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Every Rolex GMT-Master and GMT-Master II: Pepsi, Coke, Batman, Batgirl, Sprite, Root Beer, Polar.
40 mm × 11.85 mm, lug 20 mm, Cal. 3285
40 mm × 11.85 mm, lug 20 mm, Cal. 3285
40 mm × 11.85 mm, lug 20 mm, Cal. 3285
Deployant
Vianney Halter is one master watchmaker whom I have the greatest respect. His mind works like no other…and his products reflect that incredible creativity. His latest project takes the form of the Deep Space Triple Tourbillon…a product of 5 years of work, which came to him in a dream. I do have a number ofRead More
Deployant
I was introduced to this small independent brand…Rudis Sylva some years ago by none other than the Grand Master of Watchmaking Philippe Dufour…during BaselWorld, he caught hold of me, and introduced me to Jacky Epitaux – the prime motivator behind the brand. Please note the two watches photographed here are display units used for allRead More
Revolution
The enduring quest for horological excellence and drive for continued innovation have led to Jaeger-LeCoultre amassing some 400 patents and 1,242 calibres today. Here, on the eve of SIHH 2013, we present the “Hommage a Antoine LeCoultre” collection. Master Grande Tradition Tourbillon Cylindrique The timepiece is armed with a cantilevered tourbillon and when combined with […]
Deployant
Today I feature Opus 7, a collaboration with Andreas Strahler. The Opus Project by Harry Winston is a remarkable initiative. Started some 12 years ago, now we are at edition Opus 12…the project uses the considerable resources of the Harry Winston company in cooperation with master watchmakers to create interesting and very innovative designs, marketedRead More
Deployant
A series of portraits I took, with the intention to create a set for an exhibition. Master watchmakers are the soul of the industry, I wanted to capture some of that powerful character which makes them enigmatic to the watch collecting public. These are great genii who know how to work with their hands. Today,Read More
Deployant
2012 might be the year of the re-issue. For JLC, the strategy is not different. They reissued and revised the Master Control series with aplomb. And reissued some Reversos…but do note that JLC might perhaps be seen as leading this trend, having started the 1931 Reverso re-edition in SIHH 2011. However, in addition toRead More
Deployant
Hands-on definitive review of the A. Lange & Sohne Richard Lange Pour le Merite Tourbillon. This review was published on 9am GMT 20th December 2010, when the embargo lifted. A number of global journalists were invited to celebrate the founding of the Lange company on 7th December 2010 in Glashutte with a Press Conference toRead More
Deployant
This is the iconic watch of the century…created by grand master watchmaker Philippe Dufour…after many years of only making super complicated watches…his portfolio before the Simplicity was the world premiere of a Grand et Petite Sonnerie on a wristwatch, and the world premiere of a wristwatch featuring dual, escapements to a single train known asRead More
Monochrome
Gerald Charles, a brand founded by the late watch designer Gérald Genta in 2000 and backed by the Italian Zivani family, was revived by Federico Zivani after the designer’s death and reappeared in 2020 with an idiosyncratic Genta design from 2006. Known as the Maestro, the asymmetric baroque-style case is the backbone of the brand. […]
Hodinkee
What We Know Gerald Charles, known for their Maestro cases, continues to evolve that idea at this year's Geneva Watch Days, but this is the first time they've offered something where every piece is genuinely unique. It's based on a Gérald Genta design from 2007 called the Sarawak, a diamond-and-ruby integrated-bracelet watch created for the Royal family of Sarawak—unknown to the public until 2024—and the direct ancestor of the Masterlink. It's impressive to see the brand continue to iterate on Genta's own designs, decades on. The case looks familiar—it's a classic Maestro, coming in as a square at 38mm x 38mm. The svelte dimensions continue inside: a profile just 7.99mm thin, aided by the 2.67mm movement. There are three colorways here—Golden Rose, Rhodium, and Golden Yellow. The dial is clearly the focal point here, bringing a new element to the Masterlink lineup. Each dial is individually hand-hammered by an artisan at Gerald Charles's atelier in Geneva. It's made of maillechort—also known as German silver or nickel silver, a copper-nickel-zinc alloy — and is typically used for movement bridges and plates rather than dials. It wasn't chosen because it's easy to work with—quite the opposite: it requires longer production times, wears tools faster, and results in a higher rejection rate. Since each dial is hammered by hand, no two are identical, and there are no applied indexes here, leaving the hundreds of small facets in full view. Inside is the ultra-th...
Monochrome
In the world of mainstream watchmaking, unconventional ideas rarely make it past the concept stage. But for an independent, inventive brand with a fully integrated manufacture like Armin Strom, the possibilities are far broader. While the brand is perhaps best known for its mastery of resonance in wristwatch form, Armin Strom turned its attention to […]
Monochrome
Since 2017, Hublot has celebrated the arrival of each summer with a special collection unveiled in Saint-Tropez. For 2026, the brand prepared a series of Big Bang watches, demonstrating Hublot’s mastery of coloured ceramic. The range offers a lighter, seasonal interpretation of the Big Bang and spans manufacture chronographs, a tourbillon and compact automatic models. Two […]
Time+Tide
Combining classical details with French watchmaking mastery in an updated package that rewards a closer look.
Hodinkee
Enthusiasts and collectors made their way to SoHo for an exclusive and exciting event, hosted by Hodinkee, Gerald Charles, and Watches of Switzerland. Fresh from the whirlwind that is Watches & Wonders, this event marked the first opportunity for Gerald Charles to introduce their latest collection to the U.S.-based collectors. The evening celebrated a brand on the rise, featuring a comprehensive look at the brand's offerings, both past and present, including the beautiful, bespoke Maestro GC39 Li Galli in white gold, a watch conceptualized and designed by Mr. Genta himself two decades ago, hosting his favorite Jumping Hours complication. This exceptional pièce unique, which has spent the last several weeks on display at Watches & Wonders and in the Gerald Charles Atelier, was inspired by the untouched Li Galli archipelago off the Amalfi Coast and represents a profound expression of Maestro from its earliest days. Vintage Maestro GC39 Li Galli in white gold. Gerald Charles Masterlink Perpetual Calendar's first stop in the United States after their W&W; release. The highlight of the event was an animated discussion between Federico Ziviani, CEO of Gerald Charles, and Tim Jeffreys, Hodinkee Deputy Editor. Following a warm introduction and welcome to all in the room from Tim Jeffreys, the conversation continued, covering the newly released watches, the DNA that sets the Maestro case apart, as well as the decisions, thoughts, and work that continue to make Gerald Charles watche...
SJX Watches
Patek Philippe’s mastery of complications is evident at all levels. The brand’s ability to elevate even simple complications is on full display in the Calatrava 24-Hour Alarm 5322G, a smaller and more focused take on the alarm watch than the discontinued spider-like Alarm Travel Time 5520P from 2019. This puts the most refined alarm movement on the market in the popular hobnail-flanked Calatrava case, capped with punchy green and blue fumé dials. Initial thoughts Launched in 2019, Patek Philippe’s Alarm Travel Time ref. 5520 was a polarising design from the start, with the appearance of four crowns - three of which were actually screw-locked pushers - when combined with the four lugs giving the watch an octopoid appearance. Looks aside, it was Patek Philippe’s first wristwatch with an alarm, and introduced a refined new calibre. This year Patek Philippe builds on that foundation without the travel time functionality and streamlined looks, eliminating the appearance of an awkward double crown setting system. There is no actual change to the base movement’s functionality - save the deletion of the travel time module. Perhaps a decade ago this bright green dial, or even the blue, would feel out of place in a high-grade watch, but today it fits right into the brand’s extremely colourful and contemporary catalogue. Even so, the dial design is sure to be polarising, especially the conflict between the 12 o’clock marker and alarm indicator, which the latter s...
SJX Watches
Patek Philippe’s mastery of complications is evident at all levels. The brand’s ability to elevate even simple complications is on full display in the Calatrava 24-Hour Alarm 5322G, a smaller and more focused take on the alarm watch than the discontinued spider-like Alarm Travel Time 5520P from 2019. This puts the most refined alarm movement on the market in the popular hobnail-flanked Calatrava case, capped with punchy green and blue fumé dials. Initial thoughts Launched in 2019, Patek Philippe’s Alarm Travel Time ref. 5520 was a polarising design from the start, with the appearance of four crowns - three of which were actually screw-locked pushers - when combined with the four lugs giving the watch an octopoid appearance. Looks aside, it was Patek Philippe’s first wristwatch with an alarm, and introduced a refined new calibre. This year Patek Philippe builds on that foundation without the travel time functionality and streamlined looks, eliminating the appearance of an awkward double crown setting system. There is no actual change to the base movement’s functionality - save the deletion of the travel time module. Perhaps a decade ago this bright green dial, or even the blue, would feel out of place in a high-grade watch, but today it fits right into the brand’s extremely colourful and contemporary catalogue. Even so, the dial design is sure to be polarising, especially the conflict between the 12 o’clock marker and alarm indicator, which the latter s...
Time+Tide
A new collection of perpetual calendars from IWC marries its mastery of the pilot's watch with crown-set QPs.The post The New IWC ProSet Brings Practicality to the Perpetual Calendar appeared first on Time+Tide Watches.
Time+Tide
Piaget flexes its stone dial mastery at Watches and Wonders 2026, debuting a new Polo 79 Sodalite, Polo Perpetual Calendar Onyx, and more.The post Piaget leans into stone dials for Watches and Wonders 2026 appeared first on Time+Tide Watches.
SJX Watches
This year’s Watches & Wonders got off with a strong start. Rolex unveiled a number of new models, with a strong accent on novel materials and precious metals. A first for the sporty landmark chronograph, the new Cosmograph Daytona comes with an enamelled dial. Initial thoughts Rolex is known in modern times for their mastery of both industrialised mechanical watchmaking and sound material science. The new Daytona is a product of the latter - it benefits from a new sort of ceramic bezel and notably a white enamel dial done a bit differently. At first sight, the new model reminds of the “Porcelain” Zenith-powered Daytonas. A sought-after configuration of pre-2000 Daytonas, the “Porcelain” was nicknamed as such due to the glossy finished white dial, which carried some resemblance to classic porcelain. Among Rolex’s most beloved models, the Daytona has seen a fair share of makeovers over the years. Most special editions took advantage of the motorsport heritage of the chronograph and others added gems and precious alloys to the mix. The main selling point of this latest Daytona configuration is the enamel dial - a classic element which doesn’t normally connect to Rolex or to sports watches in general. What Rolex successfully did was raise the appeal of the Daytona beyond just a sports chronograph, without resorting to any loud gem setting or full precious metal construction. Instead, the brand opted for a quiet (but modern) enamel and a new bezel configurat...
SJX Watches
Abraham-Louis Breguet’s No. 160 exists first as legend. The standard account describes a secret commission for Marie Antoinette, incomplete when she faced execution, requiring forty-four years to finish. Theft, recovery, mystery, and royal romance: the narrative contains all the necessary elements of mythology. Yet this fame is recent. From its 1783 inscription in the order books through the 19th century, the watch remained largely unknown outside the Breguet workshop but for a few private collectors. Only when Sir David Lionel Salomons acquired it, nearly 140 years later, did the wider horological world learn of its existence, thanks to his careful cataloging and the watch’s public exhibition in 1923. Salomons gave credit to Breguet’s mastery on a scale previously unrecognised, establishing No. 160 as the supreme example of complicated watchmaking and the prime masterpiece of its maker. Sir David Lionel Salomons’s 1921 work on Breguet and the collection he assembled seems to be the first source to mention Marie Antoinette. Image SJX composite – Sotheby’s Subsequently, many sources have reported that the commission demanded every known watch complication and that no time constraints or limits were placed on its design or cost. The workshop records, however, tell a story that differs from both obscurity and legend. No. 160 appears in the 1783 order books as three words: “No. 160, Montre d’Or.” The entry stands alone, anonymous, unexplained and without cont...
Teddy Baldassarre
Grand Seiko is a brand that’s adept at making the intricate seem effortless. This talent for restraint is best demonstrated dial side, specifically with its play with textures that call for a second (or third, fourth, and so on) look. While the deceptively simple “Snowflake” dial is among the brand’s most renowned examples of its mastery of subtlety, today, I’m pulling focus to another iconic example of Grand Seiko’s dial mastery with the more dramatic White Birch variation. Down below, I’ll be breaking down the importance of the “White Birch” SLGH005 in Grand Seiko’s recent history, some of its guiding design philosophies, as well as all the necessary specs you need to know. [toc-section heading="History And Context"] Debuting in 2021, the SLGH005 with its “White Birch” dial marked a historic turning point for the brand, and in the years since, it has become regarded as an example of the brand’s strengths firing on all cylinders. Before its introduction, Grand Seiko had already become synonymous with intricately textural dials (which, of course, drew inspiration from the natural world), but the White Birch texture is really when the brand turned up the heat an extra notch. Before, the brand largely relied on radial and horizontal textures, and it isn’t a coincidence that the continuous series honoring the Japanese micro-seasons (most famous being the “Shun-bun”) was already in play before the White Birch hit the scene. Many of these dials...
Monochrome
With the Masterlink Boutique Edition, Gerald Charles aims to reinforce its preference for controlled distribution and direct customer dialogue. Available only through the brand’s boutiques in Geneva and Nagoya, this limited edition follows the earlier Masterlink series. First introduced in 2024, the Masterlink asymmetric case builds on the Maestro design by Gérald Charles Genta, featuring […]
Monochrome
In 2024, for its 150th anniversary, Piaget took a daring step by reviving one of its most iconic creations. The Polo returned in its original form, clad entirely in opulent yellow gold, with its case, bracelet, and dial defined by horizontal gadroons that showcased Piaget’s longstanding mastery of distinctive watch shapes. The Piaget Polo 79 […]
Fratello
The final round of the second Louis Vuitton Watch Prize competition will commence in the spring of 2026. The initiative aims to support and celebrate independent watchmakers who challenge convention. It highlights creativity, technical mastery, and a strong personal vision. That’s not just a clever way of connecting the brand name to some serious horological […] Visit Announced: The Finalists For The Louis Vuitton Watch Prize For Independent Creatives 2025–2026 to read the full article.
Monochrome
Armin Strom’s celebrated Gravity Equal Force series expands with an elegant twist, the Ultimate Sapphire Salmon. Continuing the brand’s exploration of colour and transparency, this latest edition pairs technical mastery with artisanal finesse, featuring a hand-guilloché salmon mainplate and the brand’s innovative constant-force calibre, bringing new vibrancy to one of modern horology’s most inventive movements. […]
SJX Watches
The Ulysse Nardin UR-Freak brings together two of contemporary watchmaking’s most inventive forces. A collaboration between Ulysse Nardin and Urwerk, it merges the Freak’s revolving-movement architecture with Urwerk’s signature wandering hours display to create something that feels both inevitable and extraordinary. The partnership amplifies the strengths of each brand: Ulysse Nardin’s mastery of silicon technology and mechanical architecture, and Urwerk’s futuristic approach to time display. More than a meeting of aesthetics, the UR-Freak unites two brands that have long challenged convention. Both rose to prominence around the turn of the millennium by rewriting mechanical rules-Ulysse Nardin with its revolutionary 2001 Freak, and Urwerk with its satellite-hour timepieces that reimagined a traditional complication. Two decades later, their paths converge with a 100-piece limited edition in sandblasted titanium. Initial thoughts Some collaborations seem obvious in hindsight; the Ulysse Nardin UR-Freak is one of them. The collaboration plays to the strengths of both brands, with Urwerk’s signature wandering hours display plugging seamlessly into the UN Freak architecture. It turns out that Urwerk’s signature satellite wandering hours display feels right at home grafted onto Uylsse Nardin’s flagship. Frankly, they could have left it at that and called it a day. But the fact is Ulysse Nardin went the extra step to reimagine the Freak’s signature flying to...
SJX Watches
Marking its 270th anniversary, Vacheron Constantin has approached the milestone with uncommon ambition. The anniversary programme continues with a duo of one-of-a-kind Les Cabinotiers pieces - Celestia Homage to Ptolemy and Celestia Homage to Copernicus - developed under the brand’s ongoing “The Quest” theme. These one-off creations showcase the manufacture’s dual mastery of horology and métiers d’art. Presented here is a rare hands-on look at both before they disappear into private collections. The pair follows an already packed year that opened with the debut of the Solaria, a landmark wristwatch that claims the title of the most complicated ever made thanks to its 41 functions. Soon after came La Quête du Temps, a monumental astronomical clock that recently wrapped up its exhibition at the Louvre in Paris. Taken together, these creations underscore not only the scale of VC’s technical reach but also the brand’s talent for blending engineering, artistry, and traditional craft. Initial thoughts Each of the new Les Cabinotiers watches expresses a different facet of VC’s watchmaking identity. The new Celestia references utilise the brand’s earlier cal. 3600, but elevate it through intricate case engraving that links science with art. As a pair, these watches reinforce the idea that VC’s greatest strength lies in synthesis. Few manufactures can move so fluidly between engineering precision and artistic refinement. As unique pieces, pricing is largel...
Fratello
There’s something about a classic dress watch that resonates beyond fleeting trends. For me, it all started with the vintage IWC “Calatrava” Cal. 89 that I inherited from my grandfather. It is a watch from a bygone era when watchmaking was all about understated elegance, mechanical mastery, and timeless design. Recently, my Fratello colleagues discussed […] Visit Why Every Watch Collector Needs A “Calatrava” to read the full article.
SJX Watches
The new Citizen Attesa Platinum Shine collection leans into the brand’s two greatest strengths: cutting-edge quartz technology and mastery of titanium. With three limited edition references in a new platinum-coloured hue, Citizen demonstrates why it’s still the leader in titanium watches, 55 years after making the first one. Thanks to a decadent recrystallised titanium bracelet and nearly scratch-proof Duratect coating, the new Attesa proves that quartz can still feel luxurious. Ref. CB0284-66A. Initial thoughts Almost as soon as quartz timekeeping technology began to mature and prices began to fall in the 1980s, makers of quartz watches began to cede the luxury end of market to brands that focused on mechanical watches. But that never stopped a few brands, Citizen and Seiko chief among them, from pursuing the development of ever-better quartz technology and bringing it to market in a premium format. The ultimate expression of this focus is probably the Citizen cal. 0100, the most accurate wristwatch in the world. The Citizen 0100 – the world’s most accurate wristwatch. But quartz is just one part of the equation for Citizen, which has also achieved a leading market position in two specific fields. The first is solar power. Light-powered watches is nothing new, dating back to 1972, but it was Citizen’s advances in the late 1970s that propelled this technology forward. In 1995, the brand debuted Eco-Drive, which remains the leading light in solar-powered timekeep...
SJX Watches
When I look at the current landscape of watch culture, I see a tension that defines our time. On one side lies the fascination with the way a watch appears on the wrist, and the endless variations of colour and form that drive demand. On the other lies a culture that is older, slower, and infinitely more complex; the science of horology, the mastery of craft, and the knowledge transmitted across centuries. In recent years, I have felt this latter culture slipping into the background, lost beneath the pageantry of style. Yet at the same time, I have witnessed a counter-movement taking shape in Switzerland, a series of initiatives that seek to protect, project, and transmit the deeper culture of watchmaking. I see in them a form of resistance, a refusal to let horology dissolve into an empty shell of design. This is the rise of Swiss horological institutions. The Clockmakers’ Museum in London. Originally displayed at the Guildhall, the collection is now on display at the Science Museum. The early resistance It is worth remembering that Switzerland, for all its dominance in production, did not take the first steps in creating enduring institutions around horology; Britain anticipated this need by centuries. In 1631, Charles I granted a royal charter to the Worshipful Company of Clockmakers, giving formal civic recognition to the craft. What began as a guild evolved into a guardian of standards, a keeper of apprenticeships, and eventually the custodian of one of the world’...
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