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Results for The Heuer Carrera (1963)

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The Heuer Carrera (1963) TAG Heuer

Jack Heuer\'s 1963 motorsport chronograph named after the Carrera Panamericana road race. Reference 2447, Valjoux 72 manual.

Baselworld 2014: The Hermès Dressage L’Heure Masquée Continues The Art Of The Whimsical Complication (Video) Revolution
Hermes Mar 28, 2014

Baselworld 2014: The Hermès Dressage L’Heure Masquée Continues The Art Of The Whimsical Complication (Video)

There’s something beautiful about whimsical complications, the kind that purposely disregards the utilitarian function of a watch: that of telling time, in order to make a statement. Like the well regarded Hermès Arceau Le Temps Suspendu, the new Dressage L’Heure Masquée (literally “Time Hidden”) from the same brand continues their somewhat playful obsession, that of making the […]

Introducing: The Baltic x SpaceOne 'Seconde Majeure' – A Jump Hour à Paris (Live Pics) Hodinkee
F.P. Journe yes he's based Yesterday

Introducing: The Baltic x SpaceOne 'Seconde Majeure' – A Jump Hour à Paris (Live Pics)

What We Know French watchmaking is on an absolute tear lately. Even setting aside F.P. Journe (yes, he's based in Switzerland, but he is French), there's a growing list of brands pushing things forward in interesting ways. Two of the more relevant names in this case are Baltic and SpaceOne, the latter a collaboration between Théo Auffret of Auffret Paris and Guillaume Laidet, who has played a major role in reviving some major brands. Both have become important players in the more affordable end of independent watchmaking, but from very different angles. SpaceOne leans heavily futuristic, while Baltic—and Auffret more broadly—tend to stay rooted in classic design. That's what makes the new Seconde Majure from Baltic x SpaceOne so interesting. It feels like the watch someone with more traditional tastes, like me, has been waiting for. The Seconde Majeure might not come as a surprise to everyone. Baltic and SpaceOne were showing the watch around during Time to Watches in Geneva a few weeks ago, and they also sent over a prototype for me to preview ahead of launch. One quick note there: all of the photos I took were with the crown pulled out, so keep that in mind as you scroll through. For everyone else, you might need to catch up pretty quickly, especially since the watch is only available for a very limited time. But what you'll quickly see is that the watch is attractive for something affordable. And remarkably compact. Measuring 38.5mm by 12.5mm with a 47.5mm lug-to-l...

Universal Geneve is Back – Here’s the New Polerouter Worn & Wound
Universal Genève Apr 8, 2026

Universal Geneve is Back – Here’s the New Polerouter

While the watch industry braces for Watches & Wonders next week and anticipates a flurry of new releases to discuss that will take us through the next several months of watch discourse, today is actually the day that many collectors and enthusiasts have been waiting for for years: the debut of new watches from Universal Geneve. When it was announced that the brand would be formally relaunched by Georges Kern back in December of 2023, speculation began immediately as to what we would eventually see. Little tidbits have come out in dribs and drabs over the last two years, but today the watch community finally gets a look at what Universal Geneve will be in the modern era, at least to start.  A few things are very apparent from the outset. This is a big swing on the part of Kern and others steering the ship at Universal. They could have gone small, and introduced a one or two references to reintroduce the brand to the community slowly, but instead they’ve come out o the gate with nearly 40 SKUs, with prices ranging from a relatively modest $14,000 all the way up to $320,000 for an elaborate jewelry focused Cabriolet (and that’s the only elaborate, jewelry focused piece). The other thing that’s clear is that the launch feels focused on the Polerouter, a Gerald Genta design that is likely the most well known watch under the broader Universal Geneve banner. It got the reference book treatment a few years back, and, once upon a time, was one of the most frequently recommen...

News – The Patek Philippe Rare Handcrafts 2026 Exhibition is Back in Geneva, and Here are Some of the New Models Monochrome
Patek Philippe Rare Handcrafts 2026 Exhibition Apr 7, 2026

News – The Patek Philippe Rare Handcrafts 2026 Exhibition is Back in Geneva, and Here are Some of the New Models

Patek Philippe is set to captivate horology enthusiasts with its annual Rare Handcrafts exhibition, opening on April 18, 2026, at the brand’s historical Salons on Rue du Rhône in Geneva. Running through May 9, this event showcases 65 exceptional new creations – 23 dome table clocks, 10 pocket watches, and 32 wristwatches – blending centuries-old […]

Introducing – The 1000-Hour Power Reserve Haute-Rive Honoris Meccanica, with Fully Exposed Mechanics Monochrome
Ulysse Nardin where he was involved Mar 20, 2026

Introducing – The 1000-Hour Power Reserve Haute-Rive Honoris Meccanica, with Fully Exposed Mechanics

Haute-Rive is a relatively young independent watchmaking atelier launched by Stéphane Von Gunten, previously the R&D; Director of Ulysse Nardin, where he was involved with filing no fewer than 30 patents. Quite a background. The first watch created under his own brand was the Honoris, and it was a powerful release, to say the least. A […]

Otsuka Lotec Introduces the No. 8, a New Design Inspired by Abbey Road Mixing Consoles Featuring Jumping Hour and Retrograde Minute Displays Worn & Wound
Otsuka Lotec Mar 11, 2026

Otsuka Lotec Introduces the No. 8, a New Design Inspired by Abbey Road Mixing Consoles Featuring Jumping Hour and Retrograde Minute Displays

Otsuka Lotec has emerged as one of the most exciting Japanese independent brands, a corner of the enthusiast world that is greatly expanding at the moment. Otsuka Lotec has found a niche with (mostly) affordable watches with a steampunk aesthetic, with lots of exposed gearing and an overtly mechanical look and feel. I’m an owner of the No. 5 Kai, and it’s one of the most satisfying watches in my collection – there’s really nothing else quite like it, at least under $10,000. Prior to this week, the latest release from the brand was an ultra high end complicated piece with a tourbillon and chiming mechanism with a retail price soaring into the low six figures, but they’ve returned to earth with the all new No. 8, which once again combines complications unexpectedly and gives the wearer a unique view of the mechanism inside.  Like the haute horlogerie adjacent No. 9 linked above, the No. 8 features a square case fashioned from stainless steel. Time is read via a jumping hour display on the left side of the dial, and a retrograde minute display on the right (there is also a running seconds indicator at roughly the 12:00 position). Figuring out how to read the time when you first encounter a watch like this is part of the fun, but once you grasp what’s going on, it’s quite intuitive. The current hour and minute are easy to see at a glance if you look for the red indicators that correspond to each. A video posted on Otsuka Lotec’s YouTube channel makes the drama...

Introducing – Otsuka Lotec Presents its New Creation, the No.8 Jumping Hour and Retrograde Minute Monochrome
Otsuka Lotec Mar 10, 2026

Introducing – Otsuka Lotec Presents its New Creation, the No.8 Jumping Hour and Retrograde Minute

Otsuka Lotec… The Japanese brand (or should we call it an atelier) that makes some noise in the global watch collecting community, despite being unavailable outside of Japan – which might partially explain its popularity. A true JDM sensation, Otsuka Lotec is the brainchild of Jiro Katayama, a car designer turned self-taught, independent watchmaker, specialised […]

Audemars Piguet Introduces the Neo Frame Jumping Hour Worn & Wound
Audemars Piguet Introduces Feb 5, 2026

Audemars Piguet Introduces the Neo Frame Jumping Hour

I have what you might call a love/hate relationship with Audemars Piguet. They are, without a doubt, makers of some of the finest watches in the world. Objectively speaking, there’s a level of craft involved with the production of AP watches that is hard to match at the scale at which they operate. Every Royal Oak I’ve ever handled feels like a perfectly made thing without any compromises. I honestly can’t say the same about equivalent watches from other brands in the so-called Holy Trinity.  And yet, there’s so much baggage with Audemars Piguet in our current watch culture. I wrote about it here, specifically as it relates to the Royal Oak and how it has become a signifier of wealth and status that has overshadowed watchmaking and watch culture. I find this flex culture to be a huge turn off, and the way AP seems to lean into it, by producing more and more varieties of Royal Oak, some with mini sculptures of Marvel characters on the dial, to be a signal that they’re a willing participant in the watering down of their brand.  But then Audemars Piguet will go ahead and release something beautiful that is not a Royal Oak and I’m reminded that derisively referring to them as The Royal Oak Company (something I’ve done frequently over these last few years) is ultimately unfair. Earlier this week, as part of a larger drop that included several exotic Royal Oaks, a pocket watch, and more, AP launched what might be one of the riskier watches they’ve introduced in...

Industry News: Sellita Introduces the SW200-2 with 65 Hour Power Reserve Worn & Wound
Tissot as Jan 26, 2026

Industry News: Sellita Introduces the SW200-2 with 65 Hour Power Reserve

There’s a “don’t change it if it ain’t broke” mentality in Swiss watchmaking. Progress is slow, and it often seems that there’s a general distrust of change. An example of this is in the mechanical movements that power most of our watches. Chances are, you have at least one watch with an ETA 2824 or a movement based on the 2824 in your collection. If you’re like me, you have several. For Swiss-made watches of a certain price point, they are the standard. They are “workhorses” that, while not the most feature-rich, offer reliability and serviceability. And part of the reason for that is that the design has been around, largely unchanged, since the 1970s (the 2824-2, which is the current standard, was released in the 80s). That is, until 2013, when ETA launched 80-hour movements based on the 2824-2. First debuted in a Tissot as the Powermatic 80, ETA nearly doubled the 2824’s power reserve by slowing the escapement’s frequency from 28,800bph to 21,600bph, introducing synthetic components, and increasing the mainspring’s capacity. The biggest update to the 2824 format in a generation (though they no longer use that numbering), as ETA is part of Swatch, these movements gave the group’s catalog of brands under Omega an unexpected edge in the market, but were not available to third-party brands, thus limiting their overall impact. The ETA 2824 featured in a Sinn 556i In 2003, Sellita began supplying movements to third parties as a response to Swatch’s...