3,787 articles · 83 videos found · page 99 of 129
Monochrome
Some of the best creations often result from the least expected encounters… However, when two radically different creative minds start to work together, nothing says that the alchemy will develop. More often than not, the connection doesn’t come to fruition. At first, there was seemingly no reason for entities like Baltic and SpaceOne to collaborate. […]
Worn & Wound
It’s tough to think of two accessible indie brands that are more diametrically opposed in terms of their general aesthetic than Baltic and SpaceOne. One is focused largely on classic, vintage influenced designs, while the other is firmly contemporary, futuristic, even, and has made a name for itself by innovating new ways to make high end complications accessible. But they have similar sensibilities, I think, when it comes to widening the aperture of watch enthusiasm in general. They make it feel easy to break into a once difficult to access hobby with watches that are genuinely interesting and cool irrespective of price. And so a collaboration between Baltic and SpaceOne (both French brands) is maybe not as absurd as it would appear at first blush. Their first watch made in partnership, the Seconde Majeure, takes elements of what makes both brands special and smashes them together in a very satisfying way. It’s one of the best watches I’ve had a chance to see so far this year (it was being previewed at Chronopolis in Geneva last month, and at our Windup event in San Francisco just last week). The Seconde Majeure is designed around a jumping hour module designed by Theo Auffret with three visible components. A large minute disc sits atop a control wheel that makes a full rotation every 60 minutes, and provides a hand-free readout of the minutes from a central location on the dial. As the minute disc completes a rotation, it engages with a star wheel that has 12 t...
Fratello
Watch prices have been creeping upward for years, but recently, it feels like something more fundamental is happening. It’s no longer just about incremental increases, as entire segments seem to be shifting. Brands are moving into price territory once occupied by others, microbrands are pushing higher than ever before, and the old mental map of […] Visit Fratello Talks: The Great Watch Price-Shift Dilemma to read the full article.
Monochrome
At first, this new version of the Black Bay 58 may seem like a minor update, mostly focused on introducing reworked bracelets and details to remain consistent with the rest of the BB collection. Yet, things can be deceptive. In recent years, as the Black Bay collection is more than well established, Tudor has been […]
Hodinkee
There's no shortage of watches this auction season—more than 1,200 lots across the major houses—but volume isn't really the story. At Christie's and Sotheby's, the focus feels different this time around, moving past the hype-driven pieces of the early 2020s and back to some genuinely compelling and surprising watches. Last week, we published part one of our preview—today, we're finishing it up with part two. Christie’s I would argue that Christie's always has one of the more subtle and yet impressive catalogs. There are some truly fantastic pieces here and, as always, we'll start at the top. Lot 134, a unique and absolutely stunningly gorgeous (add all the superlatives you want) two-tone 14k pink gold and steel Audemars Piguet "Observatory-style" watch. Photo courtesy Christie's. If you're looking for a watch that my friend and current "Bring a Loupe" writer Weston Cutter called an "immediate knee-weakener," you need to sit down for this one. Lot 134 is a unique and absolutely stunningly gorgeous (add all the superlatives you want) two-tone 14k pink gold and steel Audemars Piguet "Observatory-style" watch. The watch is powered by a 13-ligne 13VZAS movement that was highly modified for precision as a time-only watch, with a large subsidiary seconds at 9 o'clock and a blank subdial at 3 o'clock. Bold numerals, bold design, it's the kind of thing you dream about if you collect early watches, and the estimate is a hilarious CHF 50,000 to 100,000. It should go for way m...
SJX Watches
Ten years after the Polo S, Piaget reimagines the contemporary Polo Date with the brand’s signature gadroon motif. The Polo Signature Date is less a new watch than a clarification: a move to anchor the collection around a more explicit identity. This took place through a two-step process. First, the reinstatement of the historical reference with the Piaget Polo 79. Then, the diffusion of its codes – most notably the gadroons – into the contemporary line, now organised under the Polo Signature name. The result is a watch that remains technically unchanged, but conceptually more defined. The unchanged movement — the automatic cal. 1110P — remains in reliable service. Initial thoughts At first glance, the change is straightforward: the dial now carries the gadroon motif. But more importantly, it gives the watch a clearer and more distinctly Piaget presence. The overall architecture remains familiar – 42 mm case, cushion-shaped dial within a round frame, interchangeable bracelet – yet the visual impression is stronger. Where earlier Polo Date models relied on relatively neutral surfaces, this dial interacts more actively with light, creating contrast and a stronger sense of identity on the wrist. This is perhaps where the update is most effective. The Polo becomes more immediately recognisable, less reliant on its case shape alone. The gadroons do not transform the watch, but they sharpen its character within the crowded luxury sports watch segment. From motif to...
Hodinkee
If there's a watch that seemingly stole the hearts of many collectors this year at Watches and Wonders, it's definitely Chopard's new blue-dialed L.U.C 1860 dress watch. The funniest part is that the new model is really only a dial color change. That's it. And yet, among a sea of new designs and complications, Chopard managed to pull off something much larger than its description on paper, and ended up being one of my personal favorite releases from the show. If you're familiar with the previous, now-discontinued salmon dial version of the L.U.C 1860 released back in 2023, well, chances are you already know much about this watch. But its identical specs are very much a good thing, as I think Chopard has really hit a home run with the 1860 as a proper, compact, and thin (8.2mm) dress watch amongst its larger L.U.C. movement-powered siblings. The 36.5mm case in Chopard's Lucent Steel alloy is very safe in its design, with smooth, curved lines and a fully-polished, rounded bezel and top lugs. While there aren't any little extra design touches that add any additional flair, the sides are vertically brushed to create a bit of contrast. Is the case boring as a result? Certainly not in my eye, as its subdued character works well in the 36.5mm format and, most importantly, it serves as a very nice frame for a spectacular dial. That dial, produced by Chopard's in-house dialmaker Metalem, is an absolute home run. And it surprises me to say this, given that I typically don't care a...
Monochrome
Anyone who has kept a close eye on my work for MONOCHROME Watches might have caught on to the fact that I have more than a bit of a thing for watches by H. Moser & Cie. I think what they do is brilliant, although I do not love-love everything in the catalogue. What I […]
Worn & Wound
Few watch industry traditions are more sacred than the yearly dance during Watches & Wonders between shiny new novelties in Switzerland and comments from observers back home about pricing being out of control. Every year, without fail, new watches are announced in the dead of night on the east coast, and before anyone in the United States could conceivably have access to the new pieces, the commentary comes through loud and clear: they want how much for that? Look, I get it, I really do. As a collector, I’m priced out of a lot of watches that I wouldn’t have been even a year or two ago. Things are getting crazy, and fast. But you’d think based solely on the online discourse that there isn’t a single watch priced fairly anymore. I really don’t think that’s the case. When I say “priced fairly” I want to be clear that I don’t mean any given watch is necessarily affordable to me, or anyone else. But that, in the scheme of things, and thinking about what you’re actually getting for your money at this current moment in time, certain watches are retailing right about where they should be, or at least at a level that aligns with what the watch is offering. And “fair” can mean a bunch of different things when we’re talking about retail pricing. Things like finishing, the positioning of a brand compared to their competition (and how watches are positioned within a brand’s collection), as well as production scale and the health of the brand itself all ...
Time+Tide
A new collection of perpetual calendars from IWC marries its mastery of the pilot's watch with crown-set QPs.The post The New IWC ProSet Brings Practicality to the Perpetual Calendar appeared first on Time+Tide Watches.
Worn & Wound
Hublot has never trafficked in subtlety. The Big Bang chronograph first made its presence known with a 44mm size, hefty ceramic bezel with contrasting screws, and a rare combination of rose gold and rubber, which contrasted different textures with clashing case finishes. So what if it had an ETA movement-which, at the time, seemed more plebeian than the in-house movements of rival luxury chronographs? In that maximalist, McBling era, the stance and the presence were all that mattered. Hublot has only taken its flagship model to more audacious heights. At this year’s Watches & Wonders Geneva, the Big Bang Reloaded enters the collection, following the 20-year anniversary of the Big Bang, by combining the intricate case with Hublot’s in-house chronograph movement, the Unico calibre, bringing together all the things that Big Bang enthusiasts love. The Reloaded exemplifies Hublot’s adherence to high-tech materials: available in titanium, scratch-resistant 18-karat “Magic Gold,” and three options of ceramic: black, blue, and dark green. The strap, still in textured rubber, matches the case colors. Hublot introduced its Unico calibre in 2010, and now the HUB 1280 UNICO makes an appearance from behind a skeletonized and multi-layered dial: redesigned to match the stencil-style numbers, a date window at between 4 and 5 o’clock, and horizontally-placed chronograph registers. It’s an automatic flyback chronograph, with 43 jewels and a power reserve of 72 hour...
Time+Tide
Piaget flexes its stone dial mastery at Watches and Wonders 2026, debuting a new Polo 79 Sodalite, Polo Perpetual Calendar Onyx, and more.The post Piaget leans into stone dials for Watches and Wonders 2026 appeared first on Time+Tide Watches.
Worn & Wound
When I think of Heuer, or TAG, or TAG Heuer, for that matter, I think of chronographs. You probably do too. Carreras, Monacos, Autavias, Monzas, Veronas, Montreals, etc… All iconic models, their pursuit of the stop-watch-in-a-wrist-watch goes far beyond just that of aesthetics. Famously, in 1969, they were among the first three brands to introduce an automatic chronograph with the Caliber 11. Then, in the 2010s, they pushed chronograph innovation to its limits with high-concept, high-frequency calibers like the Mikrograph, Mikrotimer, and Mikrogirder. In the last few years, TAG has focused more on the commercial side, honing in on a contemporary design language with the glass box Carreras, as well as a workhorse caliber of their own, the 80-hour, column-wheel, automatic TH20. 2026, however, marks a return to more innovative, if high-end times. Earlier this year, they introduced the six-figure Carrera Split-Seconds Chronograph, a 36,000bph rattrapante made in collaboration with Vaucher, under the category of “avant-garde horlogerie.” A curious development that was perhaps undermined by having such a daunting price, it did serve as an amuse-bouche to their big Watches & Wonders novelty: the Monaco Evergraph, which includes at least one first in watchmaking. There is a lot to unpack with the Evergraph, but the movement is a good place to start. Inside is a new caliber called the TH80-00. An integrated chronometer-certified automatic chronograph with 47-jewels, it featur...
Worn & Wound
One of the most interesting things to observe in recent years among brands that have been around for decades is how they handle reissuing vintage watches from their back catalog. Often, we see releases that seem to have been conceived in a boardroom by bean counters, with a lot of concessions to the original design made for modern consumers. This usually means making watches larger than they need to be, and using newer, higher performance materials when the old fashioned ones would have been just fine. So it’s a real treat when a brand releases a “new” old watch that is about as close to the original as possible. That’s the vibe we’re getting from the new Oris Star Edition, a mostly faithful interpretation of one of the more important watches in the brand’s history, dating back to the 1960s. The original Star was the brand’s first watch with an in-house lever escapement, something that was only possible thanks to the overturning of the Swiss Watch Statute, a law originally introduced in the 1930s to counter anti competition measures taken by watch manufacturers during the years of the Great Depression. An unintended consequence of the statute was that it limited brands like Oris to using pin-lever escapements. The law was eventually repealed with the help of Rolf Portman, a lawyer employed by Oris and tasked with fighting the statute. Portman is now Oris’ Honorary Chairman. Here we have a watch that is uncommonly true to the character of its vintage ins...
Monochrome
When Zenith unveiled the Chronomaster Sport in 2021, the message was clear: the El Primero was entering a new, sportier chapter rather than living off 1969 nostalgia. Exploiting the full potential of the calibre 3600’s 5Hz frequency, the 1/10th-of-a-second readings put the Chronomaster Sport luxury sports watch in a class of its own. The latest […]
Monochrome
Some watches follow the established path of horology, refining proportions, improving calibres, and adjusting aesthetics within well-defined and safe boundaries. And then some watches question nearly everything that is considered conventional and classic. When the Ulysse Nardin Freak was unveiled in 2001, it introduced a new design, a new movement, but it also proposed an […]
SJX Watches
This year’s Watches & Wonders got off with a strong start. Rolex unveiled a number of new models, with a strong accent on novel materials and precious metals. A first for the sporty landmark chronograph, the new Cosmograph Daytona comes with an enamelled dial. Initial thoughts Rolex is known in modern times for their mastery of both industrialised mechanical watchmaking and sound material science. The new Daytona is a product of the latter - it benefits from a new sort of ceramic bezel and notably a white enamel dial done a bit differently. At first sight, the new model reminds of the “Porcelain” Zenith-powered Daytonas. A sought-after configuration of pre-2000 Daytonas, the “Porcelain” was nicknamed as such due to the glossy finished white dial, which carried some resemblance to classic porcelain. Among Rolex’s most beloved models, the Daytona has seen a fair share of makeovers over the years. Most special editions took advantage of the motorsport heritage of the chronograph and others added gems and precious alloys to the mix. The main selling point of this latest Daytona configuration is the enamel dial - a classic element which doesn’t normally connect to Rolex or to sports watches in general. What Rolex successfully did was raise the appeal of the Daytona beyond just a sports chronograph, without resorting to any loud gem setting or full precious metal construction. Instead, the brand opted for a quiet (but modern) enamel and a new bezel configurat...
Worn & Wound
For as long as we’ve talked about Ressence, part of the discussion has always been about how clever they are for producing such an ingenious and unique system for time telling, all built on top of a standard, off-the-shelf ETA movement. Their patented ROCS module, which displays the time via a series of rotating discs rather than traditional hands, is a complicated piece of engineering that has always lived alongside a caliber that is rather ordinary. For me, and many others, this was always part of the charm of a Ressence watch, and underscored the idea that watchmaking is a broad discipline and that with some creativity even a simple ETA movement can be turned into something extraordinary. That changes a little today with the introduction of the Ressence Type 11, featuring the all new RW-01 movement, the first in-house designed Ressence movement. Designed specifically to power the ROCS, the RW-01 is an integrated, automatic caliber that appears to be an improvement in just about every way over previous movements found in Ressence watches. First and perhaps most notably, this movement has a 60 hour power reserve, which can be monitored on the dial via ceramic micro balls. For years, Ressence watches have featured power reserves that topped out at slightly less than the ETA movements they were based on due to the demands of running the ROCS module. But the RW-01 was designed from the ground up to work with ROCS, eliminating many of the compromises made with previous ...
Fratello
It’s been just roughly six months since Casio released the Edifice EFK-100, which received widespread critical acclaim as the brand’s first line of mechanical watches. As you will understand, then, we were quite surprised to see these new Edifice EFK-110 models land on our desks. At first glance, you would think that nothing has changed. […] Visit Hands-On With The Impressive Casio Edifice EFK-110 Series - A Welcome Evolution Of The EFK-100 to read the full article.
Monochrome
Ever experienced the thrill of attending a MotoGP race? Ever had the idea of wanting to get a sense of just how crazy fast a MotoGP bike is to ride? Ever think, I want that, but for the road? If the answer to each of these questions is a resounding “YES!!”, then Ducati has something […]
Worn & Wound
When we last checked in on Baltic, they were retiring one of their most popular lines, at least for the time being, with a diamond set version of their MR dress watch. It felt like an appropriate send off for the MR, which I think will be remembered as the release that put the watch world on notice that Baltic was capable of executing in categories other than purely sporty vintage inspired designs. The fact that the last MR prominently features Moissanite stones really reflects the path Baltic finds themselves on now, stretching well beyond what was frankly a somewhat generic playbook in the early days. Their latest collection, the Heures du Monde, is a worldtimer that further reinforces that idea. This is a tribute, of sorts, to the work of Louis Cottier, the Swiss watchmaker who effectively invented the modern worldtimer, creating movements for Patek Philippe, Vacheron Constantin, and others. His worldtimers are of course highly sought after by high end vintage collectors not just for their aesthetic beauty, but their historical significance. The principle behind Cottier’s movements, that the wearer should see the time in every timezone at once, at a glance, via rotating time zone and 24 hour scales, has become the predominant method for executing worldtime watches and is considered the standard in the watch industry. For the Heures du Monde, Baltic has modified a Soprod C125 caliber by removing the date and replacing the GMT hand usually found with that movement w...
Fratello
Our times aren’t ideally characterized by the term “gentlemanliness.” It seems most of us are more concerned with fighting for what we think the world owes us than with standing for dignified, gentlemanly conduct. This week, I am proposing a return of the gentleman in us all. I secretly, subliminally started last week with the […] Visit Reawakening The Gentleman In Us: The New Tissot Gentleman 38mm to read the full article.
Monochrome
The path of Felipe Pikullik has never been about sudden breakthroughs, but about steady, hands-on progression. Early pieces from his Berlin atelier were built on reworked Unitas movements, extensively modified, skeletonised and hand-finished to create something much more personal than their origins suggested. From the poetic Sternenhimmel to the more expressive ZBM1, and later regulator-style […]
Hodinkee
Determining the value of your vintage watch might be more subjective than you think.
![[VIDEO] Windup Watch Fair Dallas Recap: Watches, BBQ, and Texas-Sized Enthusiasm](https://wornandwound.com/library/uploads/2026/03/CLASSIC_23.jpg)
Worn & Wound
Everything’s bigger in Texas-and that fact continues to ring true for the Windup Watch Fair Dallas. Returning for its second year and expanding into a full three-day event, the Fair once again took over the Hickory Street Annex, transforming the historic industrial space into a buzzing hub of watches, conversation, and community. With more than 40 brands in attendance, the show floor was packed with everything from established Lead Sponsors like Christopher Ward, Junghans, and Oris to rising independents, alongside a strong showing Miyota, our Official Movement Sponsor, and from Texas-based brands gathered together in our “Texas Roundup” area, deep in the heart of Windup. As always, the show delivered what Windup does best: a hands-on, approachable environment where enthusiasts and newcomers alike could try on watches, meet the people behind the brand, and share in the collective enthusiasm that defines the weekend. But as much as Windup is about watches, Dallas proved once again that it was just as much about the experience. Across the weekend, attendees found plenty to do beyond the booths-whether that meant taking in live art from Sunflowerman, snagging a swig at the Bruichladdich bar, learning about Miyota mechanical movements, or spending time in the Accutron Lounge diving into Tuning Fork and Electrostatic tech. It all added up to the kind of layered, come-as-you-are atmosphere that has become the hallmark of the Fair, which Texas wears well. Came for th...
SJX Watches
Seiko is on something of a resurgence, aiming to take back its reputation as a value leader after the emergence, over the past decade, of increasingly competitive micro-brands. On episode 33 of the SJX Podcast, SJX and Brandon discuss the King Seiko Vanac, now available in titanium, and the Marinemaster, which has been transformed through a number of incremental upgrades. The discussion then turns to some other affordable new releases from Orient Star, Raketa, and Christopher Ward, which just launched an in-house ‘flyer’ GMT calibre with a five-day power reserve. Listen now on Apple Podcasts, Spotify, and YouTube.
Teddy Baldassarre
For over a century, the traditional round case has dominated the horological landscape, granting a sensible, utilitarian canvas for reading the time. However, for those who seek to venture off the beaten path, the tonneau or barrel-shaped watch affords a thrilling and historically rich alternative. The silhouette of the tonneau watch features gently bowing, convex sides that transition into straight or slightly curved ends that allow the case to sit more securely and comfortably than a straight-edged shape. At the same time, the straighter ends give it enough structure to maintain presence and balance, rather than feeling overly soft or shapeless. First introduced in the early 20th century as a stylish departure from the ubiquitous pocket watch, the tonneau case came forth as a defining silhouette of the Art Deco movement, its beautifully curved architecture proving inherently ergonomic and capable of tracing the natural shape of your arm. Today, the attraction of the tonneau or barrel-shaped case is stronger than ever. It has become a highly popular alternative to the classic circle, occupying a middle ground between sporty and dressy. Whether you are looking for an integrated sports watch that screams 1970s chic, an aggressive contemporary skeletonized masterpiece, or a refined dress watch, the tonneau and barrel configurations of today represent a conscious and stylish rebellion against the ordinary. [toc-section heading="Tissot PRX Damascus Powermatic"] Price: $1,175, ...
SJX Watches
Abraham-Louis Breguet’s No. 160 exists first as legend. The standard account describes a secret commission for Marie Antoinette, incomplete when she faced execution, requiring forty-four years to finish. Theft, recovery, mystery, and royal romance: the narrative contains all the necessary elements of mythology. Yet this fame is recent. From its 1783 inscription in the order books through the 19th century, the watch remained largely unknown outside the Breguet workshop but for a few private collectors. Only when Sir David Lionel Salomons acquired it, nearly 140 years later, did the wider horological world learn of its existence, thanks to his careful cataloging and the watch’s public exhibition in 1923. Salomons gave credit to Breguet’s mastery on a scale previously unrecognised, establishing No. 160 as the supreme example of complicated watchmaking and the prime masterpiece of its maker. Sir David Lionel Salomons’s 1921 work on Breguet and the collection he assembled seems to be the first source to mention Marie Antoinette. Image SJX composite – Sotheby’s Subsequently, many sources have reported that the commission demanded every known watch complication and that no time constraints or limits were placed on its design or cost. The workshop records, however, tell a story that differs from both obscurity and legend. No. 160 appears in the 1783 order books as three words: “No. 160, Montre d’Or.” The entry stands alone, anonymous, unexplained and without cont...
Monochrome
I’ve always been a big fan of watches that have something moving on the dial, other than the smooth and consistent running of hour, minute and second hands. Whether it’s a dial-mounted balance wheel, a tourbillon escapement or even a winding rotor, I just love to see some type of action that goes beyond pure […]
Worn & Wound
I missed the Academy Awards on Sunday for the first time in, oh I dunno, 30 years? It’s a cliche to say that something is “my Super Bowl” but the Oscars really are. It was more than a little strange to catch up on the awards conversation the way most people do these days: through social media clips, podcasts, and, in our little community, celebrity watch spotting. The Oscars are known as “Hollywood’s biggest night” but it could be argued, based on the volume of press releases in my inbox, that it’s the watch industry’s biggest night as well. Worn & Wound doesn’t typically cover celebrity watch spotting – we think it’s all a little silly given that most of the watches you see on wrists are placed there by stylists or are simply contractual obligations. But I hope you’ll indulge me a bit because I have some thoughts on what we’ve seen recently from one of the most talked about movie stars of the last several years, by cinephiles and watch enthusiasts alike, and I think it could be a watershed moment in how independent watches enter the cultural conversation. I’m talking of course about Timothée Chalamet, star of Marty Supreme and three time Academy Award nominee. Chalamet has made news among the watch spotting crowd for the way he has casually worn some of the highest end and most sought after timepieces over the course of the last year. On Oscar night, he was wearing an Urban Jürgensen UJ-2, a six figure watch introduced less than a year ag...
Question, suggestion, or just want to say hi? Drop a note.