Hodinkee
Breaking News: All The Winners From The 2021 GPHG – And Our Thoughts
Bulgari, Zenith, Louis Vuitton, Piaget, Grand Seiko, and MB&F; walk out of Geneva as this year's big winners.
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Hodinkee
Bulgari, Zenith, Louis Vuitton, Piaget, Grand Seiko, and MB&F; walk out of Geneva as this year's big winners.
SJX Watches
Luxury giant LVMH has made an offer to buy Tiffany & Co., America’s leading luxury jeweller (and the biggest retailer of Patek Philippe watches in the country), according to the Bloomberg. The French group made an all-cash offer of US$120 a share, a premium of about 22% over Tiffany’s last done share price and valuing the company at about US$14.4 billion. That would make Tiffany’s the biggest acquisition ever for LVMH, which has seen its shares hit record highs recently, bringing its value to over US$210 billion. Despite being the world’s largest luxury group – its brands include Louis Vuitton, Bulgari, Rimowa, Hublot and DFS – LVMH is relatively weak in high-end jewellery, especially compared to Swiss rival Richemont, which owns Cartier, Van Cleef & Arpels, and Piaget, and only just picked up Buccellati. Buying Tiffany would give LVMH a bigger presence in jewellery, as well as greater exposure to the United States, which is the jeweller’s biggest market, account for around a third of sales. LVMH only just opened a bag factory in Texas, the Louis Vuitton Rochambeau Ranch, in an event attended by Donald Trump and LVMH chief executive and controlling shareholder Bernard Arnault, who’s also the third-richest man in the world. Best known for its diamond engagement rings and blue boxes, Tiffany suffered from a weak spell in recent years, with its former chief executive Frederic Cumenal, an LVMH alumni, lasting barely two years. After he departed in 2017, to be...
Deployant
In this week's article, we take a look at six recommendations for a luxury smart watch, featuring Apple, Louis Vuitton, TAG Heuer, Montblanc, and Bvlgari.
Worn & Wound
Late last year, we launched one of the most ambitious limited edition collaborations we’ve ever undertaken: the Louis Erard x Worn & Wound Le Régulateur. Developed over the course of three years, the project began with a concept from our side that pushed beyond anything we had done before. Realizing that vision required extensive R&D; to bring it to life at the highest possible standard, but the result was something truly distinct. Our goal with collaborations is always to create something unique, something special, and in this case, the outcome was a watch that stood apart from anything else. Layered, elaborate, provocative, and even a touch challenging, it’s a design that holds its own in even the most esoteric collections. the Worn & Wound x Louis Erard collaboration from 2025 Because the design itself was so original, and the execution so involved, it felt unfortunate for its life to be limited to just the 99 blue models of the initial release. During development, Louis Erard explored several alternate dial colors, some of them quite unconventional. While the design translated surprisingly well across these variations, there was something compelling about the restraint of the grey version that ultimately set it apart. Yes, grey and black are often the safe choices, but here, the result feels anything but typical. Zach Weiss’ Design from the 2022 pitch deck Now known as the “Le Régulateur Esprit Flinqué,” the design set out to rethink the regulator display w...
Monochrome
When Manuel Emch took the reins at Louis Erard, he set out to prove that métiers d’art and creative collaborations are not the exclusive domain of high-end brands. Now a vibrant hub of creativity, Louis Erard has partnered with independent watchmakers and artists to produce original content. Consolidating Emch’s mission to democratise and reinterpret traditional […]
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Deployant
Louis Erard and Alain Silberstein continue one of modern watchmaking’s most distinctive collaborations with the Smile‑Day Blue and the Tourbillon Régulateur Blue. These two new models open the brand’s newly introduced Hall of Fame collection and reaffirm a shared philosophy that blends technical seriousness with joy, color, and personality.
Monochrome
Collaborations between Louis Erard and Alain Silberstein are easy to spot by now, and the new Smile-Day Blue and Tourbillon Régulateur Blue fit right in. Over the past few years, the duo has worked across regulators, tourbillons, and more playful complications, always built around Silberstein’s mix of bold colours and simple geometric shapes. It is […]
Worn & Wound
The post Our Favorite Regulator Under $5,000 - The Louis Erard x Worn & Wound Le Régulateur Limited Edition appeared first on Worn & Wound.
Fratello
How do you feel about the combination of art and watches? The mix of the two is almost always polarizing. Quite often, an art-themed watch raises the question, “Is it for me?” A straightforward answer to that question comes in the form of a watch, the Louis Erard × Monica Bonvicini “Not For You.” There […] Visit Introducing: The Louis Erard × Monica Bonvicini “Not For You” Limited Edition Of 178 Pieces to read the full article.
Monochrome
It’s fair to say that under Manuel Emch’s leadership, Louis Erard has evolved from being a somewhat obscure brand into a dynamic platform for creative collaborations. Offering highly original content at affordable prices, Emch has partnered with high-profile watchmakers such as Alain Silberstein, Vianney Halter, and Konstantin Chaykin, while his passion for contemporary art has […]
Video
The post Introducing the Louis Erard x Worn & Wound Le Régulateur Limited Edition appeared first on Worn & Wound.
Worn & Wound
We are excited to invite you to the official launch of our new collaboration with Louis Erard. This project has been in development for three years, and we are looking forward to finally sharing it with you in person. The event will take place on Thursday, December 4, at our Brooklyn Showroom. It will be an evening focused on the watch, the people behind it and the story of how the collaboration came together. RSVP here. Event Details – Date: Thursday, December 4, 2025 – Time: 6:30 PM to 8:30 PM – Location: The Windup Watch Shop Showroom – 540 President, Suite 1G, Brooklyn, NY 11215 Like all of our events, this one is about more than showing a new watch. It is a chance to connect with the community and get a clear look at how the project took shape from start to finish. Throughout the evening you will be able to: – Get hands-on with the collaboration, so you can see the details, finishes and proportions up close. – Hear how the design came together, including the decisions and problem-solving that shaped the final watch. – Talk with the people behind the project, and learn what made this collaboration different from past releases. Hors d’oeuvres and cocktails will be served. At 7:15 PM, we will host a live Q&A; with Louis Erard CEO Manuel Emch. He will walk through the development process, explain Louis Erard’s role in modern watchmaking and share what makes this project unique within their lineup. Space is limited and RSVP is required to attend. The post ...
Worn & Wound
If you read Worn & Wound with any regularity, you know that we’re pretty big fans of Louis Erard’s limited edition collaborative regulators around here. What can we say? There’s something incredibly fun and appealing about having a great independent watchmaker tied to a watch that’s on the accessible side. That said, there are fair criticisms of these limited editions, particularly as they’ve been “normalized” and we’ve all been conditioned to just kind of expect them two or three times per year. The one I hear most often is that Louis Erard is that each new collaboration effectively amounts to a dial variant, a skin grafted onto the the brand’s regulator format doesn’t necessarily reflect the creativity of the watchmaker being referenced. But on handful of occasions (like with Alain Silberstein and Vianney Halter) Louis Erard allow themselves to expand beyond the dial and add flourishes to the case as well. These editions, in my mind, are even more effective because they represent another rung of ambition in this ongoing project. The brand’s latest collaboration, another release with Konstantin Chaykin, follows this tradition with a reimagined case construction and dial layout while maintaining a real connection to Chaykin’s aesthetic. The Louis Erard x Konstantin Chaykin Unforgettable is based on the Slavic myth of the Frog Princess, and the dial looks like, well, a frog, with big reptilian “eyes” at 9 and 3. If you’re used to Louis Erard’...
Monochrome
The collaboration between the indie brand Louis Erard and the master watchmaker Konstantin Chaykin has already given birth to several limited-edition watches based on the Time Eater concept – such as this tourbillon with regulator display. As Dubai Watch Week 2025 open its doors tomorrow, we get a different concept, yet still inspired by Chaykin’s […]
Fratello
What can you do in Le Noirmont, a town of 1,629 inhabitants situated in the Swiss canton of Jura? You can go for a hike in the mountains surrounding the village. And if you’re into watches, a visit to the Musée de la Boîte de Montre (The Watch Case Museum) is a good idea. It’s […] Visit Hands-On With Four Versions Of The Louis Erard 2340 In Steel And Titanium to read the full article.
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Worn & Wound
The post A History and Guide to Louis Erard Watches appeared first on Worn & Wound.
Monochrome
Released just three weeks ago, Louis Erard surprised the watchmaking scene with its first integrated sports watch, the 2340. A sporty-chic titanium and steel watch with a sophisticated integrated bracelet, the 2340 marked a radical, new direction for the brand, which has relied extensively on its classic Regulator watch for numerous collaborations. Surprising us yet […]
Deployant
Yet another Louis Erard partnership, this time with the Astro Boy. And now in the new 2340 case and a very atrractive dial. Nostalgia on the wrist.
Deployant
Louis Erard jumped on the integrated bracelet bandwagon with 2340. A new bracelet, new case design, and a new movement. A new chapter.
Monochrome
Louis Erard’s collaborative series continues to grow with playful yet serious partnerships, and this time, the brand once again teams up with Vianney Halter for a bold new chapter in their Régulateur line. Dubbed “World Tour”, the project reinterprets the Steampunk-inspired Régulateur through a silver monochrome base design, then spins off a series of colour-coded […]
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Time+Tide
Limited to 99 pieces, each of these Gothic hand-engraved watches is the result of over 50 hours of work, with each watch being unique.The post Louis Erard joins forces with artisanal engraver Maksym Shavlak on the surprisingly affordable Gravée Main appeared first on Time+Tide Watches.
Monochrome
There’s no stopping Manuel Emch’s relentless drive to democratise watchmaking by producing highly original content and métiers d’art dials, thanks to collaborations with designers, artists, studios and artisans for Louis Erard. The latest collaboration is a surprising marriage of traditional embroidery executed with a machine designed to bond microcircuits reprogrammed by Wire Art, Switzerland, to […]
SJX Watches
Louis Erard’s niche is making either watchmakers or techniques affordable – the Gravée Main is hand engraving priced accessibly. The watch is entirely engraved by hand, across the bezel, case, crown, and buckle, with a classical leaf motif by Maksym Shavlak, a watchmaker and engraver from Ukraine. The resulting look is a blend of Gothic and Baroque, but the underlying watch retains the usual dimensions and movement of Louis Erard, while the dial is glossy black lacquer that evokes fired enamel. Initial thoughts I appreciate Louis Erard’s consistent focus on making interesting names or techniques affordable; its recent Damascus steel regulator being an example. Some micro-brands or one-man shops do the same for slightly less, particularly for certain decorative techniques, but without the finesse of Louis Erard. A good deal of credit for this goes to Manuel Emch, who oversees Louis Erard and lends his eye to the brand’s creations. The Gravée Main sits squarely in the sweet spot where Louis Erard excels. Admittedly, the ornate look is not for everyone, some might even find it tacky. But I like it; the look is appealing and the execution shows attention to detail. The tone-on-tone lacquered dial is a smart complement to the elaborate case. And that attention to detail is also evident in the engraving, which continues onto both the crown and buckle, which are sometimes overlooked. Price-wise the Gravée Main is pricier than the typical Louis Erard limited edition, bu...
Monochrome
Louis Erard has spent the past few years building a reputation as the brand that dares to bring métiers d’art to a broader audience. Where traditional crafts are usually reserved for expensive timepieces, Louis Erard has worked to democratise them, presenting limited series in grand feu enamel, hand-guilloché, and even wood marquetry. Each of these […]
Worn & Wound
Many watches are designed to perform specific tasks or serve specific purposes beyond telling the time. Divers have bold markers and ratcheting bezels, pilot watches are oversized and might include a second time zone, track watches feature chronographs or tachymeters, etc, and then, there’s the Louis Erard x Konstantin Chaykin Time-Eaters. Featuring a giant eyeball for the hour hand, a spinning set of teeth for the seconds, and a double-sided arm that’s giving a one-finger salute, they don’t seek to fulfill a practical purpose. Instead, I’d classify them as “memento absurdum,” which is to say, objects that remind you of the absurdity, whether in life or watch collecting. If you’re thinking, “Now, wait a second, didn’t they just come out with a new Time Eater like a few days ago?” you’d be correct. A 42mm model with a navy blue chapter ring and a darker silver than previous versions, it was a handsome, if iterative, addition. But the Time-Eater is back once again, this time with a substantial change: it now has a tourbillon. This isn’t the first time we’ve seen Louis Erard use a tourbillon movement, specifically the “affordable for a tourbillon” BCP T02 by Olivier Mory, which appeared on a few of their Alain Silberstein collabs. The Time-Eater Tourbillon (TET from here out) is basically a reedition of one of the first two Time-Eaters, which was initially introduced in either a 39mm case with a purple chapter ring, or a 42mm case with a green ch...
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