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Skeleton & Openworked Watches · Page 21

REVIEW: Hands On With The Bell & Ross Cyber Ceramic WatchAdvice
Mar 23, 2024

REVIEW: Hands On With The Bell & Ross Cyber Ceramic

Part cyberpunk, part stealth fighter, we go hands on with the Bell & Ross Cyber Ceramic to see if this avante guarde piece can handle the urban jungle. What We Love The faceted designLittle details you keep noticing after a longer wearIt truly is a stealth watch with little branding What We Don’t The loud ceramic rotor noiseThickness of the caseLegibility of the hands and dial Overall Rating: 8.625/10 Value for money: 8/10Wearability: 9/10Design: 8.5/10Build quality: 9/10 Bell & Ross is one of those under-the-radar brands. Ironic given their penchant for aviation-themed timepieces! So when I was thinking about what watch I’d like to review, and not had the chance to really spend much time with, Bell & Ross came to mind. I haven’t read any hands-on reviews with them in recent times, nor have I really seen any floating around. Originally I was thinking of doing a review of one of their more classic pieces, however, Bell & Ross offered us an alternative. The new Cyber Skeleton in black ceramic. Introducing the Bell & Ross Cyber Ceramic Initial Thoughts I’ve never been into all-black watches. I’ve nothing against them, they’ve just not really appealed to me all that much. However, the Bell & Ross Cyber Skeleton isn’t your everyday all-black piece. It is a statement on your wrist. One that will most probably not get much attention until it does. It’s one of those pieces that isn’t easily recognisable from a distance (hence under the radar) but on closer inspec...

Maurice Lacroix and Label Noir Reteam for a New Addition to the Masterpiece Collection Worn & Wound
Mar 19, 2024

Maurice Lacroix and Label Noir Reteam for a New Addition to the Masterpiece Collection

Swiss brand Maurice Lacroix, in collaboration with Label Noir, unveils the latest iteration of its Masterpiece Skeleton, the Masterpiece Skeleton Label Noir. While many in the industry may be getting collab fatigue, it’s hard to deny that this new release isn’t the perfect example of a partnership done right: each party leaning on the other’s strength to make something truly impressive.   Building upon the success of their previous collaboration on the AIKON model in 2020, Maurice Lacroix and Label Noir join forces again to recreate the magic that was this original release. The Masterpiece Skeleton Label Noir pushes the boundaries of design even further for Maurice Lacroix, showcasing that a well-crafted timepiece can, at times, venture outside the box to make something that expands the brand’s identity in new ways. With the Masterpiece Skeleton, Maurice Lacroix pays homage to skeleton watches while embracing modern technology. In particular, the Masterpiece Skeleton uses both CNC and CAD technology to bring a level of minute detail to their eye-catching design. In doing so, Maurice Lacroix’s artisans have produced a product in which every detail of the movement is both precise and reliable, while still maintaining its captivating filigreed appearance.   The mechanical movement of the Masterpiece Skeleton is the Manufacture ML134 caliber, adorned with Grand Colimaçon, sand-blasted finishing and bridges with polished edges. As with all Maurice Lacroix watches, ...

Introducing: The Next Bvlgari Octo Finissimo Sketch - An Artistic Alternative To Skeletonization Fratello
Mar 15, 2024

Introducing: The Next Bvlgari Octo Finissimo Sketch - An Artistic Alternative To Skeletonization

Two years ago, Bvlgari introduced the Octo Finissimo Sketch, with its dial printing executed in pencil-sketch style. It was a stroke of brilliance from Bvlgari’s Product Creation Executive Director Fabrizio Buonamassa Stigliani. Now, two years later, the brand is celebrating its 140th birthday. To mark the occasion, Stigliani took his pencil out of the drawer […] Visit Introducing: The Next Bvlgari Octo Finissimo Sketch - An Artistic Alternative To Skeletonization to read the full article.

The Crash You Didn’t Think Ever Happened - The Ultra-Rare Cartier Crash Skeleton Extra Large Limited Edition In Platinum Fratello
Mar 14, 2024

The Crash You Didn’t Think Ever Happened - The Ultra-Rare Cartier Crash Skeleton Extra Large Limited Edition In Platinum

Have you ever seen a Crash live? If you have, you will agree with me that this very peculiar Cartier creation is something special. Do you know what’s even more special than “any old” Cartier Crash? A skeletonized Cartier Crash Skeleton Extra Large limited edition in platinum, that’s what. Only 10 were made in 2017 […] Visit The Crash You Didn’t Think Ever Happened - The Ultra-Rare Cartier Crash Skeleton Extra Large Limited Edition In Platinum to read the full article.

Up Close: Louis Vuitton Voyager Flying Tourbillon Plique-à-Jour SJX Watches
Mar 13, 2024

Up Close: Louis Vuitton Voyager Flying Tourbillon Plique-à-Jour

A watch that exemplifies the ambitious vertical integration of Louis Vuitton’s watch division, the Voyager Flying Tourbillon Poinçon de Genève Plique-à-Jour combines a skeleton tourbillon movement with a plique-à-jour enamel dial. Transparent and akin to stained glass, plique-à-jour enamel is rare in watchmaking, with only a handful of brands having accomplished it. But this specific form on the Voyager tourbillon, which goes without any backing under the dial, is even more uncommon. Because there is no base for the dial, the transparency of both the dial and the movement is maximised. Initial thoughts The original version of this watch, essentially identical but without the enamel dial, was launched in 2016. Louis Vuitton didn’t get much attention as a watchmaker then, though I liked the watch, particularly the slim profile and open-worked movement made by La Fabrique du Temps (LFT). The quality of the watch indicated Louis Vuitton was going places as a watch brand. Louis Vuitton has come a long way since then as a watchmaker. It now boasts several automaton wristwatches, the Rexhep Rexhepi RR01 collaboration, and its own prize for independent watchmakers. Appropriately enough, the Voyager tourbillon has been enhanced, reflecting the substantial expansion and development of LFT since 2016. The movement, dial, and case are all made in-house at LFT, reflecting Louis Vuitton’s impressive manufacture that now rivals some of the most prominent names in haute horlog...

Girard-Perregaux Introduces the Free Bridge Meteorite SJX Watches
Mar 11, 2024

Girard-Perregaux Introduces the Free Bridge Meteorite

Girard-Perregaux (GP) is dressing up its entry-level “bridge” model with meteorite panels that flank the visible barrel and going train. The Girard-Perregaux Free Bridge Meteorite retains the model’s 44 mm steel case with a domed crystal and ergonomic lugs, with the centrepiece being the free-sprung balance wheel and escapement in silicon. Initial Thoughts GP’s flagship complication, historically speaking, was the Tourbillon with Three Gold Bridges. The Free Bridge is an abbreviated, affordable take on the Three Bridge concept. Although the Free Bridge is a simple watch – it’s a two-hand timepiece indicating just hours and minutes – it has been executed fairly elaborately in terms of the movement. In that sense, the Free Bridge is similar to the Ulysse Nardin Freak X, which is not surprising since the two are sister companies. However, past versions of the Free Bridge were fairly plain in terms of design. The Free Bridge Meteorite is a bit more stylish in terms of aesthetics thanks to the meteorite panels that frame the open-worked movement. The silvery-grey tone of the meteorite is a good match for the black and grey palette of the watch. At CHF24,600, the Free Bridge Meteorite isn’t too expensive, though it isn’t the same sort of value proposition that the Freak X is. Though the two watches are similar thematically, the Freak X has a more complex movement but only costs about 10% more. The Free Bridge Meteorite would have been a similar value propositio...

First Look - A new Sand-Gold Alloy for the Audemars Piguet Royal Oak Selfwinding Flying Tourbillon Openworked Monochrome
Mar 7, 2024

First Look - A new Sand-Gold Alloy for the Audemars Piguet Royal Oak Selfwinding Flying Tourbillon Openworked

While the Royal Oak was initially born in stainless steel – which, in our opinion, remains the material of choice for the classic Jumbo – the emblematic Audemars Piguet collection rather quickly embraced gold. Since then, precious metals have become integral to the series, always leaving a memorable impression. In its latest venture, the brand […]

Audemars Piguet Introduces the Royal Oak Tourbillon Openworked “Sand Gold” SJX Watches
Mar 7, 2024

Audemars Piguet Introduces the Royal Oak Tourbillon Openworked “Sand Gold”

Audemars Piguet (AP) has introduced the Royal Oak Selfwinding Flying Tourbillon Openworked in a new proprietary 18ak gold alloy known as sand gold. Essentially a precious-metal variant of the steel version released in 2022, the new Tourbillon Openworked showcases the brand’s commitment to interesting materials – possible in part due to AP owning its own case maker. While the hype for integrated-bracelet sport watches has ebbed, AP has continued to deliver successive variants of its popular Royal Oak in exotic materials ranging from brown ceramic to frosted gold. Priced at CHF250,000, this latest variant pairs a warm-hued gold case and bracelet with one of the brand’s most modern movements. Initial thoughts Unlike its “Holy Trinity” peers Patek Philippe and Vacheron Constantin, Audemars Piguet has firmly embraced a contemporary, architectural aesthetic throughout its collections. The new Tourbillon Openworked is emblematic of this theme, eschewing traditional decorative finishes like Côtes de Geneve in favour of minimalist graining and sharp angles. Featuring the brand’s latest generation flying tourbillon movement plated to match the case, the sand gold tourbillon presents a striking monochrome appearance. While skeletonised watches can often look fussy and chaotic, the geometric bridges of the cal. 2972 were clearly designed with openworking in mind. As a result, the overall aesthetic is clean and organised. The 41 mm case is well-proportioned at just 10.6 mm...

Louis Vuitton Introduces Tourbillon with Plique-à-Jour Enamel Dial SJX Watches
Mar 6, 2024

Louis Vuitton Introduces Tourbillon with Plique-à-Jour Enamel Dial

Making full use of its recently established enamel workshop, Louis Vuitton debuts the Voyager Flying Tourbillon Poinçon de Genève Plique-à-Jour. Equipped with a skeleton tourbillon movement bearing the Geneva Seal, the new Voyager features a dial of translucent enamel in a gold lattice that is similar to stained glass. Initial thoughts The Voyager tourbillon was unveiled in its original format in 2016. I examined the watch at the time, and came away impressed by both the design and finishing, though I felt it was pricey. The case was elegantly proportioned and sat particularly well on the wrist, being just over 9 mm tall. And the movement was surprisingly airy while having a high level of decoration equivalent to that found in establishment haute horlogerie names. The plique-à-jour is essentially the same thing but with an enamel dial. The thickness of the dial adds to the case height, bringing it to over 11 mm, so the new tourbillon doesn’t have the slimness but it remains an elegant watch. The artisanal dial does add another level of appeal, particularly since this enamel technique is not often used in watches, particularly on the large surface of entire dial. Personally I would have preferred colours other than blue and grey for the enamel, but geometric, repeating “V” motif of the dial is attractive. As for the price, well, this is an expensive watch, though arguably not as much as in 2016.. Louis Vuitton has come a long way since as a watchmaker, with the br...

First Look - The Speake Marin One & Two Openworked Sandblasted Red Gold And Titanium Monochrome
Feb 1, 2024

First Look - The Speake Marin One & Two Openworked Sandblasted Red Gold And Titanium

If Speake Marin has recently made waves with its sport-chic Ripples line, its Piccadilly case remains a brand signature Inherently Speake Marin. Watches featuring the Piccadilly case embody British elegance, controlled eccentricity, and classic Swiss Haute Horlogerie. The One & Two collection underwent a tasteful revamping in 2017 in collaboration with watch designer Eric Giroud. […]

Hublot Taps One of their Favorite Artist Collaborators for the new Classic Fusion Tourbillon Orlinksi Worn & Wound
Jan 29, 2024

Hublot Taps One of their Favorite Artist Collaborators for the new Classic Fusion Tourbillon Orlinksi

For this year’s LVMH Watch Week, Hublot has unveiled their latest collaboration with the artist Richard Orlinskli, a pair of limited edition tourbillons in pop-art inspired shades with dramatically skeletonized dials. The Hublot partnership with Orlinski goes back to 2017, and during the ensuing years the Swiss watch brand and French contemporary artist have developed a bona fide collection within a collection. The Orlinski pieces, whether they’re to your taste or not, are so clearly connected to the artist that they are immediately recognizable, often using bold colors and prominent facets at oblique angles, a style that is a clear extension of his sculpture work. The new Classic Fusion Tourbillon Orlinski is full of familiar ideas from previous collaborations and Hublot mainstays, but pulled together into something that feels entirely new.  The new collaboration starts with a 45mm Classic Fusion case in either yellow of sky blue ceramic, but true to form with the Orlinski watches, Hublot has given the artist the opportunity to shape and mold the case to his taste, adding the contours and facets that make the pieces so identifiable as “Orlinskis” to begin with. It’s uncommon for watch brands to give their collaborating partners this level of freedom, but it’s something we’ve seen from Hublot not just with Orlinksi, but in their work with tattoo artist Maxime Plescia-Buchi as well. Say what you will about Hublot, but they deserve credit for allowing the arti...

Frederique Constant Introduces The Slimline Perpetual Calendar Manufacture Skeleton by Peter Speake Fratello
Jan 27, 2024

Frederique Constant Introduces The Slimline Perpetual Calendar Manufacture Skeleton by Peter Speake

In 2022, Frederique Constant launched a special version of its Slimline Perpetual Calendar in collaboration with The Naked Watchmaker. Roughly 18 months later, this joint effort gets a new chapter with another version of the same watch. This time around, however, the new edition comes courtesy of Peter Speake. He is no longer part of […] Visit Frederique Constant Introduces The Slimline Perpetual Calendar Manufacture Skeleton by Peter Speake to read the full article.

Introducing - The Frederique Constant Slimline Perpetual Calendar Manufacture Skeleton by Peter Speake Monochrome
Jan 23, 2024

Introducing - The Frederique Constant Slimline Perpetual Calendar Manufacture Skeleton by Peter Speake

Frederique Constant, renowned, among other things, for its remarkable price-to-quality ratio, surprised the watch community with its original Slimline Perpetual Calendar model 2016. This competitively priced (under EUR 10,000) watch, equipped with the brand’s FC-775 perpetual calendar calibre, quickly gained recognition. In 2022, Frederique Constant presented an unexpected update to this model through a collaboration […]

Roger Dubuis Introduces the Excalibur Dragon Monotourbillon SJX Watches
Jan 23, 2024

Roger Dubuis Introduces the Excalibur Dragon Monotourbillon

The latest iteration of Roger Dubuis’ signature model is the Excalibur Dragon Monotourbillon. A limited edition conceived for the Chinese Lunar Near Year, the watch features an stylised dragon composed of 27 brass plates that integrate the mythical creature into the bridges of the open-worked movement. Initial thoughts Best known for ultra-contemporary, open-worked calibres, Roger Dubuis (RD) specialises in extravagant designs, including the recent Knights of the Round Table. The Excalibur Dragon Monotourbillion is a prime example of what the brand does best. In contrast to most dragon-themed watches that are either traditional or whimsical, the Excalibur Dragon portrays the dragon in a modern, almost abstract manner. Although the watch is big and bold, attention has been paid to the finer details. The movement is open-worked in typical RD fashion and finished to Poinçon de Genève standards, which means bevelled edges, chambered flanks, and polished pins, amongst other things. And while the pronounced styling might not be for everyone, the Excalibur Dragon is actually more wearable than the typical complicated RD watch. At 42 mm in diameter and a bit over 12 mm high, it is moderately sized relative to much of the brand’s offerings. At CHF195,000, the Excalibur Dragon sits in between its most obvious comparables on the price spectrum, more affordable than Richard Mille and pricier than Hublot. The movement inside is arguably better executed than those of its rivals, t...

Comments 5

  1. Karam
    The Greubel Forsey architecture mentioned here is genuinely impressive from a chronometry standpoint. Those openworked layouts don't come cheap in terms of manufacturing tolerances. Curious if the article touched on how skeleton designs affect COSC certification or if there's any measurable deviation penalty versus solid movement cases.
  2. Anonymous
    Skeleton watches always feel a bit theatrical to me, like you're paying extra just to see the gears spinning. That said, there's something genuinely beautiful about the hand-pierced pocket watches from the 18th century mentioned here. Modern ones feel like they're trying too hard.
  3. WatchHusk
    The AP Royal Oak Skeleton and Hublot Big Bang Tourbillon get all the press, but honestly if you want to appreciate openworked movements without the six-figure price tag, look at what the microbrands are doing. Brands like Nezumi Studios and Raven are exploring skeleton concepts with real craftsmanship and way more soul per dollar spent.
  4. Reece
    been looking at skeleton watches and wondering about the depreciation angle. AP Royal Oak holds value pretty well historically, but does the skeleton variant retain differently than the standard model? cost of ownership over 5 years must be brutal if you're paying sport watch prices for something you mainly wear on weekends.
  5. Ravi
    Is a skeleton watch actually worth it as a first watch versus something like a standard Submariner or Speedmaster. I love the look but some of the collector stuff seems way out of budget. Should I be patient and save or is there a good entry point.

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