Hodinkee
Hodinkee Podcast: Watches And Wonders 2026 - Day 4
Tim is joined by Andy Hoffman and Jamie Weiss to chat about Ulysse Nardin, Laurent Ferrier, Zenith, Sinn, and more.
27,732 articles · 2,350 videos found · page 271 of 1003
Hodinkee
Tim is joined by Andy Hoffman and Jamie Weiss to chat about Ulysse Nardin, Laurent Ferrier, Zenith, Sinn, and more.
Two Broke Watch Snobs
The TAG Heuer Monaco has lived somewhere in the back of my mind for years. It's one of those watches I've never owned, but could never fully shake either. Maybe it traces back to its cameo in the later seasons of Breaking Bad, or maybe it's just that unmistakable square case doing something irrational to me every time I see it. Either way, TAG Heuer just gave me a reason to think about it a lot more. The brand has announced a refreshed Monaco Chronograph in Grade 5 titanium, featuring a new in-house chronograph movement and three colorways launching this month. The post I Can’t Get Over the New Titanium TAG Heuer Monaco Chronograph appeared first on Two Broke Watch Snobs.
SJX Watches
Episode 36 of the SJX Podcast comes straight from Watches & Wonders 2026. As ever, all eyes are focused on Rolex during the first hour of the event. SJX and Brandon unpack the brand’s new models, which feature new materials and a novel industrial approach to enamel dial production. We’ll be back soon with more live coverage of the industry’s biggest event. Listen now on Apple Podcasts, Spotify, and YouTube.
Fratello
Rolex introduces two “Exceptional Timepieces” that will immediately stand out to the brand’s fans. The biggest news is the release of the Rolex Day-Date 40 in the all-new Jubilee gold with a bright green aventurine dial. Jubilee gold is an 18K gold alloy entirely developed and produced in-house. The second new introduction is a Rolex […] Visit Rolex Introduces A Day-Date 40 In The New Jubilee Gold With A Stunning Green Aventurine Dial to read the full article.
Hodinkee
The two-time Masters Champion wears a special Omega to celebrate the victory.
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Worn & Wound
Last year, for the first time, Worn & Wound supported and participated in the Ride to Conquer Cancer, a two-day, 200+ kilometer cycling event through Southern Ontario, Canada, which raises funds for the Princess Margaret Cancer Centre-one of the world’s leading cancer research institutions. the watch community demonstrated incredible generosity. Several Worn & Wound team members joined team “Can’t Stop Won’t Stop”, and we raised over $51,000 for cancer research. It was a powerful example of what this community can achieve when we rally behind a vital cause. Today, I’m proud to announce that our team is officially returning for the 2026 Ride to Conquer Cancer. Returning riders include myself, Matt Smith-Johnson, Atom Moore, and Brea Taylor-Munro. We are also pleased to welcome a new member to the team: Craig Tough. Craig joins us as we aim to surpass last year’s fundraising total and increase our impact on cancer research. Our 2026 Partners Last year set a high bar for fundraising, but this year we’re aiming to do event better. We’re raising funds in three ways – corporate donations, individual donations, and collaborative products (more on that in a bit). We’re grateful for the support of several industry partners who are helping us reach our goals this year. They are: Each of these partners has generously contributed to our initiative, forming a strong foundation for the rest of our fundraising campaign. Limited Edition Collaborations To support ou...
Monochrome
Originally intended as a way to thank 500 of the brand’s suppliers and clients who couldn’t afford an MB&F; watch, Max Büsser came up with the M.A.D.1, an accessible one-off project. Inevitably, the news leaked, and requests from the watch community escalated into a frenzy, prompting the annual release of M.A.D. Editions via a raffle […]
SJX Watches
Alongside the launch of the Omega Constellation Observatory, we were among the first members of the public granted access to the Swatch Group’s Laboratoire de Précision (LP), a new independent chronometer testing institute with facilities in Omega’s native Biel/Bienne and Villeret. The new organisation does not redefine chronometer norms, but it has developed a new acoustic certification process that is more automated and provides client brands with a richer performance data set - a unique capability that has implications beyond mere certification. Laboratoire de Précision. Image – Omega Initial thoughts The debut of the Constellation Observatory, the first watch certified by LP and the first-ever two-handed Master Chronometer, was greeted with a mixed feedback from both collectors and the press. Some found the choice to launch a chronometer without a seconds hand heretical, viewing it as a gimmick to promote LP’s new testing process. The Omega Constellation Observatory is the first watch to complete chronometer certification at LP. Regardless of how one feels about the two-handed aspect of the watch - I found the design balanced and appealing, even if the concept is a bit quirky - the launch placed a renewed focus on the way official chronometers are tested and certified. Many were confused by the claimed novelty of acoustic testing, given the universal presence of Witschi machines on watchmakers’ benches. Indeed, the method is not new. What is new is t...
Worn & Wound
G-SHOCK enthusiasts everywhere will be happy to hear that Casio has embraced a DW-5600 mod that has been popular for years – and it’s slated to hit international markets in the very near future. The new G-SHOCK DW-5600MNC series sees our favorite square swapping out its classic resin strap for a comfortable cloth option with a magnetic twist. For this update, G-SHOCK has partnered with FIDLOCK, a company known for its easy-to-operate fasteners featuring neodymium magnets, to give a boost to the original DW-5600 strap – typically considered by some owners to be a weak point when it comes to all-day wear. FIDLOCK’s technology has found a home in EDC and modding communities, with its most popular contributions outfitting backpacks, water bottle mounts, and even bike helmets. The marriage of these two brands intends to provide users a new type of wearing experience that melds all-day comfort with the practicality we know and love. However, the chasm that exists between the lofty ambition of this release and the end product is one that could damage even the toughest of G-SHOCKs. I spent a week getting hands-on with the new DW-5600MNC series and attempting to understand the point of this questionable update. Before I begin, it’s worth noting for context that G-SHOCK appears in my personal collection more than any other brand. Its tactical aesthetic might be an acquired taste to some, but it’s one I gravitate to readily. When I want a watch I don’t have to think a...
Monochrome
Few initiatives in modern watchmaking genuinely place craft above product. The Time Æon Foundation is one that looks to safeguard and transmit traditional handmade techniques at the highest level. Its Naissance d’une Montre series has become the best expression of its mission, not just watches, but workshops of knowledge, where historical methods are relearned, applied, and […]
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Hodinkee
Zenith's CEO on keeping production at the El Primero maker in line with retail sell-out, and how supplying movements to other LVMH brands will be a growth driver for the 160-year-old manufacturer.
Two Broke Watch Snobs
Raymond Weil introduces “The Fifty,” a 37mm chronograph using restored Valjoux 23-6 movements to mark its 50th anniversary.
Worn & Wound
Whenever I go to a watch event, whether that’s a local meetup, Watches & Wonders, or one of our own Windup fairs, my brain does that thing where upon leaving, I’m trying to figure out the MVP from that event. Not that the watches are in competition with one another – it’s just how I organize my thoughts, figuring out what I liked the most. Coming out of British Watchmakers’ Day last month, the clear MVP for me was the extremely limited Apiar Gen1.1 Underground. I reviewed an early version of this watch last year and was really impressed, and this limited edition (just three pieces!) had a London Underground inspired dial made by The Dial Artist himself that really won me over. I’m a bit of a public transportation nerd so this one called out to me in a strong way, and I admit that I left London last month with a twinge of regret that I didn’t pull the trigger on this watch when I had the chance. Luckily for at least some of us (but not me, I’m tapped out, really) Apiar has followed up the Gen1.1 Underground with a predictable but very welcome sequel, the Gen1.1 Night Tube. As you can probably gather from the name of the watch and the photos, this is effectively a blacked out version of the Underground, because people, of course, ride the subway at all hours of the night in London. This marks the first time Apiar has used a DLC coating on one of their watch cases. Aesthetically, it really shifts the focus to the dial, which I think takes on a brighter quality...
Worn & Wound
When we last checked in on Baltic, they were retiring one of their most popular lines, at least for the time being, with a diamond set version of their MR dress watch. It felt like an appropriate send off for the MR, which I think will be remembered as the release that put the watch world on notice that Baltic was capable of executing in categories other than purely sporty vintage inspired designs. The fact that the last MR prominently features Moissanite stones really reflects the path Baltic finds themselves on now, stretching well beyond what was frankly a somewhat generic playbook in the early days. Their latest collection, the Heures du Monde, is a worldtimer that further reinforces that idea. This is a tribute, of sorts, to the work of Louis Cottier, the Swiss watchmaker who effectively invented the modern worldtimer, creating movements for Patek Philippe, Vacheron Constantin, and others. His worldtimers are of course highly sought after by high end vintage collectors not just for their aesthetic beauty, but their historical significance. The principle behind Cottier’s movements, that the wearer should see the time in every timezone at once, at a glance, via rotating time zone and 24 hour scales, has become the predominant method for executing worldtime watches and is considered the standard in the watch industry. For the Heures du Monde, Baltic has modified a Soprod C125 caliber by removing the date and replacing the GMT hand usually found with that movement w...
Fratello
A watch brand that arguably creates some of the most spectacular watches with skeletonized movements gives these pieces the moniker “Openworked.” However, this term also applies to watches with a cut-away dial, which allows a view of the movement. Not only does my spell checker see “openworked” as a spelling mistake, but watch enthusiasts and […] Visit Do You Know The Difference Between Openworked And Skeletonized Watches? You Should to read the full article.
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Worn & Wound
Once again, here I am late to the party as our own Zach Kazan blows my mind with another brand specializing in artistic dials featuring my favorite métiers d’art craft: enameling. You may recall when he first covered the partnership between De Rijke & Co. and the illustrator Guy Allen two years ago. Now the duo is back with another trio of driver’s watches spanning on the previous Amalfi theme, this time with a stronger focus on the automotive angle. While the Dutch watchmaker and the British artist have been teaming up for nearly a decade, the pair took their work to the next level in 2024 by collaborating on their first set of watches, establishing the Amalfi special editions. The initial set of three watches focused on the themes of air, land, and sea with distinct designs and color palettes reflecting each element. Thanks to champlevé enamel, the illustrations come to life with texture and depth. For the uninitiated, the specific technique of champlevé enamel (French for “raised field”) is similar to cloisonné. However, instead of raised sections to hold enamel, reservoirs to hold the material are created by carving directly into the metal base. The newest trio builds on these designs, but now takes the automotive theme more literally on both the enamel dial and the engraved caseback. The names of the models draw from three regions, the Amazon, Sahara, and Turini, and each gets a corresponding vehicle you might drive there. For the Amazon, you get the Landr...
Monochrome
Founded in 1882 in Switzerland before relocating to Germany in 1902, Hanhart gained fame as a producer of stopwatches in the early 1920s, followed by Flieger chronographs for pilots in the late 1930s. The Hanhart 417 was introduced in the 1950s as a pilot’s chronograph for the German armed forces and re-edited in 2020. While the […]
Time+Tide
Tied to an immersive Italian brand experience, these two watches turn Panerai's Florentine and naval legacy into both an object and a journey.The post Panerai’s “Viaggio nel Tempo” Radiomir duo turns heritage into a ticketed journey appeared first on Time+Tide Watches.
Worn & Wound
A few weeks ago I decided to wear my Tudor Black Bay for the first time in several months. It’s a watch I love that I’ve written about many times on this website, but I’d been enjoying other more recently acquired pieces for some time and the Black Bay had been collecting proverbial dust in the watch box. So on a chilly winter afternoon I wound it up and set the time. But then, instead of closing the bracelet around my wrist and going about my business, I hauled out my little set of watchmaking tools to size the bracelet. Because the actual reason I hadn’t worn it in so long wasn’t entirely a result of being in the honeymoon phase with other watches, it was knowing I had a small chore in front of me if I didn’t want the watch to dangle pathetically from my wrist, and for a while it just seemed easier to ignore it. Over the last year, in an effort to become healthier and, you know, live longer, I’ve lost a significant amount of weight, and it’s had a dramatic effect on how my watches wear, and how I think about them. I’d been putting off an afternoon of resizing all of my watch bracelets in part because I was nervous that once I had my 41mm Black Bay on my now half inch smaller wrist, it would disappoint somehow. I gravitated toward smaller watches all summer and fall of last year as the shape of my body began to noticeably change, wearing my larger watches more sparingly and over shorter stretches of time. The author’s Black Bay on his 7.5 wrist, Oc...
Worn & Wound
There is nothing more effective than the swap of a digit on the calendar to send the whole world into self-reflection mode. As we collectively adjust to a six that replaced a five, many of us have the best intention of making changes that stick around long enough to see that six turn into a seven. Personally, I find there is no better exercise to guide new resolutions than to take stock of the old ones. Non-watch related, dry January turned into dry 2025, and I’m down two links (normal people measure progress in pounds, but bracelet size has become my preferred watch nerd metric). I resumed progress on that half-finished MBA that’s been hanging over my head, and I spent more time playing board games with my kids than the year before. Watch-specific, after five years of constant buying and selling, I decided to go an entire year without purchasing any new watches. Even though it was a lofty goal and one that collectors seeking change often fantasize about without following through, I actually managed to spend 2025 without a substantial #NWA (new watch announcement) post on Instagram. In full transparency, I did pick up a couple of cheap vintage quartz pieces. But us watch enthusiasts have clever ways of rationalizing why certain purchases don’t count (I think we can all agree G-SHOCKs fall into this bucket), and I’m pretending like those pickups don’t exist. After all, neither were “new” and one has already found a new home. During this prolonged period of...
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Monochrome
A perpetual calendar is a complication very much dear to Audemars Piguet. Since the mid-20th century, the manufacture in Le Brassus has offered many variations on how this “celestial” mechanism could be presented, displayed and used. From the world’s first leap-year perpetual calendar wristwatch in 1955, to the ultra-thin automatic QPs of the late 1970s, […]
Worn & Wound
One thing that we’ve learned quite clearly over the last decade or so is that there are a lot of different ways to release a limited edition watch, particularly a collaborative limited edition. Our friends over at Monochrome have a particularly interesting way of doing it, with their Montre de Souscription series, which makes limited edition watches available on a “subscription” basis, a throwback to a very old way of selling watches. This is essentially the offer of a pre-order with money down, that allows the watchmakers to begin working on the pieces to be sold later. The concept has evolved and become quite common, but in the early days of watchmaking this was the only way that fine watches could be made and that everyone involved could make a living at it, so the term has come to evoke classical watchmaking in a very real way. For their part, Monochrome has chosen to work with some very esteemed and similarly old-fashioned independent brands since this series launched in 2020, including Habring (twice), Armin Strom, and Czapek. Last week, they debuted the latest MDS series watch, the Montre de Souscription 5 x Angelus Chronographe Tachymètre. This is a new spin on the Chronographe Télémètre, a watch that was among our favorite debuts at Watches & Wonders last year. As you might guess from the name, the new piece made with Monochrome switches out the telemeter scale on the chronograph for a tachymeter. There are other little changes as well, but the mos...
Worn & Wound
For the third year in a row, Fears will introduce a limited edition watch to be sold exclusively at British Watchmakers’ Day, which this year occurs on March 7. It continues a theme established in 2024 of using 925 Sterling Silver for the case material, a flourish that feels special and, somehow, quintessentially British. This year’s limited edition piece, the Brunswick 40 1846 Edition, debuts a new case design as well as a special lacquer dial made just for this year’s LE. It’s also an anniversary piece, as this year marks the 180th anniversary of brand founder Edwin Fear opening his first watchmaking workshop in Bristol in 1846. This Brunswick 40 case is polished on all sides, taking full advantage of the natural lustre of 925 sterling silver. It’s also engraved with the initials of Nicholas Bowman-Scargill, the brand’s managing director, which is a nod to a tradition started with the first silver pocket watch made by Edwin Fear. Additionally, like previous British Watchmakers’ Day editions in silver, the crown is set with a single diamond to note that the case is constructed from a precious metal. Diving into the specs, it’s worth noting that the case of this Brunswick 40 is very slightly thinner than the standard issue version. Per the spec sheet, this LE measures in at 11.1mm tall, while the typical Brunswick 40 is 11.9mm in height. That difference, you won’t be surprised to learn, likely comes down to the use of a manually wound movement in this...
Hodinkee
The first concours dedicated exclusively to Vacheron Constantin's timepieces pays tribute to collectors and preserves the brand's legacy.
Monochrome
The Lycée Edgar Faure in Morteau has been nurturing an impressive wave of independent watchmakers, emerging with fresh visions and artisanal talent. In recent years, it has produced notable names such as Sylvain Pinaud, Théo Auffret, Rémy Cools, John-Mikaël Flaux, Cyril Brivet-Naudot, Thomas Aubert and Alexis Ramel-Sartori, and many others. Today, we turn our attention to […]
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