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The Swatch Group

Largest Swiss watch employer (~17,000 staff). 18 brands from Breguet/Blancpain at the top to Swatch at entry. ETA SA + Nivarox-FAR. Hayek family controls.
Casio G-Shock GMW B5000GD-1 Review WatchAdvice
Casio G-Shock GMW B5000GD-1 Review Oct 11, 2019

Casio G-Shock GMW B5000GD-1 Review

Casio’s G-Shock (gravitational shock) watches have earnt a reputation for being one of the most robust and durable watches available on the market today. The concept of the sturdy G-Shock goes back to 1981, where a Casio Engineer named Kikuo Ibe was in charge of designing the G-shock prototypes.  Kikuo Ibe wanted a watch that would have water-resistance of 10 bar (100 meters), triple 10 resistance (10-year battery life) and to be able to survive a 10 feet fall. Kikuo Ibe put together a team of 3 individuals to test 200 different prototypes, to be able to meet all three criteria as set out by the engineer. Unfortunately, the team after vigorous testing were not able to meet these requirements.  The idea for the final design of the G-shock watch came when Kikuo Ibe observed a rubber ball in motion. He discovered that in a rubber ball, its centre is unaffected when the ball is moving and doesn’t suffer any shocks when it’s bouncing. Kikuo Ibe implemented this idea and was finally able to achieve all three criteria in the first G-shock model released in 1983; The G-shock DW5000C.  There have been many different designs of G-shock watches over the years with nearly all of them sharing the core principles that originated from the very first model; toughness, durability and reliability. In 2018, Casio released a set of GMW-B5000 watches which came with a solid stainless steel face and bracelet or rubber strap to suit. The GMW-B5000 models have the iconic square face desi...

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Hands-On: Bell & Ross BR 05 Skeleton SJX Watches
Bell & Ross BR 05 Skeleton Demand Oct 10, 2019

Hands-On: Bell & Ross BR 05 Skeleton

Demand for the luxury sports watches that were born in the 1970s – all with integrated bracelets and designed by Gerald Genta – is now red hot. That has fuelled the development of such watches from every corner the industry, from Chopard to Urban Jurgensen to Bell & Ross (B&R;). While many of these watches have sparked criticism for their derivative design, B&R;’s entry into the genre comes with a distinct price advantage. The BR 05 is probably the most reasonably priced watch in this design category, starting at under US$5000. No doubt it owes a great debt to Genta’s designs, but it would be futile to compare it with the alternatives given the price gulf. But the standard BR 05 is a pretty conventional watch – well done for the price but not something that jumps out at you. The BR 05 Skeleton, on the other hand, is striking, with a look and feel that is distinct – priced at about 20% more than the base model. Well dressed Like all watches in its category, the BR 05 is largely all about the case and bracelet. The BR 05 Skeleton is identical to the base model on the outside, with a rounded-square case and a bezel with visible screws at its corners. While it is appears to be a mishmash of Genta’s classics, it bears a strong enough resemblance to the brand’s signature BR 01 and BR 03 cases – which were inspired by aircraft instrument panels – that it can pass as a rather natural evolution. But in contrast to the BR 01 and BR 03, the BR 05 ha...

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Rolex Unicorns Part I – Ref. 4113 Split-Seconds Chronograph SJX Watches
Zenith Daytonas Oct 10, 2019

Rolex Unicorns Part I – Ref. 4113 Split-Seconds Chronograph

If I had a million dollars, or maybe two, to buy a Rolex chronograph, I could perhaps buy one of the five unique “Zenith” Daytonas in platinum, a Datocompax “Jean-Claude Killy” (as Davide Munari did), a “Paul Newman” Daytona (not), or a ref. 4113 split-seconds. Of the many ways to spend that much money on a Rolex chronograph – and not any other complication – the ref. 4113 is the most unusual, interesting and horologically complex. At the same time, the ref. 4113 was also a dead-end for Rolex, because it never furthered development of the split-second chronograph and instead relied on standard chronographs for all its auto-racing activities. Produced in 1942 in a run of just 12 watches – with case numbers “051’313” to “051’324” -the ref. 4113 is the only split-seconds, or rattrapante, chronograph ever made by Rolex. Phillips will soon sell ref. 4113 with case number “051’318” – the watch pictured here – at its upcoming November watch auction. Ref. 4113 with case number “051’318” The Valjoux 55 inside The racing connection Though formal documentation as to its origins no longer exist or are unknown, the story behind the ref. 4113 is by now familiar thanks to research over the years as examples emerged at auction. In 1991, a pair of these emerged at Christie’s, at its Geneva and London salerooms respectively. The first, with case number was “051’313”, was sold in May 1991 at Christie’s in Geneva for 82,500 Swiss fr...

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Dress blues – Baume & Mercier’s Clifton Baumatic with a gorgeous gradient blue dial Time+Tide
Baume & Mercier Oct 9, 2019

Dress blues – Baume & Mercier’s Clifton Baumatic with a gorgeous gradient blue dial

Editor’s note: Baume & Mercier’s flagship dress watch, the Clifton Baumatic, got a deep blue makeover earlier this year, which, combined with the classic styling and impressive movement, makes for a compelling daily dress offering … Baume & Mercier’s foray into the world of in-house movements resulted in one of the biggest value propositions of … ContinuedThe post Dress blues – Baume & Mercier’s Clifton Baumatic with a gorgeous gradient blue dial appeared first on Time+Tide Watches.

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Hands-On: Hermès Arceau L’Heure De La Lune SJX Watches
Hermes Chronode conceived Oct 8, 2019

Hands-On: Hermès Arceau L’Heure De La Lune

Hermès, as a brand, usually has an elegant, light and sometimes whimsical house style that makes it unique amongst luxury houses. The Arceau L’Heure De La Lune unveiled at SIHH at the start of the year exemplifies the house style, although the case is thicker than ideal. Functionally, the Arceau L’Heure De La Lune is a straightforward watch – it shows the time, date and phases of the Moon in both the Southern and Northern hemispheres. But the execution of the time and date is striking and clever. Orbital moon phases The two are essentially orbital displays, as each is on a sub-dial mounted on a rotating, central carousel. The carousel take 59 days to make one complete revolution around the dial. But each sub-dial also rotates on itself as the carousel turns. As a result, each sub-dial is always the right way up regardless of its position. Both sub-dials also double up as the moon phase indicator, with position of each sub-dial indicating the age of the Moon in each hemisphere. And in a bit of whimsy, the hemispheres have been inverted, with the Southern on top and Northern below. The Arceau L’Heure De La Lune with a meteorite dial The inventive display was built by Chronode, the complications specialist founded by Jean-Francois Mojon, which has a diverse body of work that includes Urban Jurgensen’s P4 movement, the MB&F; LM2, and the constant force tourbillon of IWC. The display module by Chronode. Photo – Hermes Chronode conceived and builds the ...

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Cartier Opens ‘Crystallisation Of Time’ Exhibition in Tokyo SJX Watches
Cartier Opens ‘Crystallisation Oct 8, 2019

Cartier Opens ‘Crystallisation Of Time’ Exhibition in Tokyo

In the tradition of its extravagant exhibitions, Cartier has recently opened Cartier, Crystallisation Of Time in Tokyo’s National Art Centre. Made up of some 300 items, ranging from jewels to clocks to objet d’art, the exhibition is the third Cartier exhibition in Japan since the 1990s (and the 34th globally). Notably, half the exhibits are on loan from private collections, with the rest being from the Cartier Collection, the jeweller’s own trove of over 3000 items spanning 1860 to the modern day. More unusually, this is the first exhibition that includes contemporary Cartier creations from the 1970s and later, in contrast to past events that only included historical objects. The exhibition explores the jeweller’s rich history by juxtaposing vintage jewels, timepieces and objects against their modern equivalents or relations. So a lavish portico mystery clock made of gold, rock crystal and onyx from 1923 sits beside a 2016 mysterious tourbillon pocket watch hanging in its rock crystal and jade stand. Large ‘Portique’ mystery clock (left); and mysterious tourbillon pocket watch with stand Desk clock, circa 1929, made of ebonite, mother-of-pearl, and coral (left); and magnetic clock from 2016, in white gold, lapis lazuli, and mother-of-pearl It’s organised into three themes, detailing the jeweller’s work in materials, design, and cultural inspiration. The two scarab motif jewels, for instance, are six decades apart, but share the same Ancient Egyptian theme...

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VIDEO: Blancpain’s Fifty Fathoms in full gold and bright blue Time+Tide
Blancpain s Fifty Fathoms Oct 7, 2019

VIDEO: Blancpain’s Fifty Fathoms in full gold and bright blue

The Fifty Fathoms is a stalwart of the dive watch, dating back to 1953. And, as you might expect, the watch has seen a few revisions over the years, including ones like this, that stretch the boundaries of a rough-and-ready tool watch.  Because a 45mm fully gold dive watch is a heck of a flex. … ContinuedThe post VIDEO: Blancpain’s Fifty Fathoms in full gold and bright blue appeared first on Time+Tide Watches.

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Armin Strom Minute Repeater Resonance: Synchronized Oscillations Driving Sonorous Vibrations (Plus Video – It Sounds Fantastic!) Quill & Pad
Armin Strom Minute Repeater Resonance Synchronized Oct 6, 2019

Armin Strom Minute Repeater Resonance: Synchronized Oscillations Driving Sonorous Vibrations (Plus Video – It Sounds Fantastic!)

The Armin Strom Minute Repeater Resonance marks the first time in history that the resonance phenomenon has been combined with a chiming watch (a full minute repeater!). Thanks to the clever development of the resonance mechanism several years ago, the doors to this incredibly complex and technical creation opened for the Swiss brand. And the result is like angels singing!

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Patek Philippe Reference 5160: An Overlooked Mechanical Delicacy – Reprise Quill & Pad
Patek Philippe Reference 5160 Oct 5, 2019

Patek Philippe Reference 5160: An Overlooked Mechanical Delicacy – Reprise

When most people think of Patek Philippe, they think of the evergreen models that roll off the lips of enthusiasts all over the world: Nautilus, Gondolo, Calatrava, and perhaps even that delectable worldtimer that appeared in 2013’s new Patek Philippe offerings as Reference 5130. But one of the many elements that I personally adore about Patek Philippe is its love of the handcrafted arts and the perpetuation of them in highly aesthetic ways.

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Experiencing Panerai’s Marina Militare – we wish we were there Time+Tide
Panerai s Marina Militare – Oct 3, 2019

Experiencing Panerai’s Marina Militare – we wish we were there

One of the most interesting watch ‘releases’ this year was Panerai’s series of experiential watches. Basically, the brand released a series of watches with a particular focus - diving, exploration, the armed forces - each with an associated ambassador or partner. One release was the regular version of the watch, and the second was a … ContinuedThe post Experiencing Panerai’s Marina Militare – we wish we were there appeared first on Time+Tide Watches.

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Up Close: Audemars Piguet Royal Oak Perpetual Calendar Openworked in Black Ceramic SJX Watches
Audemars Piguet Royal Oak Perpetual Calendar Oct 1, 2019

Up Close: Audemars Piguet Royal Oak Perpetual Calendar Openworked in Black Ceramic

The last time Audemars Piguet had a skeletonised Royal Oak perpetual calendar in the catalogue, it was 2015. The skeleton perpetual is familiar enough that it doesn’t seem to have been missing for that long, but it’s been a half-decade. In the mean time, Audemars Piguet (AP) unveiled the next generation of Royal Oak Perpetual Calendar, with the case widened to 41mm, and then introduced it in black ceramic, and only just, in white ceramic. And it took some time to develop the thinnest automatic perpetual calendar ever. But now the Royal Oak Perpetual Calendar Openworked is back, in proper, fine form. Putting a skeleton movement inside the bestselling Royal Oak in black ceramic is obvious, and could have been done in the easiest way possible. But AP went one better; it developed a new calibre, the 5135, that is not merely open-worked, but also redesigned for maximum aesthetic effect. “This is the first time in many years that AP has introduced an openworked perpetual calendar wristwatch,” says Michael Friedman, the head of complications at AP, “The effort here was to create an experience of contrast and play of light.” I’d say AP succeeded. The watch pictured is a travelling prototype, so pardon the cleanliness of the movement Ceramic and the Royal Oak But first, a small, modestly technical digression on the material and the watch. The case and bracelet are made of black ceramic, specifically zirconium oxide stabilised with yttrium oxide – essential for...

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