Skeleton & Openworked Watches · Page 31

Kees Engelbarts Introduces the Dragon Gate Trilogy

According to Chinese legend, a carp that could jump the falls at the Dragon Gate of the Yellow River would transform into a dragon. The tale inspired the latest from Kees Engelbarts, a Dutchman who’s one of the most prominent engravers in Swiss watchmaking. The Dragon Gate Trilogy is a three-piece set of watches, each featuring a unique, hand-engraved and enamelled decoration that charts the carp’s transformation from fish to dragon. They are presented in an equally lavish box that’s hand made by a French cabinet maker and decorated by an award-winning lacquer artisan. Initial thoughts Over his two decades in watchmaking, Mr Engelbarts has created wristwatches of surprisingly diverse variety. Last year’s skeleton tourbillon was airy and organic, while the Dragon Gate Trilogy is decidedly more decorative. The trio is certainly not for everyone, though I do like the middle of the three watches, which depicts the carp in the midst of its transformation. The dial is striking and dramatic. The transformation dial But while the style is subjective, the quality of Mr Engelbart’s work is objectively excellent – unsurprising given that he’s long been a go-to engraver for a number of independent watchmakers, including veteran Svend Andersen. Mr Engelbart’s creations are truly high-quality artisanal work. The engraving is finely detailed and three dimensional, while being enhanced by Mr Engelbart’s clever use of exotic materials. The carp dial, for instance, feature...

New: Jaquet Droz introduces the new Grande Seconde Skelet-One Tourbillon

Jaquet Droz adds the tourbillon to its skeleton Skelet-One line. Press Release details with commentary in italics within.

Harry Winston Unveils the Project Z15

Launched in 2004, the Project Z is Harry Winston’s flagship series within its Ocean line of sports watches, defined by the aluminium-zirconium alloy used for the cases known as Zalium. Traditionally dominated by chronographs and dual time zones, as is typical for a sports watch, the Project Z collection now is now joined by one of the most unusual models to date, the Project Z15. The new model boasts a gently upgraded design and novel mechanics, especially for a sports watch – a regulator-style time display with retrograde seconds, set against a skeletonised dial inspired by New York City’s Art Deco architecture. Initial thoghts Like its elder siblings, the Project Z15 is masculine in style but muted in colour, all about symmetry and clean, geometric lines, which results in a techno-industrial look that’ll appeal to someone who wants an interesting but understated sports watch. The new Z15 is a first for the brand in having a regulator-style display, which means the hours, minutes, and seconds hand indicated on separate axes arranged in a vertical line. The layout is not only vertically symmetrical, it improves readability, as much as possible for an open-worked, regulator dial. Most notable is the retrograde 30-second display, which means the seconds hand returns to zero twice a minute, creating near-constant action on the dial. Interestingly, the skeletonised bridges on the dial finished with a simple, linear graining, giving the face a look that brings to min...

Gorilla Debuts First Chronograph, a Skeleton in Ceramic and Titanium

Founded just five years ago, Gorilla has already established a distinct house style, born of the its two founders’ eye for design. Notably, one of the founders, Octavio Garcia, was design chief at Audemars Piguet for over a decade. The latest from the brand is reassuringly familiar, channeling the style of its inaugural model, but a major step up in terms of form, function, and price – the Fastback Thunderbolt Chronograph. Equipped with a smartly skeletonised dial, it’s the brand’s first chronograph but retains with Gorilla’s recognisable case style. The case is multi-material: a ceramic bezel, followed by an anodised aluminium ring, and then a black-coated titanium case middle and back Initial thoughts Gorilla’s past offerings have been appealing for several reasons. Though evocative of some other well-known designs, its watches are original and handsome – a rare sight at the US$800 price range – and they are usually executed in unusual combinations of materials like titanium and ceramic. At the same time, the brand managed to make uncommon complication relatively affordable, namely the wandering hours display that’s most famously associated with Urwerk and Audemars Piguet in modern watchmaking. The latest offering is an extension of the brand’s strengths. Despite being its first chronograph, the Fastback Thunderbolt Chronograph is well put together, having a skeletonised front that’s intricate in detail and rich in colour that manages to pres...

Audemars Piguet Unveils the Royal Oak 34 mm in Black Ceramic

For its second round of new launches for 2021 – after the headline-grabbing Black Panther watch – Audemars Piguet (AP) unveiled Royal Oak models in a range of sizes and complications. The novelties are, in short, gorgeous variations of the brand’s octagonal watch. One of the most notable is the smallest amongst the new models. For the first time, AP is applying the full-ceramic treatment to a smaller Royal Oak. The Royal Oak Selfwinding 34 mm Black Ceramic is no doubt good news for enthusiasts who want a more compact but unusual version of the simple Royal Oak (availability notwithstanding). Polished and brushed ceramic Initial thoughts While ceramic has long been synonymous with makers of high-end sports watches like AP, it was used sparingly for the Royal Oak, until four years ago when the Royal Oak Perpetual Calendar Black Ceramic made its debut. But the all-ceramic Royal Oak models since then have been complicated, including a white-ceramic perpetual calendar or the skeletonised double balance. That makes the 34 mm model in black ceramic a pretty big deal – it’s the first base-model Royal Oak in ceramic. But being a Royal Oak, it still feels familiar, which is a good thing if you like the Royal Oak as I do. Despite being amongst the simplest of Royal Oaks, the new 34 mm model is striking. The pink gold accents on the bezel and dial create the right amount of contrast to break up the monochromatic ceramic, giving the black ceramic a touch of luxe. Consequent...

Audemars Piguet Introduces Royal Oak Frosted Gold Double Balance Wheel Openworked “Rainbow”

Undoubtedly the most technically interesting movement in a time-only Royal Oak, the skeletonised cal. 3132 with twin balance wheels made its debut in a discreet package in 2016. It got fancier attire more recently with a gem-set “rainbow” bezel and hammered case finish, but only with the smaller, 37 mm case. Now “rainbow” meets mechanics in the 41 mm case for the first time – in all three colours of gold no less. Extravagant but surprisingly not that exorbitant in price, the Royal Oak Frosted Gold Double Balance Wheel Openworked 41 mm combines the largest-sized case with a multicoloured bezel, and most importantly, the twin-oscillator movement. Initial thoughts A unique combination of bling and technical credentials is precisely the appeal of the new Double Balance. Currently fashionable and maybe too common, the multi-coloured gemstone bezel is over the top but it is cool. The movement, on the other hand, is smart. The calibre relies on twin balance wheels, each with its own hairspring, to average out positional errors and improve stability, making for better timekeeping over the long run. This mix of sparkly excess and mechanical achievement is rare, which sets the watch apart from its peers. So if you’re someone who likes “rainbow” watches, this is one of the few that has strong technical merit. And it’s priced at about US$120,000, which is definitely a square deal for such a watch. The only downside is the pronounced lack of availability, which ...

Introducing: Scratches and Skeletons: Two Vastly Different Takes On The Norqain Independence 21 (Live Pics & Pricing)

For its new limited editions, the upstart Swiss brand went in two directions at once.

New: Slim d’Hermès Squelette Lune

The new Slim d’Hermès Squelette Lune joins the Slim d’Hermès collection, with the first skeletonized movement for Hermès.

Introducing: The Soothing Simplicity Of The Slim d'Hermès Squelette Lune

A new skeleton for your watch closet.

How They Made It: Hermès' Freaky-Awesome Skeleton Horse And Rider

A three-dimensional scene of mind-blowing detail.

Introducing: The Vacheron Constantin Overseas Perpetual Calendar Ultra-Thin Now In White Gold With A Blue Or Skeleton Dial

White gold. Blue dial. You know what to do.

The Piaget Polo Skeleton

Breaking the rules of ultra-thin skeletonization.

Franck Muller Introduces the Skafander Tonneau Diver’s Watch

Introduced in 2018 but put on hold until recently, the Skafander adapts Franck Muller’s trademark tonneau watch case for a dive watch. Getting its name from “scaphander”, an archaic term for a diving suit, the Skafander has been facelifted just as it reaches stores in both stainless steel or titanium. Initial thoughts Brash and bold watch, the Skafander is much typical of Franck Muller’s current style. At first glance, the design might seem derivative, bringing to mind the Hublot Spirit of Big Bang, and of course various Richard Mille models. But it was Franck Muller that made the tonneau case a thing in contemporary watchmaking with the Cintree Curvex – Cartier, on the other hand, invented the shape in 1906 – so the brand has every right to the shape. In fact, the Cintree Curvex was one of the “it” watches of the 1990s, so successful it arguably inspired all tonneau watches in 21st century watchmaking. Complicated and mechanical in style, the Skafander has a partially open-worked dial, which doesn’t help legibility, but it’s very much the style for modern sport watches. The Skafander manages to set itself apart amongst watches in this genre, by way of its case shape and inner rotating bezel. And priced at about US$15,000 (or 23,800 Singapore dollars), it’s relatively pricey, but on par with comparable dive watches from Hublot. The Skafander in brushed titanium Tonneau case, round bezel The Skafander’s key feature results from matching a rotatin...

De Bethune Debuts Contemporary Chiaroscuro on Titanium

Resembling an alien seashell, the Dream Watch 5 is De Bethune’s most unusual case and unquestionably its most artistic creation. While the model started out as a pared-back affair entirely in polished titanium, the DW5 has since evolved into a canvas for decoration like over-the-top, dancing-skeleton engraving. The DW5 Empreinte sits in between the two aesthetic extremes. Clad in deep, dark colours, the case is inlaid with a subtle, organic pattern that’s hard to describe. The distinctive colours and pattern were conceived by Clara Martin, who won the 2019 prize in the annual contest sponsored by De Bethune that’s open to masters students at the University of Art and Design Lausanne, better known by its French acronym ECAL. Ms Martin’s vision was realised by De Bethune cofounder Denis Flageollet, a talented watchmaker and self-taught metallurgist, as well as Michèle Rothen, the brand’s go-to engraver. Denis Flageollet and Clara Martin Initial thoughts De Bethune’s avant-garde in both style and watchmaking – an attractive combination that leaves the watchmaker with few peers. But even so, the DW5 still manages to stand out from the brand’s other offerings, as it is arguably a sculpture first and a timepiece second. The fluid, organic case is three-dimensional and gorgeous – and even more incredible when executed in the right material and colours, as demonstrated by the meteorite version of 2016. The DW5 Empreinte gets it right, with a deep black case a...

Up Close: Piaget Polo Skeleton

Launched earlier this year as the latest addition to Piaget’s compact Polo S line up, the Piaget Polo Skeleton joins a crowded field of luxury-sports watches. But it is a novel enough proposition – being a skeletonised, automatic sports watch – to make it notable. And it helps that the Polo Skeleton is exceptionally slim, thin enough that it feels similar to Piaget’s Altiplano dress watches on the wrist. Initial thoughts Piaget loaned me a Polo Skeleton in blue for a couple of days, and two features stood out: its slimness and how well it wore (save for the clasp buttons, more on that below). The Polo Skeleton is wide but flat, and sits elegantly on the wrist. Even though the bracelet is relatively thick compared to the case, that is only apparently when the watch is off the wrist. On the wrist the bracelet pairs well with the case, despite not being an integrated design. Having a skeletonised movement with coloured bridges give the Polo Skeleton a distinct look. This contrasts with the standard time-only Polo S, especially with its linear-pattern dial, that does admittedly bring to mind other luxury-sports watches. At the same time, the finishing and style of the cal. 1200S in the Polo Skeleton bring depth and texture to the face, while also injecting a bit of movement with the rotor and balance wheel. The Polo Skeleton is offered in two guises – blue or grey treatment for the movement – and the blue is the more striking by far. It is also more legible due to ...

Girard-Perregaux Inaugurates Aston Martin Partnership with Skeleton Tourbillon

Earlier this year, Girard-Perregaux announced a new partnership with Aston Martin, most famous for being the carmaker of choice for James Bond. The watchmaker also signed on as a sponsor of the Aston Martin Cognizant Formula One racing team, but a collaborative watch was absent, until now. Girard-Perregaux has just taken the covers off the inaugural watch of the partnership, the Tourbillon with Three Flying Bridges – Aston Martin Edition, a sleek, modern interpretation of the watchmaker’s signature complication. Initial thoughts When the partnership was first revealed, the first watch that came to mind was an auto-racing chronograph on an integrated bracelet, making the all-black tourbillon a bit of a surprise. But the integrated-bracelet sports watch is now commonplace, so I am glad Girard-Perregaux went with the Flying Bridges tourbillon, a complication unique to the brand. The tourbillon movement is, of course, an evolution of the brand’s iconic Tourbillon with Three Gold Bridges that was invented in the mid-19th century and found in Girard-Perregaux’s finest pocket watches, including one that was sold to the then President of Mexico, the famous “La Esmeralda”. A decidedly more classical version of Girard-Perregaux’s tourbillon That said, the Aston Martin edition isn’t entirely new – the watch is actually based on the Neo Tourbillon with Three Bridges launched in 2018, but the new movement has been skeletonised even further, hence the “Floating” b...

Franck Muller Unveils Cintrée Curvex Central Tourbillon

Having proclaimed himself the “Master of Complications”, Franck Muller the man was once one of the most inventive contemporary watchmakers. He has stepped back from the business that bears his name – which is now known for its extravagant style – but the brand continues to have the occasional interesting complication. The Grand Central Tourbillon is one such watch, boasting a large, flying tourbillon at the centre of the dial. Offered in a variety of coloured dials with “exploding” numerals, the Grand Central Tourbillon is powered by an automatic, form movement that traces the shape of the brand’s signature Cintrée Curvex case. Initial thoughts Today Franck Muller is mostly associated with flashy watches like the Vanguard Skeleton Sapphire. But long ago Franck Muller himself debuted his first tourbillon wristwatch in 1984 – a Breguet-inspired watch with just “Franck” on the dial – the first of many tourbillons he would go on to create. The Grand Central Tourbillon evokes some of Franck Muller’s history with its unusual central tourbillon. The complication is rare, with only a handful of brands having accomplished a central tourbillon, most notable amongst them Omega and Beat Haldimann. And Franck Muller has made it more interesting – the movement is automatic with a four-day power reserve. As per the norm for the brand, the Grand Central Tourbillon is available in myriad colours and metals – some iterations almost indistinguishable from the...

The 10 Best Skeleton Watches You Can Buy Right Now (That Don’t Suck!)

I know I’m not the only one who looked at a skeleton watch in the early days because I thought they were cool. But honestly what actually attracted me to skeletonized dials back in the day? Are they actually cool or are they maybe misunderstood?

Up Close: Audemars Piguet Code 11.59 Selfwinding Flying Tourbillon Chronograph

Launched just last year, the Code 11.59 Selfwinding Flying Tourbillon Chronograph is the flagship model in Audemars Piguet’s oft-discussed line of run watches. Executed well in almost every way, the Code 11.59 Tourbillon Chronograph underscores the potential of the family. But more importantly, the watch encapsulates AP’s strengths. Despite being known largely for the Royal Oak, and widely criticised for the Code 11.59 and then the Royal Oak Concept Black Panther, AP remains AP. The brand is a long-established, top-tier watchmaker that knows how to make fine watches. That is amply evident in the Code 11.59 Tourbillon Chronograph. Initial thoughts The Code 11.59 was widely panned online at launch, though the virtual mob’s rage was overdone, taking the weakness of specific models and generalising it across the entire line. The dials on the three-hander and chronograph were bland, but the other models were more appealing. But the Code is in fact an impressive collection in terms of finish and construction – though some dials still can be improved – especially the octagon-within-a-circle case that’s difficult to appreciate in photos. But the Code 11.59 has gained traction since, especially with the subsequent facelifts that combined smoked, lacquered dials and two-tone cases that immediately made the watch more attractive. At the same time, highly complicated models have joined the line up, including the open-worked tourbillon and Grande Sonnerie, which add to...

Bell & Ross Introduces the BR 05 Skeleton Nightlum

Very much the fashion of today, sports watches with integrated bracelets have proliferated rapidly at every level of the price spectrum. At the more accessible end is the Bell & Ross BR 05 launched two years ago and now available in three formats: time-only, chronograph, and skeleton. Continuing a glow-in-the-dark theme established by several recent models, Bell & Ross (B&R) now unveils the BR 05 Skeleton Nightlum. Legible in the dark Initial thoughts Though the BR 05 was contentious because of its design, I’m a fan. The square case – with perfectly aligned bezel screws – evoke B&R’s signature watches like the BR 01 and BR 03, making the BR 05 instantly recognisable. And it is executed well, with strong finishing on the case and bracelet considering the price. The most striking BR 05 model is arguably the skeleton variant, and that remains true with the BR 05 Skeleton Nightlum. Revealing most of the movement, including key bits such as the balance wheel and mainspring, the skeleton is a good looker. The BR 05 Skeleton Nightlum to be more attractive than its predecessors, including last year’s iteration in blue. It has a tactical feel thanks to the all-black movement, bringing to mind the recent BR 03 Diver Military and feels true to the brand’s history of watches for military and police personnel. Notably, the new Skeleton Nightlum has a clear dial, in contrast to the blue-tinted dial found on last year’s Skeleton Blue. The clear finish gives the Sk...

Massena Lab Launches Ming 17.09 Collaboration

Shortly after launching the last of the 17-series, at least under its own label, Ming is rolling out a tie up with Massena Lab – the 17.09 Ming X Massena Lab Limited Edition. Having got its start by collaborating with brands like Habring2 before introducing its eponymous brand, Massena Lab puts its own twist on the 17.09 with a honeycomb dial in either honey or black, which will be limited to 50 and 150 pieces respectively. The 17.09 Ming X Massena Lab in black Initial thoughts I loved the 17.09, so much, in fact that I placed an order for one. It’s a well-executed watch at an extremely appealing price point. Likewise, I find the 17.09 Massena Lab attractive. The two models retain the best aspects of the 17.09, such as the floating minute track, skeletonised hands, as well as Ming’s signature flared lugs. But the 17.09 Massena Lab adds a bit more intricacy to the design. When the 17.09 was announced last month, I wrote “the clous de Paris guilloché in the center is less unique than the spiral motif found on the dials of the 17.06″. The dial and its “floating” numerals By doing away with the clous de Paris in favour of honeycomb, the Massena Lab editions become eminently more striking than the standard versions. Between the two, my pick would be the honey dial – the black dial comes a tad too close to triggering my trypophobia. Priced at US$2,595 in black (and US$200 more in honey), the collaborative 17.09s are 20-30% more expensive than the standard...

Introducing Bell & Ross BR05 Skeleton NIGHTLUM

Swatch Goes Green with Big Bold in Plant-Based Plastic Composite

Having introduced the oversized Big Bold in bright, funky iterations such as the Jelly Fish Neon, Swatch is now going minimalist – and green – with the Big Bold Bioceramic. Clad in solid, pastel colours, the Big Bold Bioceramic is clean and coherent. Though simple, it manages to be interesting in both style and materials. The open-worked dial reveals some of its mechanics, while the case is composite of ceramic and plastic made from plant matter. Initial thoughts For those who appreciate the bold presence of large watches like the Royal Oak Offshore, the Big Bold is a lot of fun at a far more accessible price. So when the Big Bold was launched a few years ago, I very much liked the idea of a 47 mm plastic watch. But I found the earlier iterations to be at either extreme – too funky or too plain. The latest version, however, lands in the sweet spot for me. Vibrant in colour – especially in “power pink” or sky blue – but pared back in design, the new Big Bold also has an open-worked movement that’s intriguing despite being quartz. And the new “bio-sourced” material also adds to the appeal, as does the fact that it only costs a bit over US$100. The Big Bold is ergonomic, despite the seemingly massive diameter. With almost non-existent lugs, its lug-to-lug span is a mere 44.8 mm, a length more commonly found on watches with a diameter of around 36 mm. Despite the wide case, it wears well on most wrists, without a significant overhang on either side of the w...

Raymond Weil Freelancer Calibre RW1212 Skeleton Review

Pros: Unlike previous models, Full skeleton on display – best one to date Bang for buck Skeleton watchBeautifully executed – Cleanly laid out dial and attention to detail on the bridges Overall Rating: 8.1/10 Value for money – 8/10Wearability – 8.5/10Design – 8/10Build Quality – 8/10  Cons: Some may miss the second handSome may not appreciate having no hour IndicatorsCaseback is fully blacked out, the rotor isn’t as clearly visible Raymond Weil’s latest skeleton watch comes in the form of the Freelancer 42mm Full Skeleton Calibre RW1212. Skeleton watches present a unique interpretation of watchmaking, where sometimes everything is removed down to the bare minimum to showcase nothing but just the movement and the time.  There is something about a skeleton watch that just grabs attention. Whether it’s the human curiosity to want to know what goes on behind closed doors or whether it’s the fascination of seeing all the intricate pieces come together to create something complex yet beautiful, skeletonised timepieces can awaken the watch fanatic in all of us.  This however does not mean that skeleton watches can always be so easy to read. Quite a common pitfall with skeletonised timepieces is that sometimes watchmakers get too caught up in the movement of the watch that they negate being able to read the time. This is mainly due to the fact that the hour indexes and hands can blend in with the movement, which can make it quite hard to read the dial at a ...