneva Watch Days lets us take a breather, slow this rapidly moving industry right down, and spend time with watches and brands of all sizes. Don't get me wrong, Bvlgari, Zenith, Daniel Roth, Girard Perregaux, MB&F;, and Breitling attend, but its city-centered format and later date on the calendar mean there's much more time to see smaller names and discover new ones. The 2026 edition set a new record with 71 participating brands, unveiling nearly 400 new releases. More than 2,500 private clients, collectors, and watch enthusiasts attended, alongside more than 500 international media and content creators. However, this year's edition drew 15,000 people in total, down from last year's peak of 17,000. News from the brands exhibiting was certainly plentiful and felt increasingly significant compared to previous iterations of the show (Breitling's House of Brands used the show to unveil Gallet to the world, and MAD Editions by MB&F; announced the MAD 3 - more on those in a moment). Yet on more than one occasion, conversations centered around how the show felt a little quieter than pre...
Worn & Wound
The Swedish brand E.C. Andersson is one of my favorite “IYKYK” watchmakers. They had a modest hit a few years ago with their Mytilus, at least among a very specific type of watch collector who was ahead of the curve on the current trend for industrially finishished, retro-futuristic designs in odd case shapes that are having a moment right now (see: Otsuka Lotec and others). What makes E.C. Andersson compelling to me though is not just their aesthetic and design language, which is certainly very interesting, but their business model, and what they actually do as a brand. They are, essentially, a machine shop, fabricating cases and other components from their own designs, and selling watches off a reservation system. Interested parties add their names to a list, and when a watch is available, you get an email letting you know your watch is ready. Their new watch, introduced this week, is called the Timepod, and like the Mytilus before it, the case (and crystal integration) set the design apart and make it unique. The quirkiest thing about the Timepod is the lug release system, which allows the user to detach the wire lugs via the push of a button on the caseband. The lugs simply pop out of the square shaped case and (presumably) reattach easily by hand. E.C. Andersson says the system is specifically designed to inhibit debris from entering the case while still allowing ease of access to the movement and other components in the event a service is needed. Is this lug ...
Monochrome
With the Projekt 01 Variant H, Kollokium puts an end to its first chapter, the watch that marked the independent platform’s debut. Since its introduction in 2023, the Projekt 01 has been offered in several iterations, with different materials and colours. Variant H returns to the black-dial aesthetic of the earliest editions, with the more […]
Two Broke Watch Snobs
Citizen’s new Tsuyosa 60 pairs a 37mm case, textured dial, five-link bracelet and 60-hour automatic movement for $595.
Deployant
It's been a hot minute since Glashütte Original released a 70s in a date and time configuration. Here's is our take on Glashütte's latest timepiece.
Fratello
Today, Louis Moinet continues its fascination with the cosmos. The brand’s latest creation, the Moon Meteor, is a limited edition of just 12 pieces that turns the dial into a miniature cosmic scene. Hand-painted nebulae, real meteorite fragments, and a precise astronomical moonphase display come together under a domed sapphire crystal in a lightweight Grade […] Visit Illuminating The Cosmos: The Louis Moinet Moon Meteor to read the full article.
SJX Watches
Hublot has just unveiled the Classic Fusion Balloon Dog by Jeff Koons, its latest — and arguably most striking — collaboration with a contemporary artist. Crafted from anodised aluminium, the case of the watch is delicately machined to almost perfectly replicate the creased, metallic look of a mylar balloon. The plump inflated look extends to the dial and strap, and the watch can be had in three different colours — red, blue, and silver — each of which is limited to 200 pieces. The Balloon Dog is powered by the HUB1710, an upmarket execution of the in-group Zenith Elite platform. Initial thoughts Jeff Koons is likely one of the few contemporary artists with mainstream name recognition outside the world of fine art. While he is arguably best known for his large-scale sculptures, including the Balloon Dog referenced by his collaboration with Hublot, he has had a prolific career and worked in numerous mediums. But it is his ability to replicate the tight, creased look of inflated latex and mylar in materials like stainless steel and aluminium that have cemented his status in the world of contemporary art. The Classic Fusion Balloon Dog taps exactly this expertise, crafted in anodised aluminium with a rounded, puffy form that transforms the sharp, angular Hublot style into something more soft and playful. The result is immediately recognisable thanks to the thoughtfulness of the execution. The familiar Hublot details are present, but have been carefully machined to loo...
Hodinkee
Hublot is no stranger to opening its doors to outside creativity, with some of its most memorable (and often infamous) releases of the past few years in collaborations with artists and designers—Takashi Murakami, Daniel Arsham, and Samuel Ross, to name a few. Late last week, the brand dropped the news that the next big name in line for a collaboration would be the contemporary American artist Jeff Koons, most widely known for his series of bright, shiny balloon dog sculptures in a whole range of colors. Image courtesy of Hublot Balloon Dog (Orange) - Image courtesy of Christie's Rabbit - Image courtesy of Christie's Koons' name has reached a certain level of infamy and popularity alike in the art world, as the world's most expensive living artist today. His Balloon Dog (Orange) piece hammered at Christie's in 2013 for a whopping $58.4 million dollars, breaking auction records for an artwork by a living artist. Then, in 2019, his 1986 Rabbit piece shattered that result, selling for more than $91 million and taking the title. To this day, both pieces remain among the top ten most expensive artworks by living artists. Naturally, Koons faces criticism from critics and the wider public, from the overt commercialism and kitchiness of the art to the factory-style production methods he employs. Regardless, it's impossible to deny how iconic and recognizable the Balloon Dog series is worldwide. With that iconic look and a touch of infamy, the Balloon Dog feels like the perfect su...
WristBuzz
Hublot teams up with Jeff Koons for a watch that looks exactly like what you think it does, and pulls it off better than it has any right to
WristBuzz
Singer Reimagined steps away from its signature cushion case and into sharp, 1970s sport-watch territory
Two Broke Watch Snobs
From everyday field watches to chronographs and dressier pieces, water resistance matters less than many collectors think.
Monochrome
While Glashütte Original‘s Seventies collection has become associated with its bold, square-shaped chronographs, the German manufacture also once offered Seventies Panaroma Date models without the chronograph function. Revisiting the decade with a substantially reworked watch, the brand returns to that time-and-date simplicity and presents the new 70s collection of integrated sports watches, alongside the existing […]
Teddy Baldassarre
Glashütte Original relaunches the Seventies collection with its distinctive square "TV"-shaped cases and some upgrades.
Monochrome
Independent watchmaking has attracted designers from outside traditional horology before. Still, few have arrived with such a clearly defined architectural vision as Neode (from neod, an Old English word meaning desire and earnest endeavour). Architect Marius-Daniel Dumitrascu founded Neode, stepping away from architecture to devote himself entirely to developing the timepieces. Driven by a desire […]
Time+Tide
Echo/Neutra updates its 1956 Chrono GMT with two new colourways With a brown-and-taupe Cappuccino model and a deep-wine-toned Purple model, both inject colour into a highly functional watch with chronograph and GMT functions. Available now, the Echo/Neutra 1956 Chrono GMT in both Cappuccino and Purple start at US$2,400 on a strap. Echo/neutra has gotten a lot … Continued
WristBuzz
Venezianico goes lighter and more Italian with the Redentore Levius, pairing a titanium case with a hand-guilloché dial and an in-house-spirit movement made on home soil.
SJX Watches
IWC’s magnetism-resistant Ingenieur SL is now 50 years old so the brand is marking the occasion with the Ingenieur Automatic 50th Anniversary, a pair of limited editions that unsurprisingly take inspiration from a historical model. In 40 mm and 35 mm respectively, the two editions share the same brushed silver dial. The two are otherwise identical to the regular production versions, which means a sharply executed case and bracelet, but an industrial movement that doesn’t live up to the price. Initial thoughts Today’s Ingenieur is a derivative design, being based on Gerald Genta’s original of the 1970s (which explains the resemblance to the Royal Oak et al). But it is still a good looking watch, with a case and bracelet that are tangibly well done. The 50th anniversary edition isn’t creative by any stretch of the imagination, but still appealing in look and feel. But at launch in 2023 the Ingenieur was already pricey, especially considering the industrial, cost-effective ValFleurier movement. Still, the price then was forgivable given the wider landscape and integrated-bracelet-sports-watch fad. Now the larger, 40 mm version is US$15,000, which is pricey and difficult to rationalise. The 40 mm and 35 mm, both of use employ different but equally industrial calibres SL reborn The anniversary editions are based on the standard 40 mm and 35 mm models respectively. The two are essentially identical in design and quality; both contain different but comparable movements....
Worn & Wound
Big news from Rolex today as the brand has released a complicated dress watch, their first in recent memory. The Perpetual Padellon is an instantaneous annual calendar with a moonphase complication and sits within the 1908 collection, which launched three years ago. This new watch appears to be a very explicit and direct homage to one of the brand’s most revered vintage references, the 8171 “Padellone”. It shares more than a few visual characteristics with that piece, and of course the name of the new watch is lifted straight from the nickname given to the vintage piece by collectors and dealers. The Perpetual Padellone is available in 18k Everose gold and 950 platinum, and measures 39mm in diameter, 12.2mm tall, and 45.1mm from lug to lug. It’s worth noting that the original 8171 was a fairly large watch for its day, measuring 38mm in diameter, so the new reference comes surprisingly close to being right on the money in terms of sizing if we’re comparing it to the vintage watch. The biggest difference between the 8171 and the Perpetual Padellone is likely mechanical. The 8171 was not a true annual or perpetual calendar, but a “simple” triple calendar, which was quite common in the 1950s. Each indicator simply advanced in sequence and not in relation to any other, which means a correction is going to be necessary virtually every month. The Perpetual Padellone is a true annual calendar and only needs to be corrected once per year. The case, whether plati...
Worn & Wound
Maybe this would be better saved for a Hot Takes episode of the podcast, but I’ll go ahead and spill it here instead: the new Bremont Terra Nova 35mm Jumping Hour watches are the best they’ve made since the big rebrand a few years ago. The fact that they are part of the Terra Nova collection is itself interesting, as this collection in particular was met with so much skepticism (including by us) when they were launched. But now, over two years removed from the drama of the brand’s big shift, there is a real sense that they’ve settled in, and the watches, when laid out on a table together in the way you experience them at a Geneva Watch Days meeting, feel more coherent. I’ve always felt that these Terra Nova Jumping Hour watches were charming, but there was something a little ungainly about the size. The smaller montre à guichet style jump hour pieces at 38mm in diameter, wear every bit of that dimension and a little more simply because most of what you see when you look down to check the time is bare metal. The larger 40.5mm Jumping Hour pieces with an aperture arrangement running right to left across the dial felt similarly oversized for a complication that historically is characterized as something kind of delicate. But when I picked up the new 35mm pieces, particularly the montre à guichet on a bracelet, the size felt really dialed in. I’ve been thinking a lot about the “correct” size for certain watches after reviewing smaller versions of Moser’...
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