77 articles · 1 video found · page 2 of 3
Quill & Pad
One of the best things about dealing with independent watchmakers is the ability to request unique touches on your watch. That’s just what happened after GaryG's new friend first saw Kari Voutilainen’s Sport28, a titanium-encased watch that itself is quite rare with only eight examples made in total.
Worn & Wound
“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. Share your story ideas or interesting finds with us by emailing tcalara@wornandwound.com Header Image Via: Teenage Engineering Teenage Engineering’s TP-7 Equips The Digital Recorder An Analog Feel Via Teenage Engineering You can bet that anything produced by Teenage Engineering is going to have a clean and distinguishable design. With a focus in developing high quality, Swedish designed electronics and synthesizers, there’s a consistent level of attention to detail across their range of products. Their latest is the TP-7 – a compact field recorder that combines their unique design language with an appealing analog feel. Via Teenage Engineering The TP-7 is built to record in all sorts of situations, from recording music to logging important thoughts for later on. Each button is strategically placed so that every function is accessible in the palm of your hand. The main feature is its mechanical tape reel which allows you to conveniently scrub through previous recordings or seamlessly navigate the TP-7 menu. Plus the actual look and feel of the center wheel adds to the cool factor that is sure to speak to all of us analog lovers. The Teenage Engineering TP-7 will r...
Quill & Pad
GaryG was delighted when his favorite local independent watch retailer brought out a very special piece, one of five HM9 Sapphire Vision watches in white gold with a vivid purple movement. And he was even more pleased when he was allowed to take some photos to share before the watch was delivered to its happy new owner.
Quill & Pad
GaryG was delighted to take possession of a Greubel Forsey Invention Piece 1 with its inclined double tourbillon, while a good friend of his replied in kind with a purchase of the quadruple-tourbillon Invention Piece 2. Ever since, he has been dying to get these two gorgeous monsters side by side in the light tent. And the time has finally come!
Quill & Pad
GaryG had so much fun shooting the Oileán HB-1 by John McGonigle that he has more images to show than words to say!
Worn & Wound
“Watches, Stories, and Gear” is a roundup of our favorite content, watch or otherwise, from around the internet. Here, we support other creators, explore interesting content that inspires us, and put a spotlight on causes we believe in. Oh, and any gear we happen to be digging on this week. We love gear. Share your story ideas or interesting finds with us by emailing tcalara@wornandwound.com Header Image Via: Robb Report / Grenson Boots With Commando Soul Via Robb Report / Grenson Boots are very much a part of our everyday gear around the office. We’re no strangers to throwing on and lacing up rugged works of art from brands like Red Wing, Grant Stone, and Blundstone, even if the closest outdoorsy thing we do on a regular basis is to climb the set of stairs that lead into the office. Turns out, the rubber soles on some of these boots actually have a purpose and history that dates back to WWII. Via Robb Report / Grenson Are you wearing a pair of boots right now? Stop reading and check out the soles of your boots. If you see chunky rubber blocks framing several star-shaped medallions lined down the middle, then you my friend are rocking a boot with a commando sole. Developed for the military, this specific rubber soul served its purpose by giving soldiers more traction, cushion, and stability out in the battlefield. When the war finally ended, British shoemakers translated this style into casual boots providing practical features to regular folks who want to get about ...
Quill & Pad
GaryG had the opportunity to borrow a Rolex GMT-Master II BLRO Meteorite from a long-time friend to photograph and wear. This watch's main event is the dial, a thin slice of metallic meteorite whose crystalline structure reflects the slow cooling process that took place as the meteor hurtled through space. Here he tries a variety of photographic techniques to learn which works best on the dial's unique structures. Which are your favorites?
Quill & Pad
Recently, GaryG had the opportunity to handle, photograph, and wear a good friend’s Balancier Contemporain in white gold. His pal had long been a fan of the brand but had always been put off by the size of the watches. At 39.6 mm wide, though, the Contemporain is the most compact Greubel Forsey ever.
Quill & Pad
As most folks who follow Patek Philippe are aware, the brand has long been in the habit of making unique watches for special customers, including in recent times entertainment luminaries such as Eric Clapton and Michael Ovitz. It was not until 2015, however, that Patek Philippe publicly issued a number of small editions of previously discontinued references, each in previously unmade metal/dial combinations. This Patek Philippe Reference 5070J-013 is one of those ultra-rare birds. And GaryG wonders if it might bring yellow gold back into fashion single-handedly.
Hodinkee
Incredible watches and even cooler people at CP Time's Denver meetup.
Quill & Pad
In GaryG's view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless set them apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
Quill & Pad
Can you imagine buying a watch bracelet and then searching for the right watch to pair with it? Seems a bit far fetched, but that’s exactly what a good friend of GaryG's did a few years ago. And it led to him purchasing two beautiful 1815 Chronograph models from A. Lange & Söhne.
Quill & Pad
A generous friend offered GaryG the opportunity to shoot his white gold Kari Voutilainen Masterpiece Chronograph II so that Gary is able to share delightful photos of both his custom pink gold Chronograph II in comparison with his friend's custom white gold version.
Quill & Pad
GaryG turns his attention and camera to three watches developed by collector and industry veteran William Massena, two of which are co-branded collaborations and the third a piece with origins in a conversation among a bunch of friends.
Quill & Pad
One of the inconveniences associated with COVID-19 restrictions on gatherings was that GaryG's local watch gang hadn’t been meeting in person so he wasn't able to borrow interesting watches to shoot. However, just prior to the lockdown in California he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter.
Quill & Pad
A friend of GaryG's recently purchased a real object of desire: a unique piece Classic from Vianney Halter that includes a date indication. When asked about his motivation in adding this to his collection, his friend told him, “I’m interested in what history will determine to be the ‘greatest’ watchmakers of our time."
Deployant
Beloved dive behemoth with helium escape valve returns in new case dimensions and a highly desirable single red line of text - 43mm Rolex Sea-Dweller.
Worn & Wound
From the imposing astronomical clocks of Tudor England to the exquisite pendant watches of Victorian Britain, timekeeping has long been a symbol of power, prestige, and technological marvel within Europe’s royal courts. This new series explores the fascinating evolution of clocks and watches crafted specifically for royalty, tracing how these intricate masterpieces reflected the tastes, ambitions, and innovations of monarchs. Through the lens of craftsmanship, artistry, and historical significance, we reveal how these royal timepieces marked the passage of dynasties and empires. King Philip II (1527–1598) inherited a globe-spanning empire from his father Charles V and, after 1580, also ruled Portugal. A devout champion of the Counter-Reformation, he centralised government, built the vast monastery-palace of San Lorenzo de El Escorial, and presided over Spain’s political zenith. His court prized scientific instruments and clocks as emblems of order and piety. Philip was part of the great Habsburg dynasty and the son of the Holy Roman emperor Charles V. From time to time, the emperor wrote Philip secret letters, impressing on him the high duties to which God had called him and warning him against trusting any of his advisers too much. Philip, a very dutiful son, took this advice to heart. During his reign the Spanish empire attained its greatest power, extent, and influence, though he failed to suppress the revolt of the Netherlands and lost the ‘Invincible Armada’...
Worn & Wound
From the imposing astronomical clocks of Tudor England to the exquisite pendant watches of Victorian Britain, timekeeping has long been a symbol of power, prestige, and technological marvel within Europe’s royal courts. This new series explores the fascinating evolution of clocks and watches crafted specifically for royalty, tracing how these intricate masterpieces reflected the tastes, ambitions, and innovations of monarchs. Through the lens of craftsmanship, artistry, and historical significance, we reveal how these royal timepieces marked the passage of dynasties and empires. Cosimo I de’ Medici (1519–1574), the first Grand Duke of Tuscany, is remembered as a masterful statesman who unified Florence’s power. Yet behind his political authority lay a profound curiosity for the sciences, especially the study of the heavens and the measurement of time. The Medici family rose to power in Florence primarily through their wealth and strategic use of the Medici Bank, which became the largest and most powerful bank in Europe during the 15th century. They leveraged this financial power to influence Florentine politics, eventually establishing themselves as the de facto rulers of the city, although they maintained the appearance of a republic. They used their wealth and influence to transform Florence into a leading capital of trading and a place for the greatest creators to work and develop incredible scientific instruments, such as the clock in the Cathedral of Santa...
Worn & Wound
From the imposing astronomical clocks of Tudor England to the exquisite pendant watches of Victorian Britain, timekeeping has long been a symbol of power, prestige, and technological marvel within Europe’s royal courts. This new series explores the fascinating evolution of clocks and watches crafted specifically for royalty, tracing how these intricate masterpieces reflected the tastes, ambitions, and innovations of monarchs. Through the lens of craftsmanship, artistry, and historical significance, we reveal how these royal timepieces marked the passage of dynasties and empires. During Henry VIII’s reign (1509–1547), portable watches as we know them today had yet to emerge in significant numbers. Timekeeping was dominated by grand and stationary mechanisms, with tower clocks or ornate table pieces, serving both practical and symbolic purposes as a show of wealth and status. Watches, if present at all, were nascent and extremely rare. The first clocks and watches were expensive luxuries and only in the reach of royalty and landed gentry. There was, however, a sufficient demand for these items in the Tudor royal court which spread to a prosperous London. The beginnings of the horological industry were probably first initiated by King Henry VIII. During this period there was somewhat of a technical revolution, starting with the invention of the printing press which changed the way people received information. This filtered through to the court where there was a revoluti...
Teddy Baldassarre
When it comes to luxury watches, rarely is a timepiece experienced on the wrist before it is admired through a lens. Horological photography has evolved so much that high-resolution imagery and macro-cinematography have become a virtual loupe, portraying the watch’s qualities and character through focus stacking and special lighting. For brands like MING, the photograph is the primary medium of truth, since the founder of the company is a world-class photographer. Ming Thein spent years dissecting the world’s finest timepieces through the lens of a camera. Before long, he became one of the industry’s most respected photographers, forming an obsession with light and how it behaves on the surface of a watch. Since building his own brand, Ming Thein has continued to nurture this special relationship between timekeeping and imagery, so much so that it has become part of the brand’s unique story. Every curve of a flared lug or inverted lume track on a dial is designed to catch, bend, and manipulate light – a philosophy that has translated into a string of global successes, including the "revelation" of the 17.06 Copper and the 2024 GPHG-winning 37.09 Bluefin. [toc-section heading="The Brainstorm That Gave MING Its Lift-Off"] Early concept sketch Plenty of business ideas have probably been dreamt up while racking up air miles, but the origins of MING were perhaps among the most unexpected. During a return flight from a 2014 watch fair, cruising 30,000 feet above the gr...
SJX Watches
The Albishorn Type 10 Officer is the latest expression of the brand’s “imaginary vintage” philosophy, reworking the familiar codes of the mid-century military chronograph through the lens of a hypothetical Type 20 predecessor. Conceived by founder Dr Sébastien Chaulmontet, the cream-dialled Officer pairs its distinctive, parchment-like textured dial with a proprietary monopusher movement derived from a re-engineered Valjoux 7750 architecture, combining COSC-certified performance with thoughtful ergonomic and aesthetic refinements at a price that undercuts many conventional aviation-inspired chronographs. Initial thoughts Military aviation-inspired watches are a cornerstone of the luxury watch market, but most pay homage to specific historical references like the famed Type 20 of the 1950s. In contrast, the Albishorn Type 10 proposes to ‘recreate’ a hypothetical Type 20 predecessor. The cream-dialled Officer takes this idea further, suggesting a “missing link” is the aesthetic development of the military chronograph, with a lighter-coloured dial for open-air usage away from the front lines. When the Type 10 debuted with black and green dials, I was a bit skeptical of the texture, which reminded me of asphalt. The Officer’s dial features a similar texture, but the off-white colour transforms the look. To my eye, the new dial looks like vintage German etching paper, which is an appealing texture that suits the theme of the watch. Inside, the Officer is as com...
Worn & Wound
When Longines reintroduced the Ultra-Chron back in 2022, many enthusiasts and vintage watch lovers were excited by the possibility of the brand exploring one of their key collections with a new lens. To the surprise of many, the watches that have been introduced in the new-look Ultra-Chron lineup have frequently been on the more contemporary side when it comes to design. For a brand that has become known for raiding the archives, the most revered Ultra-Chrons of old haven’t really been a factor with the new pieces. That changes, however, with the introduction of the new Ultra-Chron Classic, which, as the name suggests, is a riff on the original Ultra-Chron, the one often seen by collectors as the most desirable. The Ultra-Chron has always existed as a testament to Longines’ commitment to chronometry. When the collection launched in 1967, it was the first time a watch with a movement based on those used in chronometry competitions had been successfully shifted to a mass produced product. The Ultra-Chron was one of several watches released in the 1960s that effectively threw down the gauntlet in the ongoing chronometry wars among many of the biggest Swiss brands (plus Seiko/Grand Seiko). So it makes sense that Longines would return to the original design of one their most historically important watches. The Ultra-Chron Classic is about as sturdy an example of a clean, midcentury watch design as you’re likely to see. Its circular stainless steel case comes in two si...
Worn & Wound
I’m part of a generation that grew up appreciating Robert Redford, who passed away this morning at the age of 89, primarily through the lens of their parents. Specifically, in my case, through my mom, who I can remember renting The Sting for me and my sister when we were children, certainly too young to appreciate Redford’s cultural impact on a generation of moviegoers, but not too young to understand his movie star magnetism. That’s something that defies age. Over the years, as my movie education expanded and deepened, I began to see Redford in a series of different lights. At times, he was the consummate leading man. At others he exemplified a particular type of American authenticity and charm. As he aged, he grew into roles where he played learned experts, passing on knowledge (and movie star bona fides) to new generations of actors. Perhaps most importantly, he was an evangelist for movies, the founder of the Sundance Film Festival, and spent much of his later life promoting and elevating independent film in one way or another. He was also, of course, an important part of the watch community and over the years has been responsible for more watch spotting Instagram posts, articles, and podcasts, than perhaps any other celebrity. His Red Sub, to us, became an extension of Redford’s persona. It was as much a part of his image as the red jacket worn by James Dean in Rebel Without a Cause, or Audrey Hepburn’s pearls in Breakfast at Tiffany’s. The difference wi...
Worn & Wound
There are certain objects that just feel “right” the moment you pick them up-think a favorite camera, a well-worn leather jacket, or the satisfying heft of a perfectly balanced lens. That was my first impression handling the new Leica ZM12: a reassuring, Goldilocks weight in the hand, neither too heavy nor too precious to wear daily. Leica’s latest foray into watchmaking isn’t a camera for your wrist, but in true Leica fashion, it does reward a closer look. Leica, Watches, and the (Inevitable) NOMOS Comparison For those mostly familiar with Leica for their cameras, here’s a bit of background: the company’s roots are a little more “watch” than you’d think. Ernst Leitz, the original founder, was trained as a watchmaker before getting into optics. That bit of DNA is still present, even if Leica doesn’t make a big deal about it. In the past few years, they’ve taken their time bringing watches to market-first with the ZM1 and ZM11, and now the ZM12, which really feels like it brings their whole design philosophy full circle. Now, when most folks see a minimalist German watch, the “Is this a NOMOS?” or “Is this a Junghans?” question comes up immediately. And honestly, I get it. All three have that clean, modernist feel. But the ZM12 does its own thing. The case finishing has more going on, the strap quick-change system is the kind of clever you wish was more common, and the movement is honestly more interesting in person than in press shots. NOM...
SJX Watches
Louis Erard and Konstantin Chaykin are closing their “Time Eater” collaboration with the final pair in the series, the Le Régulateur Louis Erard x Konstantin Chaykin III Blue and Red. Retaining the familiar “cyclops” regulator dial inspired by the Russian watchmaker’s Wristmons, the new pair will be the last collaboration between the two in this format. Louis Erard and Konstantin Chaykin are working on future collaborations, but those will be in a different style. The blue version is 42 mm and available only from Louis Erard, while the red model is 39 mm and will be sold only by Konstantin Chaykin. The 42 mm model in blue Initial thoughts Louis Erard has done a great number of collaborations with independent watchmakers, but the Konstantin Chaykin Time Eater ranks amongst the best of them. Like the second Vianney Halter collab, the Time Eater captures the spirit of the watchmaker’s original creation while being affordable. I look forward to the next collaboration with Mr Chaykin, because I am sure it will be interesting. Admittedly the latest pair are only a cosmetic tweak on the earlier editions, but the Time Eater is still an appealing concept that’s priced right. Both versions adopts the standard Louis Erard regulator case, which makes it a little too thick, but that’s an acceptable compromise for affordability. The two are the third Time Eater project, and Louis Erard chief Manuel Emch has confirmed they will close the Time Eater regulator series. The ...
Hodinkee
Celebrating fine mechanical instruments on the wrist and through the lens.
Monochrome
Just a couple of years ago, Rolex surprised a lot of people with a quite controversial watch, the “Lefty” or “Destro” GMT-Master II 126720VTNR. It put the date on the left, the cyclops on the left, and the crown and crown guards on the left. Now though, the story continues as Rolex drops in a […]
Deployant
Sony released the next generation to their flagship Alpha 1 lineup, now designated with a "II", and their first G Master fast 28-70 standard zoom lens.
Quill & Pad
The Romain Gauthier Prestige HM is a rare instance of a creator finding his voice on the first attempt. Even through the lens of 17 years of the brand’s evolution, the Prestige HM remains immediately recognizable as a product of the engineer-turned-entrepreneur whose name it bears.
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