3,787 articles · 83 videos found · page 98 of 129
Monochrome
When Monovant introduced the Rheon Royal Lapis last year, the young Greek brand delivered a watch that was simple, sturdy, and regal. The deep blue lapis lazuli dial with a tiny diamond made a statement without relying on excess. Its clean display suggested that perhaps we need much less than we think we do. Apologies […]
Hodinkee
What We Know Just in time for the hot and humid summer ahead, Doxa has just unveiled a new generation of its distinctive, cushion-cased dive-watch-slash-chronograph with the new Sub 200 T.Graph II. The best part? It's no longer a limited edition, but rather a permanent offering for the brand. Oh, and thankfully, it's priced less than that previous 300-piece LE. At a quick glance, nothing seems to have changed on Doxa's tribute to its 1969 design, and you'd be sort of correct. The dial layout, with two subdials at 3 and 9 o'clock, along with an oversized arrowhead chronograph seconds hand, remains the same in this new generation. But the main changes here are sure to make almost everyone happy: a slight reduction in diameter and case thickness. While the previous Sub 200 T.Graph measured at 43mm in diameter with a thickness of 15.15mm, the steel case on the Sub 200 T.Graph II measures 42mm in diameter and 14.6mm in thickness. Rather than the new old stock Valjoux 7734 chronograph caliber that the limited edition housed, this new T.Graph II uses a contemporary automatic Sellita SW510 chronograph caliber, with a slightly higher 56-hour power reserve and a much higher beat rate of 28,800 VpH. New to the Sub 200 T.Graph II is also another dial color, Caribbean (Doxa's name for blue), which is a familiar livery within the brand's other models but never before offered on a T.Graph. The dark, slightly dusty navy dial joins the three other colorways found in the original design: ...
Deployant
A few years ago, watches with an integrated bracelet was the fad. Every watch manufacturer then decided they need at least a timepiece with an integrated bracelet in their repertoire. Today, things have cooled down a little. We still do see the appeal though, although the market may not necessarily agree with us. The strangeRead More
SJX Watches
After more than 20 years, avante garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. It combines a Horological Machine with a high-end shaped movement, flying tourbillon the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a designer. That Maertens did the har...
SJX Watches
After more than 20 years, avant-garde independent MB&F; returns to its roots and looks to its future with HM12 The Guardian. The HM12 is a Horological Machine containing a high-end shaped movement featuring a flying tourbillon, nestled in the most elaborate – and coolest – watch stand imaginable: a nearly 400 mm tall, 15 kg robot. Better yet, The Guardian can shift into battle mode at a moments notice, deploying armor to protect its weak points. Initial Thoughts MB&F; marks its 20th anniversary with HM12 The Guardian, or would have, had it been ready in time. Instead HM12 celebrates MB&F;’s future, as the first project led solely by the brand’s creative director (and founder Max Büsser’s heir), Max Maertens. Mr Büsser kicked the project off about four years ago by pitching a robot with a watch for a face, following up on the brand’s robot Melchior and Balthazar desk clocks. After that, Max 2.0 was left to his own devices, with this as the result. It is a very reassuring result for those concerned about the brand’s future after Maximilian Büsser’s eventual retirement, which isn’t yet imminent, but something the brand is clearly preparing for. Interestingly, Eric Giroud, who has designed just about every MB&F; watch, was not involved in the project either. Max (left) and Max (right). Image – MB&F; While discussing the project, Mr Büsser told me that Mr Maertens actually modelled the robot himself in SolidWorks, which goes well beyond the normal duties of a...
Time+Tide
Combining classical details with French watchmaking mastery in an updated package that rewards a closer look.
Worn & Wound
Lots of ink has been spilled in the short span of time since the launch of the Formex Aria on the topic of small brands (microbrands, if you must) going upmarket and playing at significantly higher price points than consumers are accustomed to. When a brand releases a watch that is multiple times the cost of the watches they are already associated with, it can cause a near panic in the watch enthusiast community. Lots of “HOW COULD THEY?” type comments appear on websites like ours, Instagram, and over beers at local meetups as collectors grapple with the idea that watch brands, which are also businesses that support the lives of real human beings, might attempt to make the most of the increased popularity our hobby has received in these past few years. And that’s really what it is, right? The mainstreaming of watches has led brands like Formex, Christopher Ward, Atelier Wen, and others to feel confident in their expansion upmarket. Gone are the days when microbrands appeal solely to value conscious consumers – they have the eye of at least some traditional luxury buyers as well, and the ambitious watches they’ve developed and the prices being asked are a reflection of that. Timex, of course, is not a microbrand, but their Atelier line is a significant move into a higher pricing tier, and some of those same dynamics are in play, I think with the release of two new chronographs in the brand’s highest end line of watches. You might remember the Atelier collect...
Hodinkee
Not all collector events are made equal. Back in April, during Watches and Wonders, I got an invite to swing by the Tudor HQ in Geneva for a special dinner. I assumed this would be like most brand dinners, including Tudor examples from the past, a glass of wine, a flying buffet, and a seated dinner. I could not have been more wrong. Rather than hors d'oeuvres and the looming possibility of a mid-dinner dance presentation, I walked into a room absolutely packed with vintage Tudors, along with many of the personalities who had either collected the watches firsthand or helped establish the knowledge surrounding the collection. A group of singular 34mm Tudor Oyster, including a 1972 Cotton Bowl watch and matching hat. Honestly, after a long day at the Palexpo for the fair, the collection of watches and ephemera was entirely overwhelming. I did my best to shoot what I could as well as I could. In scenarios where a watch or two was lost to glare, flash, or both, I tried to add an additional photo to cover it. That said, I am 100% sure I didn't get to everything, and many of the watches you see below could be (or have been) the subject of entire stories. A Tudor Submariner 9411. So scroll on for a look at an insane array of Submariners, Rangers, Oysters, Chronographs, and more. Look closely for special dials, special bezels, military-issued examples, rare references, early models, notable school watches, and even a couple of ultra-rare watches with double-signed dials. Towa...
Fratello
Around 1990, one of my friends was lucky enough to receive an Ebel Sport Classic watch for his birthday. At the time, I was more focused on Swatch and Casio, and I knew nothing about Ebel other than that its watches looked cool. It wasn’t until a few years later, when my interest in mechanical […] Visit Is It Worth It: Pre-Owned Ebel Sport Classic Chronograph to read the full article.
Hodinkee
There are few things better in the realm of watch ownership than using your watch for its stated purpose – diving with a diver, flying with a pilot watch, traveling with a Worldtimer. Even better still, getting to do so while taking your watch back to the place where it was created, experiencing the country and culture that brought it to life. This past spring, in the height of that most cherished of seasons when the cherry blossoms in Japan bloom, I had the opportunity to do just that with the Citizen Attesa Platinum Shine. Attesa is, in many ways, a distillation of everything that makes Citizen special. It is the collection that showcases the most advanced technologies and techniques. They are modern, even futuristic-looking watches, designed with a forward-looking perspective on who Citizen is, and where it is going. Radio or satellite-controlled Eco-Drive movements, unique and complex dial materials, various cutting-edge methods for utilizing some of the best titanium alloys in watchmaking – these are all hallmarks of the Attesa collection. Like all of Citizen's watches, regardless of collection or price, Attesa is assembled by hand with the utmost capability and care. An evolution of the radio antennas used in Eco-Drive watches throughout the years. First released in 2025, when the Attesa collection was re-established in the U.S. as part of Citizen's new Premier category, the watch is available in several variations. Each one has a different reference number, an...
Worn & Wound
In the span of just a few short years, Kollokium has gone from a nearly secret insider side project with a hard to discern future to a fully fledged brand. When the Projekt 01 first came on the scene, it was a bit of a mystery to most what the founders (Manuel Emch, Barth Nussbaumer, and Amr Sindi) had planned, or even if they had planned anything at all. There was a one-off quality to that initial drop that seemed to communicate it could all be abandoned at any moment. Honestly, the watch industry probably needs a little more of that energy – watches that exist outside of a business plan and represent an artistic vision more than a marketing ploy. But credit to Kollokium for being smart about the way they’ve managed expectations and continue to move the ball forward across several subsequent releases since the Projekt 01. In addition to new colorways for that original design, they’ve introduced an entirely watch (not so creatively called the Projekt 02) that builds on the design language introduced in the first piece and deepens the complexity pretty significantly. They’ve just announced the latest Projekt 02, Variant C, and it’s the latest chance for collectors to get in on one of the most interesting new designs in indie watchmaking. As a refresher, the Projekt 02 is defined by a dial built on a series of stacked plates (over 60 of them) in different shapes and sizes that when fully assembled resemble a three dimensional topographical map. The terrain of t...
Worn & Wound
Formex has formally introduced what is likely to be at or near the top of many of our “Watch of the Year” lists when 2026 is all said and done. Long a brand synonymous with squeezing an absolutely insane amount of value from every dollar spent, the new Aria is Formex’s most ambitious watch to date, by a wide margin. We got a look at the Aria during Watches & Wonders week while Formex exhibited at Chronopolis, and then again at Windup San Francisco a few weeks later, and we remain impressed with what the brand has accomplished. This is a big step forward for them on a number of fronts. The Aria is an integrated bracelet sports watch that is also ultra-thin and uses the brand’s first manufacture movement. It makes sense, I think, to start with the case and bracelet, because they are immediately striking to hold and wear when you first experience the watch. The Aria is 40mm in diameter and crafted from titanium, with a tapered bracelet that has meticulously hand finished elements throughout. The total case height comes to just 6.9mm, and a close examination of the case, bracelet, and how they are integrated to one another reveals an intense attention to detail on the part of Formex and their design team. The Aria seems to understand what makes an integrated bracelet sports watch really work, which is a continuity of form from the case to the bracelet, and all the way to the clasp. They are integrated in the truest sense of the word, with matching finishes and tight ...
SJX Watches
First teased more than two years ago, the Barrelhand Monolith makes its official debut. An impressive sophomore effort from San Francisco-based mechanical engineer Karel Bachand, the Monolith was designed — and rigorously tested — to accompany the next generation of manned spaceflight missions. Initial thoughts I tend to look at astronaut-oriented watches with a degree of scepticism. For one thing, many modern mechanical watches are inherently capable of performing well enough in space, especially within the pressurised, temperature-controlled conditions of a spacecraft or space station. Today’s astronauts often travel with numerous personal watches, either for sentimental reasons or to boost future resale value. For another, the demands placed on astronauts make electronic multi-function watches superior to their mechanical counterparts. Almost as soon as such watches were developed, astronauts adopted them enthusiastically, which is why the Timex Datalink was flight qualified by NASA in the 1990s. The European Space Agency (ESA) even patented a set of purpose-built functions devised by astronaut Jean-François Clervoy. These functions were brought to life by the Omega Speedmaster Skywalker X-33. But mechanical watches still have a place in the unforgiving vacuum of space, where massive temperature fluctuations and unpredictable levels of radiation wreak havoc on batteries and LCD displays. These are the conditions for which the Monolith was developed, and the maker...
Worn & Wound
Four years ago I spent a fortnight with the Archival 1930, and ultimately proclaimed it the closest Fears has come to parting me from my hard-earned money. Since then, two things have happened. Firstly, Fears did earn my business by way of the Alliance 01 collaboration with Christopher Ward. Secondly, the modest lineup of rectangular watches from the brand has grown ever so slightly but remains overshadowed by the flagship Brunswick and sporty Redcliff families, and are perhaps therefore a little underappreciated. With so many iterations based on the Brunswick template, including the hugely popular cocktail trilogy produced in collaboration with Studio Underd0g, I find myself rooting for the Arnos – Fears’ first watch to build on the template of the Archival 1930 which captured my heart. When analyzing the Arnos ($4,500), it feels appropriate to start with the dial. I haven’t sought out common opinion in preparation for going hands on with the watch, but I fully expect the dial to be a polarizing factor. As is the case with any rectangular watch, there’s going to be a lot of space to fill. Space where the hands just can’t reach. That’s true of square dial watches too, but exacerbated further in a rectangle. Some watches fill this space with stretched indices, or an inner minute track matching the same outer rectangular shape. Even the aforementioned Archival 1930 (in two-hander form) lined the indices up vertically to cleverly use the corner spaces. Here, howev...
SJX Watches
The pocket watch format is experiencing an unexpected renaissance. From auction salerooms to high street queues, collectors of all stripes are talking about pocket watches more than at any time in recent memory. That makes it a perfect time to continue our series on groundbreaking historical pocket watches, including Breguet No. 160. This installment analyses the Leroy 01, which reigned as world’s most complicated watch — by most measures — for 85 years. The calm before the storm On the first of November 1897, Charles Piguet began work on an ébauche for which no contract yet existed. In his workshop at Le Sentier, a stone village strung along the floor of the Vallée de Joux at an altitude where winter arrives early and stays long, he opened a commission that would occupy the better part of seven years and produce the most complicated portable timepiece ever constructed. The formal agreement with his client, the Parisian house of L. Leroy & Cie — formerly known as Le Roy & Fils — would not be signed until January 1898. Piguet started anyway. In the Vallée de Joux, a man’s word was sufficient. This detail — two months of work before the ink dried — says something essential about the relationship between the French brand and the Swiss établisseurs on whom it depended. L. Leroy & Cie, founded in Paris in 1785 by Basile-Charles Leroy, had maintained that relationship across generations. When Louis Leroy, who had acquired the firm in 1889 and established a ma...
WatchAdvice
The short answer: Yes! The Cartier Tank Américaine is a standout watch that looks and feels a lot more versatile than it lets on. Let’s find out why! What We Love: A versatile yet elegant design A sportier remix of a legendary icon Wears comfortably on the leather strap What We Don’t: Readability suffers in the first and third quarters The crown is small and fiddly Where’s the display caseback? Overall Rating: 8.5/10 Value for Money: 8/10 Wearability: 9/10 Design: 9/10 Build Quality: 8/10 I think that, since I began working at WatchAdvice, my opinion on Cartier has changed the least. I’d already heard so much about it from every corner of culture; rap songs and rom-coms sing equal praise of the Parisian powerhouse. So, when this opportunity came along, it simply allowed me to get closer to a brand I had already learned to appreciate. With closeness, though, comes closer scrutiny. Cartier bears the weight of a rich legacy on its shoulders, and even the smallest deviation can have Cartier fans questioning their loyalty. Its model lines, in both jewellery and watchmaking, have become so iconic that remixing them is a massive risk. Getting it wrong, depending on who you ask, is intolerable. These are the stakes Cartier faces with the Tank Américaine. How could they possibly change the formula of such a universally popular watch collection while preserving the original DNA? That’s what I aimed to find out when I took the Tank Américaine for a spin some time ago...
Worn & Wound
As I write this article in late May 2026, Bond fans want nothing more than news on the next film in the James Bond franchise. We know it’s going to be directed by Denis Villeneuve, but little else has been announced or decided upon. Namely, we don’t know who is going to play 007 as Daniel Craig has apparently given up his license to kill. So on the spectrum of “new Bond stuff” that fans might be interested in, I’m not sure how many waves the release of a 44mm Omega Chronograph with ties to a new Bond videogame is really going to make, but here we are. The Seamaster Diver 300M Chronograph 007 First Light is being pitched as a real life version of the watch the James Bond character uses in the upcoming First Light videogame, which is to be released across multiple platforms next week. First Light is a reimagining of the James Bond origin story, and follows a young Bond through the early days of his career with MI6. The watch in the game is, according to Omega, a tool that appears across several missions, and, in the game, is capable of disturbing electronic equipment and emitting a laser from its strap. Alas, the real thing doesn’t have complications nearly this unique. It’s modeled visually off of the watch that appears in the game, which incorporates subdials that the player accesses to, I guess, fire lasers from the strap, or something of that nature. So naturally a chronograph was the opportune choice for a watch tie in, and this represents the first ti...
Monochrome
The connection between Omega and movie franchise James Bond 007 is one of the strongest imaginable, dating back to Goldeneye in 1995. Since then, at least one Omega watch has been worn on screen by the world’s most famous secret agent, in every movie released since. And while we don’t yet know who will incarnate […]
Hodinkee
If there's one brand that remains near and dear to the heart of Hodinkee, it's Universal Genève. In some ways, my own love of watches may not have flourished the way it did without the incredibly broad range of designs and concepts from Universal in that period. Simple chronographs, calendar chronographs, calendar watches, dress watches, oversized Aviator watches, and even convertible watches were all part of the Universal story. It just did SO many things back then, and when it was announced that the House of Brands (the parent company of Breitling, and now Gallet and Universal) would be re-launching it in full force, I wasn't quite sure what to expect. And I think it's fair to say that many felt that way. But Mr. Kern, who led the project along with a great team of young enthusiasts, knew they needed feedback from the long-standing group of collectors to ensure what they made hit all the right notes. So they assembled a group of advisers to give feedback along the way. The group included Mr. Fred Mandelbaum, Mr. Eric Wind, myself, Mr. Alessandro Fanciulli (Mr. A), Mr. Auro Montanari, and many more die-hard Universal lovers. You can see some photos of one of our meet-ups right here, dating back more than two years ago. The advisory board would give notes, and the internal team would process them accordingly – mostly in design details. And in the end, Universal Genève was fully reborn with an astonishingly wide range of watches just last month in Geneva. It includes tw...
Hodinkee
Enthusiasts and collectors made their way to SoHo for an exclusive and exciting event, hosted by Hodinkee, Gerald Charles, and Watches of Switzerland. Fresh from the whirlwind that is Watches & Wonders, this event marked the first opportunity for Gerald Charles to introduce their latest collection to the U.S.-based collectors. The evening celebrated a brand on the rise, featuring a comprehensive look at the brand's offerings, both past and present, including the beautiful, bespoke Maestro GC39 Li Galli in white gold, a watch conceptualized and designed by Mr. Genta himself two decades ago, hosting his favorite Jumping Hours complication. This exceptional pièce unique, which has spent the last several weeks on display at Watches & Wonders and in the Gerald Charles Atelier, was inspired by the untouched Li Galli archipelago off the Amalfi Coast and represents a profound expression of Maestro from its earliest days. Vintage Maestro GC39 Li Galli in white gold. Gerald Charles Masterlink Perpetual Calendar's first stop in the United States after their W&W; release. The highlight of the event was an animated discussion between Federico Ziviani, CEO of Gerald Charles, and Tim Jeffreys, Hodinkee Deputy Editor. Following a warm introduction and welcome to all in the room from Tim Jeffreys, the conversation continued, covering the newly released watches, the DNA that sets the Maestro case apart, as well as the decisions, thoughts, and work that continue to make Gerald Charles watche...
Hodinkee
Thierry Stern sat down with Ben Clymer at Watches & Wonders 2026 to walk through Patek Philippe's novelties, and his passion for the product comes through immediately. Nowhere is that more evident than with the Nautilus's 50th anniversary pieces. Compared to the 40th, this is an exercise in restraint. "My idea is to do the counter-steps," Stern said. The three limited-edition anniversary Nautiluses are stripped to hours and minutes only—no date, no seconds—perhaps the most compelling of which is a 38mm platinum case recalling the medium-size Nautilus models of the 1980s, powered by the 2.53mm Calibre 240, its micro-rotor engraved with "50 1976–2026". The wildcard—a personal highlight for Ben—was something genuinely unexpected: Patek's first-ever Nautilus desk clock, the ref. 958G, limited to just 100 pieces. Its white gold case translates the porthole-inspired Nautilus design to 50.65mm, with a hinged caseback that doubles as a stand. Technically a pocket watch, yet perhaps it's better suited to the table. Mr. Stern gives us a peek behind the curtain on how it came to be—and the story behind it is one you'll definitely want to hear. Thierry also walked Ben through the 5840P—the Cubitus's first grand complication, a skeletonized perpetual calendar he'd conceived early in the collection's development but deliberately held back, wanting the design language to land before the mechanics got complicated. The vintage Patek market is certainly booming, with the ref. ...
Monochrome
In less than 10 years, Atelier Wen has built a rather impressive collection, merging refined watchmaking with Chinese culture. The Sino-French company founded by Robin Tallendier and Wilfried Buiron quickly moved from accessible watches with a strong Chinese identity to something less caricatural, much deeper in substance, to the point of creating a full tantalum […]
Fratello
Calling an Urwerk traditional feels a bit ridiculous, but here we are. The new UR-10 Spacemeter gets closer to that territory than just about anything the brand has done before. And yes, we did get a traditional Urwerk before we got Grand Theft Auto VI. Sure, Urwerk has used hands in pieces like the EMC […] Visit The UR-10 Spacemeter Is the Most Traditional Urwerk Yet… Sort Of to read the full article.
Worn & Wound
If there was any doubt that Windup Watch Fair San Francisco had evolved into something far bigger than a traditional watch show, this past weekend erased it completely. Over three unforgettable days at Fort Mason’s Gateway Pavilion, over 7,000 enthusiasts, collectors, first-timers, industry veterans, and curious passersby packed the waterfront for what became our most ambitious and experiential Windup San Francisco to date. Watches were still the heart of it all, of course, but this year the Fair expanded in every direction imaginable: panels, parties, padel, live art, whisky tastings, DIY watchmaking, EV Broncos, giveaways, podcast recordings, and more all combined into a weekend that felt less like a trade show and more like a full-scale enthusiast festival. None of this would have been possible without the support of our incredible Lead Sponsors: Bremont, Brew, Christopher Ward, Frederique Constant, and Oris, all of whom helped bring new energy, new releases, and memorable experiences to this year’s Fair. From Bremont’s rugged space-watch presence to Christopher Ward’s endlessly crowd-drawing Bel Canto conversations, from Frederique Constant’s padel panel and activation to Brew’s playful industrial design language, and not to mention Oris celebrating 60 years of mechanical freedom—each Lead Sponsor helped define the personality of the weekend in a different way. The show floor itself was nonstop from open to close every day. Approximately 90 brands from ar...
Fratello
On April 27th, 1976, NASA made 55 out of 97 of its Omega Speedmaster chronographs available to the National Air & Space Museum (NASM) in Washington, DC. Then and now, these Omega watches were considered a collection with significant artifactual value! This article is a contribution by space and watch enthusiast Philip Corneille, founder of […] Visit Here’s What Happened To The NASA-Issued Speedmasters! to read the full article.
Hodinkee
What We Know Want to see a magic trick? No, not the kind the Joker pulls in "The Dark Knight," but instead something pretty cool that Ming has cooked up with their new 29.06 "Peep Show." The watches below look markedly different, but the only thing that's changed is the direction the hands point. When Ming Thein showed me this watch last fall, I immediately got what was going on as he turned the crown. If you were doing the same, you'd see that the guilloché dial with a multiphase color-shifting coating (like on the 57.04 "Iris") slowly fades in and out of visibility, turning from a dazzling view to pitch black as the hands move. Any guesses on how it works? Well, it's kind of a trick question, because the hands aren't actually hands. Instead, they're polarized sapphire discs with a hands made of Super-LumiNova X1 fill. The two pieces of sapphire are linearly polarized, so when they're aligned (on top of each other or directly opposite each other), the polarizer lets light in, and you can see that metal disc with color-shifting treatment. As the hands rotate, you see less and less of the dial until it turns black when the two discs are at 90º to each other. When you learn the effect, it's pretty simple, but it's certainly effective in person. All this is in a 29-series case, which is a bit more reserved than the 57-series case. It's made in lightweight Grade 5 titanium, measuring 40mm by 11.8mm, with a 22mm lug width. The case has a 50-meter water resistance. Inside the ...
Hodinkee
How do you capture 100 years of the Oyster? That's the question at the center of Rolex's new 23-minute film celebrating the anniversary of one of the most important watches ever made. The film opens with incredible archival footage of Mercedes Gleitze swimming across the English Channel, then moves on to archival footage of many defining moments tied to the Oyster's history—speed records, Everest expeditions, deep-sea exploration, and much more. Most will know these stories, but seeing them presented together really captures the full breadth of what the Oyster has represented over the last century. One of the film's most impressive qualities is its sense of scale. Even something like the Daytona—one of the most iconic watches ever made and a subject that could easily support an entire film on its own—is only one small part of the larger story being told here. More than anything, it underscores just how broad and far-reaching Rolex's history with the Oyster really is. From there, the film transitions into the modern era, highlighting Rolex's ongoing ties to sport, the arts, and scientific exploration. It closes with a look at the brand's Perpetual Planet initiative and Rolex's environmental efforts, both in the field and within its own manufacturing operations, including a closer look at how the company is approaching sustainability in watchmaking. There are also a few fun details throughout. At one point, the film references precision down to "a fraction of a billi...
SJX Watches
This year Audemars Piguet (AP) walked into Watches & Wonders Geneva for the first time in seven years, and it did so carrying a word it had not used in public for the better part of a century. The brand had departed the predecessor of the fair, the Salon International de la Haute Horlogerie (SIHH), in 2019 alongside Richard Mille, declaring its intention to forge direct relationships with collectors through its own channels and AP Houses rather than through the shared theatre of a trade fair. The return to Geneva in 2026, under CEO Ilaria Resta, was already a signal of strategic realignment, but the word it brought with it made the move more interesting: établisseur. The watches it presented — three of them — each made in very limited numbers by a network of named artisans working within and around the Musée Atelier in Le Brassus, were introduced under the name Atelier des Établisseurs, a project AP described in its launch communications as a revival of the collaborative spirit that had driven the watchmaking industry for generations. The établissage system The framing was historically accurate, as far as it went. The établissage system did shape the Vallée de Joux from the late 18th century onward. Farmers working through the long alpine winters crafted individual components like wheels, bridges, and screws in home workshops, coordinated by an établisseur who assembled the finished watch and brought it to market. The Audemars Piguet Établisseurs Gallets hand-w...
Fratello
Sometimes, you don’t want a color or a fancy finish on your dial, and occasionally, the second version isn’t always better than the first. That must be exactly what Ludovic Barrois from the French watch publication Le Petit Poussoir was thinking. That’s probably why, with his friend Guillaume Laidet, he released the Nivada Grenchen F77 […] Visit Hands-On With The New Nivada Grenchen × Le Petit Poussoir F77 Polar White MK1 Limited Edition to read the full article.
WatchAdvice
With all the talk around the new Longines HydroConquest models, we thought it best to see for ourselves what the fuss was about. What We Loved The classic dive watch look The sliding micro-adjustment on the clasp Solid build quality What We Didn’t The longer lugs make it wear a little larger than the specs suggest The Bezel action could be a little smoother The sliding micro-adjustment could have 5 mm more worth (but I’m nit-picking here) Overall Rating: 9 / 10 Value for Money: 9.5/10 Wearability: 8.5/10 Design: 9/10 Build Quality: 9/10 Recently, Longines announced the new HydroConquest collection, and there was a fair bit of talk about the new pieces within watch circles. After all, the brand released a good-looking 300m dive watch in two sizes, several colour ways and two bracelet configurations, and all for A$3,375 or A$3,550 depending on the bracelet chosen. So, it was a watch we just had to check out in person. For this review, I’ll be testing out the 42mm model on the more traditional three-link bracelet, and in the blue colourway. Mario will be tackling the 39mm model in ice blue on the mesh bracelet in a week or two, as it does wear differently and is worthy of its own spotlight. And for the photo shoot, why not take the watches down to the beautiful Manly Harbour and the Manly Boathouse? It is a great backdrop given the pedigree of the Longines HydroConquest. Initial Thoughts I’ll admit, I was not sold initially on it. Why? Well, let’s address the el...
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